Essayists From The United States

"The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstances, whether created by others or by one's own human failing."

"Commercial rock ’n’ roll music is a brutalization of the stream of contemporary Negro church music … an obscene looting of a cultural expression."

"Injustice wears ever the same harsh face wherever it shows itself."

"At best Americans give but limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest."

"Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational."

"Closed societies are now the flimsiest of illusions, for all the outsiders are demanding in."

"Deep at the dark bottom of the melting pot, where the private is public and the public private, where black is white and white black, where the immoral becomes moral and the moral is anything that makes one feel good (or that one has the power to sustain), the white man's relish is apt to be the black man's gall."

"Every serious novel is, beyond its immediate thematic preoccupations, a discussion of the craft, a conquest of the form, a conflict with its difficulties and a pursuit of its felicities and beauty."

"Some people are your relatives but others are your ancestors, and you choose the ones you want to have as ancestors. You create yourself out of those values."

"When American life is most American it is apt to be most theatrical."

"The understanding of art depends finally upon one's willingness to extend one's humanity and one's knowledge of human life."

"By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication."

"Life is as the sea, art a ship in which man conquers life's crushing formlessness, reducing it to a course, a series of swells, tides and wind currents inscribed on a chart."

"Perhaps the most insidious and least understood form of segregation is that of the word.[…] For if the word has the potency to revive and make us free, it has also the power to blind, imprison and destroy."

"[T]here must be possible a fiction which, leaving sociology and case histories to the scientist, can arrive at the truth about the human condition, here and now, with all the bright magic of the fairy tale."

"[T]he painful details and episodes of a brutal experience alive in one's aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy, but by squeezing from it a near-tragic, near-comic lyricism. As a form the blues is an autobiographical chronicle of personal catastrophe expressed lyrically."

"Our task then is always to challenge the apparent forms of reality—that is, the fixed meaning and values of the few—and to struggle with it until it reveals its mad, vari-implicated chaos, its false faces, and on until it surrenders its insight, its truth."

"I am a novelist, not an activist... But I think that no one who reads what I write or who listens to my lectures can doubt that I am enlisted in the freedom movement. As an individual, I am primarily responsible for the health of American literature and culture. When I write, I am trying to make sense out of chaos. To think that a writer must think about his Negroness is to fall into a trap."

"For now I had begun to believe, despite all the talk of science around me, that there was a magic in spoken words."

"All novels are about certain minorities: the individual is a minority. The universal in the novel—and isn't that what we're all clamoring for these days?—is reached only through the depiction of the specific man in a specific circumstance."

"Writers and artists never pay attention to advice given by their elders, quite rightly. The only worthwhile advice is the most general: Keep trying, don’t give up, don’t be discouraged, don’t pay attention to detractors. Everyone knows this."

"My theory is that literature is essential to society in the way that dreams are essential to our lives. We can’t live without dreaming — as we can’t live without sleep. We are “conscious” beings for only a limited period of time, then we sink back into sleep — the “unconscious.” It is nourishing, in ways we can’t fully understand."

"I think that art is the commemoration of life in its variety. The novel, for instance, is “historic” in its embodiment in a specific place and time and its suggestion that there is meaning to our actions. Without the stillness, thoughtfulness and depths of art, and without the ceaseless moral rigors of art, we would have no shared culture — no collective memory. As it is, in contemporary societies, where so much concentration is focused on social media, insatiable in its myriad, fleeting interests, the “stillness and thoughtfulness” of a more permanent art feels threatened."

"The writer is a “somewhat mystical” — or do I mean “mythical”? — person."

"[The] third man in the ring makes boxing possible."

"Love commingled with hate is more powerful than love. Or hate."

"Any number of definitions help to determine who we are. It doesn't hurt to be a woman writer, an American woman writer, American woman writer of the 21st century. I think all these descriptions of us — and they're descriptions and adjectives that pertain to you — none of them diminish you, really. I think that maybe there's a kind of deepening or expansion the more identifications you have."

"To be knocked out doesn’t mean what it seems. A boxer does not have to get up."

"The spectacle of human beings fighting each other for whatever reason, including, at certain well-publicized times, staggering sums of money, is enormously disturbing because it violates a taboo of our civilization. Many men and women, however they steel themselves, cannot watch a boxing match because they cannot allow themselves to see what it is they are seeing. One thinks helplessly, This can’t be happening, even as, and usually quite routinely, it is happening. In this way boxing as a public spectacle is akin to pornography: in each case the spectator is made a voyeur, distanced, yet presumably intimately involved, in an event that is not supposed to happening as it is happening. The pornographic "drama," though as fraudulent as professional wrestling, makes a claim for being about something absolutely serious, if not humanly profound: it is not so much about itself as about the violation of a taboo. That the taboo is spiritual rather than physical, or sexual — that our most valuable human experience, love, is being is being desecrated, parodied, mocked — is surely at the core of our culture’s fascination with pornography."

"In any case, raw aggression is thought to be the peculiar province of men, as nurturing is the peculiar province of women... The psychologist Erik Erikson discovered that, while little girls playing with blocks generally create pleasant interior spaces and attractive entrances, little boys are inclined to pile up the blocks as high as they can and then watch them fall down: "the contemplation of ruins," Erikson observes, "is a masculine specialty.""

"The written word, obviously, is very inward, and when we're reading, we're thinking. It's a sort of spiritual, meditative activity. When we're looking at visual objects, I think our eyes are obviously directed outward, so there's not as much reflective time. And it's the reflectiveness and the spiritual inwardness about reading that appeals to me."

"Boxing has become America’s tragic theater."

"Constant interruptions are the destruction of imagination."

"I can entertain the proposition that life is a metaphor for boxing — for one of those bouts that go on and on, round following round, jabs, missed punches, clinches, nothing determined, again the bell and again and you and your opponent so evenly matched it’s impossible not to see that your opponent is you... Life is like boxing in many unsettling respects. But boxing is only like boxing."

"Boxing is about being hit rather more than it is about hitting, just as it is about feeling pain, if not devastating psychological paralysis, more than it is about winning."

"Homo sapiens is the species that invents symbols in which to invest passion and authority, then forgets that symbols are inventions."

"It's one of those secrets that's embarrassing to acknowledge, but we do love our students."

"Prose — it might be speculated — is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of "communication"; the other is private, allusive, teasing, sly, idiosyncratic as the spider’s delicate web, a kind of witchcraft unfathomable to ordinary minds."

"When you’re 50 you start thinking about things you haven’t thought about before. I used to think getting old was about vanity — but actually it’s about losing people you love. Getting wrinkles is trivial."

"Boxing is a celebration of the lost religion of masculinity all the more trenchant for its being lost."

"When people say there is too much violence in [my books], what they are saying is there is too much reality in life."

"Our enemy is by tradition our savior, in preventing us from superficiality."

"When poets — write about food it is usually celebratory. Food as the thing-in-itself, but also the thoughtful preparation of meals, the serving of meals, meals communally shared: a sense of the sacred in the profane."

"If you are a writer you locate yourself behind a wall of silence and no matter what you are doing, driving a car or walking or doing housework — you can still be writing, because you have that space."

"The worst cynicism: a belief in luck."

"Old women snore violently. They are like bodies into which bizarre animals have crept at night; the animals are vicious, bawdy, noisy. How they snore! There is no shame to their snoring. Old women turn into old men."

"If food is poetry, is not poetry also food?"

"It is not her body that he wants but it is only through her body that he can take possession of another human being, so he must labor upon her body, he must enter her body, to make his claim."

"Very few writers of distinction in fact were outstanding as undergraduates."

"Nothing is accidental in the universe — this is one of my Laws of Physics — except the entire universe itself, which is Pure Accident, pure divinity. So it cannot be an accident that I think of you so constantly."