Academics From Ireland

"What's interesting is, in the months leading up to this, I was probably at the lowest ebb in my life. I was feeling just teenage angst. I didn't know if I wanted to continue living — that kind of despair. I was praying to a God I didn't know was listening."

"I will try to keep my homily brief. But be warned — I'm Irish."

"We could defend ourselves. But even though some of us became pretty good at violence ourselves, others didn't. They got the shit kicked out of 'em. I thought that was kind of normal. I can remember incredible street battles. I remember one madster with an iron bar, just trying to bring it down on my skull as hard as he possibly could, and holding up a dustbin lid, which saved my life. Teenage kids have no sense of mortality — yours or theirs."

"We had a street gang that was very vivid — very surreal. We were fans of Monty Python. We'd put on performances in the city center of Dublin. I'd get on the bus with a stepladder and an electric drill. Mad shit. Humor became our weapon. Just stand there, quiet — with the drill in my hand. Stupid teenage shit."

"You know that Johnny Cash song "A Boy Named Sue" where he gives the kid a girl's name, and the kid is beaten up at every stage in his life by macho guys, but in the end he becomes the toughest man. … By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams. By telling me that the band would only last five minutes or ten minutes — we're still here."

"Remember what John Adams said about Ben Franklin, "He does not hesitate at our boldest Measures but rather seems to think us too irresolute." Well, this is the time for bold measures."

"I'm the Imelda Marcos of sunglasses.... Very sensitive eyes to light. If somebody takes my photograph, I will see the flash for the rest of the day. My right eye swells up. I've a blockage there, so that my eyes go red a lot. So it's part vanity, it's part privacy and part sensitivity."

"I really remember John Lennon's Imagine. I guess I'm twelve; that's one of my first albums. That really set fire to me. It was like he was whispering in your ear — his ideas of what's possible. Different ways of seeing the world."

"Sing the melody line you hear in your own head. Remember, you don't owe anybody any explanations, you don't owe your parents any explanations, you don't owe your professors any explanations."

"You know I used to think the future was solid or fixed, something you inherited like an old building that you move into when the previous generation moves out or gets chased out. But it's not. The future is not fixed, it's fluid."

"Every era has its defining struggle and the fate of Africa is one of ours. It's not the only one, but in the history books it's easily going to make the top five, what we did or what we did not do. It's a proving ground, as I said earlier, for the idea of equality. But whether it's this or something else, I hope you'll pick a fight and get in it. Get your boots dirty, get rough, steel your courage with a final drink there at Smoky Joe's, one last primal scream and go."

"I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at. I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind — even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling. Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!"

"The world is more malleable than you think and it's waiting for you to hammer it into shape."

"I presume the reason for this gathering is that all of us here — Muslims, Jews, Christians — all are searching our souls for how to better serve our family, our community, our nation, our God. I know I am. Searching, I mean. And that, I suppose, is what led me here, too. Yes, it's odd, having a rock star here — but maybe it's odder for me than for you. You see, I avoided religious people most of my life. Maybe it had something to do with having a father who was Protestant and a mother who was Catholic in a country where the line between the two was, quite literally, a battle line. Where the line between church and state was... well, a little blurry, and hard to see."

"I really, really do believe it. I just want you to know, I think this is obvious, but I'm not really going in for the warm fuzzy feeling thing, I'm not a hippy, I do not have flowers in my hair, I come from punk rock, The Clash wore army boots not Birkenstocks. I believe America can do this! I believe that this generation can do this. In fact I want to hear an argument about why we shouldn't."

"I know idealism is not playing on the radio right now, you don't see it on TV, irony is on heavy rotation, the knowingness, the smirk, the tired joke. I've tried them all out but I'll tell you this, outside this campus — and even inside it — idealism is under siege beset by materialism, narcissism and all the other isms of indifference. Baggism, Shaggism. Raggism. Notism, graduationism, chismism, I don't know. Where's John Lennon when you need him?"

"Yesterday, here in Philadelphia, at the Liberty Bell, I met a lot of Americans who do have the will. From arch-religious conservatives to young secular radicals, I just felt an incredible overpowering sense that this was possible. We're calling it the ONE campaign, to put an end to AIDS and extreme poverty in Africa. They believe we can do it, so do I."

"This is the straight truth, the righteous truth. It's not a theory, it's a fact. The fact is that this generation — yours, my generation — that can look at the poverty, we're the first generation that can look at poverty and disease, look across the ocean to Africa and say with a straight face, we can be the first to end this sort of stupid extreme poverty, where in the world of plenty, a child can die for lack of food in it's belly. We can be the first generation. It might take a while, but we can be that generation that says no to stupid poverty. It's a fact, the economists confirm it. It's an expensive fact but, cheaper than say the Marshall Plan that saved Europe from communism and fascism. And cheaper I would argue than fighting wave after wave of terrorism's new recruits."

"It's not everywhere in fashion these days, Americanism. Not very big in Europe, truth be told. No less on Ivy League college campuses. But it all depends on your definition of Americanism. Me, I'm in love with this country called America. I'm a huge fan of America, I'm one of those annoying fans, you know the ones that read the CD notes and follow you into bathrooms and ask you all kinds of annoying questions about why you didn't live up to that... I'm that kind of fan. I read the Declaration of Independence and I've read the Constitution of the United States, and they are some liner notes, dude. As I said yesterday I made my pilgrimage to Independence Hall, and I love America because America is not just a country, it's an idea."

"It's a fact. So why aren't we pumping our fists in the air and cheering about it? Well probably because when we admit we can do something about it, we've got to do something about it. For the first time in history we have the know how, we have the cash, we have the lifesaving drugs, but do we have the will?"

"We used to wake up in the morning and the mist would be lifting we'd see thousands and thousands of people who'd been walking all night to our food station were we were working. One man — I was standing outside talking to the translator — had this beautiful boy and he was saying to me in Amharic, I think it was, I said I can't understand what he's saying, and this nurse who spoke English and Amharic said to me, he's saying will you take his son. He's saying please take his son, he would be a great son for you. I was looking puzzled and he said, "You must take my son because if you don't take my son, my son will surely die. If you take him he will go back to Ireland and get an education." Probably like the ones we're talking about today. I had to say no, that was the rules there and I walked away from that man, I've never really walked away from it. But I think about that boy and that man and that's when I started this journey that's brought me here into this stadium. Because at that moment I became the worst scourge on God's green earth, a rock star with a cause. Christ! Except it isn't the cause. Seven thousand Africans dying every day of preventable, treatable disease like AIDS? That's not a cause, that's an emergency."

"20 years on I'm not that interested in charity. I'm interested in justice. There's a difference. Africa needs justice as much as it needs charity. Equality for Africa is a big idea. It's a big expensive idea."

"Africa makes a mockery of what we say, at least what I say, about equality and questions our pieties and our commitments because there's no way to look at what's happening over there and it's effect on all of us and conclude that we actually consider Africans as our equals before God. There is no chance."

"The scale of the suffering and the scope of the commitment they often numb us into a kind of indifference. Wishing for the end to AIDS and extreme poverty in Africa is like wishing that gravity didn't make things so damn heavy. We can wish it, but what the hell can we do about it? Well, more than we think. We can't fix every problem — corruption, natural calamities are part of the picture here — but the ones we can we must. The debt burden, as I say, unfair trade, as I say, sharing our knowledge, the intellectual copyright for lifesaving drugs in a crisis, we can do that. And because we can, we must. Because we can, we must. Amen."

"What are the ideas right now worth betraying? What are the lies we tell ourselves now?"

"America is an idea, but it's an idea that brings with it some baggage, like power brings responsibility. It's an idea that brings with it equality, but equality even though it's the highest calling, is the hardest to reach. The idea that anything is possible, that's one of the reasons why I'm a fan of America. It's like hey, look there's the moon up there, lets take a walk on it, bring back a piece of it. That's the kind of America that I'm a fan of."

"I didn't expect change to come so slow, so agonizingly slow. I didn't realize that the biggest obstacle to political and social progress wasn't the Free Masons, or the Establishment, or the boot heel of whatever you consider 'the Man' to be, it was something much more subtle. As the Provost just referred to, a combination of our own indifference and the Kafkaesque labyrinth of 'no's you encounter as people vanish down the corridors of bureaucracy."

"There's a truly great Irish poet. His name is Brendan Kennelly, and he has this epic poem called the Book of Judas, and there's a line in that poem that never leaves my mind, it says: "If you want to serve the age, betray it." What does that mean, to betray the age? Well to me betraying the age means exposing its conceits, it's foibles; it's phony moral certitudes. It means telling the secrets of the age and facing harsher truths."

"So I humbly accept the honor, keeping in mind the words of a British playwright, John Mortimer it was, "No brilliance is needed in the law. Nothing but common sense and relatively clean fingernails." Well at best I've got one of the two of those."

"Don't get me too excited because I use four letter words when I get excited. I'd just like to say to the parents, your children are safe, your country is safe, the FCC has taught me a lesson and the only four letter word I'm going to use today is P-E-N-N. Come to think of it 'Bono' is a four-letter word. The whole business of obscenity — I don't think there's anything certainly more unseemly than the sight of a rock star in academic robes. It's a bit like when people put their King Charles spaniels in little tartan sweats and hats. It's not natural, and it doesn't make the dog any smarter."

"Every age has its massive moral blind spots. We might not see them, but our children will. Slavery was one of them and the people who best served that age were the ones who called it as it was — which was ungodly and inhuman. Ben Franklin called it what it was when he became president of the Pennsylvania Abolition Society."

"I have to come clean; I've broken a lot of laws, and the ones I haven't I've certainly thought about. I have sinned in thought, word, and deed. God forgive me. Actually God forgave me, but why would you? I'm here getting a doctorate, getting respectable, getting in the good graces of the powers that be, I hope it sends you students a powerful message: Crime does pay."

"One of the things that I picked up from my father and my mother was the sense that religion often gets in the way of God. For me, at least, it got in the way. Seeing what religious people, in the name of God, did to my native land... and in this country, seeing God's second-hand car salesmen on the cable TV channels, offering indulgences for cash... in fact, all over the world, seeing the self-righteousness roll down like a mighty stream from certain corners of the religious establishment... I must confess, I changed the channel. I wanted my MTV. Even though I was a believer. Perhaps because I was a believer."

"Segregation. There was another one. America sees this now but it took a civil rights movement to betray their age. And 50 years ago the U.S. Supreme Court betrayed the age May 17, 1954, Brown vs. Board of Education came down and put the lie to the idea that separate can ever really be equal. Amen to that."

"My name is Bono and I am a rock star."

"When the potatoes ran out, millions of Irish men, women and children packed their bags got on a boat and showed up right here. And we're still doing it. We're not even starving anymore, loads of potatoes. In fact if there's any Irish out there, I've breaking news from Dublin, the potato famine is over you can come home now. But why are we still showing up? Because we love the idea of America. We love the crackle and the hustle, we love the spirit that gives the finger to fate, the spirit that says there's no hurdle we can't clear and no problem we can't fix."

"If I hadn’t had Beckett in 1940 [in Paris, when Van Velde was strongly demoralized by the death of his wife], I’m not sure I could have stood it. I am really not sure …At that time he [Beckett] he was driven by an extremely aggressive and fiery Irish spirit. That has lessened as time has gone on … I don’t know anywhere in modern art any more faithful or more impressive picture of contemporary humanity than the one he offers us in The Unamable."

"I met Beckett at my brother’s place. That was a Big meeting [circa 1938, in Paris], in capital letters. It was before war started, life was still normal. That time I was very lonely. We saw each other often. Before the war he had published already something, but his fame came in 1953. We never spoke about his work. He was a taciturn man. Sometimes a word escaped from his mouth. Sure, a word you would never forget. It would stick in your head … This friendship with Beckett is the most important experience in my life. He was fully alive for my way of working. What he could express in words, I did with my paintings."

"The prospect of reading Beckett's letters quickens the blood like no other's, and one must hope to stay alive until the fourth volume is safely delivered."

"In fact, the real problem with the thesis of A Genealogy of Morals is that the noble and the aristocrat are just as likely to be stupid as the plebeian. I had noted in my teens that major writers are usually those who have had to struggle against the odds — to "pull their cart out of the mud," as I put it — while writers who have had an easy start in life are usually second rate — or at least, not quite first-rate. Dickens, Balzac, Dostoevsky, Shaw, H. G. Wells, are examples of the first kind; in the twentieth century, John Galsworthy, Graham Greene, Evelyn Waugh, and Samuel Beckett are examples of the second kind. They are far from being mediocre writers; yet they tend to be tinged with a certain pessimism that arises from never having achieved a certain resistance against problems."

"My mother was deeply religious. So was my brother. ... The family was Protestant, but for me it was only irksome and I let it go. My brother and mother got no value from their religion when they died. At the moment of crisis it had no more depth than an old-school tie. Irish Catholicism is not attractive, but it is deeper. When you pass a church on an Irish bus, all the hands flurry in the sign of the cross. One day the dogs of Ireland will do that too and perhaps also the pigs.”"

"The confusion is not my invention. We cannot listen to a conversation for five minutes without being acutely aware of the confusion. It is all around us and our only chance now is to let it in."

"The time-state of attainment eliminates so accurately the time-state of aspiration, that the actual seems the inevitable, and, all conscious intellectual effort to reconstitute the invisible and unthinkable as a reality being fruitless, we are incapable of appreciating our joy by comparing it with our sorrow."

"I think the next little bit of excitement is flying. I hope I am not too old to take it up seriously, nor too stupid about machines to qualify as a commercial pilot. I do not feel like spending the rest of my life writing books that no one will read. It is not as though I wanted to write them."

"I grow gnomic. It is the last phase."

"It means what it says."

"If by Godot I had meant God I would have said God, and not Godot."

"The only sin is the sin of being born."

"Spend the years of learning squandering Courage for the years of wandering Through a world politely turning From the loutishness of learning."

"[F]or Beckett, immobility, death, the loss of personal movement and of vertical stature...are only a subjective finality...only a means in relation to more profound end. It is a question of attaining once more the world before man...the position where movement was...under the regime of universal variation, and where light, always propagating itself, had no need to be revealed..."