Academics From Ireland

"The ideal Ireland that we would have, the Ireland that we dreamed of, would be the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit – a land whose countryside would be bright with cosy homesteads, whose fields and villages would be joyous with the sounds of industry, with the romping of sturdy children, the contest of athletic youths and the laughter of happy maidens, whose firesides would be forums for the wisdom of serene old age. The home, in short, of a people living the life that God desires that men should live. With the tidings that make such an Ireland possible, St. Patrick came to our ancestors fifteen hundred years ago promising happiness here no less than happiness hereafter. It was the pursuit of such an Ireland that later made our country worthy to be called the island of saints and scholars. It was the idea of such an Ireland - happy, vigorous, spiritual - that fired the imagination of our poets; that made successive generations of patriotic men give their lives to win religious and political liberty; and that will urge men in our own and future generations to die, if need be, so that these liberties may be preserved. One hundred years ago, the Young Irelanders, by holding up the vision of such an Ireland before the people, inspired and moved them spiritually as our people had hardly been moved since the Golden Age of Irish civilisation. Fifty years later, the founders of the Gaelic League similarly inspired and moved the people of their day. So, later, did the leaders of the Irish Volunteers. We of this time, if we have the will and active enthusiasm, have the opportunity to inspire and move our generation in like manner. We can do so by keeping this thought of a noble future for our country constantly before our eyes, ever seeking in action to bring that future into being, and ever remembering that it is for our nation as a whole that future must be sought."

"De Valera paused before replying to the suggestion. It had been his Karma to live a long and distinguished public life. Although he was then in his eighty-fifth year he was looking forward to a second seven-year term as President of Ireland. But he knew that before the bar of history his name and fame were inextricably linked with a man whose allotted span had been destined to be but a third of his own. He knew that the story of Eamon de Valera could not be told without that of Michael Collins. Already he had embarked on what he knew in his heart was a futile effort to influence the record for the benefit of posterity. His newspaper and political empires had published innumerable favourable articles, histories and recollections. And in the years ahead he planned to ensure that much more favourable comment and chronology would be collated and set down. He had fashioned a vigorous dialectic of de Valerism that would bulwark him against critical re-appraisal long into the future. But de Valera was a realist, a man whose doodlings on the back of documents took the form of mathematical symbols. He realised only too well that his party, his newspapers, his Constitution even, had grown out of his opposition to Michael Collins and the resultant civil war. He knew that eventually, in the truthful telling of history, two and two would make four. Torn between his own clarity of vision and the myths he had spun around himself, de Valera struggled painfully for words to express himself. Then he said, "I can't see my way to becoming Patron of the Michael Collins Foundation. It's my considered opinion that in the fullness of time history will record the greatness of Collins and it will be recorded at my expense." He could be right."

"For being shrewd about doing good, for rewiring politics and re-engineering justice, for making mercy smarter and hope strategic and then daring the rest of us to follow, Bono is Time's Person of the Year."

"He's a poet. He's a philosopher. And last night, I think I saw him walking on water."

"I never believed that U2 wanted to save the whales. I don't believe that The Beastie Boys are ready to lay it down for Tibet."

"You have made people listen. You have made people care, and you have taught us that whether we are poor or prosperous, we have only one world to share. You have taught young people that they do have the power to change the world."

"I think that politicians are attracted at first by the celebrity but once they meet him, they find that he is outstandingly capable."

"I'm less unsure about taking political risks or social risks. When I became an activist, people were like, "Really?" But they eventually accepted that. Then I started to be interested in commerce and the machinery of what got people out of poverty and into prosperity. And then a few people said, "You can't really go there, can you?" I said, "But if you are an artist, you must go there." You and I have had the conversation over the years: What can the artist do? What is the artist not allowed to do, and are there boundaries? Now, I would say to my younger self: "Experiment more and don't let people box you in. There is nothing you can't put on your canvas if it is part of your life.""

"I met this poet named Brendan Kennelly. I have known him for years; he is an unbelievable poet. And he said, “Bono, if you want to get to the place where the writing lives, imagine you’re dead.” There is no ego, there is no vanity, no worrying about who you will offend. That is great advice."

"He's a strange sort of entity, this euphoric rock star with the chin stubble and the tinted glasses — a new and heretofore undescribed planet in an emerging galaxy filled with transnational, multinational and subnational bodies. He's a kind of one-man state who fills his treasury with the global currency of fame. He is also, of course, an emanation of the celebrity culture. But it is Bono's willingness to invest his fame, and to do so with a steady sense of purpose and a tolerance for detail, that has made him the most politically effective figure in the recent history of popular culture."

"[On the persecutions of Rohingya in Myanmar, and Aung San Suu Kyi‎'s lack of response to them] That is very hard, and I'm – I feel kind of nauseous about that. I have genuinely felt ill, because I can't quite believe what the evidence all points to. But there is ethnic cleansing. It really is happening, and she has to step down because she knows it's happening. I am sure she has many great reasons in her head why she is not stepping down. Maybe it's that she doesn't want to lose the country back to the military. But she already has, if the pictures are what we go by, anyway. The human rights that are being torched, the lives that are being burned out in Rakhine State are more important than a unity without them. … She should, at the very least, be speaking out more. And if people don't listen, then resign. This is all just really troubling. I am still confounded by it, actually. I am still confounded by it, actually. … Is it that we project onto people who we want them to be? We find somebody we like, and we tell ourselves that a person exists that is better than us. More able than us. A truer moral compass than us. We imbue them with all these qualities. We do that with people. I think I have had it done to me. People have their version of you, they project what they want to see on you. Maybe she was always a politician. She was not a saint. She was not some sort of savior. Maybe we were always wrong, and we just have to accept we were wrong. Or maybe something terrible has happened to her that we just don't know."

"A number of years ago, I met a wise man who changed my life. In countless ways, large and small, I was always seeking the Lord's blessing. I was saying, you know, I have a new song, look after it... I have a family, please look after them... I have this crazy idea... And this wise man said: stop. He said, stop asking God to bless what you're doing. Get involved in what God is doing — because it's already blessed."

"These goals — clean water for all; school for every child; medicine for the afflicted, an end to extreme and senseless poverty — these are not just any goals; they are the Millennium Development goals, which this country supports. And they are more than that. They are the Beatitudes for a Globalised World."

"I close this morning on … very... thin... ice. This is a dangerous idea I've put on the table: my God vs. your God, their God vs. our God... vs. no God. It is very easy, in these times, to see religion as a force for division rather than unity. And this is a town — Washington — that knows something of division. But the reason I am here, and the reason I keep coming back to Washington, is because this is a town that is proving it can come together on behalf of what the Scriptures call the least of these. This is not a Republican idea. It is not a Democratic idea. It is not even, with all due respect, an American idea. Nor it is unique to any one faith. "Do to others as you would have them do to you." [Luke 6:30] Jesus says that. "Righteousness is this: that one should... give away wealth out of love for Him to the near of kin and the orphans and the needy and the wayfarer and the beggars and for the emancipation of the captives." The Koran says that. [2.177] Thus sayeth the Lord: "Bring the homeless poor into the house, when you see the naked, cover him, then your light will break out like the dawn and your recovery will speedily spring fourth, then your Lord will be your rear guard." The Jewish scripture says that. Isaiah 58 again."

"There is a continent — Africa — being consumed by flames. I truly believe that when the history books are written, our age will be remembered for three things: the war on terror, the digital revolution, and what we did — or did not to — to put the fire out in Africa. History, like God, is watching what we do."

"These last two albums mix up the personal and the political so that you don't know which one you're talking to. That's a kind of magic trick, and realizing that of course all the problems that we find in the exterior world are just manifestations of what we, you know, what we hold inside of us, in our interior worlds. The biggest fucker, the biggest asshole, the biggest, the most sexist we can be, the most selfish, mean, cunning, all those characters you are going to see them in the mirror. And that is where the job of transformation has to start first. Is that not what experience tells us?"

"Bono gives us a vision of how tomorrow can be better than today. He appeals to something greater than ourselves. He tells the story of his life and struggles in terms everyone can understand. He speaks about faith in a way that even a nonbeliever can embrace."

"If you're wondering what I'm doing here, at a prayer breakfast, well, so am I. I'm certainly not here as a man of the cloth, unless that cloth is leather. It's certainly not because I'm a rock star. Which leaves one possible explanation: I'm here because I've got a messianic complex. Yes, it's true. And for anyone who knows me, it's hardly a revelation."

"I'm the first to admit that there's something unnatural... something unseemly... about rock stars mounting the pulpit and preaching at presidents, and then disappearing to their villas in the South of France. Talk about a fish out of water. It was weird enough when Jesse Helms showed up at a U2 concert... but this is really weird, isn't it?"

"I'm wary of faith outside of actions. I'm wary of religiosity that ignores the wider world. In 2001, only seven percent of evangelicals polled felt it incumbent upon themselves to respond to the AIDS emergency. This appalled me. I asked for meetings with as many church leaders as would have them with me. I used my background in the Scriptures to speak to them about the so-called leprosy of our age and how I felt Christ would respond to it. And they had better get to it quickly, or they would be very much on the other side of what God was doing in the world. Amazingly, they did respond. I couldn't believe it. It almost ruined it for me — 'cause I love giving out about the church and Christianity. But they actually came through: Jesse Helms, you know, publicly repents for the way he thinks about AIDS. I've started to see this community as a real resource in America. I have described them as "narrow-minded idealists." If you can widen the aperture of that idealism, these people want to change the world. They want their lives to have meaning."

"I will try to keep my homily brief. But be warned — I'm Irish."

"So now — cut to 1980. Irish rock group, who've been through the fire of a certain kind of revival, a Christian-type revival, go to America. Turn on the TV the night you arrive, and there's all these people talking from the Scriptures. But they're quite obviously raving lunatics. Suddenly you go, what's this? And you change the channel. There's another one. You change the channel, and there's another secondhand-car salesman. You think, oh, my God. But their words sound so similar . . . to the words out of our mouths. So what happens? You learn to shut up. You say, whoa, what's this going on? You go oddly still and quiet. If you talk like this around here, people will think you're one of those. And you realize that these are the traders — as in t-r-a-d-e-r-s — in the temple."

"If I could put it simply, I would say that I believe there's a force of love and logic in the world, a force of love and logic behind the universe. And I believe in the poetic genius of a creator who would choose to express such unfathomable power as a child born in "straw poverty"; i.e., the story of Christ makes sense to me. … As an artist, I see the poetry of it. It's so brilliant. That this scale of creation, and the unfathomable universe, should describe itself in such vulnerability, as a child. That is mind-blowing to me. I guess that would make me a Christian. Although I don't use the label, because it is so very hard to live up to. I feel like I'm the worst example of it, so I just kinda keep my mouth shut. … I try to take time out of every day, in prayer and meditation. I feel as at home in a Catholic cathedral as in a revival tent. I also have enormous respect for my friends who are atheists, most of whom are, and the courage it takes not to believe."

"I presume the reason for this gathering is that all of us here — Muslims, Jews, Christians — all are searching our souls for how to better serve our family, our community, our nation, our God. I know I am. Searching, I mean. And that, I suppose, is what led me here, too. Yes, it's odd, having a rock star here — but maybe it's odder for me than for you. You see, I avoided religious people most of my life. Maybe it had something to do with having a father who was Protestant and a mother who was Catholic in a country where the line between the two was, quite literally, a battle line. Where the line between church and state was... well, a little blurry, and hard to see."

"These are hard subjects to talk about because you can sound like such a dickhead. I'm the sort of character who's got to have an anchor. I want to be around immovable objects. I want to build my house on a rock, because even if the waters are not high around the house, I'm going to bring back a storm. I have that in me. So it's sort of underpinning for me."

"We actually aren't able to play other people's songs. The one Stones song we tried to play was "Jumpin' Jack Flash." It was really bad. So we started writing our own — it was easier."

"Bowie was much more responsible for the aesthetic of punk rock than he's been given credit for, like, in fact, most interesting things in the Seventies and Eighties."

"What's interesting is, in the months leading up to this, I was probably at the lowest ebb in my life. I was feeling just teenage angst. I didn't know if I wanted to continue living — that kind of despair. I was praying to a God I didn't know was listening."

"When John Lennon sings, "Oh, my love/For the first time in my life/My eyes are wide open" — these songs have an intimacy for me that's not just between people, I realize now, not just sexual intimacy. A spiritual intimacy."

"I really remember John Lennon's Imagine. I guess I'm twelve; that's one of my first albums. That really set fire to me. It was like he was whispering in your ear — his ideas of what's possible. Different ways of seeing the world."

"The music that really turns me on is either running toward God or away from God. Both recognize the pivot, that God is at the center of the jaunt."

"One of the things that I picked up from my father and my mother was the sense that religion often gets in the way of God. For me, at least, it got in the way. Seeing what religious people, in the name of God, did to my native land... and in this country, seeing God's second-hand car salesmen on the cable TV channels, offering indulgences for cash... in fact, all over the world, seeing the self-righteousness roll down like a mighty stream from certain corners of the religious establishment... I must confess, I changed the channel. I wanted my MTV. Even though I was a believer. Perhaps because I was a believer."

"I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at. I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind — even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling. Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!"

"Remember what John Adams said about Ben Franklin, "He does not hesitate at our boldest Measures but rather seems to think us too irresolute." Well, this is the time for bold measures."

"I'm the Imelda Marcos of sunglasses.... Very sensitive eyes to light. If somebody takes my photograph, I will see the flash for the rest of the day. My right eye swells up. I've a blockage there, so that my eyes go red a lot. So it's part vanity, it's part privacy and part sensitivity."

"The world is more malleable than you think and it's waiting for you to hammer it into shape."

"We had a street gang that was very vivid — very surreal. We were fans of Monty Python. We'd put on performances in the city center of Dublin. I'd get on the bus with a stepladder and an electric drill. Mad shit. Humor became our weapon. Just stand there, quiet — with the drill in my hand. Stupid teenage shit."

"Every era has its defining struggle and the fate of Africa is one of ours. It's not the only one, but in the history books it's easily going to make the top five, what we did or what we did not do. It's a proving ground, as I said earlier, for the idea of equality. But whether it's this or something else, I hope you'll pick a fight and get in it. Get your boots dirty, get rough, steel your courage with a final drink there at Smoky Joe's, one last primal scream and go."

"Sing the melody line you hear in your own head. Remember, you don't owe anybody any explanations, you don't owe your parents any explanations, you don't owe your professors any explanations."

"We could defend ourselves. But even though some of us became pretty good at violence ourselves, others didn't. They got the shit kicked out of 'em. I thought that was kind of normal. I can remember incredible street battles. I remember one madster with an iron bar, just trying to bring it down on my skull as hard as he possibly could, and holding up a dustbin lid, which saved my life. Teenage kids have no sense of mortality — yours or theirs."

"You know I used to think the future was solid or fixed, something you inherited like an old building that you move into when the previous generation moves out or gets chased out. But it's not. The future is not fixed, it's fluid."

"I know idealism is not playing on the radio right now, you don't see it on TV, irony is on heavy rotation, the knowingness, the smirk, the tired joke. I've tried them all out but I'll tell you this, outside this campus — and even inside it — idealism is under siege beset by materialism, narcissism and all the other isms of indifference. Baggism, Shaggism. Raggism. Notism, graduationism, chismism, I don't know. Where's John Lennon when you need him?"

"It's not everywhere in fashion these days, Americanism. Not very big in Europe, truth be told. No less on Ivy League college campuses. But it all depends on your definition of Americanism. Me, I'm in love with this country called America. I'm a huge fan of America, I'm one of those annoying fans, you know the ones that read the CD notes and follow you into bathrooms and ask you all kinds of annoying questions about why you didn't live up to that... I'm that kind of fan. I read the Declaration of Independence and I've read the Constitution of the United States, and they are some liner notes, dude. As I said yesterday I made my pilgrimage to Independence Hall, and I love America because America is not just a country, it's an idea."

"I really, really do believe it. I just want you to know, I think this is obvious, but I'm not really going in for the warm fuzzy feeling thing, I'm not a hippy, I do not have flowers in my hair, I come from punk rock, The Clash wore army boots not Birkenstocks. I believe America can do this! I believe that this generation can do this. In fact I want to hear an argument about why we shouldn't."

"America is an idea, but it's an idea that brings with it some baggage, like power brings responsibility. It's an idea that brings with it equality, but equality even though it's the highest calling, is the hardest to reach. The idea that anything is possible, that's one of the reasons why I'm a fan of America. It's like hey, look there's the moon up there, lets take a walk on it, bring back a piece of it. That's the kind of America that I'm a fan of."

"When the potatoes ran out, millions of Irish men, women and children packed their bags got on a boat and showed up right here. And we're still doing it. We're not even starving anymore, loads of potatoes. In fact if there's any Irish out there, I've breaking news from Dublin, the potato famine is over you can come home now. But why are we still showing up? Because we love the idea of America. We love the crackle and the hustle, we love the spirit that gives the finger to fate, the spirit that says there's no hurdle we can't clear and no problem we can't fix."

"You know that Johnny Cash song "A Boy Named Sue" where he gives the kid a girl's name, and the kid is beaten up at every stage in his life by macho guys, but in the end he becomes the toughest man. … By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams. By telling me that the band would only last five minutes or ten minutes — we're still here."

"It is such an important idea, Jubilee, that Jesus begins his ministry with this. Jesus is a young man, he's met with the rabbis, impressed everyone, people are talking. The elders say, he's a clever guy, this Jesus, but he hasn't done much... yet. He hasn't spoken in public before... When he does, his first words are from Isaiah: "The Spirit of the Lord is upon me," he says, "because He has anointed me to preach good news to the poor." And Jesus proclaims the year of the Lord's favour, the year of Jubilee. [Luke 4:18] What he was really talking about was an era of grace — and we're still in it."

"Yesterday, here in Philadelphia, at the Liberty Bell, I met a lot of Americans who do have the will. From arch-religious conservatives to young secular radicals, I just felt an incredible overpowering sense that this was possible. We're calling it the ONE campaign, to put an end to AIDS and extreme poverty in Africa. They believe we can do it, so do I."

"Africa makes a mockery of what we say, at least what I say, about equality and questions our pieties and our commitments because there's no way to look at what's happening over there and it's effect on all of us and conclude that we actually consider Africans as our equals before God. There is no chance."