Screenwriters From The United States

"I find that I would like now, best of all, to be a good conversationalist. I know I'm not one at present. Oh, I can sit and talk a little of this and that, but I realize that I haven't any definite or profound knowledge. I won't be satisfied with just a patter, a surface glaze of information. I don't want short-cuts to learning. I want to know all about the thing I study. I'd like to be able to hold my own, to meet on a common ground, with scientists, inventors, clerics, doctors, athletes, authors. The most worthwhile thing in life is to store your mind with knowledge. I wish now that I had been able to go to college, if only so that I might have had appreciations earlier in the game. People often say to me now that I have my home, my career, fame (if you call it that), there must be nothing left for me to live for. But there is everything left to live for. All the things I don't know about, all the things I want to know about. Pictures, I've discovered, were practically all I did know about up to very recently. I've had to work so hard, to concentrate so closely, that I never have had time to read or to travel or to think about other things. I'm just at the beginning of living..."

"I give so much pleasure to so many people. Why can I not get some pleasure for myself?"

"I owe it all to little chocolate donuts."

"I just love cocaine."

"It's all false pressure; you put the heat on yourself, you get it from the networks and record companies and movie studios. You put more pressure on yourself to make everything that much harder. You say, 'Well, I'll get all screwed up and then it'll be a real challenge again.' So stupid—I've often wondered why people do these things. You're so much happier if you don't, but I guess happiness is not a state you want to be in all the time."

"My corn I take serious because it's my corn, and my potatoes and my tomatoes and fences I take note of because they're mine. But this war is not mine and I take no note of it!"

"There's nothing much I can tell you about this war. It's like all wars, I suppose. The undertakers are winning it. Oh, the politicians will talk a lot about the "glory" of it, and the old men'll talk about the "need" of it—the soldiers, they just want to go home."

"With Little Spain, director Artur Balder takes good advantage of focusing on a wave of immigration that went on until the 1970s. Through archival footage and direct interviews with immigrants and their children, Balder successfully illustrates the moods, flavors and excitement of recreating a far-away home in a small radius of Manhattan city blocks. … Little Spain — the film — records a multi-dimensional perspective of integration among immigrants from different backgrounds as a key part of integration into a host country."

"I am the unknown Will, The Anger that threatens glory and ruin: Lord of Storms am I, in heaven high and caverns deep. I am the Father of the War, Odin for you, Wotan for him, Wayfarer, Wanderer, beggar, king, numen, genius, strength and ring."

"Little Spain is a symbol of the first attempt of a successful Hispanic immigration process to the United States … Almost no one knows that there was a "Little Spain" in Manhattan, just like there's a "Little Italy." That's what's fascinating."

"Here’s the thing. Alan Turing never got to stand on a stage like this and look out at all of these disconcertingly attractive faces. I do. And that’s the most unfair thing I’ve ever heard. So in this brief time here, what I wanted to do was say this: When I was 16-years-old, I tried to kill myself because I felt weird and I felt different, and I felt like I did not belong. And now I’m standing here — and so I would like this moment to be for this kid out there who feels like she’s weird or she’s different or she doesn’t fit in anywhere: Yes, you do. I promise you do. Stay weird, stay different — and then, when it’s your turn, and you are standing on this stage, please pass the same message to the next person who comes along."

"I’m not gay, but I don’t think you have to be gay to have a gay hero. Growing up, Alan Turing was certainly mine. … I’m also not the greatest mathematician of my generation. We have lots of biographical differences, but nonetheless I always identified with him so much."

"What is amazing about the story is that the most fantastic things that occur, that people most don't believe, are absolutely true — like the Soviet mole that they allowed to operate within British war intelligence — that was all true. … We condensed the timeline, essentially. The process of breaking the code was enormously complicated in real life. So one of things we wanted to do was open up Turing's story to the audience and make a film about these complicated topics, but at the same time create a narrative that the audience understands, without insulting their intelligence. But the on a broad conceptual level, everything is true."

"Half of me wants to be this difficult, rebellious enfant terrible who is pissing everyone off and doing whatever I want to do, and the other half of me is this Jewish kid from Chicago that just wants everyone to like him and hates conflict and hates yelling and wants everyone to get along, and be nice. That’s the part that’s very Chicago."

"I had been this huge computer nerd my entire life. I went to space camp and computer programming camp. I was that kid. From a very young age, I knew about the legend of Alan Turing – among awkward, nerdy teenagers, he is a patron saint. He never fit in, but accomplished these wonderful things, as part of a secret queer history of computer science. And so I always dreamt of writing something about him, and I thought that there had never been a proper narrative treatment of his life, that he deserved. I by chance met the producers of the film at a party, and one of them told me they had optioned a biography. When I asked who it was, they said, ‘it’s a mathematician that you’ve never heard of.’ When they told me it was Alan Turing, I almost tackled them, and I told them I’d do anything to write this film, I’d write it for free. It was all about luck and passion. That is how it started, and I felt that everyone else involved was just as committed to the story."

"A movie is never any better than the stupidest man connected with it."

"The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people."

"How My Egoism Died"

"Movies are one of the bad habits that have corrupted our century. They have slipped into the American mind more misinformation in one evening than the Dark Ages could muster in a decade."

"The only practical way yet discovered by the world for curing its ills is to forget about them."

"Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself."

"Of the things men give each other the greatest is loyalty."

"A simple fact entered my head one day and put an end to my revolt against the Deity. It occurred to me that God was not engaged in corrupting the mind of man but in creating it. This may sound like no fact at all, or like the most childish of quibbles. But whatever it is, it brought me a sigh of relief, a slightly bitter sigh. I was relieved because instead of beholding a man as a finished and obviously worthless product, unable to bring sanity into human affairs, I looked on him (in my conversion) as a creature in the making. And lo, I was aware that like my stooped and furry brothers, the apes, I am God's incomplete child. My groping brain, no less than my little toe, is a mechanism in His evolution-busy hands."

"People's sex habits are as well known in Hollywood as their political opinions, and much less criticized."

"I was afraid you would think I was bragging."

"Trying to determine what is going on in the world by reading newspapers is like trying to tell the time by watching the second hand of a clock."

"The honors Hollywood has for the writer are as dubious as tissue-paper cuff links."

"There is nothing as dull as an intellectual ally after a certain age."

"Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director, and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop."

"In Hollywood, a starlet is the name for any woman under thirty who is not actively employed in a brothel."

"When I come to put down their names, there weren't many. David O. Selznick, Sam Goldwyn, Darryl Zanuck, Walter Wanger, Irving Thalberg seem to exhaust the list ... Ninety per cent of the producers I have known were not bright. They were as slow-witted and unprofessional toward making up a story as stockbrokers might be, or bus drivers. Even after twenty or thirty years of telling writers what and how to write, they were still as ignorant of writing as if they had never encountered the craft."

"Most of my script-writing friends – I never had more than a handful—took eagerly to the bottle or the analyst’s couch, filled their extravagant ménages with threats of suicide, hurled themselves into hysterical amours. And some of them actually died in their forties and fifties. Among these were the witty Herman Mankiewicz and F. Scott Fitzgerald, the fine novelist."

"Out of the seventy movies I've written some ten of them were not entirely waste product. These were Underworld, The Scoundrel, Wuthering Heights, Viva Villa, Scarface, Specter of the Rose, Actors and Sin, Roman Holiday, Spellbound, Nothing Sacred."

"I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies—as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers."

"The writer is a definite human phenomenon. He is almost a type – as pugilists are a type. He may be a bad writer – an insipid one or a clumsy one – but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. Nobody but a writer can write. People who hang around writers for years – as producers did – who are much smarter and have much better taste, never learn to write."

"Time is a circus, always packing up and moving away."

"The only place I felt at home was in your heart. You were the only light that didn't go out on me."

"They're a symbol of the whole town, pretending to fight, love, weep, and laugh all the time - and they're phonies, all of them. And I head the list...their phony hearts were dripping with the milk of human kindness."

"The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem.... The factor had to do with the basis of movie-making: ‘Who shall be in charge of telling the story.’"

"Three years ago, the white hope of the theatre. Today, a mug. That's New York for you. Puts you on a Christmas tree, and then - the alley."

"The answer Hollywood figured out for this question was what doomed it. It figured out that writers were not to be in charge of creating stories. Instead, a curious tribe of inarticulate Pooh-Bahs called Supervisors and, later, Producers were summoned out of literary nowhere and given a thousand scepters. It was like switching the roles of teacher and pupil in the fifth grade. The result is now history. An industry based on writing had to collapse when the writer was given an errand-boy status."

"Gibbons is a man full of pain and violence. On this night, there is a Witch's Sabbath in his heart. Storms are blowing his world to bits and great troubles are pounding him on a reef."

"You're such a nice boy, what do you want to go off and get killed in the War for?"

"Happy birthday to me. Happy birthday to me. Happy birthday, dear me. Happy birthday to me. (And 20 more would be nice)"

"Dear Alf, I'm your number one fan. I like you because you're an alien but you're funny, unlike my brother who's an alien but just a jerk. Anyway, I hope you're enjoying your time here on our planet and have found things to eat other than cats. I recommend chicken nuggets. Sincerely, Missy Cooper, age 10. P.S. My favorite color is pink. What's yours?"

"Gratitude."

"Still got nothin'."

"Connie Tucker is proud to announce that she is sweet on Dr. John Sturgis and they are officially a romantic couple."

"In no particular order, I could not or would not exist without air, food, water, gravity, tides, the moon, the sun, night, civilization, the laws of physics, the laws of thermodynamics, the law of the land, ancestors having sex, DNA, viruses, bacteria, plants, animals, oceans, ice caps, the kindness of strangers, the Big Bang, familial bonds, smart people, brave people, memory, medicine, the periodic table of elements, tribal instincts, magnetic fields, weather, Earth's molten core, a rotating Earth, a tilted Earth, tectonic plates, sleep, death, heat, consciousness, evolution, teachers and the miraculous, self-regulating chemical factory that is my body. Other than that, I like to think of myself as a self-made man."

"My lawyer ate my vanity card."