Screenwriters From The United States

"I kept looking for hope in the world. Expecting the world to supply deliverance if I p[lucked the right chords. Demanding that it supply validation to my labor if I just gave enough effort. But that is not the nature of the world. Its nature is to consume. In time, it will consume us all, and the spheres will spin until they too are consumed when our sun dies. Maybe that is the point of it. Knowing that ine day darkness will cover all, at least your eyes were open to moments of light."

"The tragedy of the gifted is the belief they are entitled to greatness, Lysander. As a human, you are entitled only to death."

"Life is meant to be felt. Else why live? Valleys make the mountains."

"To see them from above: the roving herds of beasts, the rivers carving stone, the rituals of man in all their varied panoply, to see the clouds roil over the patchwork latifundia of Asian plains, to see the mines of our home, is to remember the patterns of the world, and the majesty and complication and impermeable obscurity of distant lands. It is to remember how few people you know. How many do not know you. How many will soon forget you. How many praise you today to offer contempt tomorrow. Permanence of fame, power, dominion of the individual, are illusions. All that will be measured, all that will last, is your mastery of yourself. That is what my father told me. It was his warning about power, though he sought it to his end. I've never understood how a man so wise could be so undone by himself. Perhaps I never will, and that is what has always frightened me. Not that I cannot control my own fate - that is impossible - but that I cannot control myself."

"Nothing beautiful survives the mob."

"Only humanity could grasp the stars and then let them slip through its fingers for the pettiness in its heart."

"From a distance, death seems the end of a story. But when you are near, when you can smell the burning skin, see the entrails, you see death for what it is. A traumatic cauterization of a life thread. No purpose. No conclusion. Just snip. I knew war was dreadful, but I did not expect to fear it. How can anyone not, when death is just a blind giant with scissors?"

"Is a man a coward if he realizes that bravery is just a myth the old tell the young so they line up for the meatgrinder?"

"What devious designs freedom requires. One must worry about the strength of a principle when it must compromise itself so often to survive."

"You know I believe we all begin equal parts light and dark. I fear you think your strength lies in your darkness. But the measure of a man is not the fear he sows in his enemies. It is the hope he gives his friends."

"A moving mind is always fed. At rest, mine eats itself."

"I once thought the greatest sin of war was violence. It isn't. The greatest sin is it requires good men to become practical."

"They call him father, liberator, warlord, Reaper. But he feels a boy as he falls toward the pale blue planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-second of his life."

"If pain is the weight of being, love is the purpose."

"I breathe in the full scent of her. If it ends tomorrow or in eighty years, I could breathe her for the rest of my life. But I want more. I need more. I tilt her slender jaw up with my hand so that she's looking at me. I was going to say something important. Something memorable. But I've forgotten it in her eyes. That gulf that divided us is still there, filled with questions and recrimination and guilt, but that's only part of love, part of being human. Everything is cracked, everything is stained except the fragile moments that hang crystalline in time and make life worth living."

"Don't you find it peculiar? The human conviction that we are the heirs of history instead of paragraphs that are almost over. A survival mechanism, no doubt."

"I do not feel brave. I am not the center of this symphony. No one even cares if I am here. Where is the immortal majesty the poets promised me? Where is the stern will my ancestors preached to their children? It was just an illusion conjured by fools who never left their libraries, or by agents of necessity. This is the Noble Lie."

"When I looked up at my father as a boy, I thought being a man was having control. Being the master and commander of your own destiny. How could any boy know that freedom is lost the moment you become a man. Things start to count. To press in. Constricting slowly, inevitably, creating a cage of inconveniences and duties and deadlines and failed plans and lost friends. I'm tired of people doubting. Of people choosing to believe they know what is possible because of what has happened before."

"How can I feel so melancholy for so terrible a past? Maybe it's just the nature of us, ever wishing for things that were and could be rather than things that are and will be."

"In war, men lose what makes them great. Their creativity. Their wisdom. Their joy. All that's left is their utility. War is not monstrous for making corpses of men so much as it is for making machines of them. And woe to those who have no use in war except to feed the machines."

"Yes. I'm alone. I would have thought there to be worse fates than this, but now I know there are none. Man is no island. We need those who love us. We need those who hate us. We need others to tether us to life, to give us a reason to live, to feel."

"No. I am not an anarchist, a communist, a fascist, a plutocrat, or even a demokrat, for that matter. My boys, don't believe what they tell you in school. Government is never the solution, but it is almost always the problem. I'm a capitalist. And I believe in effort and progress and the ingenuity of our species. The continuing evolution and advancement of our kind based on fair competition. Fact of the matter is, Gold does not want man to continue to evolve. Since the conquering, they have routinely stifled advancement to maintain their heaven. They've wrapped themselves in myth. Filled their grand oceans with monsters to hunt. Cultivated private Mirkwoods and Olympuses of their very own. They have suits of armor to make them flying gods. And they preserve that ridiculous fairy tale by keeping mankind frozen in time. Curbing invention, curiosity, social mobility. Change threatens that."

"What kind of parent would want their children to have servants?" he asks, disgusted by the idea. "The moment a child thinks it is entitled to anything, they think they deserve everything. Why do you think the Core is such a Babylon? Because it's never been told no. "Look at the Institute you attended. Sexual slavery, murder, cannibalism of fellow Golds?" He shakes his head. "Barbaric. It's not what the Ancestors intended. But the Coreworlders are so desensitized to violence they've forgotten it's to have a purpose. Violence is a tool. It is meant to shock. To change. Instead, they normalize and celebrate it. And create a culture of exploitation where they are so entitled to sex and power that when they are told no, they pull a sword and do as they like."

"Tradition is the crown of the tyrant."

"You are a worm who thought himself a serpent just because you slither. But your power was not real, Pliny. It was all a dream. Time now to wake."

"You have everything, Karnus. Wealth. Power. Seven brothers and sisters. How many cousins? Nieces? Nephews? A father and mother who love you, yet...you are here, drinking alone, killing my friends. Setting the purpose of your life to ending me. Why?" "Because you wronged my family. No one wrongs the Bellona and lives." "So it's pride." "It's always pride." "Pride is just a shout into the wind." He shakes his head, voice deepening. "I will die. You will die. We will all die and the universe will carry on without care. All that we have is that shout into the wind - how we live. How we go. And how we stand before we fall." He leans forward. "So you see, pride is the only thing."

"Lies are rust on iron. A blemish on power."

"These Peerless thump their chests in salute to me. The monsters. They go with the wind, chasing power. But they don't realize power doesn't shift. Power is resolute. It is the mountain, not the wind. To shift so easily is to lose trust. And trust is what has kept me alive. Trust in my friends, and their trust in me."

"War is chaos. It always has been. But technology makes it worse. It changes the fear. At the Institute, I feared men. I feared what Titus and the Jackal could do to me. You see death coming there and can at least struggle against it. Here, you don't have such luxury. Modern war is fearing the air, the shadows, fearing the silence. Death will come and I won't even see it."

"All my people sing of are memories. And so I will remember this death. It will burden me as it does not burden my fellow students - I must not let that change. I must not become like them. I'll remember that every sin, every death, every sacrifice, is for freedom."

"It's hard for me to speak to you as if you were not a tyrant," I say. "You sit here and think you are more civilized than Luna because you obey your creed of honor, because you show restraint." I gesture to the simple house. "But you're not more civilized," I say. You're just more disciplined." "Isn't that civilization? Order? Denying animal impulses for stability?"

"Humans are always negotiating. That's what conversation is. Someone has something, knows something. Someone wants something."

"Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, fear of death.I say we break those chains.Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it?"

"What do you live for?" I ask her suddenly. "Is it for me?Is it for family and love? Or is it for some dream?" "It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like.That they will own land their father gave them." "I live for you," I say sadly. She kisses my cheek. "Then you must live for more."

"I am alone with my sin. This is why they rule. The Peerless Scarred know that dark deeds are carried through life. They cannot be outrun. They must be worn if one is to rule. This is their first lesson. Or was it that the weak do not deserve life?"

"What is pride without honor? What is honor without truth? Honor is not what you say. It is not what you read." Romulus thumps his chest. "Honor is what you do."

"He has little appetite for banter. He knows the dangers of the path I have chosen to walk, and he doubts me because the old do not remember the necessities of youth. They see only the years on our horizon to which they think we are entitled. But we are entitled only to the moment, and owe nothing to the future except that we follow our convictions."

""You know the curse of this world?" I ask, looking at the body the Carver made for me. "The greatest gifts were given to the worst of us." "Not realizing they are gifts is what makes them the worst," he replies."

"We went from the silent era to the sound era, and now we’ve done it again. Now that we’re digital, I assume we will stay digital for at least 50 years. Everybody says, "Oh, you’re going to replace actors." You can’t replace actors. We’ve created duplicates, clones, but they can’t act. They’re a computer, for God’s sake. If you think back to what was done in the Star Wars films, it unbridled people’s imaginations. That of course fueled the business at ILM because they were being approached more and more to keep raising the bar. Actors will not be replaced: worst case scenario, they’ll have to wear a lycra leotard!"

"When I was a kid and saw Star Wars: Episode IV - A New Hope for the first time, it blew my mind and around the same time, I had friends who were huge fans of Star Trek and I don’t know if I was smart enough to get it, or patient enough. What I loved about Star Wars was the visceral energy of it, the clarity of it, the kind of innocence and big heart of it. Star Trek always felt a little bit more sophisticated and philosophical, debating moral dilemmas and things that were theoretically interesting, but for some reason I couldn’t get on board. It really took working with all these guys and actually working on Star Trek for me to fall in love with that."

"I’ve always liked working on stories that combine people who are relatable with something insane. … The most exciting thing for me is crossing that bridge between something we know is real and something that is extraordinary. The thing for me has always been how you cross that bridge."

"Star Wars Episode IV: A New Hope (1977) is probably the most influential film of my generation. … That movie was the personification of good and evil and the way it opened up the world to space adventure, the way westerns did to our parents' generations, it left an indelible imprint. So, in a way, everything that any of us does is somehow directly or indirectly affected by the experience of seeing those first three films."

"It was nothing that I think any one of us took on because it was a gig that was available. It was something that felt like a true passion and something that every single person brought much more than any of us could have expected. … I do honestly feel honored to be part of this group."

"Of course there is a monkey. There is always a monkey."

"The experience I had seeing Star Wars for the first time was mind-blowing. Eleven is a great age to have your mind blown. I will never forget that feeling of seeing "Long time ago, in a galaxy, far, far away" fade out. It was the first time a movie made me believe in another world that way."

"I used old comic clothes stuff in the early days. I had the big shoes, I had the tight clothes, in fact I played several different characters. I played one called Willie Work; he used to have wide shoulders, a little cat mustache, a high hat. Another one was called Lonesome Luke, and his clothes were tight with a little funny hat; he had a funny little mustache. But when I adopted the glasses, it more or less put me in a different category because I became a human being. He was a kid that you would meet next door, across the street, but at the same time I could still do all the crazy things that we did before, but you believed them. They were natural and the romance could be believable."

"I find that I have great faith in human nature. I believe that people are good. I believe they are to be trusted. So far as I know, no one has ever betrayed my faith, in any way. If they ever have, I've been spared the knowledge of it. If I couldn't have faith in human nature, I wouldn't want to live. It is the one thing that could destroy for me the joy of living. I've come to believe that life, under almost any conditions, is worth while. I found that out when I had my accident some years ago, and was in the hospital. I thought, for a couple of weeks, that I would be blind for life. I thought I would surely be so disabled that I would never be able to work again. I didn't suppose that I would have one five-hundredth of what I have now. Still I thought, 'Life is worth while. Just to be alive. I still think so."

"My humor was never cruel or cynical. I just took life and poked fun at it. We made it so it could be understood the world over, without language barriers. We seem to have conquered the time barrier, too."

"I love competition. I'd rather have to fight and worry than be peaceful and secure, any day. I've found that I'm a peaceful, easy-going sort of a fellow about all the small things in life. But when a big issue comes along and when I feel I'm right about it—well, I guess I'm pretty stubborn. Even nasty. I've taken up golf. I'm crazy about it. Doug Fairbanks and I play every day that we can get away from work. I not only like the game a lot, but I want to master it. I'm not satisfied just to play golf. I want to be good at it. That's the way I've come to feel about everything."

"Love is the closest thing to laughter and the closest thing to tears. Love is the motive power of everything in the universe that has beauty in it. Love is the reason for everything and the reward for everything. It’s always seemed strange to me that we have to use the word love for so many things. And yet when you come to think of it, that’s all right, too, because love is in everything in some form or another. Without it, I imagine the flowers would stop blooming and the sun would stop shining and people would stop laughing, and even the rain wouldn’t fall. So love is always growth. I think if I could have just one word for love—it would be understanding. Love must always be unselfish, and strangely enough, love is the only thing in the world that ever is unselfish. And if it isn’t unselfish, it’s only a counterfeit of love."