First Quote Added
April 10, 2026
Latest Quote Added
"Là , tout n’est qu’ordre et beauté, Luxe, calme et volupté."
"Je suis belle, ô mortels! comme un rêve de pierre, Et mon sein, où chacun s’est meurtri tour à tour, Est fait pour inspirer au poète un amour Eternel et muet ainsi que la matière.'Je trône dans l’azur comme un sphinx incompris; J’unis un cœur de neige à la blancheur des cygnes; Je hais le mouvement qui déplace les lignes, Et jamais je ne pleure et jamais je ne ris."
"Homme libre, toujours tu chériras la mer."
"Ă” douleur! Ă´ douleur! Le Temps mange la vie."
"I think there can be few examples of a life as dilapidated as mine."
"La Nature est un temple où de vivants piliers Laissent parfois sortir de confuses paroles; L’homme y passe à travers des forêts de symboles Qui l’observent avec des regards familiers."
"Le Poète est semblable au prince des nuées Qui hante la tempête et se rit de l’archer ; Exilé sur le sol au milieu des huées, Ses ailes de géant l’empêchent de marcher."
"Si le viol, le poison, le poignard, l'incendie, N'ont pas encor brodé de leurs plaisants dessins Le canevas banal de nos piteux destins, C'est que notre âme, hélas! n'est pas assez hardie."
"Hypocrite lecteur, — mon semblable, — mon frère!"
"Le génie n'est que l'enfance retrouvée à volonté."
"Delacroix était passionnément amoureux de la passion, et froidement déterminé à chercher les moyens d'exprimer la passion de la manière la plus visible. Dans ce double caractère, nous trouvons, disons-le en passant, les deux signes qui marquent les plus solides génies, génies extrêmes."
"Hélas! tout est abîme, — action, désir, rêve, Parole!"
"Tu m’as donné ta boue et j’en ai fait de l’or."
"La danse peut révéler tout ce que la musique recèle de mystérieux, et elle a de plus le mérite d'être humaine et palpable. La danse, c'est la poésie avec des bras et des jambs, ..."
"Nous avons psychologisé comme les fous, qui augmentent leur folie en s’efforçant de la comprendre."
"Toutes les beautés contiennent, comme tous les phénomènes possibles, quelque chose d'éternel et quelque chose de transitoire — d'absolu et de particulier."
"Tout ce qui plaît a une raison de plaire, et mépriser les attroupements de ceux qui s'égarent n'est pas le moyen de les ramener où ils devraient être."
"Kings may usurp thrones, republics may be established, but the town scarcely stirs. Plassans sleeps while Paris fights."
"I am little concerned with beauty or perfection. I don't care for the great centuries. All I care about is life, struggle, intensity. I am at ease in my generation."
"From that time onwards he seemed to feel out of place in Plassans. He would wander through the streets like a lost soul. At last he made a sudden decision, and left for Paris."
"... il y avait en elle un manque d'équilibre entre le sang et les nerfs, une sorte de détraquement du cerveau et du cœur, qui la faisait vivre en dehors de la vie ordinaire, autrement que tout le monde."
"The Revolution of 1848 found all the Rougons on the lookout, frustrated by their bad luck, and ready to use any means necessary to advance their cause. They were a family of bandits lying in wait, ready to plunder and steal."
"When a peasant begins to feel the need for instruction, he usually becomes fiercely calculating."
"The couple fell one atop of the other, struck down, finding consolation, at last, in death."
"Lorsque l'avenir est sans espoir, le présent prend une amertume ignoble."
"He knew that henceforth, all his days would resemble one another, and bring him equal suffering. And he saw the weeks, months and years gloomily and implacably awaiting him, coming one after the other to fall upon him and gradually smother him."
"After a time, she believed in the reality of this comedy."
"There are two men inside the artist, the poet and the craftsman. One is born a poet. One becomes a craftsman."
"Like certain devotees, who fancy they will deceive the Almighty, and secure pardon by praying with their lips, and assuming the humble attitude of penitence, Thérèse displayed humility, striking her chest, finding words of repentance, without having anything at the bottom of her heart save fear and cowardice."
"Au fond une pensée unique les rongeait: ils s’irritaient contre leur crime, ils se désespéraient d’avoir à jamais troublé leur vie."
"She would have cursed the Almighty had she been able to shout out a blasphemy. Providence had deceived her for over sixty years, by treating her as a gentle, good little girl, by amusing her with lying representations of tranquil joy. And she had remained a child, senselessly believing in a thousand silly things, and unable to see life as it really is, dragging along in the sanguinary filth of passions. Providence was bad; it should have told her the truth before, or have allowed her to continue in her innocence and blindness. Now, it only remained for her to die, denying love, denying friendship, denying devotedness. Nothing existed but murder and lust."
"For Madame Raquin, there was such a fathomless depth in this thought, that she could neither reason it out, nor grasp it clearly. She experienced but one sensation, that of a horrible disaster; it seemed to her that she was falling into a dark, cold hole. And she said to herself: "I shall be smashed to pieces at the bottom.""
"Nothing could be more heartrending than this mute and motionless despair."
"In the sudden change that had come over her heart, she no longer recognised herself."
"The sort of remorse Laurent experienced was purely physical. His body, his irritated nerves and trembling frame alone were afraid of the drowned man. His conscience was for nothing in his terror. He did not feel the least regret at having killed Camille. When he was calm, when the spectre did not happen to be there, he would have committed the murder over again, had he thought his interests absolutely required it."
"When they seated themselves in their carriage, they seemed to be greater strangers than before."
"Parfois, ils se forçaient à l’espérance, ils cherchaient à reprendre les rêves brûlants d’autrefois, et ils demeuraient tout étonnés, en voyant que leur imagination était vide."
"L'idée de la mort, jetée avec désespoir entre deux baisers, revenait implacable et aiguë."
"Il a besoin de cette femme pour vivre comme on a besoin de boire et de manger."
"C'était comme un éclair de passion, rapide et aveuglant, dans un ciel mort."
"La nature et les circonstances semblaient avoir fait cette femme pour cet homme, et les avoir poussés l'un vers l'autre."
"Elle aimait ce garçon de cette tendresse bavarde que les vieilles femmes ont pour les gens qui viennent de leur pays, apportant avec eux des souvenirs du passé."
"The young woman seemed to take pleasure in being bold and shameless. She had no hesitation, no fear whatsoever. She threw herself into adultery with a sort of vigorous sincerity, defying danger and doing so with a sort of vanity in her defiance."
"They have stifled me with their middle-class gentleness, and I can hardly understand how it is that there is still blood in my veins. I have lowered my eyes, and given myself a mournful, idiotic face like theirs. I have led their deathlike life."
"She made a savage, angry effort at revolt, and, then all at once gave in. They exchanged not a word. The act was silent and brutal."
"The only ambition of this great powerful frame was to do nothing, to grovel in idleness and satiation from hour to hour. He wanted to eat well, sleep well, to abundantly satisfy his passions, without moving from his place, without running the risk of the slightest fatigue."
"Thérèse could not find one human being, not one living being among these grotesque and sinister creatures, with whom she was shut up; sometimes she had hallucinations, she imagined herself buried at the bottom of a tomb, in company with mechanical corpses, who, when the strings were pulled, moved their heads, and agitated their legs and arms."
"Thérèse, residing in damp obscurity, in gloomy, crushing silence, saw life expand before her in all its nakedness, each night bringing the same cold couch, and each morn the same empty day."
"The critics greeted this book with a churlish and horrified outcry. Certain virtuous people, in newspapers no less virtuous, made a grimace of disgust as they picked it up with the tongs to throw it into the fire. Even the minor literary reviews, the ones that retail nightly the tittle-tattle from alcoves and private rooms, held their noses and talked of filth and stench. I am not complaining about this reception; on the contrary I am delighted to observe that my colleagues have such maidenly susceptibilities."
"A writer of great talent, to whom I complained of the little sympathy I have met with, made me this profound answer: "You have an immense fault which will close all doors against you: you cannot converse for two minutes with a fool without showing him that he is one.""