Occupations

"Sadly, reading and writing are, at least in part, the victims of a television and internet culture that has effectively encumbered the minds of people. This is problematic because, without reading, it becomes difficult to think analytically and imaginatively about the world’s problems and issues, and it hampers the development of appropriate responses and solutions. Lack of reading also often results in the uncritical acceptance of political slogans which, while they appear plausible, are ultimately devoid of merit."

"If you steal from one author, it's plagiarism. If you steal from two, it's research."

"I turned to writing full time in my middle fifties, in part to learn a few of those many things one never has time for in a conventional career … I enjoy trying to write simply, freshly and directly about subjects that specialized experts tend to deal with in jargon."

"A rule says "You must do it this way". A principle says, "This works... and has through all remembered time." The difference is crucial. Your work needn't be modeled after the well-made play; rather it must be well made within the principles that shape our art. Anxious, inexperienced writers obey rules. Rebellious, unschooled writers break rules. Artists master the form."

"Premeditated details arrive, when you're writing, and my instinct is always to reach for the nearest weapon."

"A writer is someone for whom writing is more difficult than it is for other people."

"I have written almost all my life. My writing has drawn, out of a reluctant soul, a measure of astonishment at the nature of life. And the more I wrote well, the better I felt I had to write. In writing I had to say what had happened to me, yet present it as though it had been magically revealed. I began to write seriously when I had taught myself the discipline necessary to achieve what I wanted. When I touched that time, my words announced themselves to me. I have given my life to writing without regret, except when I consider what in my work I might have done better. I wanted my writing to be as good as it must be, and on the whole I think it is. I would write a book, or a short story, at least three times — once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say. Somewhere I put it this way: first drafts are for learning what one's fiction wants him to say. Revision works with that knowledge to enlarge and enhance an idea, to re-form it. Revision is one of the exquisite pleasures of writing: The men and things of today are wont to lie fairer and truer in tomorrow's meadow, Henry Thoreau said. I don't regret the years I put into my work. Perhaps I regret the fact that I was not two men, one who could live a full life apart from writing; and one who lived in art, exploring all he had to experience and know how to make his work right; yet not regretting that he had put his life into the art of perfecting the work."

"If I may, I would at this point urge young writers not to be too much concerned with the vagaries of the marketplace. Not everyone can make a first-rate living as a writer, but a writer who is serious and responsible about his work, and life, will probably find a way to earn a decent living, if he or she writes well. A good writer will be strengthened by his good writing at a time, let us say, of the resurgence of ignorance in our culture. I think I have been saying that the writer must never compromise with what is best in him in a world defined as free."

"I love physics, but what was even more important to me was leading a creative life ... And I knew that writers could continue doing their best work later in life.”"

"He is no parasite on anything, whose work is real: a mechanic, a doctor, a builder, a tailor, a dishwasher. What, in comparison, does a writer produce? Semblances. This is a serious occupation?"

"A writer is like God. He can destroy empires, create new universes."

"Advice to writers: Sometimes you just have to stop writing. Even before you begin."

"I have been writing all my life, and even now I do not understand the faculty of composition; but this I do know, that the history of the circumstances under which most books are written would be a frightful picture of human suffering. How often is the pen taken up when the hand is unsteady with recent sickness, and bodily pain is struggled against, and sometimes in vain! How often is the page written hurriedly and anxiously,—the mind fevered the while by the consciousness that it is not doing justice to its powers!"

"A preface is a species of literary luxury, where an author, like a lover, is privileged to be egotistical."

"The job of the writer is to kiss no ass, no matter how big and holy and white and tempting and powerful."

"You can approach the act of writing with nervousness, excitement, hopefulness, or even despair — the sense that you can never completely put on the page what's in your mind and heart. You can come to the act with your fists clenched and your eyes narrowed, ready to kick ass and take down names. You can come to it because you want a girl to marry you or because you want to change the world. Come to it any way but lightly. Let me say it again: you must not come lightly to the blank page."

"For me, writing is an act of reciprocity with the world; it is what I can give back in return for everything that has been given to me."

"The present writer ... writes because for him it is a luxury that becomes all the more enjoyable and conspicuous the fewer who buy and read what he writes."

"Writing is nothing less than thought transference, the ability to send one's ideas out into the world, beyond time and distance, taken at the value of the words, unbound from the speaker."

"If it was easy, everyone would do it rather than going around telling you their ideas and saying how they could be a writer if they had the time."

"There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature."

"murderous signs, scratched in a folded tablet, and many of them too, enough to kill a man."

"He wins every hand who mingles profit with pleasure, by delighting and instructing the reader at the same time."

"Intellectually as well as emotionally he (Nietzsche) needed solitude. This fact emerges, I believe, from the manner of thinking and style of writing revealed in his books, which are essentially a species of talking to oneself. … He is a man whose mind is full, overfull, of ideas; he is constantly finding ways of expressing them which, as he says in his letters, surprise and delight him; he spends much of each day walking, and at night he sits crouched over his table; and all the time he is talking to himself. He loves his own company, for with no one else can he enjoy such entertaining conversation. Sometimes he contradicts himself, but what would conversation be without contradiction? He argues, he grows angry, he laughs at himself; he postures and exposes himself as a posturer; he announces he is the freest of free-thinkers, and retorts that free-thinking is mere destructiveness. Gradually a philosophy emerges, his philosophy: none of it is of any use to anyone, no one is even interested in it; but one day — so he tells himself — mankind will open its eyes and see that a new world has been discovered."

"I don’t think about rules when I’m writing – that’s the great thing about writing: it’s the one place in my life that I can do whatever I want."

"I always feel you're writing the book you couldn't find, so you have to write it yourself."

"The first person you should think of pleasing, in writing a book, is yourself. If you can amuse yourself for the length of time it takes to write a book, the publishers and the readers can and will follow."

"Good writers indulge their audience; great writers know better."

"Please write again soon. Though my own life is filled with activity, letters encourage momentary escape into others lives and I come back to my own with greater contentment."

"I could only see myself making a living through writing, as I had done in China. But should I write in Chinese here, a foreign land, or enrol in a language class and study English grammar? If I continued to write in Chinese I would have no readers here. Besides, I would never create a community of fellow artists and thinkers in my Western life while speaking Chinese."

"[Writing is] a bit like shitting...if it's coming in dribs and drabs or not coming at all, or being forced out, or if you're missing the rhythm, it's no pleasure at all."

"Effective writing isn’t in the mechanics. Anyone can master the mechanical act of stringing together words and sentences and paragraphs to make a character move from A to B. The bookstores are full of evidence. But that’s not writing. Writing isn’t about the words, it’s about the experience. It’s about the feeling that the story creates inside of you. If there’s no feeling, there’s no story. But sometimes, there’s only the feeling without any meaning or understanding. And that’s not a story either."

"May God give power to every word of mine. In his name I began to write this, and in His name I close it."

"If nobody reads the writing on the wall, man will be reduced to the state of the beast, whom he is shaming by his manners. I read the writing when the hostilities broke out. But I had not the courage to say the word. God has given me the courage to say it before it is too late."

"Writers live in houses other people built."

"Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters."

"You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we're doing it."

"As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored"—"I know; it must be the plot developing harmoniously." So I often reply to myself, and there rises before me my special nightmare—that of the writer as craftsman, natty and deft."

"You can gather however that I know I am not a real artist, and at the same time am fearfully serious over my work and willing to sweat at atmosphere if it helps me do what I want. What I want, I think, is the sentimental, but the sentimental reached by no easy beaten track—I cannot explain myself properly, for you must remember (I forget it myself) that though 'clever' I have a small and cloudy brain, and cannot clear it by talking or reading philosophy."

"Good typography should be like like a wonderful clear crystal goblet that holds wine. [It is] much better than a golden goblet with jewels on the outside because the point of the crystal goblet is that you can see the wine that is inside. You can appreciate the colors of it. You can see how when you swirl the wine how the texture of the wine clings to the glass and how quickly it drips down back into the pool of wine. And you can see the sediment in the bottom when you hold it up in the light. That's the purpose of typography. It should be invisible."

"Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale—who writes always to the unknown friend."

"If I let my fingers wander idly over the keys of a typewriter it might happen that my screed made an intelligible sentence. If an army of monkeys were strumming on typewriters they might write all the books in the British Museum."

"To outsiders, teaching writing might seem like leading students through endless punctuation exercises. It’s not. In reality, a postsecondary writing classroom is a place where students develop higher-order skills like formulating (and continuously fine-tuning) a persuasive argument, finding relevant sources, and integrating compelling evidence. But they also extend to essential beneath-the-surface abilities like finding ideas worth writing about in the first place and then figuring out how to organize and structure those ideas."

"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. Coming from where I come from, with the history I have having spent the first twelve years of my life under both dictatorships…this is what I've always seen as the unifying principle among all writers. This is what, among other things, might join Albert Camus and Sophocles to Toni Morrison, Alice Walker, Osip Mandelstam, and Ralph Waldo Emerson to Ralph Waldo Ellison. Somewhere, if not now, then maybe years in the future, a future that we may have yet to dream of, someone may risk his or her life to read us."

"The imaginative artist willy-nilly influences his time. If he understands his responsibility and acts on it—taking the art seriously always, himself never quite—he can make a contribution equal to, if different from, that of the scientist, the politician, and the jurist. The anarchic artist so much in vogue now—asserting with vehemence and violence that he writes only for himself, grubbing in the worst seams of life—can do damage. But he can also be so useful in breaking up obsolete molds, exposing shams, and crying out the truth, that the broadest freedom of art seems to me necessary to a country worth living in."

"I think writing, my writing, is a species of mediumship. I become the person."

"I am more or less familiar with the works of the members of this Institute. I have worked in the same field. I have felt that quick comradeship of letters which is a very real comradeship, because it is a comradeship of thought and of principle."

"A man really writes for an audience of about ten persons. Of course if others like it, that is clear gain. But if those ten are satisfied, he is content. A certain amount of encouragement is necessary.""

"It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? for the moment passes, it is forgotten; the mood is gone; life itself is gone."

"The effort of expression has a bearing not only on the form but on the thought and on the whole inner being. So long as bare simplicity of expression is not attained, the thought has not touched or even come near to true greatness. … The real way of writing is to write as we translate. When we translate a text written in some foreign language, we do not seek to add anything to it; on the contrary, we are scrupulously careful not to add anything to it. That is how we have to try to translate a text which is not written down."