Occupations

"Among us, the so-called "higher criticism," which reigns supreme in the domain of philology has also taken possession of our historical literature. This higher criticism has been the pretext for introducing all the anti-historical monstrosities that a vain imagination could suggest. Here we have the other method of making the past a living reality; putting subjective fancies in the place of historical data; fancies whose merit is measured by their boldness, that is, the scantiness of the particulars on which they are based, and the peremptoriness with which they contravene the best established facts of history."

"For the new theory of Language has unquestionably produced a new theory of Race. . . . There seems to me no doubt that modern philology has suggested a grouping of peoples quite unlike anything that had been thought of before. If you examine the bases proposed for common nationality before the new knowledge growing out of the study of Sanscrit had been popularised in Europe, you will find them extremely unlike those which are now advocated and even passionately advocated in parts of the Continent. . . . That peoples not necessarily understanding one another's tongue should be grouped together politically on the ground of linguistic affinities assumed to prove community of descent, is quite a new idea."

"Philologists appear to me to be a secret society who wish to train our youth by means of the culture of antiquity · I could well understand this society and their views being criticised from all sides. A great deal would depend upon knowing what these philologists understood by the term "culture of antiquity"—If I saw, for example, that they were training their pupils against German philosophy and German music, I should either set about combating them or combating the culture of antiquity, perhaps the former, by showing that these philologists had not understood the culture of antiquity."

"To live classically and to realize antiquity practically within oneself is the summit and goal of philology."

"Now the philosophy of life, in its highest range at least, is a divine science of experience. This experience, however, is throughout internal and spiritual. It is therefore easily conceivable that it can enter readily and easily into all other experimental sciences, and into those especially which more immediately relate to man, as, for instance, most of the branches of natural history, and still more into philology, with which at present we are most immediately concerned. And this it does, in order to borrow such illustrations and comparisons as may tend to elucidate or further to develop its own subject-matter, or else to furnish applications to individual cases in other departments of life. However, in thus proceeding, philosophy must take heed lest it overpass its own proper limits or forget its true end and aim. It must not go too deeply into particulars, or lose itself among the specialities of the other sciences. On the contrary, it ought carefully to confine itself to those points which more immediately concern man, and especially the inner man, and, adhering to the meaning and spirit of the whole, seek to elucidate and throw out this pre-eminently."

"Get knowledge of the spine, for this is the requisite for many diseases.""

"Chiropractic, which focuses on manipulating the spine to ease back pain and improve overall health, has won wider acceptance over the years. Most health insurance plans now cover it. But in the 110 years since the profession was created, the established medical community largely has boycotted it — challenging its scientific validity in courts and legislative bodies."

"Just as soon as the colored boys found out that a science had been developed for manipulating the bones they all wanted to take it up."

"A chiropractor is a health care professional focused on the determination and therapy of neuromuscular problems, with an emphasis on therapy through manual adjustment and/or manipulation of the spine."

"Upper cervical chiropractic care is like the VIP treatment for your spine and nervous system. It's a specialized approach that focuses on the top two bones in your neck, known as the atlas and axis vertebrae. By making precise adjustments to these crucial areas, upper cervical chiropractors aim to restore proper alignment and function to your entire body. This can have a ripple effect throughout your nervous system, helping to alleviate pain, improve mobility, and enhance overall well-being."

"Intelligence is present everywhere in our bodies...our own innate intelligence is far superior to any we can try to substitute from the outside."

"Quapropter bono christiano, sive mathematici, sive quilibet impie divinantium... cavendi sunt, ne consortio daemoniorum irretiant."

"A mathematician is a machine for turning coffee into theorems."

"I united the majority of well-informed persons into a club, which we called by the name of the Junto, and the object of which was to improve our understandings. ... The first members of our club were... Thomas Godfrey, a self-taught mathematician, and afterwards inventor of what is now called Hadley's dial; but he had little knowledge out of his own line, and was insupportable in company, always requiring, like the majority of mathematicians that have fallen in my way, an unusual precision in everything that is said, continually contradicting, or making trifling distinctions—a sure way of defeating all the ends of conversation. He very soon left us."

"Avec toute l’algèbre du monde on n’est souvent qu’un sot lorsqu’on ne sait pas autre chose. Peut-être dans dix ans la société tirera-t-elle de l’avantage des courbes que des songe-creux d’algébristes auront carrées laborieusement. J’en félicite d’avance la postérité; mais, à vous parler vrai, je ne vois dans tous ces calculs qu’une scientifique extravagance. Tout ce qui n’est ni utile ni agréable ne vaut rien. Quant aux choses utiles, elles sont toutes trouvées; et, pour les agréables, j’espère que le bon goût n’y admettra point d’algèbre."

"Die Mathematiker sind eine Art Franzosen; redet man zu ihnen, so übersetzen sie es in ihre Sprache, und dann ist es alsobald ganz etwas anders."

"To be a mathematician you must love mathematics more than family, religion, money, comfort, pleasure, glory. I do not mean that you must love it to the exclusion of family, religion, and the rest, and I do not mean that if you do love it, you'll never have any doubts, you'll never be discouraged, you'll never be ready to chuck it all and take up gardening instead. Doubts and discouragements are part of life. Great mathematicians have doubts and get discouraged, but usually they can’t stop doing mathematics anyway, and, when they do, they miss it very deeply. [...] Mind you, I am not recommending or insisting that you love mathematics. I am not issuing an order: “If you want to be a mathematician, start loving mathematics forthwith”—that would be absurd. What I am saying is that the love of mathematics is a hypothesis without which the conclusion doesn’t follow. If you want to be a mathematician, look into your soul and ask yourself how much you want to be one. If the wish isn’t very deep and very great, if it is not, in fact, maximal, if you have another desire that takes precedence, or even more than one, then you should not try to be a mathematician. The “should” is not a moral one; it is a pragmatic one. I think that you would probably not succeed in your attempt, and, in any event, you would probably feel frustrated and unhappy."

"The mathematician's best work is art, a high perfect art, as daring as the most secret dreams of imagination, clear and limpid. Mathematical genius and artistic genius touch one another."

"Mathematicians seem to have no difficulty in creating new concepts faster than the old ones become well understood."

"I have hardly ever known a mathematician who was capable of reasoning."

"Aristotle, so far as I know, was the first man to proclaim explicitly that man is a rational animal. His reason for this view was one which does not now seem very impressive; it was, that some people can do sums."

"Aristotle could have avoided the mistake of thinking that women have fewer teeth than men, by the simple device of asking Mrs Aristotle to keep her mouth open while he counted."

"These experiences are not 'religious' in the ordinary sense. They are natural, and can be studied naturally. They are not 'ineffable' in the sense the sense of incommunicable by language. Maslow also came to believe that they are far commoner than one might expect, that many people tend to suppress them, to ignore them, and certain people seem actually afraid of them, as if they were somehow feminine, illogical, dangerous. 'One sees such attitudes more often in engineers, in mathematicians, in analytic philosophers, in book keepers and accountants, and generally in obsessional people'. The tends to be a kind of bubbling-over of delight, a moment of pure happiness. 'For instance, a young mother scurrying around her kitchen and getting breakfast for her husband and young children. The sun was streaming in, the children clean and nicely dressed, were chattering as they ate. The husband was casually playing with the children: but as she looked at them she was suddenly so overwhelmed with their beauty and her great love for them, and her feeling of good fortune, that she went into a peak experience . . ."

"Mathematicians are used to game-playing according to a set of rules they lay down in advance, despite the fact that nature always writes her own. One acquires a great deal of humility by experiencing the real wiliness of nature."

"You can’t write without a lot of pressure. Sometimes the pressure comes from anger, which then changes into a pressure to write...The pressure from anger is an energy that can be violent or useful or useless. Also the pressure doesn’t have to be anger. It could be love. One could be overcome with feelings of lifetime love or justice."

"Good authors too, who once knew better words, now only use four-letter words writing prose, anything goes!"

"Words are like leaves; and where they most abound, much fruit of sense beneath is rarely found."

"True ease in writing comes from art, not chance. As those move easiest who have learn'd to dance."

"When something can be read without effort, great effort has gone into its writing."

"In influencing write-ups, words seem to move despite residing still on paper."

"Strength of creative writing lies in the skill of handling words and articulating artistic expression of feelings."

"Writing, Phaedrus, has this strange quality, and is very like painting; for the creatures of painting stand like living beings, but if one asks them a question, they preserve a solemn silence. And so it is with written words; you might think they spoke as if they had intelligence, but if you question them, wishing to know about their sayings, they always say only one and the same thing."

"To write something long, sophisticated, and coherent means, at least in part, to become more complex, articulate, and deeper in personality."

"Writing is a fine thing, because it combines the two pleasures of talking to yourself and talking to a crowd."

"In the mental disturbance and effort of writing, what sustains you is the certainty that on every page there is something left unsaid."

"Thus, in a real sense, I am constantly writing autobiography, but I have to turn it into fiction in order to give it credibility."

"GR: What advice do you give writers?"

"I have made this [letter] longer, because I have not had the time to make it shorter."

"I think a lot of what influences a writer is what you hear in the street, the language you hear, the way people talk, the way, the rhythms, the song, the language of your childhood."

"The best training is to read and write, no matter what. Don’t live with a lover or roommate who doesn’t respect your work. Don’t lie, buy time, borrow to buy time. Write what will stop your breath if you don’t write."

"what’s a writer for? The whole point is to put yourself into other lives, other heads—writers have always done that. If you screw up, so someone will tell you, that’s all. I think men can write about women and women can write about men. The whole point is to know the facts. Men have so often written about women without knowing the reality of their lives, and worse, without being interested in that daily reality."

"Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand."

"The Spanish war and other events in 1936-7 turned the scale and thereafter I knew where I stood. Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic Socialism, as I understand it. It seems to me nonsense, in a period like our own, to think that one can avoid writing of such subjects."

"When one reads any strongly individual piece of writing, one has the impression of seeing a face somewhere behind the page. It is not necessarily the actual face of the writer. I feel this very strongly with Swift, with Defoe, with Fielding, Stendhal, Thackeray, Flaubert, though in several cases I do not know what these people looked like and do not want to know. What one sees is the face that the writer ought to have. Well, in the case of Dickens I see a face that is not quite the face of Dickens's photographs, though it resembles it. It is the face of a man of about forty, with a small beard and a high colour. He is laughing, with a touch of anger in his laughter, but no triumph, no malignity. It is the face of a man who is always fighting against something, but who fights in the open and is not frightened, the face of a man who is generously angry — in other words, of a nineteenth-century liberal, a free intelligence, a type hated with equal hatred by all the smelly little orthodoxies which are now contending for our souls."

"I write what I would like to read – what I think other women would like to read. If what I write makes a woman in the Canadian mountains cry and she writes and tells me about it, especially if she says ‘I read it to Tom when he came in from work and he cried too,’ I feel I have succeeded."

"Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art."

"You ask me why I do not write something....I think one's feelings waste themselves in words, they ought all to be distilled into actions and into actions which bring results."

"You can always count on a murderer for fancy prose style."

"I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it."

"The reason I got into magic was that it seemed to be what was lying at the end of the path of writing. If I wanted to continue on that path, I was going to have to get into that territory because I had followed writing as far as I thought I could without taking a step over the edges of rationality. The path led out of rational confines. When you start thinking about art and creativity, rationality is not big enough to contain it all."