First Quote Added
April 10, 2026
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"She was altered by time, as much as I was. The slight and graceful shape was gone; not that I remembered anything of her figure, if you please; for boys of twelve are not yet prone to note the shapes of women."
"The motives of mankind are plainer than the motions they produce."
"Now this may seem very strange to us who live in a better and purer age—or say at least that we do so—and yet who are we to condemn our fathers for teaching us better manners, and at their own expense?"
"In order to try to see what Goya saw, I have visited the places he knew well: the village of his childhood, the farmhouse where he stayed with the , the cities of , Madrid, and, finally, . In my mind's eye I can look across the landscapes that he once travelled through. I can walk the same streets, I can gaze out of the window of the house in which he was born and the house in which he died. Maybe that is another way of meeting a a man who died."
"I delay so long, because I fear; because my whole life hangs in balance on a single word; because what I have near me now may never more be near me after, though more than all the world, or than a thousand worlds, to me."
"Whenever I wandered in the streets, what with the noise the people made, the number of the coaches, the running of the footmen, the swaggering of great courtiers, and the thrusting aside of everybody, many and many a time I longed to be back among the sheep again, for fear of losing temper."
"May be we are not such fools as we look. But though we be, we are well content, so long as we may be two fools together."
"All the beauty of the spring went for happy men to think of; all the increase of the year was for other eyes to mark. Not a sign of any sunrise for me from my fount of life, not a breath to stir the dead leaves fallen on my heart's Spring."
"I for my part was nothing loth, and preferred to see London by daylight. And after all, it was not worth seeing, but a very hideous and dirty place, not at all like Exmoor."
"There is nothing in this world to fear, nothing to revere or trust, nothing even to hope for; least of all, is there aught to love."
"Of course, was an eccentric, and his life story reads like something invented by Edgar Allan Poe with a certain amount of help from Richard Jefferies, but we have always needed the eccentrics to point the way. It was Waterton who warned the Americans, for example, of the ultimate cost of their profligate destruction of their forests. It was Waterton who fought against the beginnings of pollution in the Industrial Revolution. It was he who turned the grounds of into a , even maintaining trees with holes in them in which birds could nest and building a special bank for s."
"Julia Blackburn, who lives in , became interested in in the wake of her husband ’s death in 2013. Makkink was a Dutch artist (he made the sinister phallic murder weapon in ), and there was something magnetic about the idea of this vanished territory that had once connected their two homelands. A magpie anyway, eyes to the ground, always turning up oddities, she’d become fascinated by the immense age of the worked flints and fossilised bones she kept finding in the eroding cliffs of beach, a place where “things … often appear magically out of nowhere and then vanish with an equal magic”."
"On the right-hand side was a mighty oven, where Betty threatened to bake us; and on the left, long sides of bacon, made of favoured pigs, and growing very brown and comely. Annie knew the names of all, and ran up through the wood-smoke, every now and then, when a gentle memory moved her, and asked them how they were getting on, and when they would like to be eaten. Then she came back with foolish tears, at thinking of that necessity; and I, being soft in a different way, would make up my mind against bacon. But, Lord bless you! it was no good. Whenever it came to breakfast-time, after three hours upon the moors, I regularly forgot the pigs, but paid good heed to the rashers."
"“Hould thee tongue, lad,' he said sharply; 'us be naigh the Doone-track now, two maile from Dunkery Beacon hill, the haighest place of Hexmoor. So happen they be abroad to-naight, us must crawl on our belly-places, boy.”"
"But during those two months of fog (for we had it all the winter), the saddest and the heaviest thing was to stand beside the sea. To be upon the beach yourself, and see the long waves coming in; to know that they are long waves, but only see a piece of them; and to hear them lifting roundly, swelling over smooth green rocks, plashing down in the hollow corners, but bearing on all the same as ever, soft and sleek and sorrowful, till their little noise is over."
"In the hour of death, after this life’s whim, When the heart beats low, and the eyes grow dim, And pain has exhausted every limb— The lover of the Lord shall trust in Him. For even the purest delight may pall, And power must fail, and the pride must fall, And the love of the dearest friends grow small— But the glory of the Lord is all in all."
"“Now let us bandy words no more,” said mother, very sweetly; “nothing is easier than sharp words, except to wish them unspoken.”"
"But whatever lives or dies, business must be attended to; and the principal business of good Christians is, beyond all controversy, to fight with one another."
"The author’s father, , was “a poet and an alcoholic”; her mother, Rosalie de Meric, a painter and an exhibitionist. Both parents were breathtaking narcissists and dirty fighters. Until they divorced, when Julia was 13, they scrapped loudly and vigorously. Rosalie would often thrust Julia in front of her to act as a shield from her husband’s fists. Once a punch missed and hit the child. “So sorry darling,” Thomas said. “No blood I hope?”"
"In 1812, when he was retreating from the blood and confusion of Moscow and the disastrous , Napoleon had remarked that there was only a single step separating the sublime from the ridiculous. From moment that he was deposited on , until the day when his body was finally removed from the island twenty-five years later, the sublime and the ridiculous were often so closely intertwined that it was impossible to separate the one from the other. The servants and companions who were with him on the island still treated him with all the fear and respect that was owing to an , but the more they bobbed and bowed in Napoleon's presence and tried to maintain the illusion of , the more rigidly they need to shut out any mirror reflection of what they were doing and how they looked while they were doing it."
"What is this Charity, this clinking of money between strangers, and when did Charity cease to be a comforting and secret thing between one friend and another? ... The real Love knows her neighbour face to face, and laughs with him and weeps with him, and eats and drinks with him, so that at last, when his black day dawns, she may share with him, not what she can spare, but all that she has."
"“I think, Master Ridd, you cannot know,” she said, with her eyes taken from me, “what the dangers of this place are, and the nature of the people.” “Yes, I know enough of that; and I am frightened greatly, all the time, when I do not look at you.”"
"Too late we know the good from bad; the knowledge is no pleasure then; being memory's medicine rather than the wine of hope."
"Los Angeles is a sophisticated city; it has no eccentricities and no heart."
"Because I rant not, neither rave of what I feel, can you be so shallow as to dream that I feel nothing?"
"But a sigh is not (like a yawn) infectious; and we are all more prone to be sent to sleep than to sorrow by one another. Not but what a sigh sometimes may make us think of sighing."
"The First Time she was grave, as well she might, For Women will be damn'd sullen the first Night; But faith, they'l quickly mend, so be n't uneasie: To Night she's brisk, and trys New Tricks to please ye."
"Nearly everybody in San Francisco writes poetry. Few San Franciscans would admit this, but most of them would rather like to have their productions accidentally discovered."
"Women who are (beyond all doubt) the mothers of all mischief, also nurse that babe to sleep, when he is too noisy."
"Glendinning's biography is unusual in including almost as much about Raffles's relatives and friends as about him. This is as it should be, as they were crucial to his career as well as to his happiness; especially his two wives, the vivacious , who died in 1814, and then the strong and resourceful , who bore him his children, and fanned his reputation, and her own, after Raffles's death."
"But now, at Dulverton, we dined upon the rarest and choicest victuals that ever I did taste. Even now, at my time of life, to think of it gives me appetite, as once and awhile to think of my first love makes me love all goodness. Hot mutton pasty was a thing I had often heard of from very wealthy boys and men, who made a dessert of dinner; and to hear them talk of it made my lips smack, and my ribs come inwards."
"It is the manner of all good boys to be careless of apparel, and take no pride in adornment."
"Soon we found Peggy and Smiler in company, well embarked on the homeward road, and victualling where the grass was good. Right glad they were to see us again—not for the pleasure of carrying, but because a horse (like a woman) lacks, and is better without, self-reliance."
"Least said soonest mended, because less chance of breaking."
"I cannot go through all my thoughts so as to make them clear to you, nor have I ever dwelt on things, to shape a story of them. I know not where the beginning was, nor where the middle ought to be, nor even how at the present time I feel, or think, or ought to think. If I look for help to those around me, who should tell me right and wrong (being older and much wiser), I meet sometimes with laughter, and at other times with anger."
"There was that power all round, that power and that goodness, which make us come, as it were, outside our bodily selves, to share them. Over and beside us breathes the joy of hope and promise; under foot are troubles past; in the distance bowering newness tempts us ever forward. We quicken with largesse of life, and spring with vivid mystery."
"It might have been a good thing for me to have had a father to beat these rovings out of me; or a mother to make a home, and teach me how to manage it. For, being left with none—I think; and nothing ever comes of it. Nothing, I mean, which I can grasp and have with any surety; nothing but faint images, and wonderment, and wandering."
"Often too I wonder at the odds of fortune, which made me (helpless as I am, and fond of peace and reading) the heiress of this mad domain, the sanctuary of unholiness."
"Having no knowledge of these great men, nor of the matter how far it was true, I had not very much to say about either of them or it; but this silence was not shared (although the ignorance may have been) by the hundreds of people around me."
"It seemed to me that if the lawyers failed to do their duty, they ought to pay people for waiting upon them, instead of making them pay for it."
"Either love me not at all, or as I love you for ever."
"The love of all things was upon me, and a softness to them all, and a sense of having something even such as they had."
"For nine women out of ten must have some kind of romance or other, to make their lives endurable; and when their love has lost this attractive element, this soft dew-fog (if such it be), the love itself is apt to languish; unless its bloom be well replaced by the budding hopes of children. Now Master Stickles neither had, nor wished to have, any children."
"I for my part was most thankful that I had not killed. For to have the life of a fellow-man laid upon one's conscience—deserved he his death, or deserved it not—is to my sense of right and wrong the heaviest of all burdens; and the one that wears most deeply inwards, with the dwelling of the mind on this view and on that of it."
"Hope of course is nothing more than desire with a telescope, magnifying distant matters, overlooking near ones; opening one eye on the objects, closing the other to all objections. And if hope be the future tense of desire, the future of fear is religion—at least with too many of us."
"“Now what will ye please to eat?” she asked, with a lively glance at the size of my mouth: “that is always the first thing you people ask, in these barbarous places.” “I will tell you by-and-by,” I answered, misliking this satire upon us; “but I might begin with a quart of ale, to enable me to speak, madam.” “Very well. One quevart of be-or;” she called out to a little maid, who was her eldest child, no doubt. “It is to be expected, sir. Be-or, be-or, be-or, all day long, with you Englishmen!” “Nay,” I replied, “not all day long, if madam will excuse me. Only a pint at breakfast-time, and a pint and a half at eleven o'clock, and a quart or so at dinner. And then no more till the afternoon; and half a gallon at supper-time. No one can object to that.”"
"The letters to are Bowen's "writing" in the same way as her books and stories are. Readers of her fiction will find echoes and resonances. She told him with great freedom about how she writes, when she writes, what it feels like to be writing. When, late in life, she started on The Little Girls, she shared the process of creation with him as never before — even though The Heat of the Day, about love and betrayal in London during the war, is dedicated "To Charles Ritchie". If these were only love-letters, they would not be so valuable or extraordinary. Bowen is a natural and practised story-teller with a genius for evoking atmosphere. She can be wonderfully funny as well as deadly serious as she regales Ritchie with the minutiae of her life, whether in Ireland, England, Europe or America. She spills out, without inhibition, her opinions and prejudices."
"He cannot be seen as an Enlightenment figure. What we think of as eighteenth-century, in terms of architecture, furniture, painting and the decorative arts, came mostly after his heyday. He died in 1745 and was isolated by deafness and dementia from the late 1730s."
"and , the principal family historians, both wrote that it was Mr Trollope's idea that should go to America. They may have been fudging the real issues here, just as they fudged the long association of Mrs Trollope with ."
"With his wife, he founded the . He had no idea when he married Virginia Stephen how her mental instability would determine and distort his own trajectory, nor that she would become one of the most famous English authors of the twentieth century. He knew how to love, and she was the love of his life. After came change and a . In his last decade, five volumes of autobiography won him respect and recognition. He left not only distinguished books on international relations, but also satirical squibs, a great mass of literary and political journalism, a play, poetry, short stories, and two novels."