Novelists From England

"If Monica Dickens means nothing more to you than horsey books and no-nonsense memoirs of nursing and service, then this eloquent novel about the genteel poverty of a widow shunted between her three egotistical daughters is a fine corrective."

"The road from Boston to Cape Cod is long and straight and ruthless. Two black slashes cutting through the sandy country of pine and scrub oak which never grow to any size before a motorist throws out a cigarette on to the dry grass and levels everything neatly down again. In winter, the cars carry Boston businessmen in hats worn straight and true, and women with plastic statues of the Sacred Heart suctioned to the dashboard. In summer, the cars are full of families, and trail boats and little houses behind them. When the road was made, for the locust families to redouble their assault on Cape Cod, hills were leveled, hollows filled, the landscape brought to order. The bare scrub land is empty since everyone has gone top-heavily to the coast, like passengers crowding to the ship's rail."

"With the suit, Christine wore a grey felt beret which had been sold to her cheaply by Mrs Arnold in Millinery, because it had a mark on the back and no customer would buy it. Women were absurdly fussy when they had money to spend. When they were walking along they were just ordinary women, quite meek and obeying the policeman at the crossing; but as soon as Goldwyn's commissionaire, who bought his medals at the Surplus Supply stores in the , had pushed open the swing doors for them, they became customers, and that made them arrogant. Christine had easily removed the mark on the hat with some lighter fluid. Any woman could have done the same; but to have noticed the mark with a shrewd mouth, to have refused to buy the polluted hat made them feel recherché."

"In the Refusal Race, you had to trot up to a jump, stop the horse and sail over the jump by yourself on to Anna's spare-room mattress."

"... I took the ashes out to the , leaving a little trail of cinders from a broken corner of the box. The trouble about housework is that whatever you do seems to lead to another job to do or a mess to clear up."

"I think, on a , what I’d really appreciate are long books: books as day-by-day companions, to combat loneliness and fear. We have some brilliant contemporary authors who write on the big canvas, yet I feel that desert-island panic might be better combated by novels set in the past, preferably by long-dead authors who had never experienced central heating or modern dentistry. Tolstoy’s Anna Karenina, Balzac’s ' and Trollope’s ' (all with vibrant and courageous female protagonists, to spur me on to valour and fortitude) would be among my front runners. Reading contemporary novels would remind me, hour after hour, of the world I’d lost and might never regain. Tolstoy, on the other hand, reveals to me a universe I may never manage to understand in its entirety, so when I get to the end, I can happily start at the beginning again."

"Give history to children in the form of lists of dates or lumps of data and they won’t respond to it at all, but give them an image King Charles II, say, , or a defeated Napoleon staring out at an empty ocean from the cliffs of ) and this could be something which might move and inspire them."

"... each page breathes a kind of magic, a sigh of enchantment that’s hard to capture in a short review. Somehow, Tremain has imbued her 16th novel with the freshness – and the intense bitter-sweetness – of a first book of the very best kind. Its themes of adolescence and betrayal, high style and evocation of period, remind me of Françoise Sagan’s equally slim ', though its particular also sets it apart from that book. And while the young Marianne lives in semi-rural Berkshire, and likes horses more than most human beings – the novel’s horsey sections will perhaps seem peculiar to readers who didn’t grow up on Anna Sewell or – its author’s careful delineation of her parents’ brittle, golf-club ways recalls Julian Barnes’s suburban-set . The details are exquisite. Here are bath cubes, and , and sauces made from marmalade to go with baked ham ..."

"He’s got tired of her now, has Martin. He said she took so much worshipping she made his knees sore."

"And has your marriage brought you happiness, Marian?" "I love my husband," she answered with a plaintive reproachful look, as if there had been a kind of cruelty in his straight question. "I do not suppose that there is such a thing as perfect happiness in the world."

"She had an intellect masculine in its range and detachment—a type of intellect possessed by some women in all ages, not, as they are apt to suppose it, the peculiar possession of modern women."

""Naught's had, all's spent, when our desire is got without content." I wonder whether the fulfilment of one's heart's desire ever does bring perfect contentment? I think not. There is always something wanting. And if a man comes by his wish basely, there is a taint of poison in the wine of life that neutralizes all its sweetness."

"You can make no excuse for his love, that fatal irresistible passion, which outweighs truth and honour when they are set in the opposite scale."

"He was a very gracious and communicative person, and seemed to take life in an easy agreeable manner, like a man whose habit it was to look on the brighter side of all things, provided his own comfort was secured."

"I have waited for your return these many years. You might have found me more tenderly disposed towards you, had you come earlier; but there are some feelings which seem to wear out as a man grows older,—affections that grow paler day by day, like colours fading in the sun."

"A woman's love is such a capricious thing, and so often bestowed upon the least deserving amongst those who seek it."

"My lady, watchful and quiet as the cold stars in the wintry sky, looked up at these casements with an earnest and scrutinizing gaze. One of the windows was shrouded by a scanty curtain of faded red; and upon this curtain there went and came a dark shadow, the shadow of a woman with a fantastic head dress, the shadow of a restless creature, who paced perpetually backward and forward before the window."

"Who has not been, or is not to be mad in some lonely hour of life? Who is quite safe from the trembling of the balance?"

"If there had been any one to take this lonely girl in hand and organize her education, Heaven only knows what might have been made of her; but there was no friendly finger to point a pathway in the intellectual forest, and Isabel rambled as her inclination led her, now setting up one idol, now superseding him by another; living as much alone as if she had resided in a balloon, for ever suspended in mid air, and never coming down in serious earnest to the common joys and sorrows of the vulgar life about her."

"He went in search of that honored kinsman with God knows how heavy a weight of anguish at his heart, for he knew he was about to shatter the day-dream of his uncle's life; and he knew that our dreams are none the less terrible to lose, because they have never been the realities for which we have mistaken them."

"Ruins and copious refreshment ware associated in Mr. Gilbert’s mind; and, indeed, there does seem to be a natural union between ivied walls and lobster-salad, crumbling turrets and cold chicken; just as the domes of Greenwich Hospital, the hilly park beyond, and the rippling water in the foreground, must be for ever and ever associated with floundered souchy and devilled whitebait."

"He forgot that love, which is a madness, and a scourge, and a fever, and a delusion, and a snare, is also a mystery, and very imperfectly understood by everyone except the individual sufferer who writhes under its tortures."

"And now the senna and camomile were to flavour all her life. She was no longer to enjoy that mystical double existence, those delicious glimpses of dreamland, which made up for all the dulness of the common world that surrounded her."

"Now love is so very subtle an essence, such an indefinable metaphysical marvel, that its due force, though very cruelly felt by the sufferer himself, is never clearly understood by those who look on at its torments and wonder why he takes the common fever so badly."

"We are apt to be angry with this cruel hardness in our life—this unflinching regularity in the smaller wheels and meaner mechanism of the human machine, which knows no stoppage or cessation, though the mainspring be forever hollow, and the hands pointing to purposeless figures on a shattered dial."

"Let any man make a calculation of his existence, subtracting the hours in which he has been thoroughly happy—really and entirely at his ease, without one arriere pensée to mar his enjoyment—without the most infinitesimal cloud to overshadow the brightness of his horizon. Let him do this, and surely he will laugh in utter bitterness of soul when he sets down the sum of his felicity, and discovers the pitiful smallness of the amount. He will have enjoyed himself for a week or ten days in thirty years, perhaps. In thirty years of dull December, and blustering March, and showery April, and dark November weather, there may have been seven or eight glorious August days, through which the sun has blazed in cloudless radiance, and the summer breezes have breathed perpetual balm. How fondly we recollect these solitary days of pleasure, and hope for their recurrence, and try to plan the circumstances that made them bright; and arrange, and predestinate, and diplomatize with fate for a renewal of the remembered joy. As if any joy could ever be built up out of such and such constituent parts! As if happiness were not essentially accidental—a bright and wandering bird, utterly irregular in its migrations; with us one summer's day, and forever gone from us on the next!"

"The Eastern potentate who declared that women were at the bottom of all mischief, should have gone a little further and seen why it is so. It is because women are never lazy. They don't know what it is to be quiet. They are Semiramides, and Cleopatras, and Joan of Arcs, Queen Elizabeths, and Catharines the Second, and they riot in battle, and murder, and clamour and desperation. If they can't agitate the universe and play at ball with hemispheres, they'll make mountains of warfare and vexation out of domestic molehills, and social storms in household teacups. Forbid them to hold forth upon the freedom of nations and the wrongs of mankind, and they'll quarrel with Mrs. Jones about the shape of a mantle or the character of a small maid-servant. To call them the weaker sex is to utter a hideous mockery. They are the stronger sex, the noisier, the more persevering, the most self-assertive sex. They want freedom of opinion, variety of occupation, do they? Let them have it. Let them be lawyers, doctors, preachers, teachers, soldiers, legislators—anything they like—but let them be quiet—if they can."

"He took the rotundity of the moon, and the curves of creepers, and the clinging of tendrils, and the trembling of grass, and the slenderness of the reed, and the bloom of flowers, and the lightness of leaves, and the tapering of the elephant's trunk, and the glances of deer, and the clustering of rows of bees, and the joyous gaiety of sunbeams, and the weeping of clouds, and the fickleness of the winds, and the timidity of the hare, and the vanity of the peacock, and the softness of the parrot’s bosom, and the hardness of adamant, and the sweetness of honey, and the cruelty of the tiger, and the warm glow of fire, and the coldness of snow, and the chattering of jays, and the cooing of the kókila, and the hypocrisy of the crane, and the fidelity of the chakrawáka; and compounding all these together he made woman, and gave her to man."

"She looked very pretty and innocent, seated behind the graceful group of delicate opal china and glittering silver. Surely a pretty woman never looks prettier than when making tea. The most feminine and most domestic of all occupations imparts a magic harmony to her every movement, a witchery to her every glance. The floating mists from the boiling liquid in which she infuses the soothing herbs; whose secrets are known to her alone, envelope her in a cloud of scented vapor, through which she seems a social fairy, weaving potent spells with Gunpowder and Bohea. At the tea-table she reigns omnipotent, unapproachable. What do men know of the mysterious beverage? Read how poor Hazlitt made his tea, and shudder at the dreadful barbarism. How clumsily the wretched creatures attempt to assist the witch president of the tea-tray; how hopelessly they hold the kettle, how continually they imperil the frail cups and saucers, or the taper hands of the priestess. To do away with the tea-table is to rob woman of her legitimate empire. To send a couple of hulking men about among your visitors, distributing a mixture made in the housekeeper's room, is to reduce the most social and friendly of ceremonies to a formal giving out of rations. Better the pretty influence of the tea cups and saucers gracefully wielded in a woman's hand than all the inappropriate power snatched at the point of the pen from the unwilling sterner sex. Imagine all the women of England elevated to the high level of masculine intellectuality, superior to crinoline; above pearl powder and Mrs. Rachael Levison; above taking the pains to be pretty; above tea-tables and that cruelly scandalous and rather satirical gossip which even strong men delight in; and what a drear, utilitarian, ugly life the sterner sex must lead."

"Do you think I will suffer myself to be baffled?"

"I consider any man a fool who allows himself to be captivated by a pretty face."

"He was a square, pale-faced man of almost forty, and had the appearance of having outlived every emotion to which humanity is subject."

"Justice to the dead first," he said; "mercy to the living afterward."

"The wind came whistling up across the frosty open country, and through the leafless woods, and rattled fiercely at the window-frames."

"Seated in the embrasure of this window, my lady was separated from Robert Audley by the whole length of the room, and the young man could only catch an occasional glimpse of her fair face, surrounded by its bright aureole of hazy, golden hair."

"It seemed as though the wise architect who had superintended the building of the Castle Inn had taken especial care that nothing but the frailest and most flimsy material should be used, and that the wind, having a special fancy for this unprotected spot, should have full play for the indulgence of its caprices. To this end pitiful woodwork had been used instead of solid masonry; rickety ceilings had been propped up by fragile rafters, and beams that threatened on every stormy night to fall upon the heads of those beneath them; doors whose specialty was never to be shut, yet always to be banging; windows constructed with a peculiar view to letting in the draft when they were shut, and keeping out the air when they were open. The hand of genius had devised this lonely country inn; and there was not an inch of woodwork, or trowelful of plaster employed in all the rickety construction that did not offer its own peculiar weak point to every assault of its indefatigable foe."

"Phoebe Marks was a person who never lost her individuality. Silent and self-constrained, she seemed to hold herself within herself, and take no color from the outer world."

"We hear every day of murders committed in the country. Brutal and treacherous murders; slow, protracted agonies from poisons administered by some kindred hand; sudden and violent deaths by cruel blows, inflicted with a stake cut from some spreading oak, whose every shadow promised—peace. In the county of which I write, I have been shown a meadow in which, on a quiet summer Sunday evening, a young farmer murdered the girl who had loved and trusted him; and yet, even now, with the stain of that foul deed upon it, the aspect of the spot is—peace. No species of crime has ever been committed in the worst rookeries about Seven Dials that has not been also done in the face of that rustic calm which still, in spite of all, we look on with a tender, half-mournful yearning, and associate with—peace."

"The widower only sighed and puffed his cigar fiercely out of the open window. Perhaps he was thinking of that far-away time—little better than five years ago, in fact; but such an age gone by to him—when he first met the woman for whom he had worn crape round his hat three days before."

"As he sat in the deep embrasure of a mullioned window, talking to my lady, his mind wandered away to shady Figtree Court, and he thought of poor George Talboys smoking his solitary cigar in the room with the birds and canaries."

"I scarcely think there is a greater sin, Lucy," he said, solemnly, "than that of a woman who marries a man she does not love. You are so precious to me, my beloved, that deeply as my heart is set on this, and bitter as the mere thought of disappointment is to me, I would not have you commit such a sin for any happiness of mine. If my happiness could be achieved by such an act, which it could not—which it never could," he repeated, earnestly—"nothing but misery can result from a marriage dictated by any motive but truth and love."

"Do you know, Bob," he said, "that when some of our fellows were wounded in India, they came home, bringing bullets inside them. They did not talk of them, and they were stout and hearty, and looked as well, perhaps, as you or I; but every change in the weather, however slight, every variation of the atmosphere, however trifling, brought back the old agony of their wounds as sharp as ever they had felt it on the battle-field. I've had my wound, Bob; I carry the bullet still, and I shall carry it into my coffin."

"Why, I can't help smiling at people, and speaking prettily to them. I know I'm no better than the rest of the world; but I can't help it if I'm pleasanter. It's constitutional."

""You are plain, Coraline," I said to myself; "unmistakably plain. You have tolerable eyes, and good teeth; but your nose is a failure, your complexion is pallid, and your mouth is just twice too large for prettiness. Never forget that you are plain, my dear Coralie, and then perhaps other people won't remember quite so often. Shake hands with Fate, accept your thick nose and your pallid complexion as the stern necessities of your existence, and make the most of your eyes and teeth, and your average head of hair." That is the gist of what I said to myself, in less sophisticated language, perhaps, before I was fifteen, and from that line of conduct I have never departed. So, if I have come to nineteen years of age without being admired, I have at least escaped being laughed at!"

"She had been told too often of her beauty not to know that she was handsomer than the majority of women. She knew that in mental power she was her lover's equal: by birth, by fortune, by every attribute and quality, she was fitted to be his wife, to rule over his household, and to be a purifying and elevating influence in his life. His mother had loved her as warmly as it was possible for that languid nature to love anything. Their two lives were interwoven by the tenderest associations of the past as well as the solemn engagement that bound them in the present. No, it was not possible for Madoline, seeing all things from the standpoint of her own calm and evenly-balanced mind, to imagine infidelity in a lover so long and so closely bound to her. Those sudden aberrations of the human mind which wreck so many lives, and make men and women a world's wonder, had never come within the range of her experience."

"They were dreamers—and they dreamt themselves into the cemetery."

"That he will haunt the footsteps of his enemy after death is the one revenge which a dying man can promise himself; and if men had power thus to avenge themselves the earth would be peopled with phantoms."

""The Lord gave, and the Lord taketh away; blessed be the name of the Lord." We repeated the holy sentences of resignation; but it was not resignation, it was despair that subdued the violence of our grief."

"I was three-and-thirty years of age. Youth was quite gone; beauty I had never possessed; and I was content to think of myself as a confirmed old maid, a quiet spectator of life's great drama, disturbed by no feverish desire for an active part in the play."

"What have you to do with hearts, except for dissection?"