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April 10, 2026
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"I do not believe the fashionable dogma. Here is my argument to show that group selection is important. Imagine Alice and Bob to be two dodoes on the island of Mauritius before the arrival of human predators. Alice has superior individual fitness and has produced many grandchildren. Bob is individually unfit and unfertile. Then the predators arrive with their guns and massacre the progeny indiscriminately. The fitness of Alice and Bob is reduced to zero because their species made a bad choice long ago, putting on weight and forgetting how to fly. I do not take the Prisoner’s Dilemma seriously as a model of evolution of cooperation, because I consider it likely that groups lacking cooperation are like dodoes, losing the battle for survival collectively rather than individually."
"I will argue that group selection is important, contrary to the prevailing dogma among biologists. If group selection is important, Prisoner's Dilemma is not a good model for evolution. It is still an amusing toy for mathematicians and game-theorists to play with."
"Group selection isn’t widely accepted by evolutionists for several reasons. First, it’s not an efficient way to select for traits, like altruistic behavior, that are supposed to be detrimental to the individual but good for the group. Groups divide to form other groups much less often than organisms reproduce to form other organisms, so group selection for altruism would be unlikely to override the tendency of each group to quickly lose its altruists through natural selection favoring cheaters. Further, little evidence exists that selection on groups has promoted the evolution of any trait. Finally, other, more plausible evolutionary forces, like direct selection on individuals for reciprocal support, could have made humans prosocial. These reasons explain why only a few biologists, like [[David Sloan Wilson|[David Sloan] Wilson]] and E. O. Wilson (no relation), advocate group selection as the evolutionary source of cooperation"
"The stereotyped style of cultic representations was well known as early as the Neolithic age, but the stiffly ceremonial forms of courtly art are absolutely new and come into prominence here for the first time in the history of human culture. They reflect the rule of a higher, superindividual social order, of a world which owes its greatness and splendour to the favour of the king. They are anti-individualistic, static and conventional... All the good things and the charms of life are connected, for the privileged members of this society, with their separation from the other classes, and all the maxims which they follow assume more or less the character of rules of decorum and etiquette. This decorum and etiquette, the whole self-stylization of the upper class, demand among other things that one does not allow oneself to be portrayed as one really is, but according to how one must appear to conform with certain hallowed conventions, remote from reality and the present time. Etiquette is the highest law not merely for the ordinary mortal, but also for the king, and in the imagination of this society even the gods accept the forms of courtly ceremonial."
"The aim of courtly art is to produce representative objects. This art is created individually by artists invited to royal or magnate courts, but received collectively, by the court. Sacral and courtly art are part of everyday practice, part of the religious courtly life, which fundamentally distinguishes both these forms of art from autonomous art."
"The term 'courtly art' had already been introduced by Lavachery in describing Lunda art. The originality of courtly art lies in its ability to integrate diversified techniques and sources of inspiration. The first contribution comes from popular artistic tradition, notably in the form of a very elaborate, basketwork technique, as evidenced by the circumcision masks."
"A free society is as much a threat to the intellectual's sense of worth as an automated economy is to the workingman's sense of worth. Any social order that can function with a minimum of leadership will be anathema to the intellectual."
"The intellectual craves a social order in which uncommon people perform uncommon tasks every day. He wants a society throbbing with dedication, reverence, and worship. He sees it as scandalous that the discoveries of science and the feats of heroes should have as their denouement the comfort and affluence of common folk. A social order run by and for the people is to him a mindless organism motivated by sheer physiologism."
"Regarding social order, Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F.A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century. But Hayek's views about the "spontaneity" of social order remain controversial. In their extreme form, they imply that all deliberate efforts to manipulate social order — social engineering — are doomed to failure because the complex nature of our cultural heritage makes a complete understanding of the human condition impossible. Hayek was certainly correct that we have, at best, a very imperfect understanding of the human landscape, but "spontaneous" it is not. What distinguishes human evolution from the Darwinian model is the intentionality of the players. The mechanism of variation in evolutionary theory (mutation) is not informed by beliefs about eventual consequences. In contrast, human evolution is guided by the perceptions of the players; their choices (decisions) are made in the light of the theories the actors have, which provide expectations about outcomes."
"The great change which produced an order of society which became increasingly incomprehensible to man, and for the preservation of which he had to submit to learnt rules which were often contrary to his innate instincts, was the transition from the face-to-face society, or at least of groups consisting of known and recognizable members, to the open abstract society that was no longer held together by common concrete ends but only by the obedience to the same abstract rules."
"There can be no social order without social justice."
"Our knowledge of courtly art and entertainment has recently enjoyed a remarkable advancement as a result of this trend. Great interest in courtly art has been reflected, for instance, in a number of medievalist studies, Angus Fletcher's The Transcendental Masque (its first three chapters are as good a prolegomenon for the study of Renaissance courtly art as I know of), the Inigo Jones quatercentenary in 1973, the works of Roy Strong and Stephen Orgel, the Fetes de la Renaissance series edited by Jean Jacquot, and the facsimile reprinting of many important iconologies and other texts on fine arts in the Renaissance."
"Big industry, and the limitless expansion of production which it makes possible, bring within the range of feasibility a social order in which so much is produced that every member of society will be in a position to exercise and develop all his powers and faculties in complete freedom. It thus appears that the very qualities of big industry which, in our present-day society, produce misery and crises are those which, in a different form of society, will abolish this misery and these catastrophic depressions. We see with the greatest clarity: (i) That all these evils are from now on to be ascribed solely to a social order which no longer corresponds to the requirements of the real situation; and (ii) That it is possible, through a new social order, to do away with these evils altogether."
"The abolition of private property is, doubtless, the shortest and most significant way to characterize the revolution in the whole social order which has been made necessary by the development of industry – and for this reason it is rightly advanced by communists as their main demand."
"Every change in the social order, every revolution in property relations, is the necessary consequence of the creation of new which no longer fit into the old property relations. Private property has not always existed. When, towards the end of the Middle Ages, there arose a new mode of production which could not be carried on under the then existing feudal and guild forms of property, this manufacture, which had outgrown the old property relations, created a new property form, private property. And for manufacture and the earliest stage of development of big industry, private property was the only possible property form; the social order based on it was the only possible social order."
"The criterion of mental health is not one of individual adjustment to a given social order, but a universal one, valid for all men, of giving a satisfactory answer to the problem of human existence."
"The central and most general preoccupation of courtly art is the praise and encouragement of a healthy civitas ox polis."
"The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century."
"Writing an upbeat aphorism is a temptation, but decorum forbids."
"If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, — My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori."
"There are men who live contented through they live without decorum. Others suffer as if in agony when they see around them people living without decorum. There must be a certain amount of decorum in the world, just as there must be a certain amount of light. When there are many men without decorum, there are always others who themselves possess the decorum of many men. These are the ones who rebel with terrible strength against those who rob nations of their liberty, which is to rob men of their decorum. Embodied in those men are thousands of men, a whole people, human dignity."
"Whatever is contrary, bonos mores est decorum, the principles of our law prohibit, and the King's Court, as the general censor and guardian of the public manners, is bound to restrain and punish."
"In any potential collectivity, members have different interests, capabilities, preferences, and so forth. They want to accomplish different things. However, to achieve some of these diverse ends, concerted, interdependent actions are required."
"Interaction and decision making relies heavily on group processes."
"There's this beautiful ocean of bliss and consciousness that is able to be reached by any human being by diving within, which is really peaceful and harmonious and can be enlivened by the group process. This group is a peace-creating group. It saturates the atmosphere. This is all about establishing peace. Right now, we gotta get peace back in the world. Peace is a real thing."
"Kurt Lewin (who died in 1947) took away from the first meeting the term "feedback". He suggested ways in which group processes, which he and his students were studying in a highly disciplined, rigorous way, could be improved by a "feedback process," as when, for example, a group was periodically given a report on the success or failure of its particular operations."
"The group process contains the secret of collective life, it is the key to democracy, it is the master lesson for every individual to learn, it is our chief hope or the political, the social, the international life of the future."
"Narrated Ibn 'Umar : The Prophet has cursed the lady who lengthens hair artificially and that who gets her hair lengthened in such away, and the lady who practises tattooing and that who gets it done for herself."
"It was narrated that 'Abdulleh said: "The Messenger of Allah cursed the woman who does tattoos and the one who has them done, and those who pluck their eyebrows and file their teeth for the purpose of beautification, and those who change the creation of Allah." News of that reached a woman of Banu Asad who was called Umm Ya'qub. She came to him and said: "I have heard that you said such and such." He said: 'Why should I not curse those whom the Messenger of Allah cursed ? And it is in the Book of Allah." She said: "I read what is between its two covers 'and I have not found that." He said: "If you read it properly you would have found it. Have you not read the words: 'And whatsoever the Messenger (Muhammad) gives you, take it; and whatsoever he forbids you, abstain (from it).'?" She said: "Of course." He said: 'The Messenger of Allah forbade that." She said: 'I think that your wife does it.' He said: " Go and look." So she went and looked and she did not see what she wanted. She said: "I have not seen anything!’ 'Abdullah said: "If she was as you say, I would not have kept her with me. " (Sahih)"
"I pretended to admire the tattoo in the shape of the Greek letter omega that covered her cheeks and forehead. It looked as if a dray horse had kicked her in the face."
"Narrated Abu Huraira : A woman who used to practise tattooing was brought to 'Umar. 'Umar got up and said, "I beseech you by Allah, which of you heard the Prophet saying something about tattooing?" l got up and said, "0 chief of the Believers! l heard something." He said, "What did you hear?" I said, "I heard the Prophet (addressing the ladies), saying, 'Do not practise tattooing and do not get yourselves tattooed.'""
"Narrated Ibn 'Umar : I heard the Prophet saying, (or the Prophet said), "Allah has cursed the lady who practices tattooing and that who gets it done for herself, and also the lady who lengthens hair artificially and that who gets her hair lengthened artificially." The Prophet has cursed such ladies."
"Narrated 'Aun bin Abu Juhaifa: My father bought a slave who practiced the profession of cupping. (My father broke the slave's instruments of cupping). I asked my father why he had done so. He replied, "The Prophet forbade the acceptance of the price of a dog or blood, and also forbade the profession of tattooing, getting tattooed and receiving or giving Riba, (usury), and cursed the picture-makers.""
"“Allah has cursed those women who tattooed and who have themselves been tattooed, those who pluck hair from their faces and those who make spaces between their teeth for beautification changing what God has created” (5301)."
"Erik Lehnsherr/Magneto: I have been marked once, my dear, and let me assure you... no needle shall ever touch my skin again."
"Ye shall not make any cuttings in your flesh for the dead, nor print any marks upon you: I am the Lord."
"Narrated Abu Juhaifa: The Prophet forbade the use of the price of blood and the price of a dog, the one who takes (eats) usury the one who gives usury, the woman who practises tattooing and the woman who gets herself tattooed."
"“Allah has cursed those women who practise tattooing and those women who have themselves tattooed, and those women who get their hair removed from their eyebrows and faces (except the beard and the mustache), and those who make artificial spaces between their teeth for beauty, whereby they change Allah’s creation.”"
"Scarifying and tattooing are going out of fashion. Many of the young men once so proud of their “ichi” marks, would gladly be relieved of [their marks]. What is a matter of pride, when among his own clansmen, becomes a reproach, because of the ridicule and contempt which is meted out to him in other parts of the country."
"Narrated Aun bin Abu Juhaifa: I saw my father buying a slave whose profession was cupping, and ordered that his instruments (of cupping) be broken. I asked him the reason for doing so. He replied, "Allah's Apostle prohibited taking money for blood, the price of a dog, and the earnings of a slave-girl by prostitution; he cursed her who tattoos and her who gets tattooed, the eater of Riba (usury), and the maker of pictures.""
"Muhammad forbade the custom of the idolaters of Arabia to prick the hands of their women and to rub the punctures over with wood, indigo, and other colours."
"Narrated Abu Huraira : Allah's Apostle said, "The evil eye is a fact," and he forbade tattooing."
"Wrongly or rightly you think that I have a right to the name of Christian. I assure you that when in speaking of my childhood and youth I use the words vocation, obedience, spirit of poverty, purity, acceptance, love of one's neighbor, and other expressions of the same kind, I am giving them the exact signification they have for me now. Yet I was brought up by my parents and my brother in a complete agnosticism, and I never made the slightest effort to depart from it; I never had the slightest desire to do so, quite rightly, I think."
"I have been a loved preacher and writer with a particular vocation. My sermons and books would not have had the same quality without my past of anarchy, vice, and violent atheism."
"Nothing is so rare as to see misfortune fairly portrayed; the tendency is either to treat the unfortunate person as though catastrophe were his natural vocation, or to ignore the effects of misfortune on the soul, to assume, that is, that the soul can suffer and remain unmarked by it, can fail, in fact, to be recast in misfortune's image."
"Active asceticism operates within the world; rationally active asceticism, in mastering the world, seeks to tame what is creatural and wicked through work in a worldly "vocation" (inner-worldly asceticism). Such asceticism contrasts radically with mysticism, if the latter draws the full conclusion of fleeing from the world (contemplative flight from the world). The contrast is tempered, however, if active asceticism confines itself to keeping down and to overcoming creatural wickedness in the actor's own nature. For then it enhances the concentration on the firmly established God-willed and active redemptory accomplishments to the point of avoiding any action in the orders of the world (asceticist flight from the world). Thereby active asceticism in external bearing comes close to contemplative flight from the world. The contrast between asceticism and mysticism is also tempered if the contemplative mystic does not draw the conclusion that he should flee from the world, but, like the inner-worldly asceticist, remain in the orders of the world (inner-worldly mysticism). In both cases the contrast can actually disappear in practice and some combination of both forms of the quest for salvation may occur. But the contrast may continue to exist even under the veil of external similarity. For the true mystic the principle continues to hold: the creature must be silent so that God may speak."
"In a revolutionary age talk of equality may well have represented a passion to provide full human dignity to those who had previously been denied it by systems of political and economic domination; but in the present age it softens the spiritual requirements that are an essential ingredient in human dignity. Thus the slogans of equality serve not so much to elevate individuals to the dignity of being human as to free them from the responsibility of rising to this vocation."
"The vocation of every man and woman is to serve other people."