First Quote Added
April 10, 2026
Latest Quote Added
"Dylan O'Brien as Thomas, one of the Gladers who escaped from the Maze."
"Teresa's always had an evolved appreciation of the greater good. Once we restored her memories– it was only a matter of time."
"Good plan, Thomas. "Just hear what the man has to say." Really working out for us."
"They bring in new ones every night like clockwork."
"Listen to me! I'm trying to save your life. The Maze is one thing, but you kids wouldn't last one day out in the Scorch. If the elements don't kill you, the Cranks will. Thomas, you have to believe me. I only want what's best for you."
"Three questions: Where did you come from? Where are you going? How can I profit?"
"Do you ever get the feeling the whole world's against you?"
"[Last words] Thomas– take care of them."
"Thomas, thank you for seeing me. I'm sorry for the inconvenience. I was just hoping we– might get a moment to chat in private, away from the others. Well– I won't take up too much of your time. I really only have one question: What do you remember about WCKD? You're not in trouble. We're just having a conversation. I'm just trying to understand."
"I don't know. This is as far as I've ever gotten. The vents don't even go into that section, but once they go through that door– they don't come back out. I don't think anybody ever really leaves this place."
"I remember mine. She was a beautiful woman. Everybody loved her. And before WCKD, she was all I had. When she got sick– I didn't know what to do. I just kept her locked up, hidden. I thought she'd get better. Every night, she'd make these awful sounds, like screaming. And then, one night– she just stopped. She was finally quiet. I went down to her room– and there was blood everywhere. But she was just sat there, calm. She said she was feeling better. The visions were gone. She'd taken care of them. She took her eyes out, Thomas. There are millions of people suffering out there. Millions of stories, just like mine. We can't turn our backs on them. I won't."
"Thomas, listen to me. I've known Minho for– well, as long as I can remember. So if there is any way we could help him, trust me, I would be up there standing next to you. This, what you're talking about– is impossible."
"I never thought I'd say it– I miss the Glade."
"Maybe– but I know what I'm supposed to do now. It's not just about Minho, it's about all of us. It's about everyone WCKD's ever taken, everyone they will take. They'll never stop. They'll never stop, so I'm gonna stop them. I'm gonna kill Ava Paige."
"I have to admit– I'd like some revenge."
"Well, that's a good speech, kid. So what's your plan?"
"Well, we pick up what's left of us. We stick to the plan. We get you kids to the Safe Haven. Then we start over, I guess."
"You know, at first, we had the best intentions: Find a cure, save the world. It was clear you kids were the key, because you were immune. But why? Eventually, we found an answer. An enzyme produced by the brains of the immune. Once separated from the bloodstream, it can serve as a powerful agent to slow the spread of the virus."
"- Ernie Freed"
"- Jonah Freed"
"- Ned Freed"
"- Jeannie Freed"
"Skyler Fortgang - Ethan Freed"
"Kennedy Derosin - Lilly May Jackson"
"Kelvin Harrison Jr. - Weeks"
"Claudio Laniado - Dr. Pearlman"
"Rob Morgan - Hap Jackson"
"[eulogizing over the elder McAllan] Man who is born of a woman is of few days and full of trouble. He cometh forth like a flower and is cut down. He fleeth as a shadow and continueth not. And doth thou open thine eyes upon such a one, and bringest me into judgment with thee? Who can bring a clean thing out of an unclean? Not one. For there is hope of a tree, if it be cut down, that it will sprout again. But man dieth and wasteth away. As the waters fell from the sea and drieth up, so man lieth down and riseth not. 'Til the heavens be no more, they shall not awake, nor be raised out of their sleep."
"Florence Jackson: [narrating] No, I don't have favorites. I love them all equally. Every mother does."
"Garrett Hedlund - Jamie McAllan"
"Carey Mulligan - Laura McAllan"
"[narrating] What good is a deed? My grandfathers and great uncles, grandmothers and great aunts, father and mother, broke, tilled, thawed, planted, plucked, raised, burned, broke again. Worked this land all they life, this land that never would be theirs. They worked until they sweated. They sweated until they bled. They bled until they died. Died with the dirt of this same 200 acres under their fingernails. Died clawing at the hard, brown back that would never be theirs. All their deeds undone. Yet this man, this place, this law... say you need a deed. Not deeds."
"[narrating] I was a 31-year-old virgin when I met Henry McAllan in the spring of 1939. I lived with my parents in the house I grew up in. My world was small, and he was my rescuer from a life in the margins."
"Violence is part and parcel of country life. You're forever being assailed by dead things. Dead mice, dead rabbits, dead possums. You find them in the yard. You smell them rottin' under the house. And then there are the creatures you kill for food. Chickens, hogs, deer, frogs, squirrels. Pluck, skin, disembowel, debone, fry. Eat, start again, kill. I learned how to stitch up a bleeding wound... load and fire a shotgun... reach into the womb of a heavin' sow to deliver a breeched piglet. My hands did these things... but I was never easy in my mind."
"[narrating] My great-great-granddaddy and his slaves built the farm that I grew up on. One time my granddaddy told me to go out, grab a handful of dirt from the yard and bring it in. He said, "What are you holdin', son?" And I said, "Dirt." "That's right. Now give it to me." So I did, and he says, "Now what's this I've got in my hand?" "Dirt," I says. "No, boy, this is land that I've gotten. Do you know why? Because I own it. Because it's mine. And one day, it'll be yours.""
"[narrating] Should my story end there? Silenced and defeated? Oppression, fear, deformity. It would take an extraordinary man to beat all that. I would have to wean myself off laudanum and self-pity... and travel with a little card in my shirt pocket that said "mute."And then, finally... I would have to cross the Atlantic yet again. This time not for war. But for love."
"Jason Clarke - Henry McAllan"
"[leaving for war] Daddy borrowed Mr. Robert and 'nem truck to take me. That's what I remember most. The first things and the last things... they always stick the hardest."
"Jason Mitchell - Ronsel Jackson"
"Mary J. Blige - Florence Jackson"
"Jonathan Banks - Pappy McAllan"
"Siobhan Fallon Hogan - Wanda"
"Ashley Gerasimovich - Celia Khatchadourian"
"Alex Manette - Colin"
"John C. Reilly - Franklin Plaskett"
"Ezra Miller - Kevin Khatchadourian"
"Tilda Swinton - Eva Khatchadourian"
"It's like this: you wake and watch TV, get in your car and listen to the radio you go to your little jobs or little school, but you don't hear about that on the 6 o'clock news, why? 'Cause nothing is really happening, and you go home and watch some more TV and maybe it's a fun night and you go out and watch a movie. I mean it's got so bad that half the people on TV, inside the TV, they're watching TV. What are these people watching, people like me?"
"I'm actually a rather shy individual. I wouldn't consider myself to be very charismatic; I never did anything hero-like, I just worked on some little community programs. I do have a role to play however — I'm a theorist of sorts — I work on theories. But I really do not enjoy discussing the details of my personal life except as it relates to the movement. I hate cameras, microphones stuck up in my face. To tell you the truth, I hate stages cause they put you up on a stage and expect for you to entertain them and I keep trying to tell them I'm not an entertainer. Came to New York and I was supposed to speak at the Apollo Theater — 125th Street. And somebody called me, said, "Huey, we gonna have to cancel the rally. Somebody's gonna assassinate you from the balcony." I said, "Listen, if I'm ever foolish enough to get up on stage at the Apollo Theatre, they wouldn't need to assassinate me. That man will just come out and hook me off the stage." What's his name? The sandman? Yeah, the sandman cometh."
"My father came out to California with another good friend of his who was also trying to support a large family. And this friend of his got a good job with the Oakland Public Works Department, something like that, but he quit that job cause he took a new job with the Oakland Police Department.… My father broke friendship with him, not because he joined the police force…; he broke his friendship with him because his friend was only allowed to arrest black people. So my father broke friendship with him on principle, cause that's the kind of man my father was, he was a man of high standing principle."