"Even if I could give up my king, I could never give up my son. I loved your mother. I love her still. I never knew you existed, and I have never felt pride as a father until now."

"Your people are most anxious to love you, but they are eating rotten food and sometimes none at all."

"Anne! I know that loving you is treason against France, but not loving you is treason against my heart."

"For a moment, I thought you had become the king I had always wanted you to be."

"You take my king, and I shall take yours."

"Put this man away where no one will hear his insanity. Let him be fed by a deaf-mute but feed him well."

"You were the one in the mask."

"However I have wronged you, I will make amends."

"I wear the mask; it does not wear me."

"Well I'm a genius, not a engineer."

"But now Louis was King. He was afraid to kill you. His whole claim of power rested on the sancitity of Royal blood. So, instead, he devised a way to keep you forever hidden. For my country... for my king... I bought peace... with your life... and my soul."

"I need you. All for one, one for all."

"I am the general of the Order of the Jesuits."

"We will replace the king."

"This secrecy is regrettable but necessary."

"It's judgement day."

"This is not for me, Athos. This is for everything we once were, and might be again!"

"Athos. If we fail in this attempt... and we probably will... I'll be honored to die beside you."

"You are surrounded by beauty, by intrigue, by danger, what more can a man want?"

"You be my friend now and do not dissuade me. Seize the freedom you have earned and live it for the both of us. I cannot follow you, Lancelot. I now know that all the blood I have shed, all the lives I have taken have led me to this moment."

"Pelagius told me once there is no worse death than the end of hope."

"Deeds in themselves are meaningless unless they are done for some higher purpose. We have waged a war to protect a Rome that doesn't exist. Is that the deed I am to be judged by?"

"What, that some men are born to be slaves? No, that isn't true."

"O merciful God, I have such need of Your mercy now. Not for myself, but for my knights, for this is truly their hour of need. Deliver them from their trials ahead and I will pay You a thousand fold with any sacrifice You ask of me. And if in Your wisdom, You should determine that sacrifice must be my life for theirs; so that they can once again taste the freedom that is so long been denied to them, I will gladly make that covenant. My death will have a purpose. I ask no more than that."

"[voiceover] For two hundred years knights have fought and died for a land not our own. But on that day at Badon Hill, all who fought put our lives in service of a greater cause: Freedom. And as for the knights who gave their lives, their deaths were cause for neither mourning nor sadness. For they live forever, their names and deeds handed down from father to son, mother to daughter, in the legends of King Arthur and his knights."

"Arthur. This is not Rome's fight. It is not your fight. All these long years we've been together, the trials we've faced, the blood we've shed... What was it all for, if not for the reward of freedom? And now when we are so close! When it is finally within our grasp - look at me! Does it all count for nothing?"

"[to Gawain] Wondering at your good fortune that all your children look like me?"

"Til Schweiger - Cynric"

"Stellan Skarsgård - Cerdic"

"Joel Edgerton - Gawain"

"Hugh Dancy - Galahad"

"Mads Mikkelsen - Tristan"

"Keira Knightley — Guinevere"

"Ioan Gruffudd — Lancelot"

"Clive Owen — Arthur"

"The Untold True Story That Inspired The Legend"

"Rule your destiny"

"Rule your fate"

"Jols: Arthur says for men to be men, they must first all be equal."

"Merlin: That sword you carry is made of iron from this earth, forged in the fires of Britain. It was love of your mother that freed the sword, not hatred of me. Love, Arthur."

"Let every man, woman, child bear witness that from this day, all Britons will be united in one common cause."

"My brave knights, I have failed you! I neither took you off this island...nor shared your fate."

"Knights! The gift of freedom is yours by right. But the home we seek resides not in some distant land. It's in us! And in our actions on this day! If this be our destiny, then so be it. But let history remember that as free men, we chose to make it so."

"And what's with Mary Jane? Here's a beautiful, (somewhat) talented actress good enough to star in a Broadway musical, and she has to put up with being trapped in a taxi suspended 80 stories in the air by alien spider webs. The unique quality of the classic comic books was that their teenagers had ordinary adolescent angst and insecurity. But if you are still dangling in taxicabs at age 20, you're a slow learner. If there is a "Spider-Man 4" (and there will be), how about giving Peter and Mary Jane at least the emotional complexity of soap opera characters? If "Juno" (opening Dec. 14) met Peter Parker, she'd have him for breakfast. Superhero movies and Bond movies live and die by their villains. Spidey No. 2 had the superb Doc Ock (Alfred Molina), who is right up there with Goldfinger and the Joker in the Supervillain Hall of Infamy. He had a personality. In Spidey No. 3 we have too many villains, too little infamy. Take the Sandman (Thomas Haden Church). As an escaped con and the murderer of Uncle Ben, he has marginal interest at best. As the Sandman, he is absurd. Recall Doc Ock climbing buildings with his fearsome mechanical tentacles and now look at this dust storm. He forms from heaps of sand into a creature that looks like a snowman left standing too late in the season. He can have holes blown into him with handguns, but then somehow regains the bodily integrity to hammer buildings. And how does he feel in there? Molina always let you know precisely how Doc Ock felt, with a vengeance."

"The great failing of "Spider-Man 3" is that it failed to distract me from what a sap Peter Parker is. It lingers so long over the dopey romance between Peter and the long-suffering Mary Jane that I found myself asking the question: Could a whole movie about the relationship between these two twentysomethings be made? And my answer was: No, because today's audiences would never accept a hero so clueless and a heroine so docile. And isn't it a little unusual to propose marriage after sharing only one kiss, and that one in the previous movie, and upside-down?"

"I think that Topher’s character is ultimately a very tragic character because when he hurls himself back just before the explosion I loved the way that he did that. It just gave me goose bumps. Topher just manages to capture in that one kind of flash of performance that this guy has nothing else. He’s only existed in the movie by superficiality and duplicity and then of course embraces the black suit and turns into Venom, but whenever he’s torn apart that’s all he has. He has no other choice, but to really commit himself suicidally because he just has nothing else. He has no other path. I find that to be resolute in it’s tragedy with it’s character. I think that my character certainly starts off in a place emotionally which addresses the worst fear of any parent, the possibility that you’ll lose your greatest gift which is your child. I’m a father and Sam is a father and Laura and Alvin are parents, Avi is a parent, everyone involved â€“ early on that’s what we wanted the anchoring of the character to be. It was that kind of impending tragedy with the character. You’re right though, he’s sympathetic and certainly some clicks beyond Eddie Brock and Venom, but I think that as Avi has said before there are no bad guys in these movies. They’re just people that this far into the series, I think, come into these movies with a value system in tact that’s corrupted by ambition or lust. In the case of Sandman he’s really corrupted by the ferocity of his own good intentions. You’ve got to pretty much figure that whenever I become a sand tornado and I’m spinning through the streets of Manhattan and flipping over cars some people probably got f**ked up. That’s probably a drag and they don’t care if my daughter is dying because their car got turned upside down, their Hyundai Excel. They don’t even see the hidden benefit that insurance pays and they get another car."

"Spider-Man 3 took a lot of flack - it was a bigger, more convoluted story with maybe one too many villains, and it went a bit dark for some. Still, for me, it's hard to put in words how delighted I was to watch Sam (Raimi), my boyhood buddy and filmmaking fraternal brother, direct one of the most successful movie franchises in history. There were superhero movies before Spider-Man, but Sam's series truly set that particular genre in motion for decades to come. I'm not a film historian, but I sense that Spider-Man also represents a turning of the tide, or taste, where even A-list movies are now B-movies conceptually. Believe me, if your hero is bitten by a radioactive spider and starts webslinging from buildings, that's not only a B-movie - that's a 1950s B-movie. I'm just happy that genre fare is no longer frowned upon in the world of entertainment, and that we're finally seeing how popular fantasy, horror and sci-fi stories really are."

"Every hero has a choice, to face the darkness... or be consumed by it."