Women born in the 1940s

1577 quotes found

"A representative conversation with Dr. Wick: “Good morning. It has been decided that you were compulsively promiscuous. Would you like to tell me about that?” “No.” This is the best of several bad responses, I’ve decided. “For instance, the attachment to your high school English teacher.” Dr. Wick always uses words like attachment. “Uh?” “Would you like to tell me about that?” “Um. Well. He drove me to New York.” That was when I realized he was interested. He brought along a wonderful vegetarian lunch for me. “But that wasn’t when it was.” “What? When what was?” “When we fucked.” (Flush.) “Go on.” “We went to the Frick. I’d never been there. There was this Vermeer, see, this amazing painting of a girl having a music lesson—I just couldn’t believe how amazing it was—” “So when did you—ah—when was it?” Doesn’t she want to hear about the Vermeer? That’s what I remember. “What?” “The—ah—attachment. How did it start?” “Oh, later, back home.” Suddenly I know what she wants. “I was at his house. We had poetry meetings at his house. And everybody had left, so we were just sitting there on the sofa alone. And he said, ‘Do you want to fuck?’ ” (Flush.) “He used that word?” “Yup.” He didn’t. He kissed me. And he’d kissed me in New York too. But why should I disappoint her? This was called therapy."

- Susanna Kaysen

0 likesMemoirists from the United StatesWomen authors from the United StatesNovelists from BostonWomen born in the 1940s
"Nancy Reagan became first lady during the height of the feminist movement, and women who were battling for their rights in a male-dominated world saw her as an anachronism. Reagan said her life began when she met her husband. The adoring look she focused on her Ronnie when they were in public became known as "the gaze," adding to the caricature of her as a rich Hollywood socialite who did not understand the concerns of a generation of women coming into their own as professionals and seeking equality. What her detractors failed to understand (and I was among them) was the substantive role she played behind the scenes at the White House in keeping her husband's presidency on track. She took the long view in looking after his legacy, intervening through favored surrogates to keep conservative ideologues from driving the agenda. Her insistence that no president could be considered great without reaching out to Soviet leaders trumped resistance from the right wing of the GOP. She was fiercely protective of her husband's image, less so of her own, and she paid the price. When some of her interventions became known, particularly in the personnel department, she was cast as Lady Macbeth — even though the firings she engineered won praise. … Years later, with the benefit of hindsight and after watching Hillary Clinton's failed effort to achieve health-care reform, I came to believe Nancy Reagan deserved a fairer assessment. I wrote an op-ed piece that appeared in The Washington Post on Jan. 8, 1995, with the headline "Nancy with the centrist face: Derided as an elitist, Mrs. Reagan's impact was unequaled." I made the point that unlike Clinton, who took an office in the West Wing and was upfront about wanting to be a player, Reagan operated undercover, usually through a surrogate, and that she was a force for good. She rarely left fingerprints, but she got the job done, and her job was to play up her husband's strengths and cover for his weaknesses. She did both very well. The piece concluded with this line: "She is without doubt an effective First Lady, and she may yet win our hearts." Soon after I received a handwritten note from Mrs. Reagan saying, "I don't really know how to say this but when something very nice comes from an unexpected source, it's really appreciated — and if you see me in a different light now, I'm happy. I can only hope one day 'to win the heart.' " Later that same year, she cooperated with a NEWSWEEK cover about her reconciliation with daughter Patti Davis, and how the president's Alzheimer's disease had brought the family together after literally decades of turmoil. Another handwritten note arrived shortly after with the lighthearted comment, "We've got to stop meeting like this!" After sharing her thoughts and emotions on her family's difficult times, Reagan said, "Hopefully I'm close to 'winning the heart.' " In looking back at these notes, I realize how much it meant to her to gain a measure of affection after being treated so harshly in the public eye."

- Eleanor Clift

0 likesWomen journalists from the United StatesJournalists from New York CityWomen born in the 1940sColumnists from the United States
"In Des Moines, we live on a quiet street in a beautiful old wooded neighborhood. Our house is surrounded by a large yard with three century-old oak trees, bushes, and perennials. I have my own study with all my print history books. My printmaking studio is in the basement of our house. I have a 36 x 60" American French Tool etching press. From 1970, when we moved to Des Moines after graduate school, until 1997 I worked primarily as an artist and a teacher of printmaking, design, and art history. In 1974, I began to curate exhibitions on the history of prints for the DMAC, then was invited to do projects for other museums. In 1997, after I had been doing guest curatorial projects for 20 years, the DMAC finally created my part-time position as curator of prints (now prints and drawings). My responsibilities at the museum include organizing three or four exhibitions a year on prints and drawings, writing gallery guides and labels, gallery talks, doing research on works in the permanent collection, recommending acquisitions, advising on conservation, working as part of the curatorial team, cultivating collectors and donors, etc. We don't have a public print room, so there is no public access to the collection. I am staff liaison for the Des Moines Art Center Print Club, a very active group of print collectors, artists, and people interested in prints. They organize monthly programs, commission prints, and purchase works for the collection."

- Amy Namowitz Worthen

0 likesWomen from the United StatesPrintmakersCuratorsArt historiansWomen born in the 1940s