Political drama films

1241 quotes found

""X-Men" is at least not a manic editing frenzy for atrophied attention spans. It's restrained and introspective for a superhero epic, and fans of the comic books may like that. Graphic novels (as they sometimes deserve to be called) take themselves as seriously as the ones without pictures, and you can tell that here when the opening scene shows Jews being forced into death camps in Poland in 1944. One could argue that the Holocaust is not appropriate subject matter for an action movie based on a comic book, but having talked to some "X-Men" fans I believe that in their minds the medium is as deep and portentous as, say, "Sophie's Choice." The Holocaust scene introduces Magneto (Ian McKellen) as a child; his mental powers twist iron gates out of shape. The narrator informs us that "evolution takes thousands and thousands of years," which is putting it mildly, and that we live in an age of great evolutionary leaps forward. Some of the X-Men develop paranormal powers which cannot be accounted for by the strictly physical mutations which form the basis of Darwinian theory; I get restless when real science is evoked in the name of pseudoscience, but, hey, that's just me. Magneto's opponent in "X-Men" is Xavier (Patrick Stewart), another mutant of the same generation. They aren't enemies so much as ideological opposites. Magneto, having seen the Holocaust, has a deep pessimism about human nature. Xavier, who runs a school for mutants in Westchester County, where it doubtless seems no stranger than the other private schools, hopes these new powers can be used for good. Bruce Davison plays the McCarthy-like senator who waves a list of "known mutants" during a congressional hearing and wants them all registered—no doubt for dire purposes. Magneto wants to counter by using a device which can convert world leaders to mutants. (The world leaders are conveniently meeting on an island near Ellis Island, so the Statue of Liberty can be a prop.) How a machine could create a desired mutation within a generation is not much explored by the movie, which also eludes the question of why you would want to invest your enemies with your powers. No matter; Xavier, who can read minds, leads his good mutants in a battle to foil Magneto, and that's the plot, or most of it."

- X-Men (film)

0 likesPolitical drama filmsPolitical thriller filmsX-Men filmsFilms about genetic engineeringBiological warfare in media
"For the last couple of months, Senator Rumson has suggested that being President of this country was, to a certain extent, about character. And although I've not been willing to engage in his attacks on me, I have been here three years and three days, and I can tell you without hesitation - being President of this country is entirely about character. For the record, yes, I am a card-carrying member of the ACLU, but the more important question is, why aren't you, Bob? Now this is an organization whose sole purpose is to defend the Bill of Rights, so it naturally begs the question, why would a Senator, his party's most powerful spokesman and a candidate for President, choose to reject upholding the Constitution? Now if you can answer that question, folks, then you're smarter than I am, because I didn't understand it until a few hours ago. America isn't easy. America is advanced citizenship. You've gotta want it bad, 'cause it's gonna put up a fight. It's gonna say, "You want free speech? Let's see you acknowledge a man whose words make your blood boil, who's standing center stage and advocating at the top of his lungs that which you would spend a lifetime opposing at the top of yours." You want to claim this land as the land of the free? Then the symbol of your country cannot just be a flag. The symbol also has to be one of its citizens exercising his right to burn that flag in protest. Now show me that, defend that, celebrate that in your classrooms. Then, you can stand up and sing about the land of the free. I've known Bob Rumson for years, and I've been operating under the assumption that the reason Bob devotes so much time and energy to shouting at the rain was that he simply didn't get it. Well, I was wrong. Bob's problem isn't that he doesn't get it. Bob's problem is that he can't sell it! We have serious problems to solve, and we need serious people to solve them. And whatever your particular problem is, I promise you, Bob Rumson is not the least bit interested in solving it. He is interested in two things, and two things only: making you afraid of it, and telling you who's to blame for it. That, ladies and gentlemen, is how you win elections. You gather a group of middle age, middle class, middle income voters who remember with longing an easier time, and you talk to them about family, and American values and character, and you wave an old photo of the President's girlfriend and you scream about patriotism. You tell them she's to blame for their lot in life. And you go on television and you call her a whore. Sydney Ellen Wade has done nothing to you, Bob. She has done nothing but put herself through school, represent the interests of public school teachers, and lobby for the safety of our natural resources. You want a character debate, Bob? You better stick with me, 'cause Sydney Ellen Wade is way out of your league. I've loved two women in my life. I lost one to cancer. And I lost the other 'cause I was so busy keeping my job, I forgot to do my job. Well, that ends right now. Tomorrow morning, the White House is sending a bill to Congress for its consideration. It's White House Resolution 455, an energy bill requiring a twenty percent reduction of the emission of fossil fuels over the next ten years. It is by far the most aggressive stride ever taken in the fight to reverse the effects of global warming. The other piece of legislation is the Crime Bill. As of today, it no longer exists. I'm throwing it out. I'm throwing it out and writing a law that makes sense. You cannot address crime prevention without getting rid of assault weapons and handguns. I consider them a threat to national security, and I will go door-to-door if I have to, but I'm gonna convince Americans that I'm right, and I'm gonna get the guns. We've got serious problems, and we need serious people. And if you want to talk about character, Bob, you'd better come at me with more than a burning flag and a membership card. If you want to talk about character and American values, fine. Just tell me where and when, and I'll show up. This is a time for serious people, Bob, and your fifteen minutes are up. My name is Andrew Shepherd, and I AM THE PRESIDENT!"

- The American President

0 likesAmerican romantic comedy-drama filmsFilms directed by Rob ReinerPolitical drama filmsScreenplays by Aaron SorkinFilms set in Washington, D.C.
"[After reading the Declaration of Independence] Now, you're not gonna have a country that can make these kind of rules work, if you haven't got men that have learned to tell human rights from a punch in the nose. [The Senate applauds] It's a funny thing about men, you know. They all start life being boys. I wouldn't be a bit surprised if some of these Senators were boys once. And that's why it seemed like a pretty good idea for me to get boys out of crowded cities and stuffy basements for a couple of months out of the year. And build their bodies and minds for a man-sized job, because those boys are gonna be behind these desks some of these days. And it seemed like a pretty good idea, getting boys from all over the country, boys of all nationalities and ways of living. Getting them together. Let them find out what makes different people tick the way they do. Because I wouldn't give you two cents for all your fancy rules if, behind them, they didn't have a little bit of plain, ordinary, everyday kindness and a - a little lookin' out for the other fella, too...That's pretty important, all that. It's just the blood and bone and sinew of this democracy that some great men handed down to the human race, that's all. But of course, if you've got to build a dam where that boys camp ought to be, to get some graft to pay off some political army or something, well that's a different thing. Oh no! If you think I'm going back there and tell those boys in my state and say: 'Look. Now fellas. Forget about it. Forget all this stuff I've been tellin' you about this land you live in is a lot of hooey. This isn't your country. It belongs to a lot of James Taylors.' Oh no! Not me! And anybody here that thinks I'm gonna do that, they've got another thing comin'. [He whistles loudly with his fingers in his mouth, startling Senators who are dozing or reading other materials] That's all right. I just wanted to find out if you still had faces. I'm sorry gentlemen. I-I know I'm being disrespectful to this honorable body, I know that. I- A guy like me should never be allowed to get in here in the first place. I know that! And I hate to stand here and try your patience like this, but EITHER I'M DEAD RIGHT OR I'M CRAZY."

- Mr. Smith Goes to Washington

0 likes1930s American filmsComedy-drama filmsPolitical drama filmsScreenplays by Sidney BuchmanFilms set in Washington, D.C.
"I was hoping you'd be spared all this. I was hoping that you'd see the sights, absorb a lot of history, and go back to your boys. Now you've been living in a boy's world, Jeff, and for heaven's sakes, stay there! This is a man's world. It's a brutal world Jeff, and you've no place in it. You'll only get hurt. Now take my advice. Forget Taylor and what he said. Forget you ever heard of the Willet Creek Dam...I know it's tough to run head-on into facts but, well as I said, this is a man's world Jeff, and you've got to check your ideals outside the door, like you do your rubbers. I know how you feel, Jeff. Thirty years ago - I had those ideals, too. I was you. I had to make the decision you were asked to make today. And I compromised - yes! So that all these years I could stay in that Senate - and serve the people in a thousand honest ways! You've got to face facts, Jeff. I've served our state well, haven't I? We have the lowest unemployment and the highest federal grants. But, well, I've had to compromise, had to play ball. You can't count on people voting, half the time they don't vote, anyway. That's how states and empires have been built since time began. Don't you understand? Well, Jeff, you can take my word for it, that's how things are. Now I've told you all this because - well, I've grown very fond of you - about like a son - in fact, and I don't want to see you get hurt. Now, when that deficiency bill comes up in the Senate tomorrow, you stay away from it. Don't say a word. Great powers are behind it, and they'll destroy you before you can even get started. For your own sake, Jeff, and for the sake of my friendship with your father, please, don't say a word."

- Mr. Smith Goes to Washington

0 likes1930s American filmsComedy-drama filmsPolitical drama filmsScreenplays by Sidney BuchmanFilms set in Washington, D.C.
"Good evening, London. Allow me first to apologize for this interruption. I do, like many of you, appreciate the comforts of everyday routine, the security of the familiar, the tranquillity of repetition. I enjoy them as much as any bloke. But in the spirit of commemoration, whereby those important events of the past, usually associated with someone's death or the end of some awful bloody struggle, are celebrated with a nice holiday, I thought we could mark this November the fifth, a day that is sadly no longer remembered, by taking some time out of our daily lives to sit down and have a little chat. There are, of course, those who do not want us to speak. I suspect even now, orders are being shouted into telephones, and men with guns will soon be on their way. Why? Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the enunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance and oppression. And where once you had the freedom to object, to think and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and soliciting your submission. How did this happen? Who's to blame? Well, certainly, there are those who are more responsible than others, and they will be held accountable. But again, truth be told, if you're looking for the guilty, you need only look into a mirror. I know why you did it. I know you were afraid. Who wouldn't be? War, terror, disease. They were a myriad of problems which conspired to corrupt your reason and rob you of your common sense. Fear got the best of you, and in your panic, you turned to the now high chancellor, Adam Sutler. He promised you order, he promised you peace, and all he demanded in return was your silent, obedient consent. Last night, I sought to end that silence. Last night, I destroyed the Old Bailey to remind this country of what it has forgotten. More than four hundred years ago, a great citizen wished to embed the fifth of November forever in our memory. His hope was to remind the world that fairness, justice, and freedom are more than words; they are perspectives. So if you've seen nothing, if the crimes of this government remain unknown to you, then I would suggest that you allow the fifth of November to pass unmarked. But if you see what I see, if you feel as I feel, and if you would seek as I seek, then I ask you to stand beside me, one year from tonight, outside the gates of Parliament, and together we shall give them a fifth of November that shall never, ever be forgot!"

- V for Vendetta (film)

0 likesPolitical drama filmsDystopian filmsPost-apocalyptic filmsFilms based on works by Alan MooreFilms about journalists
"Our story begins, as these stories often do, with a young, up-and-coming politician. He's a deeply religious man and a member of the Conservative Party. He's completely single-minded and has no regard for the political process. The more power he attains, the more obvious his zealotry and the more aggressive his supporters become. Eventually, his party launches a special project in the name of "national security". At first, it's believed to be a search for biological weapons and is pursued without regard to its cost. However, the true goal of this project is power, complete and total hegemonic domination. The project, however, ends violently; but the efforts of those involved are not in vain, for a new ability to wage war is born from the blood of one of the victims. Imagine a virus, the most terrifying virus you can, and then imagine that you, and you alone, have the cure. But if your ultimate goal is power, how best to use such a weapon? It's at this point in our story that along comes a spider. He is a man seemingly without a conscience, for whom the ends always justify the means, and it is he who suggests that their target should not be an enemy of the country but rather the country itself. Three targets are chosen to maximise the effect of the attack: a school, a tube station, and a water treatment plant. Several hundred die within the first few weeks. Fueled by the media, fear and panic spread quickly, fracturing and dividing the country until, at last, the true goal comes into view. Before the St Mary's crisis, no-one would have predicted the results of the election that year. No-one. And then, not long after the election, lo and behold, a miracle. Some believe it was the work of God himself, but it was a pharmaceutical company controlled by certain party members that made them all obscenely rich. A year later, several extremists are tried, found guilty, and executed, while a memorial is built to canonise their victims. But the end result, the true genius of the plan, was the fear. Fear became the ultimate tool of this government, and through it, our politician was ultimately appointed to the newly-created position of high chancellor. The rest, as they say, is history."

- V for Vendetta (film)

0 likesPolitical drama filmsDystopian filmsPost-apocalyptic filmsFilms based on works by Alan MooreFilms about journalists
"So I read that the former United States is so desperate for medical supplies that they have allegedly sent several containers filled with wheat and tobacco. A gesture, they said, of goodwill. You want to know what I think? Well, you're listening to my show, so I will assume you do. I think it's high time we let the colonies know what we really think of them. I think it's payback time for a little tea party they threw for us a few hundred years ago. I say we go down to those docks tonight and dump that crap where everything from the Ulcered Sphincter of Arse-erica belongs. Who's with me? Who's bloody with me? Did you like that? USA; Ulcered Sphincter of Arse-erica. I mean, what else can you say? Here was a country that had everything, absolutely everything, and now, 20 years later, is what? The world's biggest leper colony. Why? Godlessness. Let me say that again: Godlessness. It wasn't the war they started. It wasn't the plague they created. It was judgement. No-one escapes their past. No-one escapes judgement. You think He's not up there? You think He's not watching over this country? How else can you explain it? He tested us, but we came through. We did what we had to do. Islington, Enfield. I was there. I saw it all. Immigrants, Muslims, homosexuals, terrorists, disease-ridden degenerates. They had to go! Strength through unity, unity through faith! I'm a God-fearing Englishman and I am god-damn proud of it!"

- V for Vendetta (film)

0 likesPolitical drama filmsDystopian filmsPost-apocalyptic filmsFilms based on works by Alan MooreFilms about journalists
"My friends, my friends, I have a speech here. It's a speech about what this state needs. There's no need in my telling you what this state needs. You are the state and you know what you need. You over there, look at your pants. Have they got holes in the knees? Listen to your stomach. Did you ever hear it rumble for hunger? And you, what about your crops? Did they ever rot in the field because the road was so bad you couldn't get 'em to market? And you, what about your kids? Are they growin' up ignorant as dirt, ignorant as you 'cause there's no school for 'em? [casts his speech away] Naw, I'm not gonna read you any speech. But I am gonna tell ya a story. It's a funny story so get ready to laugh....Get ready to bust your sides laughin', 'cause it's sure a funny story. It's about a hick, a hick like you, if ya please. Yeah, like you. He grew up on the dirt roads and the gully washes of a farm. He knew what it was to get up before dawn and get feed and slop and milk before breakfast, and then set out before sunup and walk six miles to a one-room, slab-sided schoolhouse. Aw, this hick knew what it was to be a hick, all right. He figured if he was gonna get anything done, well, he had to do it himself. So he sat up nights and studied books. He studied law, because he thought he might be able to change things some - for himself and for folks like him. Now I'm not gonna lie to ya. He didn't start off thinkin' about the hicks and all the wonderful things he was gonna do for 'em. Naw, naw, he started off thinkin' of number one. But somethin' came to him on the way. How he could do nothin' for himself without the help of the people. That's what came to him. And it also came to him with the powerful force of God's own lightning back in his home county when the school building collapsed 'cause it was built of politics' rotten brick. It killed and mangled a dozen kids. But you know that story. The people were his friends because he'd fought that rotten brick. And some of the politicians down in the city, they knew that, so they rode up to his house in a big, fine, shiny car and said as how they wanted him to run for Governor....And he swallowed it. He looked in his heart and he thought in all humility, how he'd like to try and change things. He was just a country boy who thought that even the plainest, poorest man can be Governor if his fellow citizens find he's got the stuff for the job. All those fellas in the striped pants, they saw that hick and they took him in..."

- All the King's Men (1949 film)

0 likesCrime drama filmsPolitical drama filmsFilms based on novelsBest Picture Academy Award winnersUnited States National Film Registry films
"And so the eyes of the entire nation are now focused upon Governor Willie Stark. An amazing phenomenon on the American political scene. The whole state is filled with his accomplishments. Each one of them, of course, bearing his personal signature to make sure that no one will ever forget who gave them to the state. This is the way the roads used to be, but there are those who claim that they were adequate for the people's needs, that you don't need a four or six lane highway for a horse and buggy. When Stark boasts of his great school system, his critics say, 'You can't go to school and work in the fields at the same time,' and they question the benefit of these projects, charging that the need and poverty of the people is as great as before. Willie Stark has never forgotten the source of his power - the people who supported him. He still keeps his touch with these people of the backwoods, making periodic trips to such places as Kanoma City, now famous as his birthplace. For those who say that Willie Stark is a man of destiny, there are others who claim that he is a man of evil, a man who cares neither for the people or the state, but only for his own personal power and ambition. Obviously, these ambitions go far beyond the boundaries of the state. Just how far, only time will tell. Meanwhile, he is here, and from the looks of things, he is here to stay. Willie Stark - Messiah or Dictator?"

- All the King's Men (1949 film)

0 likesCrime drama filmsPolitical drama filmsFilms based on novelsBest Picture Academy Award winnersUnited States National Film Registry films
"[addressing the Congress] Thank you. Napoleon once said when asked to explain the lack of great statesmen in the world, that 'to get power, you need to display absolute pettiness. To exercise power, you need to show true greatness.' Such pettiness and such greatness are rarely found in one person. I look upon the events of the past weeks and I've never come so to grips with that quotation. So, ladies and gentlemen of this Congress, it pains my soul to tell you that you have brought blood and shame under this great dome. Your leadership has raised the stakes of hate to a level where we can no longer separate the demagogue from the truly inspired. And believe this, there are traitors among us. And I'm not talking about those of you who sided against your party leadership. I'm talking about those of you who were patriots to your party but traitors to the necessary end result: That of righteousness, the truth, the concept of making the American dream blind to gender. And you know, I am not free of blame. Right from the start, I should've come down here, pointed a finger your way - pointed a finger your way [pointing at Runyon], and asked you, 'Have you no decency, sir?' Yesterday, I met [he notices Runyon exiting] - Mr. Runyon, you may walk out on me, you may walk out on this body, but you cannot walk out on the will of the American people. Americans are a good people. They're a just people, Mr. Runyon, and they will forgive you, but they will not forget. Hate and ego have no place residing in what my good friend Laine Hanson calls the chapel of democracy."

- The Contender (film)

0 likes2000s American filmsPolitical drama filmsFilms set in Washington, D.C.
"“For the first time in my entire career, I am reviewing a film”. Ram also said, "Kashmir Files released and broke every rule in the book. It doesn't have stars. There is no intention in the director to impress the audience which is what every filmmaker will be trying to do. He wants to impress." He added that from now onwards when any director or filmmaker plans any new film 'they can't help but study and refer back to Kashmir Files'. At the end of the video, he concluded, "I hate Kashmir Files because it destroyed whatever I learned, whatever I thought was right and whatever I thought was in at multiple times. I can't go back and I can't reinvent myself and can't rethink now, 'Oh, this is how it should be made'. No, can't. So I hate Kashmir Files whether it is the director or acting style or it is the way the screenplay was made...I hate all of them because you guys made me and all of the filmmakers I would say lose our identity...I hate all the people associated with Kasmir files but I love Vivek Agnihotri for making this happen." Sharing his review on Twitter, he wrote, “Don’t take at face value that mainstream Bollywood, Tollywood, etc are ignoring the mega success of #kashmirifiles. The reality is they are taking it more seriously than the audiences, but their silence is because they are s*** scared. Watch my review.” He also added, ".@vivekagnihotri single-handedly (footedly) kicked on the following myths a**** 1. Only big stars can get people into theatres, 2. Only mega budgets can get people into theatres, 3. Only #KapilSharmaShow can get people into theatres, 4. Only super hit songs can get people into theatres.""

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir
"The fact that Pallavi Joshi and Vivek Agnihotri spent 4 years to make the film, with such extensive detailed research of close to 700 hard-hitting interviews that are testimonials from first-generation victims of the genocide of the Kashmiri Pandits community in the 1990s is in itself not a small feat... I am not a history major in my formal education. But I have studied history like any other student as a module. After watching The Kashmir Files, it shakes my soul today that history books, academics alike have skipped pressing on the excruciating and extensive details of the plight of Kashmiri Pandits in the hands of Islamic fundamentalists. Mind you, this film tells you nothing new. But tells you and reminds you and forces you to think why we can’t look at history in the eye without any shame. Makes you angry again as to why a Yasin Malik and Syed Ali Shah Geelani were allowed to get tacit support from politicians and intellectuals like Arundhati Roy and many more. Why those intellectuals who constantly bat for the ‘azadi’ of Kashmir and call it ‘fundamentally a call for justice’ don’t see the other side of the rightful occupants of the land being forced into mass departure when that is their land and that is their country their home. ... These are stories that need to be told and for many soft separatists, it may be a hard pill to swallow. Think about it for a second if there have been such brutal atrocities that the Kashmiri Hindus have gone through would you not keep your political leanings aside for the sake of humanity and hope for some closure for the first generation victims in their right to justice?"

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir
"“We requested the current dispensation that a recent film which has showcased atrocities on our Kashmiri Pandit brothers should be taken down. It has shown only one side of the story and would hence create rifts in society. While my full statements weren’t shown in the video, I was misquoted by some people. I did not mean to offend any particular caste or religion.” In an issued video message he stated, “Although if my comments have hurt someone then I duly apologise. I was not referring to any particular religion.” However, he stood by his stance that the films like ‘The Kashmir Files’ should not be released. Being an excellently received film across the globe, the film has resonated with people with its honest and truthful portrayal of the Kashmiri Hindu Genocide in 1990. The film has collected over Rs 220 crore until Saturday. While addressing a gathering at a mosque in Jammu, in an enraged tone, said Maulvi Farooq was heard stating, “Don’t you agree that the movie ‘The Kashmir Files’ should be banned? There should be restrictions on this movie. We(Muslims) are peace-loving people, we intend to keep the country peaceful.” He went further targeting, “We have ruled this country for 800 years, however, you (Hindus) came to power just 70 years ago. You want to target us. The reality is you will face death and consequences, but you cannot do anything to Kalma-chanting Muslims.”"

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir
"To an extent, The Kashmir Files, a recent film by Vivek Agnihotri, has tried to reset the Kashmiri Hindu narrative, and that is why so many are rattled by it. Many prominent Kashmiri voices, politicians, intellectuals, writers and poets—all those who stayed silent even as the Kashmiri Hindu genocide unfolded right before their eyes—called for a ban on the film. To them I ask—can there be reconciliation without remembrance? Crime without comeuppance? Can there be death without deliverance? Can there be justice without Nuremberg? Why do they want to hide the truth about the Nadimarg massacre that the film truthfully depicts, where terrorist Zia Mustafa lined up 23 unsuspecting Kashmiri Hindus and shot them point blank, and as he was escaping, he heard a baby cry and his comrade goaded ‘ye karnawun chupe’ and then the baby became the 24th victim. Why do they want to hide this? Why do they want to hide the truth about Girija Tickoo, who was raped and cleaved in two by a mechanical saw while she was still alive? Why do they want to hide the truth about B.K. Ganjoo, who hid inside a rice barrel when jihadis came looking for him after his Muslim neighbour informed on him? Ganjoo was shot dead. Rice laced with his blood was fed to his wife. Why do they want to hide the truth about slogans raised from mosques on 19 January 1990—“Ralive, Tsalive, Galive [convert, run or die]; ‘Death to kafirs’; Pandits go but leave your women behind’; Nizam-e-Mustafa!’ Why do they want to hide all this? And what is this other side of the genocide that they demand should also be shown? Yasin Malik, the assassin of Squadron leader Khanna, loved dum aloo? Bitta Karate, the killer of Kashmiri Hindus, was the son of a shawl weaver? Zia Mustafa, the perpetrator of the Nadimarg massacre, was a compounder at a hospital? I will tell you why they want this truth to be hidden. Because they realise that The Kashmir Files is not just a film, it is a Proustian collection of memories. Of Girija. Of Ganjoo. Of Dinanath. Of tens of thousands of Kashmiri Hindus who were betrayed by their own friends. But they forget. They might have taken away from the Kashmiri Hindus their home, but they can never take away from them their words. For their entrapment in a film may fool us into believing they have a physical form, a form that can be destroyed when the film is destroyed. But the words existed much before their prisons did. Words never die. They always survive. In times of terror, we wrap them and hide them like our ancestors did, and it may take 30 or 300 or 3,000 years for them to be uttered again—but uttered again they will be. And when they are, their words will echo in the valleys of violence where people only know how to light Molotov these words will make them light diyas again."

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir