Presidential Medal Of Freedom Recipients

"I think the way Clemente played – running out every hit and running recklessly into the wall – he realized he needed some time off and he took it. So many times I saw him catch balls that went into the gap and he’d personally keep the other guy from getting that extra base. For a pitcher, that was something that was really appreciated. An average outfielder many times will give up the extra base. Often that’s the difference between winning and losing. At Forbes Field, we had one of the toughest right fields to play in baseball. Clemente could play the ball off that cement wall. Clemente would cut off the ball before it could get to the wall; he’d keep it from being a triple – he’d hold it to a single.”"

"He looked so unorthodox at the plate. He was always gyrating, his ass would fly out, and he’d fall down when he swung and missed. Somebody like Don Drysdale would knock him down. He’d get up and hit a line drive. The knockdown didn’t bother him."

"I know Roberto Clemente was a special ballplayer. In San Francisco, for instance, the visitors’ bullpen was along the sideline in right field. I watched the outfielders from there, and all the other outfielders had their backs to the wall in Candlestick Park. Not Clemente. He played at normal depth. If anyone went around the bag at first base too far, he’d throw them out. I saw him do it many times. I don’t remember other right fielders doing that. He had some arm. He might have been quite a pitcher himself."

"Before I came over here to this ball club, I heard how Clemente is always ailing and wanting to sit out games, but everything I heard was bull. He goes full blast all the time. There is only one way I can describe him: unbelievable."

"People used to criticize Roberto for not playing hurt. But he was a team player. He didn’t want to play if he couldn’t go all out, one hundred percent. He wasn't as vocal as Willie Stargell, but he was a leader. All you had to do was watch him play, and you immediately knew how the game should be played."

"At the end of the 1972 season, we had just clinched the National League East title and Roberto had 2,999 hits. The Mets were in town for our final homestand. Everyone was there to see Roberto get his 3,000th hit. I had the opportunity to start my first major league game and get my first major league hit in the same game that Roberto got his 3,000th. Umpire Doug Harvey stopped the game and retrieved the ball for me. After the game,Roberto and I posed for a picture with each of us holding the baseballs from my first hit and what turned out to be his last (regular season) hit. I shall cherish the moment and the photograph forever."

"When he came back to the bench, he said, "That’s why I gave him that pitch in the first at-bat." He was doing things by that time that I never saw anyone do and I haven’t seen anyone do since. He was like a computer. He was set to play baseball. He always knew what he had to do."

"I was sent back to the minors before the season ended, so I didn’t see him again until December 27 when he gave the clinic in Aguadilla, not far from my home. [...] That day in Aguadilla, he spent the whole afternoon under the sun – giving a clinic for the kids. People kept coming up to give him money for Nicaragua, and he insisted that they write out checks so that there’d be no chance of the money being mishandled. At one point he was giving batting pointers, and there was a kid – about eighteen years old – pitching to him. The people in the stands kept yelling, ‘Roberto, bet you can’t hit a homer!’ Finally, on the last pitch, he smacked the ball right out of the stadium. He gave the kid the bat as a souvenir, and somebody else got the ball. Afterward, they erected a small monument to mark the spot where the ball fell. I think that was the last time Roberto swung a bat, and he hit a home run.."

"That boy can't miss becoming a great ballplayer."

"I've never seen a ball hit farther in Wrigley Field than the home run Roberto Clemente sent flying out in the ninth inning. It passed out of view over the left-center bleachers and it must have gone close to 500 feet. Clemente says he never hit one that far before and even the Cubs admit it was the first one they ever saw leave the park at that spot. Ernie Banks said later he never hit one over that fence and never saw one hit as far as this one. Even Rogers Hornsby acknowledged it was the longest he ever saw hit at Wrigley Field."

"I don’t know of anybody who played on the same team with more superstars than I did. I was with ’em all, all except Hank Aaron and Sandy Koufax, whom I don’t count because he was a pitcher. I played with Musial with the Cardinals, Clemente with the Pirates, Richie Allen with the Phillies and Willie Mays with the Giants. The best of ’em? For natural tools, I’d have to say Clemente. All around he was the best ballplayer I ever saw."

"Well, I've always said, after playing with Bobby for '55 though '62, Bobby Clemente was the greatest God-given talent I ever saw in a baseball player. There wasn't anything that he couldn't do as well [as] if not better than anybody in the game that I've ever seen. People don't realize Bobby was built like a Greek God. He had a waist about that big around, and marvelous in the chest—very strong, very strong shoulders, strong arms. Great timing, great instinct..."

"There was nothing on the baseball diamond that he couldn’t do if he wanted to. He could have adapted his hitting style if he wanted to be more of a home run hitter, but [Pirates batting coach] George Sisler wanted him to spray the ball around and be a high percentage hitter."

"If he wanted to lead the league in stolen bases, he could have done that. He was a marvelous base runner and had great instincts. He also had a great, great arm. And he had a great body, strong at the top and a thin waist."

"No doubt about it, Bobby had the greatest God-given talent I ever saw. Bobby was a complete player. What he didn’t understand was the fact that the Most Valuable Player award is not necessarily for the greatest talent. A lot of other things go into it. He was certainly the greatest talent on that team, and you can be both the outstanding player and the MVP. None of us was as gifted as Bobby was. Everybody tries to make a big deal about us, but it was never any problem between us. We never had a cross word. I wasn’t even conscious that he resented me winning it so greatly until deep into the 1961 season."

"As a fielder, I never saw anyone play balls off the right field wall the way Bobby did. And I remember going to Forbes Field as a kid, when it was Paul Waner out there. It was spooky, how Bobby knew how to play that wall."

"If he hadn’t been killed, I could see him playing another five years. Bobby was always in great shape. He worked at it year round. He had a great body, and that was evident from the first day I ever saw him at Fort Myers training camp."

"He almost threw me out one night in St. Louis after I had singled solidly to right field. He almost got me at first. His throw got by the first baseman, otherwise he would have thrown me out. I knew I couldn't run, but that would have been humiliating, to be thrown out from right field on what is supposed to be a single."

"Now if you ask me which player I’d pick first in that same era, I’d go with Henry Aaron and I’d take Mickey Mantle. Aaron could hurt you so many ways and he had that consistent power. Mantle played when he couldn’t walk. Clemente was one of the all-time great players, but I’d take those guys over him."

"Head swinger when he misses ball, tends to lunge. Is inexperienced, but from the information I can get, he learns fast. Never makes the same mistake twice. Rawboned, well-proportioned build. The Montreal boys for the most part tell me he could have played regular on their club in '54 and been of more value than Cassini."

"The only thing you ever hear about Clemente is that he doesn’t hit enough home runs. The criticism is ridiculous, because he could hit 40 a year if he wanted to. He has the greatest physical ability of anybody I’ve seen in a long time. He’s got as much power as anyone on this ballclub. Only Robertson may have a little more."

"[Branch] Rickey was a fanatic about speed, and I guess I am too. And you can see for yourself: the [teams that] are built on speed win. I like to get a stopwatch time on a kid in a sixty-yard dash, because in baseball you run sixty yards more than you do anything: first to third, second to home, center field to right-center. But I never time a hitter from home to first. What good does it do you? Clemente – I don’t think he ever ran to first base under 4.4 or 4.5. That follow-through of his brought him up and toward third base, so it took him three tenths of a second just to get out of the batter’s box, but he was still the fastest man on our club."

"Raul Mondesi is a 40. Clemente and Shawon Dunston were the only 60s we ever had. Dave Parker was a 40."

"His hand looked like it was about twice as long as anybody else’s. That’s what…why he could throw the ball – he just had such a wrist movement. And the same way with the bat – he had very good wrists to play ball."

"Then this 20-year-old kid, Roberto Clemente, whom we drafted out of the Brooklyn organization, has been a welcome surprise. I'd say he's potentially one of the finer players in the game. What I like best about the youngster is his hustle. He likes to play ball. In your last series with us at Pittsburgh, for example, he showed up with a rather high temperature. But Roberto gave it all he was worth."

"I look at my hand and see my World Series ring. It takes 25 guys to make a team, but I know who put that ring over my knuckle – Roberto Clemente."

"Me and some of the other guys were probably making the minimum, $12,500, and here’s Clemente – a guy making $150,000. Some guys who make this money might dog it a bit, but when he hit one back even to the pitcher he’d run to first like the cops were chasin’ him. I remember thinkin’ to myself, ‘Hell, if that guy can do it, I’m gonna do it.’ Let me tell you, it’s hard to go out there every day, but once Clemente crossed over the white line onto the field, I think his philosophy was: If you’re going to go half-ass, no sense doing it. Maybe he made mistakes when he was younger, but in my years with him I don’t think he made a handful of mental mistakes. He threw to the right base, hit the cut-off man, took the extra base when he should, hit behind the runner, sacrificed himself at the plate. Guy on second he’d hit the ball and move the runner along. Next thing, there’s a wild pitch or a sacrifice fly and we win the game. A lot of people leave the ballpark and say, ‘Well, Clemente didn’t do nothing today.’ But Clemente was the guy who hit the guy over to third. And out in the field, not many guys tried going from first to third on him. He’d fire it in accurate, right on the bag. I tagged plenty of guys with two minutes to spare!"

"It was my first year in the Pirate organization; I signed with them in ’71. I lived in Pittsburgh, so when our season was over the Pirates let me come out for batting practice and take ground balls. So I took BP with those guys. Just to watch him take batting practice was something that youngsters should watch and learn. Because with his first round, he would just inside-out the ball and hit everything to right field. Then the next round, he’d move the ball around and start hitting the ball up the middle a little bit. And then in his last few rounds, he’d just start turning on the ball and stinging the ball. He used such a big bat, I recall – a big, long, heavy bat. He was so strong with his hands; the ball just jumped off the bat. When him and Stargell hit – when they were in the cage – you actually didn’t even have to be around the cage to know that one of those two was in the cage hitting. The ball had a different sound coming off their bats. It was like a rifle shot. When the rest of us were in there hitting, it didn’t sound quite like that."

"I remember seeing him in the clubhouse. He was 38 years old when I got to come in there. He had a washboard stomach. He had the body of a 21-year-old."

"Guys like Mazeroski and Face had almost an animosity toward Clemente. It upset them when he would sit out a game because of an injury or ailment. Maz always felt that Clemente at 70 percent could do more than Maz and most of the guys could do when they were 100 percent. You couldn’t keep Maz and Face out of a game no matter how they were feeling, but Clemente was different. Even when Bill was in a batting slump, he felt he could help the team win with his work in the field. He came from a different background. Clemente to me was like an artist. Artistic people have greater sensitivities. They're different, whether you're talking about Van Gogh or Gore Vidal. They see, feel and hear things differently. Clemente's sensitivity was toward his body. It was his cathedral. At age 38, he was still in great shape. If he hadn't died, there's no doubt in my mind that he could have made good on his desire to play another four or five years. Why couldn't he. 1n 1972, he was playing for the best team in baseball, and on that team he had the best arm, was the best base runner, and was probably still the best hitter."

"Roberto also tried to get Mazeroski to stay in baseball longer. Bill was having problems with his weight, and just thought he couldn’t continue to fight the battle anymore. It was in his genes. His mother was very overweight, and Bill battled his weight from start to finish. Clemente told him, "Cash is OK and Stennett is OK, but you’re still a better second baseman. You can come down to Puerto Rico with me and get in shape." Bill told him, "I think I can still play, but I can’t fight this weight thing anymore." Maz had his own pride. But he didn’t understand the pride thing with Clemente. Clemente was painting a picture every time he played. He didn't want to play unless he could perform at his absolute best."

"Even though 1960 was exciting, I never felt that Pirate team could have touched the old Dodgers talent-wise – not by one iota. But I will say that Roberto Clemente was the best right fielder I ever saw."

"Clemente was a Berra-type hitter. He could hit the pitch out of the strike zone and hit it with a lot of power. He had a unique batting stance and stride. He would step in the bucket once in a while but had great control."

". And as good a player as Sosa is, I would have to say that Clemente was better. He had everything you looked for in a player—ability to hit, run, throw, and he was a good base-stealer. He could get that extra base for you. He was the spark of the ballclub, and a very unselfish player."

"I think all these things are a myth about Roberto. It has to be that because he just isn't the kind of guy who would beg off anything unless he didn't feel well. He has played lots of times when he shouldn't have. He is definitely one of the leaders on this club. He's been around a long time and he knows what he's talking about. A lot of times he talks about the other hitters in our clubhouse meetings. He's thinking about something all the time. He really is one of the better ballplayers I've seen since I've been around. He has all the essentials, ability, hustle and desire. That's why it's a bit hard to understand some of these things which have been said."

"He was the best in so many aspects of the game. He could go from first to third as fast as any player I saw or played against, and that included some of the best – Lou Brock, Maury Wills and Willie Davis."

""I’ll bet you Harry Dalton would trade half his ballclub for Clemente,” Don Leppert, the Pirates’ first-base coach, said. “He’d probably split the clubhouse down the middle, and give us a choice of either side, to get that guy into an Oriole uniform.” Leppert’s only regret is that Clemente didn’t have the chance to truly excel in the field. Other than his eye-popping throw to the plate in the sixth game, Clemente was required to field no more than ordinary chances. "Brooks Robinson had that great Series with the glove in 1970,” Leppert said, “but you’ve got to be lucky to field like he did. By that, I mean you’ve got to get the tough chances, and if Roberto had had some in this Series, he really would have shown them something.”"

"I saw some great players, including Willie Mays. DiMaggio was a super talent. A guy I really liked was Clemente 'cause I managed him in Puerto Rico. He's one of the superstars of all time. I'll take Mays, Clemente, Williams, DiMaggio—they were so super. Those are the four guys I really felt were something special."

"Dale doesn't rate his own club as a contender. However, he feels that Pittsburgh will be greatly improved over its 1956 form. He likes the pitching. He raves about Roberto Clemente, the hard-hitting outfielder, and he has many favorable words to say of second baseman Bill Mazeroski. He feels that Clemente, the third leading batsman in the league last season at the tender age of 22, will become one of the great stars. He told a funny story about this serious-minded Puerto Rican youth. Clemente was at bat with the bases full, two out and the count three and one. Manager Bobby Bragan flashed the take sign. Clemente planted the next pitch out of the park for a grand-slam. Bragan appreciated the four runs, but all the same he wanted to know why Clemente hadn't obeyed the signal. He asked him. Clemente. speaking in fractured English, said. "Oh, I see take sign. So I take ball, and hit it just as far as I can.""

"People in Pittsburgh don’t really know what they have in Clemente. He’s the best all-around ballplayer I have ever seen."

"This boy can throw like hell, he can run like hell, and he's got real good power. He is an unusually well coordinated athlete for his age and lack of experience. He'll be with us all year and you may see a lot of him."

"Another wonderful prospect. Why, he's only 19; can you imagine what he'll be like a few years from now? But I don't know if we can hold him. scouted him and I'm pretty sure the Pirates intend to draft him."

"This boy can do everything. In a couple of years, I'll bet he'll be a star."

"Hide is not actually the right word. I had no orders from Buzzy Bavasi not to play him. Just to use him sparingly. There was no conspiracy to make him look bad. There's no way to make Clemente look bad. We had three veteran outfielders at Montreal – Sandy Amoros, Dick Whitman and Gino Cimoli – and Buzzy said use Clemente sparingly. He was my fourth outfielder and whenever I was forced to use him, he looked great. He was colorful ... and got better ... and better ... and better. We tried to sneak him through the draft, but it didn't work."

"He followed us around watching Clemente and we used to go out a lot together and eat after a game. It got to be funny. I'd say how bad Clemente looked. He'd say "I'll get in touch with you after the season. You've lost a ballplayer. We're a cinch to finish last and get first draft choice." Yes, I know Clemente thought we were really trying to make him look bad. I now kid him about it all the time. If he did good and I didn't play him the next night, he wouldn't speak to me. Like a petulant kid."

"I never had any orders not to play Clemente. I was told Roberto was only 18 when actually he was 19, but I had three proven Triple A outfielders in Sandy Amoros, Gino Cimoli and Dick Whitman. When the Dodgers took Amoros to Brooklyn, I had Jack Cassini and Don Thompson. I was told to win at Montreal and simply had to play more experienced men. Roberto got in 87 games and I think that's good for a rookie. To me Roberto was a 'fill in guy,' an enthusiastic rookie you would spot in a game without rushing him. Amoros and Whitman didn't have the strongest arms in the world and if we were leading late in a game, I would take one of them out and put Clemente in for defensive purposes. He always did the job. He was always unhappy when he did not play, happy when he did. It did not disturb me when he got mad at me for not playing him. I would have been upset if he did not get angry at me. I'd say this very fact of him having desire and determination has been a great asset to him all of these years. There was little doubt of his potential but his growing up came along later. He put things together to become a star. Nobody could be more delighted about his career than I. All along I have felt he has never been given the credit due him. He is certainly a more complete ball player than many fellows who are given more publicity."

"He was a wild-swinging kid, but he just radiated ability. He was a temperamental kid, and he could hardly speak any English, but luckily we had some players on the team who spoke Spanish."

"If you had been in Montreal that year, you wouldn’t believe how ridiculous some of the pitchers made him look. And he had the habit of always taking a strike, getting himself in the hole, when there were runners in scoring position. But he might look foolish at the plate one time, then come back and really tee off on the ball."

"I knew it was a mistake to sign a player this good to a triple-A contract. We couldn’t protect him, and some team was bound to grab him."

"Historically, the Montreal club always drew well. It was instrumental in paying for a lot of the parent club's tab. Buzzy never once told me to hide Clemente. Hell, there was no way you could hide him even if you wanted to. Don't play him at all, then everybody gets suspicious, anyway. The only orders I had from Bavasi were to win and draw big crowds."