Actors From New York City

"Nobody wants anything less than "extra strength". "Extra strength" is the absolute minimum. You can't even get "strength"; "strength" is out now. It's all "extra strength". Some people are not satisfied with "extra"; they want "maximum". "Give me the 'maximum strength'." "Give me the maximum allowable human dosage." "Figure out what will kill me and then back it off a little bit.""

"[Death is] the last big move of your life. The hearse is like the van, the pallbearers are your close friends, the only ones you could really ask to help you with a big move like that. And the casket is that great, perfect box you've been looking for your whole life. The only problem is once you find it, you're in it."

"Do the people that work in these little shops in the airport have any idea what the prices are every place else in the world? "Yeah, $14, tuna sandwich. We think that's fair.""

"I'll tell you, you get into a hot tub with three or four really old men, this is not the cover of the Club Med brochure. They get out of the tub, it looks like an ad for gravity."

"You know how the old people drive? They drive slow, they sit low. That is their motto. The state flag of Florida should be just a steering wheel with a hat and two [sets of] knuckles on it. And then that left turn signal on from when they left the house that morning. That's a legal turn in Florida: it's known as an eventual left."

"Neat and clean. That's the way I want to live. My idea of the perfect living room would be the bridge on the Starship Enterprise: big chair, nice TV, remote control. That's why Star Trek really was the ultimate male fantasy. Hurtling through space in your living room, watching TV."

"Monkeys have contributed a lot to society in their way. They were the first astronauts in the Sixties. Which I'm sure made perfect sense in the monkey brain. "I see, so instead of the little bellhop uniform, you want me to get into a rocket and orbit the earth at supersonic speed. Yeah, I think that is the next logical step for me.""

"When you're little, your life is up. The future is up. Everything you want is up. "Wait up! Hold up! Shut up!" "Mom, I'll clean up! Let me stay up!" For parents, of course, it's just the opposite: everything is down. "Just calm down!" "Slow down!" "Come down here!" "Sit down!" "Put that down!""

"When I was a kid, my favorite ride was the bumper cars. What a wonderful fantasy of the driving experience as it could be. All confrontation, no destination. [...] Driving as an act of pure hostility."

"Maybe comets killed the dinosaurs, maybe they tripped and fell. What's the difference? We'll never know. We couldn't solve the Kennedy Assassination, we had films of that. Good luck with the Stegosaurus."

"That's what annoys me about sweepstakes companies, they always tease you with that, "You may have already won," and we all buy into it. [...] I'd like once for a sweepstakes company to have some guts, come out with the truth, just be honest with people one time. Send out envelopes, "You have definitely lost." You turn it over, giant printing, "Not even close!""

"Don't you hate "To Be Continued"s on TV? [...] I mean the whole reason you watch a TV show is because it ends. If I wanted a long, boring story with no point to it, I've got my life."

"It's not enough that we catch [lobsters], kill them, and eat them. We want to see them in the tank as we walk into the restaurant, sweating it out. [...] I saw one once that looked like he was attempting to clean the inside of the tank. "I just work here.""

"The hardest part of being a clown, it seems to me, would be that you are constantly referred to as a clown. [...] How do you even know that you want to be a clown? I guess you just get to a point where your pants look so bad it's actually easier to become a clown than to have the proper alterations done."

"If we really stuck with the classic Greek priorities, a sound mind in a sound body, the only two places we'd ever go is to a library or a gym."

"The whole supermarket itself is designed to break down your sense of having any life outside the supermarket. It's like a casino: there's no clocks, no windows, no easily-accessible exits. You ever not buy anything in the supermarket and try to get out of there? It's impossible. There's no way out."

"When you want to enjoy something, you must never let logic get too much in the way."

"What is the handicap parking situation at the Special Olympics? They must have to just stack like a hundred cars into those two spots."

"I'm on the plane, we left late, and the pilot says, "We're going to be making up some time in the air." I thought, "Isn't that interesting. They just make up time." That's why you have to reset your watch when you land. Of course, when they say they're making up time, obviously they're increasing the speed of the aircraft. Now my question is, if you can go faster, why don't you just go as fast as you can all the time? "Come on, there're no cops up here! Nail it! Give it some gas!""

"That was the dominance of network television at that time. There was no competition. [Theirs] was the only game in town. A guy like me-- Could you ima-- I would never have gotten past my second set, today, before they would've grabbed me! Right? "Hey, this guy's pretty good!" "Just grab him! Let's do-- Somebody come up with somethin' for this kid!""

"I think people like a little more "personal revelation" in their comedy. And that's fine! They have-- There's three generations behind me doin' it. But my thing is: I want a number of jokes of a certain quality, and laughs. I want the room to just be ringin with laughs."

"When you hear a curse word in the last line of [a comedian's] bit... that's when you know: "not solved." (laughs) "That puzzle was not solved.""

"It's very important for human beings to feel they are popular and well-liked among a large group of people that they have no interest in."

"Flying doesn't make me nervous. Driving to the airport can make me nervous. Because if you miss that plane, there's no alternative. [...] No airline goes, "Well, you missed the flight. We do have a cannon leaving in about ten minutes. Would you be interested in that? It's not a direct cannon, you have to change cannons after you land.""

"The reason I got [Seinfeld] is: my manager, George Shapiro, wrote a note to Brandon Tartikoff, the President of NBC, and it was one sentence; he said "Call me a crazy guy, but I think some day Jerry Seinfeld's gonna be doing a series on NBC." Now, when he wrote that note, it was... 1988. I had been on The Tonight Show for seven years -- three times a year -- destroying. [...] And George still [had] to say to NBC "I know this sounds crazy...". I thought of this just the other week: "What was so crazy about the idea?""

"The only reason people still exist is phones need pockets to ride around in."

"Nobody's really getting in shape for anything. In modern society, you really don't have to be physically strong to do anything. The only reason that you're getting in shape is so you can get through the workout. So we're working out, so that we'll be in shape, for when we have to do our exercises. That's comedy."

"If you like a daily slight terror, you will like being a stand-up comedian."

"The other day I was watching women in a department store looking at clothes, and I noticed women don't try on the clothes, they get behind the clothes. They take a dress off the rack and hold it up against themselves. [...] They stick one leg way out and kind of lean back. I guess they need to know, "If someday I'm one-legged at a forty-five-degree angle, what am I going to wear?""

"Here's the other big secret of comedy: the audience writes most of it. You kind of give them what you think is funny, and they "grade" your work, second to second. [...] "Good word", "bad word"."

"Comedy is so much closer to sports than the arts. Stand-up comedy is very, very close to sports: in the life of it, and the "do or die" of it. [...] Nobody cares how many hits you've had. There's guys on base now."

"Frankly, I don't think people think of their office as a workplace anyway. I think they think of it as a stationery store with Danish. You want to get your pastry, your envelopes, your supplies, your toilet paper, six cups of coffee, and you go home."

"On [Seinfeld], we were extremely meticulous in our scripting of every scene, every joke, every line. [...] When people came on that show, they were told by script supervisors "You don't change one comma", because that's-- the precision of joke-making generally requires that."

"There's no "putting an act together". Okay? A stand-up comedian is an act. You are an act. You breathe and live an act. It's not assembled; it's not-- This is not Hello, Dolly!. It's constant, it's organic; you live inside it. It's like a snow globe. Comedy is a snow globe. You live in it."

"To men, cleavage is like the nearest thing to a UFO landing nearby, that's what it is. To women, buying a pair of shoes that they really love is like boarding the alien ship. I think it's entirely possible that aliens have landed and they haven't been able to get our attention because we're so preoccupied with cleavage and shoes."

"I want to look like my heroes from the '60s. I want to look like Frank Gorshin, and old George Carlin, and Alan King. I love[d] those guys. So, I wanted to be those guys."

"Stand-up comedy's also the most mysterious profession in show business. It's completely shrouded in [the] mystery of "How do these people do it?" [...] Only other comedians understand it. It's like, y'know, being a cop or a prostitute: you can only hang out with other people [who] do that."

"I would say the main competition for the book is the video because for some reason people feel they need to come home with a rectangular block of something that they don't know the end of. The big advantage of a book is it's very easy to rewind. Close it and you're right back at the beginning."

"You have the Sun-Maid company, and then you have the Raisinet people. I just think it's interesting that after 80 years, Sun-Maid finally went "Hey, why don't we put some chocolate on it?" Like, imagine not thinking of that for 80 years!"

"Seems to me the basic conflict between men and women, sexually, is that men are like firemen. To us, sex is an emergency, and no matter what we're doing we can be ready in two minutes. Women, on the other hand, are like fire. They're very exciting, but the conditions have to be exactly right for it to occur."

"[Stand-up comedy] is the ultimate democracy. The laugh is the vote."

"The real concept of [Comedians in Cars Getting Coffee] is: being a comedian is two things. One is: there's a show you do at night, for an audience, that you get paid for; but most of your life is hanging out during the day with other comedians, waiting for night... to do your show! [...] So, you have your set, but then, you hang out with these other people that are like yourself: they're a little socially awkward; they have this comedic aspect of their brain that they cannot turn off... and have difficulty having normal conversations with people, because we just want to say foul, obnoxious, hilarious things to make each other laugh. So, I thought "What if I tried to show people this side of the comedian life?""

"The secret to television is: the person who gets the opportunity wants to "re-form" this type of content to them, personally."

"Larry and I were so good together [on Seinfeld], if we both thought something was funny, that was good enough. That's it. If it can get through those two filters, and we both think "That's funny", I don't even-- I wouldn't even care if it wasn't funny."

"Cars are really the most sophisticated adult toys that you can use without having to really talk to anybody."

"There's nothing like a kiss to get something started between a man and a woman. When the lips meet, this is the official ignition. The instrument panel lights up. The finger moves across, flipping all the toggle switches up. The engines hum. Something is underway."

"Some people actually cheat on the people that they're cheating with, which is like holding up a bank and then turning to the robber next to you and going, "All right, give me everything you got, too.""

"I love when a critic reviews a stand-up comedian. You want to go "I've left town already, with the money!" (laughs) "I don't care what you think.""

"I was the only guy, by the way, in the early '80s [who] was welcome on your show and Carson; usually, it was kind of-- that was-- there was a bit of a wall there. [...] If you were a Carson comic, you were probably not young enough or cool enough for Late Night. And vice-versa. But I for some reason was able to go back and forth, and I was always very proud of that, in the early days."

"A comedian is a-- to me, a-- a full-fledged-- not only a monologist, but somebody who can really work a room, work a crowd, and has a real act. A comic? That's a-- like-- I think a notch down."