"Love Me Eimi: What?! This outfit... I've broken the school rules! Teacher! I can't remember a thing! It's not my fault! Oh, the biggest mistake of Eimi Date's life!"

"Long time, hey, Sasami?"

"Lovely Boomerang!"

"Then it's simple! Let's squash that thing!"

"(English) Hello, everybody! (Japanese) My 1.1 trillion, 1 million, 101 fans from across the country! (steps on a can and trips) Long time no see! I'm Magical Girl Pixy Misa! It's a little embarassing, but I've made my comeback!"

"I'm coming to help you! Just hang on and wait for me! Pretty Sammy!!"

"Pixy Mutation Magical Recall!"

"Goodbye, Pixy Misa. The other side of me."

"(in English) Welcome, Sasami!"

"I'll be fine. I won't try to hide my weakness or jealousy anymore. I know I'm full of contradictions. But all things considered, I love myself and Misa. So I think I'll be fine. Please, Rumiya."

"I'm going to get better. I'm going to try my best."

"(English) Go to America!"

"Sasami... So all along, I've been doing this to you, Sasami?"

"This is Pixy Misa's baton. Did I have this baton? Then, I am Pixy Misa?!"

"I am Pixy Misa, the evil magical girl. I've been cruel to everyone and fought against Sammy. That was me. It was I who was the bad girl. I was the one who caused so much trouble. It was me! Sasami must be so angry. She must've told everyone I tricked her all along. What should I do? I haven't got anywhere left to go. I can't even see Dad anymore. I... I..."

"I can't wait to see my dad. I can't wait. Then Dad, Mom, and I..."

"Dad... Mom..."

"This is for the best. Roses can't be used to make people unhappy. Because... because roses... roses are Dad's favorite flowers."

"All the things that are important to me: Mom, Dad, Sasami, the bird, Dad's piano piece, my hair bands, the picture of Dad and I at a amusement park. And also... also... (enters the locker room) This place."

"(singing) I am a pretty magical girl! I'm the magical girl who's gonna save Sammy! And they call me... and they call me... Pixy Misa!"

"I'm sorry, Sasami!"

"(Japanese), Jay Hickman (English) -"

"(Japanese), (English) -"

"(Japanese), (English) - Madlax"

"(Japanese), (English) - Margaret Burton"

"Rolo Lamperouge - Takahiro Mizushima (Japanese), Spike Spencer (English)"

"Schneizel el Britannia - Norihiro Inoue (Japanese), Troy Baker (English)"

"Li Xingke - Hikaru Midorikawa (Japanese), David Earnest (English)"

"Kallen Stadtfeld / Kallen Kōzuki - Ami Koshimizu (Japanese), Karen Strassman (English)"

"Suzaku Kururugi - Takahiro Sakurai (Japanese), Yuri Lowenthal (English)"

"C.C. - Yukana (Japanese), Kate Higgins (English)"

"Jeremiah Gottwald - Ken Narita (Japanese), Crispin Freeman (English)"

"Nunnally Lamperouge - Kaori Nazuka (Japanese), Rebecca Forstadt (English)"

"Lelouch Lamperouge - Jun Fukuyama (Japanese), Johnny Yong Bosch (English)"

"The Big O is set in Gotham-esque Paradigm City; 40 years ago, the inhabitants lost their memories in a bizarre occurrence referred to as “the Event.” Since then, people have scrabbled out a living in the half-ruined metropolis. Dashing Roger Smith (voice by David Lucas in the first 13 episodes; Stephen Jay Blum in the second 13), who looks a bit like a young Pierce Bronson, is officially a Negociator who handles difficult situations, but he’s really a covert superhero."

"The first season ended in mid-story, with the fate of the characters unresolved. The belated second season brought back all the main characters and the stylish designs. Roger’s nightmares/flashbacks, collages of robot attacks, burning cities, etc. led to a resolution of sorts, but once again, visual flash takes the place of clear storytelling. In some sequences, the cool, grayed-down palate, saxophone riffs and tough guy dialogue suggest the filmmakers are trying capture the film noir tone that made Cowboy Bebop a hit. But the stories lack the strong plot and gritty characters needed to support the stylish graphics. Spike Spiegel projected the intensity of a wounded lion; Smith feels superficial. Director Kazuyoshi Katayama simply lacks the visual pancahe of Shinichiro Watanabe, one of the most interesting directors working in anime."

"The Big O is an anime that wears its inspiration on its sleeve: it’s a film noir"

"Your rivals aren't only the likes of His Majesty."

"I'm sorry! It was just... it seemed like a private moment!"

"You're in the way. Move, stupid girl."

"The Red-Light District is a very good place to gather information."

"Am I... not allowed to even touch the rose?"

"I know exactly how to deal with a man you can neither kill... or let live."

"W-what? I'm only expressing concern over Shuurei-sama!"

"Did the building just grow wings and fly away?"

"A woman's word is a promise."

"A wise man knows to avoid danger."