Screenwriters From The United States

"Should I mention the other shows that were on at [the same time as Seinfeld]? 'Unsolved Mysteries'? 'Alf'? Where are they? Why is there no Hulu deal for them?"

"The less you know about a field, the better your odds. Dumb boldness is the best way to approach a new challenge."

"What's wrong with [pursuing vanity projects]? [...] If there's no vanity, that's the end of show business."

"I've always loved getting sold [on something]. That's true of all good salesmen. All good salesmen love to get taken in by a pitch."

"[Seinfeld] gave me everything, and that was always my thought when I was doing it. If I sacrifice every cell of energy that I have doing this, the rest of my life will be pretty good. So I just died on the shield. I went to the point where I thought, If I keep going, I could lose my sanity. That was how far I took it mentally."

"Once I'm done with [a] bit, it either goes in the garbage or the accordion folder. Those are the only two destinations. And then it's in the air. It has to survive on its own. Bits are like turtles right after they hatch, running to the beach."

"Bee Movie was a very unhappy experience, from start to finish. I remember standing in the back of the theater and it wasn't great, but it was decent and, and I remember listening to their laughs and thinking, These laughs are shit. That was not worth it."

"I was a minimalist from the beginning. I think that's why I've always done well as a comedian. [...] If you always want less, in words as well as things, you'll do well as a writer."

"Thank you all for this great honor, and for all your great work. I hope it makes you happy, as you have made me happy for this five minutes of my life, which will last until I get to the edge of this stage and it hits me that this was all a bunch of nonsense."

"I have always wanted a Clio. I don't know much about it... but I know it's a good award, because in 1991, they screwed up this whole presentation, and there were a bunch of awards left over, and all of these ad people here climbed up onto the stage and tried to grab them! So, to me, that says: "This means something!" That really happened, and it's my all-time favorite award-show occurrence because it was so honest. People just said "I want a damn Clio", and they went for it."

"If your things don't make you happy, you're not getting the right things!"

"I think spending your life trying to dupe innocent people out of hard-won earnings to buy useless, low-quality, misrepresented items and services is an excellent use of your energy!"

"We are a hopeful species. Stupid, but hopeful."

"I love advertising because I love lying. [pause for laughter] In advertising, everything is the way you wish it was. I don't care that it won't be like that when I actually get the product being advertised, because in between seeing the commercial and owning the thing, I'm happy! And that's all I want."

"I think it's very strange that men like dogs and women like cats because women want attention and men want to be left alone, it should be the complete opposite."

"Being old is great. There's so many things that you're done with. Like running really fast. I was single until I was 45, and I liked that, but then I couldn't take it anymore. So when you're old, you get to relax a little bit. And you can see much more clearly of what's going on in the world. When you're young, everything is really confusing, and when you're old you can see through people and events really clearly, and I like that a lot."

"The worst advice is, you know, you have to do more to promote yourself. That's the worst advice. The best advice is to do your work, and you won't have to worry about anything else."

"It really is funny, it's very easy for me to remember that [Seinfeld] was very unsuccessful for a number of years, the first 4 years, and I remember thinking "I don't know why people don't seem to like this, it seems so funny to me." But I never thought it was going to be a big success. But it worked out."

"I was very surprised by Festivus catching on, but I think people just like the line rhyming Festivus with "rest of us" is 90% of it. And no presents, and you don't have to buy decorations, it's just an aluminum pole."

"Truthfully, I loved working on every episode [of Seinfeld], we just had the best time and got along great, and there were a number of years when the show wasn't successful and we still loved it."

"I don't know if the average person would like [being famous]. I really like it. I think it might surprise them that the advantages far outweigh the disadvantages. I think most people think of it as a problem, but it's all in how you look at it. But I do think that's the case, you get a lot more than it costs you in privacy invasion or whatever."

"I don't see people in the audience, I'm in an ultra-focused state when I'm onstage, I only go by sound - I listen to the audience but I don't look at anything in particular. I'm really visualizing the stuff I'm talking about."

"I would say the advice I would give [my younger self], or any young person, would be "Keep your head up in failure, and your head down in success.""

"A cat is a small sneaky animal that manages to get by without any real relationships."

"I felt as a child that i related more to blue than my own name. I have a very powerful connection with that color. And it's always been extremely important to me. It's weird, I don't understand it myself, but there's certain blues - Jeep Wrangler makes a blue that will make me stop walking on the sidewalk, and just turn and stare at it."

"I think funny is always kind of time-proof, so I think [Seinfeld] could have worked even today. Obviously it would have been a completely different type of show. But you know, what made the show work was the bringing together a bunch of great actors & great writers in one place at one time."

"At one point, in the early 80s, I got a part on a sitcom called Benson. And I was on the show for 3 episodes, and then I got fired. And I thought that would be the only break I was ever going to get. It was just a youthful lack of perspective. But at the time, I thought that was it. But it really ended up making me really get into being a much better standup comedian so that I wouldn't be dependent on other people. It ended up being a good thing. The best things in my life have been the bad things that taught me stuff."

"There is a similar kind of feel for rhythm and tone in comedy as there is in music, I think. You have to, you know, words - you use words in the same careful way in a song that you use them in a joke. Having just the right word in just the right place seems to make it work."

"No. Books take a long time, and I don't get to hear the laughs."

"I'm very good at streamlining a series of activities so that everything gets done in the amount of time that I have. I am very good with the clock. Like if I have a lot of stuff to do and a limited amount of time, I'm very good at figuring it all out. I'm very efficient in everything that i do, I never waste time so that I have more time to waste."

"I could have easily done [Seinfeld] for one or two or three more years, but it would have changed the way people look back at it. I think I made the right decision. Because people like the show now even more than they did in the 1990s, because it didn't get worn out."

"Who would I cast to play me? [...] You know who I think would be good? Would be Matthew Broderick. He's got a good small funny. You need a small funny to play a comedian, not a big funny. Most comedians, you know, in their daily life are small funny, it's the little looks, the little things that they say, they're not clown-y."

"The TV only works one way. You can't just yell at me and expect me to respond positively. You have to introduce yourself first. You can't just yell "HEY JERRY, C'MERE!" and expect that to work."

"For some reason, this is the big question that a regular person will ask you after a show: "How do you remember [all that]?" I don't know why they ask that. You don't have anything else to remember!"

"Being funny has not that much to do with what a great comedy act is about. A great comedy act is a machine that's built. Being funny is the fuel, but you gotta have a whole machine to burn it, and that's the act."

"I pretty much engage with funny people, or weird people, or, y'know, kind of "off" people. Anybody who's a little normal -- even just take, let's say, a normal actor or actress -- I'm lost. I got nothin'. I'm not curious; I'm not interested. You got a show? I don't care."

"The idea of [Comedians in Cars Getting Coffee], honestly, was to try and create something that fit a whole new medium. I really was thinking "What would be a good TV show for a phone?" That was really where I started. And I thought "This would be fun for a phone, 'cause you don't have to follow a story.""

"I think it's a dangerous thing for comedians to mature or-- too much. And my wife will tell you I'm doing a fantastic job of not maturing too much."

"That's one of-- a beautiful thing about having kids, is you reproduce people that you can relate to."

"Funny is the-- is the world that I live in. You're funny? I'm interested. You're not funny? I'm not interested."

"Stand-up is now easy to learn, harder to master because once you get halfway decent at it, [...] you can do other things. And if you do one other thing, you're not gonna get good at it; it's just too damn hard."

"If you really want to make money, never make a decision based on money. 'Cause if you make-- if you chase money, you're gonna get less of it. If you chase a thing that you love -- that's interesting -- only because you love that thing, you'll make more money. I-- I just believe that's-- in the arts, that's the only way to make money, is to never consider money as a part of your decision."

"I know people would want a-- a [Seinfeld] reunion show. That's what I want. My theory of show business is "Do not give the public what it wants." [...] When people stop asking you for the reunion, then you know you've blown it."

"I'm not a big fan of the "long set" in comedy. Guys like to go on, like to do an hour and 45 minutes. The audience will win if you stay out there too long! [...] I want to go out. I want to get you down. I want to beat the snot out of you and get out of there before you realize that I... beat the odds!"

"Comedy -- and show business -- is-- look: either I win, or you win. There's no truce! Same thing with television: I knew that [Seinfeld]-- I knew-- look: either you're gonna kill me, or I'm gonna kill you. And after nine years, I was still killin' that series, but that series would eventually have killed me."

"The first thing I want to do [on stage] is: I want you to have confidence in me. Well, how am I gonna do that? I'm gonna take the joke that fails the least amount of [the] time, and I'm gonna put that at the front of the set. It's just tech-- it's scientific technique. [...] If the first thing I say gets a laugh: at that moment, 100% of everything I've said gets a laugh! And now, I've got your confidence."

"[Stand-up is] a martial art. It's voice, it's action, it's gesture; and everything is synchronized to land on that [weakest] point. You ever watch these karate guys? They hit that brick: it's a perfect arrow that hits that target, and when it-- and it's perfect! It's a concentration of energy. And that's what elicits the laugh."

"If you want to be funny, you've got to have energy. Energy sells jokes. All sales requires energy, but stand-up is a hard sell. I'm sellin' you somethin' you don't even need!"

"Stand-up is a very scientific and very exhaustive study of the human experience."

"I find things that you've thought of, but don't-- that you're aware of, but haven't really analyzed. And that's the whole act!"