"The principal tenet of Jainism is non-harming. Observant Jains will literally not harm a fly. Fundamentalist Jainism and fundamentalist Islam do not have the same consequences, neither logically nor behaviorally."

"May the sacred stream of amity flow forever in my heart. May the universe prosper - such is my cherished desire. May my heart sing with ecstasy at the sight of the virtuous. And may my life be an offering at their feet. May my heart bleed at the sight of the wretched, the irreligious, and my tears of compassion flow from my eyes. May I always be there to show the path to the pathless wanderers of life. Yet if they should not hearken to me, may I bide in patience. May the spirit of goodwill enter into all our hearts, May we all sing in chorus the immortal song of human concord"

"In every generation Nietzsche finds admirers who blur his message with that of Aleister Crowley, the Nietzsche-reading occultist who wrote, “Do what thou wilt shall be the whole of the law.” If Nietzsche was terrible, was he also beneficial? In a 1985 book “Nietzsche: Life as Literature,” the Princeton philosopher Alexander Nehamas argued that Nietzsche’s perspectivism does not imply that all beliefs are equally valid but that “one’s beliefs are not, and need not be, true for everyone.” On this reading, to fully accept a set of beliefs is to accept the values and way of life that are bound up with it, and since there is no single way of life that is right for everyone, there may be no set of beliefs that is fit for everyone. At its best, American individualism is not about the aggrandizement of the self or the acquiescent assumption that everybody simply has a right to think what they want. Rather, it stresses that our convictions are our own, and should be held as seriously as any other possessions. Or, as Nietzsche imagined philosophers would one day say, “ ‘My judgment is my judgment’: no one else is easily entitled to it.”"

"The art of our upper classes has educated people in this ideal of the over-man, — which is in reality the old ideal of Nero, Stenka Razin, Genghis Khan, Robert Macaire or Napoleon and all their accomplices, assistants, and adulators — and it supports this ideal with all its might. It is this supplanting of the ideal of what is right by the ideal of what is beautiful, i.e. of what is pleasant, that is the fourth consequence, and a terrible one, of the perversion of art in our society. It is fearful to think of what would befall humanity were such art to spread among the masses of the people. And it already begins to spread."

"One can show that Emerson anticipated many of Nietzsche’s most famous utterances. There is a direct line from Emerson’s “oversoul” to the “overman.” Several decades before Nietzsche wrote, “What does not kill me makes me stronger,” Emerson wrote, “In general, every evil to which we do not succumb, is a benefactor.” More profoundly, Emerson foreshadowed Nietzsche’s concern with the ubiquity of flux and power, and the value of overcoming the past. “Life only avails,” Emerson once wrote, “not the having lived. Power ceases in the instant of repose; it resides in the moment of transitions from a past to a new state.”"

"The whole world knows that virtue consists in the subjugation of one´s passions, or in self-renunciation. It is not just the Christian world, against whom Nietzsche howls, that knows this, but it is an eternal supreme law towards which all humanity has developed, including Brahmanism, Buddhism, Confucianism, and the ancient Persian religion. And suddenly a man appears who declares that he is convinced that self-renunciation, meekness, submissiveness and love are all vices that destroy humanity (he has in mind Christianity, ignoring all the others religions). One can understand why such a declaration baffled people at first. But after giving it a little thought and failing to find any proof of the strange propositions, any rational person ought to throw the books aside and wonder if there is any kind of rubbish that would not find a publisher today. But this has not happened with Nietzsche's books. The majority of pseudo-enlightened people seriously look into the theory of the Übermensch, and acknowledge its author to be a great philosopher, a descendant of Descartes, Leibniz and Kant. And all this has come about because the majority of pseudo-enlightened men of today object to any reminder of virtue, or to its chief premise: self-renunciation and love-virtues that restrain and condemn the animal side of their life. They gladly welcome a doctrine, however incoherently and disjointedly expressed, of egotism and cruelty, sanctioning the idea of personal happiness and superiority over the lives of others, by which they live."

"THE DEVIL. Ay, Rembrandt. There a something unnatural about these fellows. Do not listen to their gospel, Senor Commander: it is dangerous. Beware of the pursuit of the Superhuman: it leads to an indiscriminate contempt for the Human. To a man, horses and dogs and cats are mere species, outside the moral world. Well, to the Superman, men and women are a mere species too, also outside the moral world. This Don Juan was kind to women and courteous to men as your daughter here was kind to her pet cats and dogs; but such kindness is a denial of the exclusively human character of the soul. THE STATUE. And who the deuce is the Superman? THE DEVIL. Oh, the latest fashion among the Life Force fanatics. Did you not meet in Heaven, among the new arrivals, that German Polish madman — what was his name? Nietzsche? THE STATUE. Never heard of him. THE DEVIL. Well, he came here first, before he recovered his wits. I had some hopes of him; but he was a confirmed Life Force worshipper. It was he who raked up the Superman, who is as old as Prometheus; and the 20th century will run after this newest of the old crazes when it gets tired of the world, the flesh, and your humble servant. THE STATUE. Superman is a good cry; and a good cry is half the battle. I should like to see this Nietzsche. THE DEVIL. Unfortunately he met Wagner here, and had a quarrel with him."

"ANA. ...Tell me where can I find the Superman? THE DEVIL. He is not yet created, Senora. THE STATUE. And never will be, probably… ANA. Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father — a father for the Superman!"

"The “higher man” — or as Nietzsche sometimes called him, the “overman” or “Übermensch” — did not succumb to envy or long for the afterlife; rather he willed that his life on earth repeat itself over and over exactly as it was."

"A casual stroll through the lunatic asylum shows that faith does not prove anything."

"...the human being...Who has organized the chaos of his passions, given style to his character, and become creative. Aware of life's terrors, he affirms life without resentment."

"Open still remaineth the earth for great souls. Empty are still many sites for lone ones and twain ones, around which floateth the odour of tranquil seas. Open still remaineth a free life for great souls. Verily, he who possesseth little is so much the less possessed: blessed be moderate poverty! There, where the state ceaseth — there only commenceth the man who is not superfluous: there commenceth the song of the necessary ones, the single and irreplaceable melody. There, where the state ceaseth — pray look thither, my brethren! Do ye not see it, the rainbow and the bridges of the Superman? — Thus spake Zarathustra."

"MAN IS FUNDAMENTALLY AN ANIMAL. Animals, as distinct from man, are not machine-like, not sadistic; their societies, within the same species, are incomparably more peaceful than those of man. The basic question, then is: What has made the animal, man, degenerate into a machine? When I say "animal," I do not mean anything bad, cruel or "base"; I am stating a biological fact. Man has developed the peculiar concept that he is not an animal at all, but, well — man; a creature which long since has shed that which is "bad," which is "animal." He demarcates himself in all possible ways from the bad animal and points, in proof of his "being better," to culture and civilization which distinguish him from the animal. He shows, in his whole behavior, his "theories of values," his moral philosophies, his "monkey trials" and such, that he does not want to be reminded of the fact that basically he is an animal, an animal, furthermore, which has much more in common with the "animal" than with that being which he asserts to be and dreams of being. The theory of the German Übermensch has this origin. Man shows by his maliciousness, his inability to live in peace with his kind, his wars, that what distinguishes him from the other animals is only his unbounded sadism and the mechanical trinity of the authoritarian concept of life, mechanistic science and the machine. If one looks at the results of civilization as they present themselves over long periods of time, one finds that these contentions of man are not only erroneous; more than that, they seem to be made expressly for the purpose of making man forget that he is an animal."

"I still carry the marks on my body of what those "German supermen" did to me then. I was sentenced to death."

"A Book for Everyone and No One."

"I teach you the overman. Man is something that shall be overcome. What have you done to overcome him?… All beings so far have created something beyond themselves; and do you want to be the ebb of this great flood, and even go back to the beasts rather than overcome man? What is ape to man? A laughing stock or painful embarrassment. And man shall be that to overman: a laughingstock or painful embarrassment. You have made your way from worm to man, and much in you is still worm. Once you were apes, and even now, too, man is more ape than any ape... The overman is the meaning of the earth. Let your will say: the overman shall be the meaning of the earth... Man is a rope, tied between beast and overman—a rope over an abyss … what is great in man is that he is a bridge and not an end."

"Napoleon was mesmerized by the august feats of his hero Alexander the Great and his hero-worship was instrumental in the Little Corsican's attack on Egypt. The battle made no political or economic sense to anyone but the man who fashioned himself the reincarnation of Alexander. In a similar manner the madman Hitler envisioned himself a Nietzschean Superman, as did Picasso. To some degree they were all deluded but their delusions were catalysts to their success."

"A light has dawned for me: I need companions, living ones, not dead companions and corpses which I carry with me wherever I wish. But I need living companions who follow me because they want to follow themselves — and who want to go where I want to go. A light has dawned for me: Zarathustra shall not speak to the people but to companions! Zarathustra shall not be herdsman and dog to the herd! To lure many away from the herd — that is why I have come. The people and the herd shall be angry with me: the herdsmen shall call Zarathustra a robber. I will not be herdsmen or gravedigger. I will not speak again to the people: I have spoken to a dead man for the last time. I will make company with creators, with harvesters, with rejoicers: I will show them the rainbow and the stairway to the Superman."

"Truth alone will endure, all the rest will be swept away before the tide of time. I must continue to bear testimony to truth even if I am forsaken by all. Mine may today be a voice in the wilderness, but it will be heard when all other voices are silenced, if it is the voice of Truth."

"In 1903, George Bernard Shaw published his Man and Superman, a comedy based on the Don Juan legend and expanding upon Shaw's conception of social evolution; that is the earliest citation we have for the English compound superman. Shaw's use of the term is clearly in allusion to Nietzsche's conception, and immediately thereafter superman became the translation of choice for Ubermensch, gradually, however, acquiring the looser, more generalized denotation of "any man with extraordinary powers or abilities.""

"Alas, there are so many things between heaven and earth of which only the poets have dreamed. And especially above the heavens: for all gods are poets' parables, poets' prevarications. Verily, it always lifts us higher — specifically, to the realm of the clouds: upon these we place our motley bastards and call them gods and overmen. For they are just light enough for these chairs — all these gods and overmen. Ah, how weary I am of all the imperfection which must at all costs become event! Ah, how weary I am of poets!"

"To be able to fall down in such a way that in the same second it looks as if one were standing and walking, to transform the leap of life into a walk, absolutely to express the sublime in the pedestrian – that only the knight of faith can do – this is the one and only prodigy."

"We'll know homo superior when he comes — by definition. He'll be the one we won't be able to euth."

"We were always afraid a mutant with superior intellectual powers would come along," Baines said reflectively. "A deeve who would be to us what we are to the great apes. Something with a bulging cranium, telepathic ability, a perfect semantic system, ultimate powers of symbolization and calculation. A development along our own path. A better human being."

"In formulating a superman he is, on account of certain superior qualities inherent in him, exempted from the ordinary laws which govern ordinary men. He is not liable for anything he may do, whereas others would be, except for the one crime that it is possible for him to commit, to make a mistake."

"Here I am saying that mutants are dangerous to us ordinaries, a view which John W. Campbell, Jr. deplored. We were supposed to view them as our leaders. But I always felt uneasy as to how they would view us. I mean, maybe they wouldn't want to lead us. Maybe from their superevolved lofty level we wouldn't seem worth leading. Anyhow, even if they agreed to lead us, I felt uneasy as where we would wind up going. It might have something to do with buildings marked SHOWERS but which really weren't."

"The following is an attempt to systematize alike the data of mysticism and the results of comparative religion. The skeptic will applaud our labours, for that the very catholicity of the symbols denies them any objective validity, since, in so many contradictions, something must be false; while the mystic will rejoice equally that the self-same catholicity all-embracing proves that very validity, since after all something must be true. Fortunately we have learnt to combine these ideas, not in the mutual toleration of sub-contraries, but in the affirmation of contraries, that transcending of the laws of intellect which is madness in the ordinary man, genius in the Overman who hath arrived to strike off more fetters from our understanding."

"I do believe that man is a rope between animal and superman. But the superman I'm thinking of isn't Nietzsche's. The real superhuman, man or woman, is the person who's rid himself of all prejudices, neuroses, and psychoses, who realizes his full potential as a human being, who acts naturally on the basis of gentleness, compassion, and love, who thinks for himself and refuses to follow the herd. That's the genuine dyed-in-the-wool superman."

"O my brothers, I dedicate and direct you to a new nobility: you shall become procreators and cultivators and sowers of the future — verily, not to a nobility that you might buy like shopkeepers and with shopkeepers' gold: for whatever has its price has little value. Not whence you came shall henceforth constitute your honor, but whither you are going! Your will and your foot which has a will to go over and beyond yourselves — that shall constitute your new honor."

"He grew up in this way. He became enamored of the philosophy of Nietzsche. Your Honor, I have read almost everything that Nietzsche ever wrote. He was a man of a wonderful intellect; the most original philosopher of the last century. Nietzsche believed that some time the superman would be born, that evolution was working toward the superman. He wrote one book, Beyond Good and Evil, which was a criticism of all moral codes as the world understands them; a treatise holding that the intelligent man is beyond good and evil, that the laws for good and the laws for evil do not apply to those who approach the superman. He wrote on the will to power. Nathan Leopold is not the only boy who has read Nietzsche. He may be the only one who was influenced in the way that he was influenced."

"Evolution is not finished; reason is not the last word nor the reasoning animal the supreme figure of Nature. As man emerged out of the animal, so out of man the superman emerges."

"W. B. Yeats was an instinctive "aristocrat"; he was also more deeply influenced by Nietzsche‎‎ than any other English language writer. Yet although he was attracted to Nietzsche's elitism in general, Yeats differed from most of the other English-language writers involved in this story in that he remained critical of Nietzsche's central myth, that of the superman. … The clash between Yeats's moral self and aesthetic anti-self is exemplified in his attitude towards the superman. There is, of course, a very close parallel between his heroic ideal and that of Nietzsche, between the Yeatsian hero and the Nietzschean superman. Yeats's hero is more truly akin to Nietzsche's ideal than are the more obviously and superficially Nietzschean superman-types of writers like Jack London. Yeats and Nietzsche both tend to reject "the real world" and its vulgar, democratic ideals; they believe rather in a natural aristocracy of men whose ideals are "not of this world". Both believe in what Nietzsche calls "the eternal second coming" and insist that the heroic personality must respond to tragic knowledge with joy. But although Yeats accepted the idea that the great individual is the protagonist in the drama of history, he remained critical of Nietzsche's superman as such; he saw man through Blake's eyes rather than Nietzsche's, as something to be restored to his former estate rather than "surpassed". Though he deeply admired spiritual heroism of the type represented for him by Nietzsche, and shared Nietzsche‎‎'s ideal of "nobility" … he rejected the arrogance of the superman."

"No art can be judged by purely aesthetic standards, although a painting or a piece of music may appear to give a purely aesthetic pleasure. Aesthetic enjoyment is an intensification of the vital response, and this response forms the basis of all value judgements. The existentialist contends that all values are connected with the problems of human existence, the stature of man, the purpose of life. These values are inherent in all works of art, in addition to their aesthetic values, and are closely connected with them."

"If Bernard Shaw anglicized the Übermensch, it was H. G. Wells, W. B. Yeats and Edwin Muir who arguably took him most seriously. Other writers, it is true, flirted with the idea without taking it or themselves at all seriously; thus James Joyce, being rather in the doldrums of 1903/4, found it satisfying to think of himself as "James Overman" (as he ironically signed himself) … Yeats, Wells and Muir were all fascinated by the idea, but rejected it for moral (Yeats) or political (Wells) reasons, or for a mixture of both (Muir). In short, the superman-idea filled a short-term emotional need; the events of 1914-18 destroyed not only Nietzsche‎‎'s reputation in this country, but the world of which his myths had been a part."

"In aesthetic theory it might be extremely difficult, if not quite impracticable, to draw a line between the canon of classicism, or regard for the archaic, and the canon of beauty."

"The World and Life are one. Physiological life is of course not "Life". And neither is psychological life. Life is the world. Ethics does not treat of the world. Ethics must be a condition of the world, like logic. Ethics and Aesthetics are one."

"I hate the whole ubermensch, superman temptation that pervades science fiction. I believe no protagonist should be so competent, so awe-inspiring, that a committee of 20 really hard-working, intelligent people couldn't do the same thing."

"Importance of animal aesthetics and its understanding to human aesthetics has been largely ignored, despite its significance to Darwin.... Darwin suggested the aesthetic possibilities of odors, songs, “antics”, especially ornaments of [such as] the most brilliant tints, combs and wattles, beautiful plumes, elongated feathers, top-knots and so forth."

"For me, acting is all about the aesthetic. I just want to keep honing my craft. Not that I'm taking myself too seriously, but every artist should consider himself Picasso. Otherwise, you're doing yourself an injustice."

"The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover a miracle — another circle, drawn kilometers downstream of the decimal point. There would be richer messages farther in. It doesn't matter what you look like, or what you're made of, or where you come from. As long as you live in this universe, and have a modest talent for mathematics, sooner or later you'll find it. It's already here. It's inside everything. You don't have to leave your planet to find it. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature. Standing over humans, gods, and demons, subsuming Caretakers and Tunnel builders, there is an intelligence that antedates the universe."

"Design is the method of putting form and content together. Design, just as art, has multiple definitions; there is no single definition. Design can be art. Design can be aesthetics. Design is so simple, that's why it is so complicated."

"Leonardo Da Vinci combined art and science and aesthetics and engineering, that kind of unity is needed once again."

"The taste of the more recent accessions to the leisure class proper and of the middle and lower classes still requires a pecuniary beauty to supplement the aesthetic beauty, even in those objects which are primarily admired for the beauty that belongs to them as natural growths."

"It never occurred to him to be spiritually won over to the enemy. Many moderns, inured to a weak worship of intellect and force, might have wavered in their allegiance under this oppression of a great personality. They might have called Sunday the super-man. If any such creature be conceivable, he looked, indeed, somewhat like it, with his earth-shaking abstraction, as of a stone statue walking. He might have been called something above man, with his large plans, which were too obvious to be detected, with his large face, which was too frank to be understood. But this was a kind of modern meanness to which Syme could not sink even in his extreme morbidity. Like any man, he was coward enough to fear great force; but he was not quite coward enough to admire it."

"O my brothers, your nobility should not look backward but ahead! Exiles shall you be from all father- and forefather-lands! Your children's land shall you love: this love shall be your new nobility — the undiscovered land in the most distant sea. For that I bid your sails search and search. In your children you shall make up for being the children of your fathers: thus shall you redeem all that is past. This new tablet I place over you."

"But aesthetics is not religion, and the origins of religion lie somewhere completely different. They lie anyway, these roses smell too sweet and the deep roar of the breaking waves is too splendid, to do justice to such weighty matters now."

""But a man may then imagine in your work what he pleases, what you never meant!" Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own."

""But surely you would explain your idea to one who asked you?" I say again, if I cannot draw a horse, I will not write THIS IS A HORSE under what I foolishly meant for one. Any key to a work of imagination would be nearly, if not quite, as absurd. The tale is there, not to hide, but to show: if it show nothing at your window, do not open your door to it; leave it out in the cold. To ask me to explain, is to say, "Roses! Boil them, or we won't have them!" My tales may not be roses, but I will not boil them. So long as I think my dog can bark, I will not sit up to bark for him."