Women Journalists From England

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April 10, 2026

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"A quarter of a century on, the Grunwick dispute remains one of the most significant in modern industrial history. In a sense, the strike was typical of a pattern of similar disputes before and since: a factory with a few hundred workers, a slowly building sense of injustice and a long standoff between employer and worker. But even then, Grunwick seemed a different kind of battle. This was a historic meeting between a traditional trade unionism, still relatively sure of its power, and a growing band of black and Asian workers who were beginning to find an industrial and political voice. Arthur Scargill bought down his Yorkshire miners in a bus - there was even fighting talk of shutting the pits. Grunwick workers travelled to more than 2,000 workplaces over 40 weeks to enlist support. The strike seemed to draw in every progressive movement of the day. "Black and white unite and fight" demanded the banners in Chapter road. Socialist feminists did their picket duty and wrote sternly of the military tactics of their trade union brothers. Jayaben Desai, in her sari and white cardigan, handbag crooked over her arm, was a feminist heroine of the age. Yet perhaps the most lasting consequence of Grunwick and other mass disputes during the 1970s were some of the anti-union laws of the 1980s, particularly those outlawing mass pickets. Today, it is possible to see more clearly the fraud that lay at the heart of the argument advanced by what was then called the "new right", particularly over Grunwick. A few hundred Asian men and women asking for the right to join a union and negotiate from within it was hardly the best example of an overweening and arrogant union movement it claimed was running the country. By any reckoning, Grunwick was a just cause, whose supporters included moderates such as Shirley Williams. In 1977, an independent court of inquiry chaired by Lord Scarman criticised mass picketing but upheld the workers' claim to union recognition. But it was a lost cause: George Ward, the Grunwick owner, refused to give in. This, despite a last-ditch hunger strike by Mrs Desai and four colleagues on the steps of the TUC. The strike fizzled out in early 1978. No walkout since, bar the miners' strike of 1984-5, has quite achieved Grunwick's fame or progressive significance. In the early 1980s, I went to a small factory near Birmingham to cover a similar dispute, led by a group of Asian workers protesting about pay and conditions and the right to union recognition. This time, the streets were empty. As union power declined, so did media coverage - if there's no punch-up, so what?"

- Melissa Benn

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"I did not start out in state schools. Like so many children of Labour politicians in the 60s, my brothers and I began our education in the private sector. My parents, Tony and Caroline Benn, decided to move us all to state schools around 1963 on the grounds that it was hypocritical to back comprehensives for everyone else and then educate your own children privately. In some people's eyes, this made us four children a collective sacrifice, a living social experiment. We felt only lucky. Our nearest comprehensive was Holland Park, which cynics so enjoyed deriding as a showcase comprehensive and therefore a place of privilege. (If I had a pound for the number of times people have said to me, "Holland Park? Oh that wasn't a real comprehensive!" I could have paid for a year of private schooling, easy.) Holland Park was one of the first purpose-built comprehensives in the country but it was also, by the time I got there in the late 60s, a large rumbustious institution, which drew in a small, albeit highly publicised, section of the middle class who lived around the school. Some of these, like my mother, Caroline, became passionately committed to both the school itself - she was governor of Holland Park for 35 years - and the wider comprehensive cause. My brother Hilary remembers the strangeness of arriving at Holland Park for the first time after attending Westminster preparatory school, where he and my eldest brother Stephen had been usefully designated as Benn I and Benn II. He can still remember how huge the school buildings looked to him and the strange sound of so many boys - and girls - laughing and running and talking in the vast playgrounds."

- Melissa Benn

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"[On preparing the play My Name Is Rachel Corrie with Alan Rickman] But the quantity of the material left us with a series of questions. How much of Rachel’s life before she went to Gaza should we include? And should we quote other people? The trend in political theatre, from David Hare’s The Permanent Way to Victoria Brittain and Gillian Slovo’s Guantánamo, is journalistic: the use of testimony, of interviews and on-the-record material rather than invention. But for us there could be no re-interviewing to fill in the gaps. We had a finite amount of words to work with, as Rachel was dead. I was very keen to use some of the emails that Rachel’s parents, Cindy and Craig, sent to their daughter while she was in Gaza. They are full of the kind of worries any parent might have if their child was in a dangerous situation, but because Rachel never came home, they have a devastating poignancy. ... And what about the voices of Rachel’s friends? I interviewed many fellow ISM activists, most of whom have been deported from Israel since her death. We watched tapes of two of the moving memorial services: one in Gaza, which was shot at by the Israeli army, another in Olympia. We viewed documentaries on the subject, most notably Sandra Jordan’s powerful The Killing Zone, and considered using video grabs. But in the end the power of Rachel’s writing meant that, apart from a few short passages quoting her parents and an eye witness report of her death, her words were strong enough to stand alone."

- Katharine Viner

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"Youth crime is an obsession for today's politicians, but in a small town in the 1980s there didn't seem to be much about. I came across drugs only when I met some wild boys from the exotic metropolis that is Thirsk. The violent crime I heard about, meanwhile, was largely distant and always terrifying: at primary school I was petrified of the Yorkshire Ripper until he was caught in 1981; later I was deeply troubled by the disappearance of Suzy Lamplugh in 1986. The crimes the young people I knew were committing were the taping of the Top 20 from the radio (which was made especially glamorous because of the urban myth that someone from Leeds had gone to jail for it), underage drinking and smoking dope. No one I knew was arrested. However, my diary held a pleasing reminder that even a goody-two-shoes high-achiever like me got into trouble with the law. Our school, a Yorkshire state school, had made it to the London finals of a debating competition, previously the preserve of top public schools. The team was Simon, my political enemy (he was Tory, I was Labour; today he is a New Labour councillor), and me. We won, and to celebrate Simon and I and our supporters took over a flat in Fleet Street to which someone had the key, drank until the sun came up and were visited by the police at 5am, just as a fellow pupil was demonstrating how to wear an elephant-trunk thong he had bought earlier. Who could complain about the youth of today?"

- Katharine Viner

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"Her weekly column became an icon of all that was hairy and terrifying to men who found the women's movement a threat to their security. She was parodied, ridiculed and attacked. Mostly, though, she became a focal voice of women all over Britain who wrote to her in their thousands and took courage from her to look at the truth about their lives. ... Her radicalism never wavered but her honesty demanded that she explore the ambivalences feminists like her were scarcely able to confess to themselves, let alone to the world. The result was "Letters From A Faint-hearted Feminist", a new series of columns in which issues of central feminist ideology were put through the same critical wringer as the unthinking patriarchal orthodoxies that had been in her earlier columns. Could not you wear high heels with a boiler suit? Were beautiful clothes a gorgeous prison, or a legitimate choice for independent women? Was monogamy inevitably a road to servitude? The cleverness of those columns was Jill's ability to admit to ambivalence, to weakness and to changing her mind without compromising her beliefs in equality, independence and the destructiveness of stereotypes. In their way, they were a bridge between the revolutionary battlefields of the 70s and the next generation who rightly took their freedoms for granted and saw no reason whatever to agonise about boiler suits or PhDs."

- Jill Tweedie

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