Stephen King

"So you leave, and there is an urge to look back, to look back just once as the sunset fades, to see that severe New England skyline one final time...Best not to look back. Best to believe that there will be happily ever afters all the way around - and so there may be; who is to say there will not be such endings? Not all boats which sail away into darkness never find the sun again, or the hand of another child; if life teaches anything at all, it teaches that there are so many happy endings that the man who believes there is no God needs his rationality called into serious question...So drive away quick, drive away while the last of the light slips away...drive away from Derry, from memory...but not from desire. That stays, the bright cameo of all we were and all we believed as children, all that shone in our eyes even when we were lost and the wind blew in the night. Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can find and all the belief you can muster. Be true, be brave, stand. All the rest is darkness."

"It's offense you maybe can't live with because it opens up a crack inside your thinking, and if you look down into it you see there are evil things down there, and they have little yellow eyes that don't blink, and there's a stink down there in that dark and after a while you think maybe there's a whole other universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I'd scream and scream and scream. Because it wouldn't look like a miracle to me. It would look like an offense."

"(final lines) I will write about all of this one day, he thinks, and knows it's just a dawn thought, an after-dreaming thought. But it's nice to think so for a while in the morning's clean silence, to think that childhood has its own sweet secrets and confirms mortality, and that mortality defines all courage and love. To think that what has looked forward must also look back, and that each life makes its own imitation of immortality: a wheel. Or so Bill Denbrough sometimes thinks on those early mornings after dreaming, when he almost remembers his childhood, and the friends with whom he shared it."

"The reason authors almost always put a dedication on a book, Annie, is because their selfishness even horrifies themselves in the end."

"As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light. As always, the glum knowledge that he would not write as well as he wanted to write. As always the terror of not being able to finish, of accelerating into a brick wall. As always, the marvelous joyful nervy feeling of journey begun."

"In a book, all would have gone according to plan.... but life was so fucking untidy - what could you say for an existence where some of your most crucial conversations of your life took place when you needed to take a shit, or something? An existence where there weren't even any chapters?"

"She was crazy but he needed her. Oh I am in so much trouble he thought, and stared blindly up at the ceiling as the droplets of sweat began to gather on his forehead again."

"He didn't need a psychiatrist to point out that writing had its autoerotic side — you beat a typewriter instead of your meat, but both acts depended largely on quick wits, fast hands and a heartfelt commitment to the art of the farfetched."

"He had discovered that there was not just one God but many, and some were more than cruel — they were insane, and that changed all. Cruelty, after all, was understandable. With insanity, however, there was no arguing."

"Now I must rinse, he thought."

"Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory."

"He felt as he always did when he finished a book — queerly empty, let down, aware that for each little success he had paid a toll of absurdity."

"She was a grown up now, and she discovered that being a grown up was not quite what she had suspected it would be when she was a child. She had thought then that she would make a conscious decision one day to simply put her toys and games and little make-believes away. Now she discovered that was not what happened at all. Instead, she discovered, interest simply faded. It became less and less and less, until a dust of years drew over the bright pleasures of childhood, and they were forgotten."

"Now let many long years pass, all in a twinkling — one of the great things about tales is how fast time may pass when not much of note is happening. Real life is never that way, and it is probably a good thing. Time only passes faster in histories, and what is a history except a grand sort of tale where passing centuries are substituted for passing years?"

"Worlds sometimes shudder and turn inside their axes, and this was such a time. Flagg felt it, but did not grasp it. The salvation of all that is good is only this — at times of great import, evil beings sometimes fall strangely blind."

"Oh, I suppose all men of intelligence know how fragile such things as Law and Justice and Civilization really are, but it's not a thing they think of willingly, because it disturbs one's rest and plays hob with one's appetite."

"Did they live happily ever after? They did not. No one ever does, in spite of what the stories may say. They had their good days, as you do, and they had their bad days, and you know about those. They had their victories, as you do, and they had their defeats, and you know about those, too. There were times when they felt ashamed of themselves, knowing they had not done their best, and there were times when they knew they had stood where their God had meant them to stand. All I'm trying to say is that they lived as well as they could, each and every one of them; some lived longer than others, but all lived well, and bravely, and I love them all, and am not ashamed of my love."

"Her distrust in the way the authorities handled things had begun at the age of thirteen, in Utica. She had been sitting on the sofa in their living room with Anne on one side and her mother on the other. She had been eating a hamburger and watching the Dallas police escort Lee Harvey Oswald across an underground parking garage. There were lots of Dallas police. So many, in fact, that the TV announcer was telling the country that someone had shot Oswald before all those police — all those people in authority — seemed to have the slightest inkling something had gone wrong, let alone what it was."

"No, of course victims of high-gamma radiation didn't turn transparent, like Claude Rains in The Invisible Man. They didn't start to lose inches as their bodies twisted and thickened. But yes, they were apt to lose teeth, their hair was apt to fall out - in other words, there was a kind of physical 'becoming' in both cases."

"Real terror is the most physically debilitating of emotions. It saps the endocrines, dumps muscle-tightening organic drugs into the bloodstream, races the heart, exhausts the mind."

"Tomorrowland, it seemed, ended up being an empty place where people smart enough to capture the stars got mad and tore each other to shreds with the claws on their feet."

"There really isn't an Altair-4, just as there aren't really any Tommyknockers. There aren't any nouns for some things - they just are. Somebody pastes one name on those things in one place, somebody pastes on another someplace else. It's never a very good name, but it doesn't matter. You came back from New Hampshire talking about Tommyknockers, so here that's what we are. We've been called other things in other places. Altair-4 has, too. It's just a place where things get stored. Usually not live things. Attics can be cold, dark places."

"We have no history, written or oral. When you say the ship crashed here because those in charge were, in effect, fighting over the steering wheel, I feel there's an element of truth in that... but I also feel that perhaps it was meant, fated to happen. Telepaths are at least to some degree precognitives, Gard, and precognitives are more apt to let themselves be guided by the currents, both large and small, that run through the universe. "God" is the name some people give these currents, but God's only a word, like Tommyknockers or Altair-4."

"The FBI was on the scene at 6:00 P.M., the CIA at 7:15 P.M. By 8:00 o'clock, they were yelling about jurisdiction. At 9:15 P.M. a frightened, infuriated CIA agent named Spacklin shot an FBI agent named Richardson. The incident was hushed up, but both Gardener and Bobbi Anderson would have understood perfectly — the Dallas Police were on the scene and in complete control of the situation."

"More than a dozen were shot down on the first day of the invasion by scared, trigger-happy soldiers, kids, most of them, who pursued the Tommyknockers from house to house. After a while, some of the invaders' fear began to rub off. By afternoon they were actually having fun—they were like men driving rabbits through wheat. Two dozen more were killed before the Army doctors and Pentagon brain-trusters realized that the air outside of Haven was lethal to these freak-show mutations who had once been American tax payers. The fact that the invaders could not breathe the air inside Haven would have seemed to have made the converse self-evident, but in all the excitement, no one was really thinking very well (Gard wouldn't have found this very surprising)."

"The devil's voice is sweet to hear."

"Sometimes, Delores, you have to be a high riding bitch in order to survive, because being a bitch is all a woman has to hold on to."

"It's a depressingly masculine world we live in, Delores."

"Maybe I'm wrong?"

"What if you're right? Husbands die everyday, Delores, why, one is probably dying right now while you're sitting here weeping."

"They die and leave their wives their money. I should know, shouldn't I? Sometimes they're driving home from their mistress's apartment and their brakes suddenly fail. An accident, Delores, can be an unhappy woman's best friend."

"When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights."

"The idea for each of the stories in this book came in a moment of belief and was written in a burst of faith, happiness, and optimism. Those positive feelings have their dark analogues, however, and the fear of failure is a long way from the worst of them. The worst—for me, at least—is the gnawing speculation that I may have already said everything I have to say, and am now only listening to the steady quacking of my own voice because the silence when it stops is just too spooky."

"Do you know how cruel your God can be, David? How fantastically cruel? ...Sometimes he makes us live."

"In these silences, something may rise."

"Life is more than just steering a course around pain."

"This happened in 1932, when the state penitentiary was still at Cold Mountain. And the electric chair was there, too, of course."

"There was no death row at Cold Mountain, only E Block, set apart from the other four and about a quarter their size, brick instead of wood, with a horrible bare metal roof that glared in the summer sun like a delirious eyeball."

"He looked like he could have snapped the chains that held him as easily as you might snap the ribbons on a Christmas present, but when you looked in his face, you knew he wasn't going to do anything like that."

"Your name is John Coffey." "Yes, sir, boss, like the drink only not spelled the same way."

"As we walked back to the block, Brutal spoke to me in a low voice, so not even Dean and Harry, who were setting up the last of the chairs behind us, would overhear. "I done a few things in my life that I'm not proud of, but this is the first time I ever felt really actually in danger of hell." I looked at him to make sure he wasn't joking. I didn't think he was. "What do you mean?" "I mean we're fixing to kill a gift of God," he said. "One that never did ary harm to us, or to anyone else. What am I going to say if I end up standing in front of God the Father Almighty and He asks me to explain why I did it? That it was my job? My job?""

""I'm rightly tired of the pain I hear and feel, boss. I'm tired of bein on the road, lonely as a robin in the rain. Not never havin no buddy to go on with or tell me where we's comin from or goin' to or why. I'm tired of people bein ugly to each other. It feels like pieces of glass in my head. I'm tired of all the times I've wanted to help and couldn't. I'm tired of bein in the dark. Mostly it's the pain. There's too much. If I could end it, I would. But I cain't."

"I leaned forward, gasping. Between my knees I could see every crack in the cement floor, every groove, every flash of mica. I looked up at the wall and saw names that had been written there in 1924, 1926, 1931. Those names had been washed away, the men who had written them had also been washed away, in a manner of speaking, but I guess you can never wash anything completely away, not from this dark glass of a world, and now I saw them again, a tangle of names overlying one another, and looking at them was like listening to the dead speak and sing and cry out for mercy."

"He kill them with they love", John said. "They love for each other. You see how it was?" I nodded, incapable of speech. He smiled. The tears were flowing again, but he smiled. "That's how it is every day", he said, "all over the world."

"John's eyes turned to me. I saw no resignation in them, no hope of heaven, no dawning peace. How I would love to tell you that I did. How I would love to tell myself that. What I saw was fear, misery, incompletion, and incomprehension. They were the eyes of a trapped and terrified animal."

"Old Sparky seems such a thing of perversity when I look back on those days, such a deadly bit of folly. Fragile as blown glass, we are, even under the best of conditions. To kill each other with gas and electricity, and in cold blood? The folly. The horror."

"Time takes it all, whether you want it to or not. Time takes it all, time bears it away, and in the end there is only darkness. Sometimes we find others in that darkness, and sometimes we lose them there again. That's all I know, except that this happened in 1932, when the state penitentiary was still at Cold Mountain. And the electric chair, of course."

"I think of John saying that Wharton killed the Detterick twins with their love for each other, and that it happens every day, all over the world. If it happens, God lets it happen, and when we say "I don't understand," God replies, "I don't care.""

"We each owe a death, there are no exceptions, I know that, but sometimes, oh God, the Green Mile is so long."

"Humor is almost always anger with its makeup on, I think, but in little towns the makeup tends to be thin."