Socialists From The United States

"Without much preliminary exposition and without feeling himself to be out of touch with his contemporaries, Darwin set to work to explain species in terms of the process out of which they have arisen, rather than out of the prime cause to which the distinction between them may he due."

"The machine process pervades the modern life and dominates it in a mechanical sense. Its dominance is seen in the enforcement of precise mechanical measurements and adjustment and the reduction of all manner of things, purposes and acts, necessities, conveniences, and amenities of life, to standard units."

"To make effective use of the modern system of communication in any way or all of its ramifications (streets, railways, steamship lines, telephone, telegraph, postal service, etc.), men are required to adapt their needs and their motions to the exigencies of the process whereby this civilized method of intercourse is carried into effect. The service is standardized, and therefore the use of it is standardized also... one's plans and projects must be conceived and worked out in terms of those standard units which the system imposes."

"Well, maybe it was just that I wasn't going to like anybody because I had to work and I had to explain to my teachers why I wasn't keeping up. I'd fall asleep and things in class and they'd lecture me about the reality of their classroom. I said, 'You want to see my reality?' I opened up my backpack to where you usually keep your pencils. That's where I kept my bills... electric bills, rent... That was my reality."

"To the wisest and goofiest guy I know - thank you for helping raise me and for bringing two of my beautiful sisters into the world with mama J [Jill Vedder]! (this is us at @theohanafest, one of my favorite moments of 2019."

"When we started rehearsing the songs, I had pulled out "Hunger Strike" and I had this feeling it was just kind of gonna be filler, it didn't feel like a real song. Eddie was sitting there kind of waiting for a Mookie Blaylock rehearsal and I was singing parts, and he kind of humbly—but with some balls—walked up to the mic and started singing the low parts for me because he saw it was kind of hard. We got through a couple choruses of him doing that and suddenly the light bulb came on in my head, this guy's voice is amazing for these low parts. History wrote itself after that, that became the single."

"Operation Rescue? The point being the rescue of a nonentity, a zygote. Perhaps the rescue of a young woman in crisis would be more in order. Instead, combat lines are drawn at clinics, and women must be escorted through trenches, which only adds to their trauma. This is not a game. This is not a religious pep rally. This is a woman's future. Roe vs. Wade was decided 19 years ago and the fact that a well-organized group has come close to overturning it is raw proof that we do live in a democracy. But also the reason that any opposition must be equally as vocal. You go to school in Normal, Illinois? Collegetown, U.S.A.? Shout it out. There are people wary of the strength that young voters possess. Prove them right. Decide on the issues and vote -- male or female -- for this is not just a women's issue. It's human rights. If it were a man's body and it was his destiny we were deciding there would be no issue. Not in today's male dominated society."

"A right to a healthy future should be the consideration."

"Perhaps I'll have a child in the future, when I can provide properly. Who knows. But as individuals in this "free" country, we must have the right to choose when that time is right. A couple -- perhaps 15 or 16 years old, maybe 10 years older -- is faced with an unwanted pregnancy; it makes no difference if there is no means of support. They're questioning whether they can provide a proper climate in which to raise a child. A healthy question for both them and society itself. Yeah, there are programs to assist. Welfare and health programs that are constant victims of cutbacks. The child can sit in severely overcrowded classrooms and be taught by underpaid teachers."

"Ten years old. That's the age my child would have been. And I would not be here in Glasgow. I wouldn't be in this band or traveling. And I wouldn't have seen the liberal ways in which other countries we have visited deal with this issue. I wouldn't have been asked to write this piece. The fact that I've been through it on all levels is the only reason I accepted."

"And I wondered how this child got pulled into this? I wondered how any of us got pulled into this. The fact is that those people handing down decisions on the abortion issue are not the ones who will have to live or die by it."

"At the University of San Diego a few years ago, pro-lifers gathered, while pro-choicers chanted the above. Sides clashed and tension ran high. A banner equating pro-choice ideology with Nazism and Hitler was displayed. "Baby Killers," a little red stop sign said -- a sign held by a well-dressed 3-year-old who sat atop the shoulders of his upper-middle class father. The kid looked confused and frightened. The ominous presence of armed police on horseback would be enough to upset anyone."

"My body's nobody's body but mine... You run your own body, let me run mine."

"Extreme, but this is a place where the church influences the government. And when I think of the movements concerning abortion in the United States, it definitely seems as though we're regressing."

"Above, a helicopter flies by. If it continues on its course, it will shortly be over Ireland, where as of this writing, the powers that be are deciding if a 14-year-old girl who was raped by the father of one of her friends should be allowed to leave for Britain to obtain an abortion. She's been ordered not to leave the country for nine months. Fourteen years old. Raped. The issue of an unborn fetus takes on more importance than the fact that the rapist walks free."

"Glasgow, Scotland. It's cold outside. I'm thinking about a problem. One group of people trying to force their beliefs on others, based on religion. And it seems as though we're regressing."

"Reclamation by Eddie Vedder"

"It's about first relationships. The song is about letting go. It’s very rare for a relationship to withstand the Earth’s gravitational pull and where it’s going to take people and how they’re going to grow. I’ve heard it said that you can’t really have a true love unless it was a love unrequited. It’s a harsh one, because then your truest one is the one you can’t have forever."

"A 20-page cardboard book with a line on each page and a picture to go with it. It's a fable, that's all. The music almost gives you this feeling of flight, and I really love singing the part at the end, which is about rising above anybody's comments about what you do and still giving your love away. You know -- not becoming bitter and reclusive, not condemning the whole world because of the actions of a few."

"That song is all about someone who's drunk with technology, who thinks they're the controlling living being on this planet. It's another one I'm not singing as myself.""

"If you don't eat for a long time, food tastes better. The song ["In Hiding"] was about taking a fast from life, doing anything to get yourself back in touch with something real. Abstinence from anything is cool, because the normalcy of life is deceptive: It's enjoyable for a while, and there are good moments, but sometimes that's not enough. You start questioning what's the point. By not opening my mouth I was able to get into that state. Jack called me at the end of it; he couldn't understand what I was saying. It took a minute to get my speech back."

"Sometimes it's hard to concentrate these days. I was thinking about the history of this building [Eventim Apollo] and the Bowie history. So I started to think about that and my mind began to wander. It's not a good...So I haven't really been talking about some things and I kind of... now it feels like it's conspicuous because I lost a really close friend of mine, somebody who...I'll say this too, I grew up as 4 boys, 4 brothers, and I lost my brother 2 years ago tragically like that in an accident and after that and losing a few other people, I'm not good at it, meaning I'm not...I have not been willing to accept the reality and that's just how I'm dealing with it (applause starts). No, no, no, no. So I want to be there for the family, be there for the community, be there for my brothers in my band, certainly the brothers in his band. But these things will take time but my friend is going to be gone forever and I will just have to...These things take time and I just want to send this out to everyone who was affected by it and they all back home and here appreciate it so deeply the support and the good thoughts of a man who was a... you know he wasn't just a friend he was someone I looked up to like my older brother. About two days after the news, I think it was the second night we were sleeping in this little cabin near the water, a place he would've loved. And all these memories started coming in about 1:30am like woke me up. Like big memories, memories I would think about all the time. Like the memories were big muscles. And then I couldn't stop the memories. And trying to sleep it was like if the neighbors had the music playing and you couldn't stop it. But then it was fine because then it got into little memories. It just kept going and going and going. And I realized how lucky I was to have hours worth of...you know if each of these memories was quick and I had hours of them. How fortunate was I?! And I didn't want to be sad, wanted to be grateful not sad. I'm still thinking about those memories and I will live with these memories in my heart and I will...love him forever."

"One of the first people I met outside of the group [Pearl Jam] was this next human and I had no idea how he would affect my life and my views on music and my views on friendship and what a big impact he would have. These guys [the other members of Pearl Jam] know him much longer than me and his impact is profound. I'd like to introduce with great pleasure my old neighbor, Chris Cornell."

"It was during that same week that I was up there [In Seattle rehearsing with Pearl Jam]. Day four maybe, or day five, they did a Temple [of the Dog] rehearsal after our afternoon rehearsal. I got to watch these songs, and watch how Chris [Cornell] was working, and watch Matt [Cameron] play drums. It got to "Hunger Strike" - I was sitting in the corner, putting duck tape on a little African drum. About two-thirds of the way though, he was having to cut off the one line, and start the other. I'm not now, and certainly wasn't then, self-assured or cocky, but I could hear what he was trying to do, so I walked up to the mic - which I'm really surprised I did - and sang the other part, "Going hungry, going hungry." The next time I was up, he asked if I'd record it - so it was just me and Chris in the same studio that we made [1991's] Ten record. I really like hearing that song. I feel like I could be real proud of it - because one, I didn't write it, and two, it was such a nice way to be ushered onto vinyl for the first time. I'm indebted to Chris time eternal for being invited onto that track."

"I really like Chris Cornell]'s records and I think he's the best singer that we've got on the planet. I first met Chris when I moved to Seattle, and we started hanging around. I didn't know what musicians did with their life, and I quickly realized that what he did on a Friday night was to get a 12-pack of shitty beer and chase his dog around on the mud for four hours in the forest. That was about an exciting an epiphany as I had! I haven't seen him in town for a while, but I have taken over the whole dog-chasing practice – me and my Hawaiian mutt. The beer's gotten slightly better too."

""Later he tried to keep a straight face as he mockingly confessed: 'While we were away, I found God.' He rambled on about the Bible before concluding, 'We found God. He was right in our stomachs...'" (The rambling had to do with finding a Bible in every hotel room, "Every hotel has Holy Bibles.")"

"JG: Can I ask what your feelings are about God?"

"Vedder has a variety of comments about God and/or belief, at one point he was saying, "When you're out in the desert, you can't believe the amount of stars. We've sent mechanisms out there, and they haven't found anything. They've found different colours of sand, and rings, and gasses, but nobody's shown me anything that makes me feel secure in what happens afterwards. All I really believe in is this moment, like right now.""

"Let me be as weird as I fuckin' like. It's my fuckin' life."

"I tell you, man, when our first record came out, I was shocked how many people related to some of that stuff. Something like 'Alive,' so many people dealt with death through that song. Like people dealt with the death of love through 'Black' and so many people dealt with suicide through 'Jeremy.' The kind of letters that got through to me about those songs, some of them were just frightening. It's just so fuckin' weird. You write about this shit, and you're suddenly the spokesman for a fuckin' generation," he laughs, and it's a bitter, scary laugh, nothing funny about it at all. "Think about it, man," he says. "Any generation that would pick Kurt [Cobain] or me as its spokesman -- that must be a pretty fucked up generation, don't you think? I mean, that generation must be really fucked up, man, really fuckin' fucked up...""

"{{cite web"

"Allan Jones: When Kurt went into a coma in Rome, a local Seattle magazine, a small-circulation coffee house rag, carried an article with the headline: "WHY COULDN'T IT HAVE BEEN EDDIE VEDDER?" This was exactly what Courtney Love had told Select magazine, I tell Eddie. He looks absolutely stunned. "Oh," he says, the wind gone out of him, utterly deflated. "That's nice. That's really nice. That makes me feel really good. I wonder why she didn't mention that when I phoned her last night and offered her any help or support I could give her... I really don't know any of these people. I don't know Courtney, I'd never talked to her before. But someone said I should call her and I thought maybe I should. I mean, all this shit that comes up and all this bullshit that flies back and forth in the press that gets italicized and trumped up to make it a bigger deal than it really is, when all that's said and done, there's feelings I have for those people. And the ones that are alive, I need to let them know how I feel."

"There was a lot of stuff that got said, but none of it really matters. And I like to think he may have had second thoughts about some of the things he said, you know... I mean there's a person we both knew, who told me that Kurt asked about me a lot, like picked their brains about me, this person who knew us both. And I thought that was cool. That made me feel good, you know. Because so much bullshit was getting written about us. And we talked, we talked a couple of times. And this one time, he told me flat-out, just delivered me a whole paragraph on the respect he had for what I did, and he realized it was pure. This was at the MTV Awards. 'Tears in Heaven' was playing in the background, we were slow dancing. I remember going out surfing the next morning and remembering how good that moment felt and thinking, 'Fuck, man, if only we hadn't been so afraid of each other...' Because we were going through so much of the same shit. If only we'd talked, maybe we could have helped each other."

"You know, [his voice trembling, hoarse, no more than a whisper] I always thought I'd go first. I don't know why I thought that. It just seemed like I would. I mean, I didn't know him on a daily basis -- far from it. But, in a way, I don't even feel right being here without him. It's so difficult to really believe he's gone. I still talk about him like he's still here, you know. I can't figure it out. It doesn't make any sense. I remember when he got sick in Rome -- I didn't realize then that it was actually a suicide attempt -- I was in Seattle. I went out to grab something to eat and I saw the headlines. That he was in a coma. I just freaked out, man. I went home and made some phone calls, tried to find out what the fuck was going on. Then I started pacing the house and started to cry. I just kept saying, 'Don't go, man, just don't fuckin' go... just don't go.' I kept thinking, 'If he goes, I'm fucked.' You know, all these people man, all lining up to say that his death was so fucking inevitable... well, if it was inevitable for him, it's gonna be inevitable for me, too, if this continues. That's why this could be our last show in fuckin' forever as far as I'm concerned. Kurt's death has changed everything. I don't know if I can do it any more. See, people like him and me, we can't be real. It's a contradiction. We can't be these people who just write these real songs. We have to live up to the expectations of a million people. And we can't do that. And then there's a cynical fuckin' media on top of that. Fuck that, fuck 'em. All along the line, they question your fuckin' honesty. No matter what you say, no matter what you do, they think it's an angle. They think it's all a fuckin' game. Because that's all they're used to. That's what they think it is, a fuckin' game. They don't know what's real and what isn't. And when someone comes along who's trying to be real, they don't know the fuckin' difference. So if you say, 'No, I'm not playing your fuckin' game. I want out... I'm not doing this, I'm not doing that...,' they still think you're part of it. They just can't accept that you don't want to be part of it, that you were never part of it. They just think it's an angle. Some kind of fuckin' angle. And that makes it so hard for somebody who's just trying to be honest. So fuck it. And another thing, we never talked about this but it's like you were saying although we were very different people, there was probably a lot we had in common. We had similar backgrounds, yeah, things that happened with our families and shit... I think that's something that comes out in what we wrote in our songs, definitely. It is kinda similar sometimes. But what makes it more similar is the way people responded to what we wrote and sang about, the intense identification. And I think it was maybe a shock to both of us that so many people were going through the same things. I mean, they understood so completely what we were talking about. And this was shit we thought only he and I were ever gonna have to deal with. Because we kinda wrote these songs for ourselves really. Then all of a sudden, there's all these other people who connect with them and you're suddenly the spokesman for a fuckin' generation. Can you imagine that! A... spokesman... for a... generation."

"I am not a good enough writer to have an agenda or come up with a message and try to put it into a song, [...] It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave..."

"There is a thing that happens when you are not as privileged and you start hanging out with a seedier crowd because you can afford to do the same things, [...] And all of a sudden the big night out is sitting in somebody's trailer, smoking something or getting hold of something to put up to your nose."

"You kill yourself and you make a big old sacrifice and try to get your revenge. That all you're gonna end up with is a paragraph in a newspaper. In the end, it does nothing. Nothing changes. The world goes on and you're gone. The best revenge is to live on and prove yourself."

"It takes an enormous amount of academic courage to speak the truth when no one else is out there to support him. And so, I think that given this acuity of vision and analytical power, demonstrating that the Swiss banks did not owe the money, that even though survivors were beneficiaries of the funds that were distributed, they came, when all is said and done, from places that were not obligated to pay that money. That takes a great amount of courage in and of itself. So I would say that his place in the whole history of writing history is assured, and that those who in the end are proven right triumph, and he will be among those who will have triumphed, albeit, it so seems, at great cost."

"When I read Finkelstein's book, The Holocaust Industry, at the time of its appearance, I was in the middle of my own investigations of these matters, and I came to the conclusion that he was on the right track. I refer now to the part of the book that deals with the claims against the Swiss banks, and the other claims pertaining to forced labor. I would now say in retrospect that he was actually conservative, moderate and that his conclusions are trustworthy. He is a well-trained political scientist, has the ability to do the research, did it carefully, and has come up with the right results. I am by no means the only one who, in the coming months or years, will totally agree with Finkelstein's breakthrough."

"Finkelstein's work is, from beginning to end, a tendentious series of inventions. …[T]he examples from his article that are deemed to be the strongest are thoroughly misleading and without merit. Finkelstein’s writing is the sort of transparent political polemic that—had others not cynically propped him up as an expert and a champion of truth—would not even merit a response. This is a man who has made a career of attacking Israel’s legitimacy... His documented inventions about my book, it is worth noting that Finkelstein has never before written anything on the Holocaust or German history and cannot read German ... which means that he cannot read many of the sources on which he is passing his 'expert' opinion ... [A] man who has arrived overnight to a scholarly field made up of massive scholarly literature, not to mention all the documents, who, to boot, cannot read most of the sources because they are in German."

"Finkelstein sees the Jews as either villains or victims - and that, I fear, takes him closer to the people who created the Holocaust than to those who suffered in it."

"[I]t is striking to hear someone who appears to have nothing but contempt for his own people. He issues the same call sent out by David Irving in the high court this year - that Jews should not simply condemn anti-semitism, but examine their own role in provoking it. Like Irving, Finkelstein sees Jews as the authors of their own suffering. He claims that Jews have made up stories of persecution and that there are too many survivors to be true - another Irving favourite."

"I'm delighted to hear that I'll be followed shortly by Norman Finkelstein and would very strongly advise you to come listen to him. Not only [is he] an old personal friend but a person who can speak with more authority and insight on these topics than anyone I can think of. So that should be a memorable occasion and I urge that you not miss the opportunity."

"For the past 20 years the people of Gaza, half of whom are children, have been immured in a concentration camp. Today they breached the camp's walls. If we honor John Brown's armed resistance to slavery; if we honor the Jews who revolted in the Warsaw Ghetto — then moral consistency commands that we honor the heroic resistance in Gaza. I, for one, will never begrudge — on the contrary, it warms every fiber of my soul — the scenes of Gaza’s smiling children as their arrogant Jewish supremacist oppressors have, finally, been humbled. The stars above in heaven are looking kindly down. Glory, glory, hallelujah. The souls of Gaza go marching on!"

"I don't see the reason to get excited about Holocaust deniers. First of all I don't know what a Holocaust denier even is. People say if you deny the centrality of the six million Jews being killed and you try to bring in other groups of people you become a Holocaust denier. Other people say if you deny the centrality of the gas chambers you become a Holocaust denier."

"David Irving was a very good historian – I don't care what Richard Evans (the historian who was a key player in the Lipstadt libel trial) says. He produced works that are substantive ... If you don't like it, don't read it. In the case of Irving, he knew a thing or two – or three."

"Speaking as a devout atheist, thank God in his Almighty wisdom that he made us mortal."

"Whenever Israel faces a public relations debacle such as the Intifada or international pressure to resolve the Israel-Palestine conflict, American Jewish organizations orchestrate this extravaganza called the 'new anti-Semitism.' The purpose is several-fold. First, it is to discredit any charges by claiming the person is an anti-Semite. It's to turn Jews into the victims, so that the victims are not the Palestinians any longer. As people like Abraham Foxman of the ADL put it, the Jews are being threatened by a new holocaust. It's a role reversal – the Jews are now the victims, not the Palestinians. So it serves the function of discrediting the people leveling the charge. It's no longer Israel that needs to leave the Occupied Territories; it's the Arabs who need to free themselves of the anti-Semitism."

"Since completing this memoir in 1995 I've returned to Palestine every year. In fact, apart from traveling abroad to lecture, Palestine is the only place I've been since I first journeyed there 15 years ago. I sometimes fantasize vacationing in Greece or Italy but never do. If I have time and cost isn't prohibitive, I always return to Palestine. I do so mostly from a sense of duty - do I have a right to be elsewhere? - relieved by the authentic affection I've developed for friends. I cannot say I enjoy going back. From the moment I arrive, even before arriving, I count the minutes left before I depart. The eminent Hebrew University sociologist Baruch Kimmerling has described Gaza as "the largest concentration camp ever to exist." The West Bank ranks only a mite less awful. Once the Israeli wall currently under construction is finished, the West Bank will replace Gaza with top honors. Bordered on both sides by four meter deep trenches, fortified with guard towers at regular intervals, and topped with barbed wire, this massive barricade will stretch across fully 347 kilometers - twice the size of the Berlin Wall."

"My parents -- we lived in Brooklyn, NY, we owned a house -- my parents were difficult people, they didn't get along with anyone. Actually, they didn't even get along with each other. So, on the one side were the Golds and on the other side were the Kasslers and they did not get along with the Golds and they did not get along with the Kasslers, so they built a fence. And it was within their right to build a fence. But, as everybody knows, when you build at fence, at any rate in New York, you first have to hire a surveyor. That's a fact, I'm not joking. You have to hire a surveyor and you have to make sure that fence is right down the line on your property because if that fence is literally one quarter of an inch on the Golds' side or on the Kasslers' side, they have the right to tear it down. Under law, that's it. Now, let's take Israel's wall. What happens if my parents decide to build a fence that's not only on the Kasslers' side but goes right around their swimming pool? Well, some people will begin to wonder "are Mary and Harry Finkelstein trying to protect their property? Or are they trying to steal the Kasslers' swimming pool?""