Singer Songwriters From Italy

"Communication works like this: the image of a woman today is that her power is control, but it is a suggestion, it is like showing a beautiful photo."

"Image is the fracture of contemporaneity. Rereading the myth of Narcissus as an adult, you understand that he dies not because he loves his image, but because he prefers his image to himself. I am convinced that our individual relationship with our image is quickly established in childhood: what is this reflection for you? It is you. Do you accept yourself as you are? OK. But usually we are disappointed or vain, because we are divided: half of us are animals, half of us feel like God."

"What bothers me about ageing is the tiredness, feeling less physically strong. As for aesthetics, I preferred being twenty, but I feel sorry for the crazy battle against age. Besides, I had so many beautiful photos, beautiful moments when I was young, I used my body to the fullest. Obviously, I take care of myself, I'm careful, but more for my health."

"I cry just to try, because I would like to learn to hold back the tears, when they have already gone half out of me."

"I'll wake up in an hour, I'll have to make a decision! Nah, wake up in another dream, every pillow is a nation.”"

"Fabri Fibra"

"They expire if I don't keep people in mind."

"I do nothing, all day, how can I be sleepy? And then there is no peace anyway, I'm in a cage even in the dream.""

"Don't think about it, think about something else, don't even imagine the space inside your skull, empty worlds, take the first one you like."

"Disturbed sleep creates disturbed mind, disturbed mind creates foie gras, and then blames it on the funnel."

"If I hadn't been terrified of children I could be a teacher, and relive the first day more often."

"I was loitering and now I have a part in your life, a small participation, I know, a marginal role compared to the dream. But you find me good, waiting for you to wake up sitting on the dresser.""

"The words to use? Always those, the art is to change the order."

"Life is a habit, but it always happens that you lose it."

"If God incarnated again, he would end up on a brand new cross, filmed by cell phones in the air, that's what instant nostalgia is."

"The world turns and blurs the poses. (from Colorful crumbs, n. 7)"

"I spend the day on a PC justifying on the left like after Moro | but then my boss says: No | I want it like this with the center always justified as after Moro. (from Colorful crumbs, n. 7)"

"Dinners all end the same, the guests are gone, they clear your table and you can't eat anymore. | And maybe you would have liked to finish drinking, you would have kept the glass, nothing to do, they'll clear the table for you, | you only take home the colored crumbs that still remain anchored to your cardigan and maybe you would have liked to finish drinking, hold the glass, clear my cardigan, baby! (from Colorful Crumbs, n. 7)"

"I like women who pretend to be crazy, | but it all comes down to me if they've been redone, | because if you wanted your breasts to be big, giant, | who knows what you expect from my underwear. (from I like women, n. 6)"

"Stay behind me and I'll ask the elevator operator which floor it goes to goes to the piano bar, good, | we follow it up to Jesus and down to Beelzebub | and then picnic on the intermediate floors | always full as long as you believe what you don't see. (from In Loop, n. 5)"

"The days all end the same, | and memories are colored crumbs, | you find them in bed and they don't let you sleep, | because you never know whether to taste them or sweep them away. (from Coloured Crumbs, n. 7)"

"...and he has calluses on his heart, caused by the recoil of the rifle (from Even if the world has, n. 2)"

"Sooner or later I laugh about it cyclically because the facial expressions are finished. (from Even if the world has, n. 2)"

"I hear the creaking when the world turns. | God, can't you hear the background noise? (from Even if the world has, n. 2)"

"Love is that intertime, in which someone | holds you back and pulls you into a little room, | and you, you try to escape and stay | independent in the world but when, | you think again, you think again and you withdraw and you | it seems appropriate to stay, because the world is not that big, | and the aforementioned little room, it's not that bad. | And then you turn and kiss and bless those who respect you but | fades away and you discover that no one respects you or cares for you and you were alone | the sweater got caught in the handle. (from Love is that intertempo, n. 4)"

"Whoever is afraid of the void will not reach the top | I'm also afraid of the void that exists between one step and another. (from Odio Volare, n. 1)"

"I would like to keep God company but the journey terrifies me. (from Odio Volare, n. 1)"

"If something can go wrong it will certainly go wrong, I am a magnet for disasters. (from Odio Volare, n. 1)"

"If I close one eye I travel half the world at least I dream half of it. (from In Loop, n. 5)"

"And say any word, start with something simple, it's the first thing you say, no one knows what was there before."

"I'm just a comedian like Dante, | you are just one like many. | But if you leave my eyes will turn red like cheeks, | and the cheeks will become swollen like oranges, | because if I'm alone I'll devour everything | then I suddenly lose weight when I fall in love again. (from Ma dove vai (Veronica), n. 8)"

"But you're leaving my friend, where are you going? | Stay with me and cheers while there is some. | It will end between us anyway sooner or later and without ifs, | but at least give me time to show you the worst of me. (from Ma dove vai (Veronica), n. 8)"

"You don't know how to cook anyway, so sooner or later we'll have to break up or we'll die of hunger. (from Ma dove vai (Veronica), n. 8)"

"It's useless to keep a reserve anyway, | you never know what life has in store anyway, | anyway you can't even save the reserve when life cuts off "the Bull" like Superga! (from Prendi per mano D'Amico, n. 7)"

"I recognize myself in my album only if I see myself reflected on the back of the CD. (from Prendi per mano D'Amico, n. 7)"

"Don't leave me at this miserable table, | now you've turned 30, turn 31 and it's morning! | Let's get the last liter of wine | and then let's go together with Falcone and Borsellino. (from Take D'Amico's hand, n. 7)"

"My biological clock strikes June, | but if you leave my eyes will become autumn, | and the leaves will fall on my cheeks | and the eyes will become red like oranges. (from Ma dove vai (Veronica), n. 8)"

"Van Damme! No martial art can stop love from hurting you. | Van Damme, no martial art can prevent love. (from Van Damme (Saddam), n. 5)"

"How is it possible that three worlds are not enough to find what you are really looking for, | and the longest love lasts a couple of seconds, you always love that makes you suffer and makes third parties suffer. | Love takes away hunger, you stay fast so you drink a sea to fill the empty spaces, | but salt hurts even more, to survive everyone seeks their own Pozzeto like Cochi. (from Malpensandoti, n. 4)"

"Don't be scared if I hurt you because | I do to others what I would like them to do to me, | complementary poles, you hate me, I love you, we are like dictionaries, we are Gods | synonyms and antonyms. (from Van Damme (Saddam), n. 5)"

"I seek the key to my fortune. It was lost by an old lady who was throwing pillows and sheets at me. (from Because you never know (what happens to you), n. 3)"

"They all talk to me and no one talks to me! Better this way because already on Monday I finished the sentences for the week. (from Because you never know (what happens to you), n. 3)"

"Before leaving I change the order of the furniture to give an appearance of novelty. | I shave off my hair and recover my decency. (from Malpensandoti, n. 4)"

"I'm here on the outskirts waving my arms but you don't even see me | when I throw my heart at your feet, | you'll end up crushing it by going like the accelerator, baby. (from Drink a Thing, n. 1)"

"I go to the entrance and am about to enter. | The automatic mechanism, the doors that open to let me pass makes me think: | any goodbye, even between two doors, is traumatic. (from Malpensandoti, n. 4)"

"Even though Malpensa is in the countryside, there is no one to sell a bouquet of flowers. (from Malpensandoti, n. 4)"

"God, how much cold blood it takes waiting for the woman you love, especially if you are not sure of love, and if she has been distant for months. (From Malpensandoti, n. 4 )"

"But then when I see her I don't think anymore | and I don't know if she is far or close, like children the TV. (from Malpensandoti , n. 4)"

"I have also read the notes written in small print but on the martial arts manuals, you can't find any chapter that avoids avoids avoids seems ridiculous. (from Van Damme (Saddam), n. 5 )"

"I prefer to travel by post | and do not leave the surroundings and turn around myself | like the reflection or the time or the people alive or the hourglass that impassively turns on the axis, | she doesn't look down and isn't afraid of what those who torment her think, | how I would like him to teach me not to fear the looks of my neighbor, | me when I walk alone on Viale della Centrale! I, in order not to meet anyone, you know, chase the shadow that is in front of me! and she fits into every hole like gloves, I follow her if I fear she's tampering with some trains. (from Because you never know (what happens to you), n. 3)"