Rock Singers

"I tend to be that guy, you know? When me and four friends walk into a restaurant and nobody else talks to the host, I say, “Yeah, it’s a table for five.” I don’t want to be that guy; I wish someone else would say something. But it always ends up being me, and I hate what comes with that. There’s a lot of baggage—ego and narcissism—that comes with leadership. It’s difficult to cope with at times."

"Well that's a polite thing to say but that's fucking ridiculous."

"You can't do better than that."

"Is this some kind of fucking radio promotion? What the fuck is this? Let me just say that if whatever said radio station tries to blacklist us for my comments about their balloons, I would like them to know I want a written apology tomorrow for interrupting my song."

"'I'm excited by the band [White Stripes]. It really excites me. But it wouldn't excite me if there weren't those limitations, if we weren't living in that box, if we weren't trapped. Once that goes away, then I'll know that it's not worth doing it any more.'"

"At times, we [the White Stripes] almost ignore our own music. If we have the stage, we've gotta play Son House's music, because there's nobody to keep it alive. We don't wanna be known as the band that's conducting music instruction class. But that's all everyone talks about - why MTV's not good, why radio's not good. And the answer is really because whatever you want to call it - blues, country, folk - isn't around any more. That's why everyone's so mad, and I'm tired of it being my job to bring it back."

"Every time there's a list of the 100 greatest records of all time, all those albums were recorded in two days. Hardly any of them took a year, I'll tell you. In this day and age, I think it's important that people know that."

"I have three dads: my biological father, God and Bob Dylan."

"I love him (Josh Homme) too much, and you can't hurt someone that you love that much ... unless you're family."

"I feel it, you felt it—we're all struggling with the trouble that this industry is in right now. And it's not about sales; it's about beauty and romance and a relationship to art that's turning invisible, and it's affecting people's perception of music. It's affecting whether they think of it as a viable art, because it's so fucking disposable. It's not about being modern or retro or a Luddite or being hopeful or pessimistic about the future; it's about clinging on to what makes sense of our lives, and what give our lives value, and what gives us a commonality and a feeling of belonging."

"Frank Sinatra was dignified. We don't have a Frank Sinatra, or a Patti Page nowadays. What do we have? Ashlee Simpson instead of Patti Page! I mean, look at those people - like Paris Hilton! Who are all these skanks, man? Little girls are looking up to these girls, and it's so gross. Those girls have no dignity at all, and parents are letting their kids dress up like those skanks. But what else have they got? What are the other choices? Somebody had the nerve to ask me if I wanted to play guitar on Lindsay Lohan's album! She's another one of those 16-year-old actresses, and she's making an album! Like, 'NO!' Ha ha ha!"

"I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!' It weeds out people who wouldn't care anyway."

"It is the pursuit of happiness that brings us happiness, and not the happiness achieved."

"No. I know that's blasphemous when you are from Detroit."

"I think that there is a whole lot turning upside down at rock radio -- not -- excuse me, talk radio particularly. Radio as we know it is pretty much changing completely. You know, the diversity of the taste of the folks that are watching the show right now is way more than what is available in the little Motorola in your car today. And where are the new personalities? Where is the new Stern, somebody who has that much impact? Where is the new."

"I'm not conceited. Conceit is a fault, and I have no faults."

"Fun is the pivotal point of our existence. Fun is what the United States is based on. The thing is, when you are working all night in the studio, is it possible to have fun?"

"You can really bring so much more to rock'n'roll. Rock'n'roll is the most accepting, is the most fertile ground for creating hybrid forms of music and hybrid forms of show, if you draw from many, many different wells. It's just unfortunate so many rock'n'roll stars only bother to learn how to play like Led Zeppelin and/or the Rolling Stones and that's what you get, disc after disc and show after show.""

"Somebody asked me the question not too long ago: 'Dave, do you think the music business has turned corrupt'. I said: 'Absolutely not - it has always been corrupt."

"I believe more and more that this business is about people. People, people. The idea is to make friends at the retail level, the warehouse level, let people see you exist, can form sentences and have an interest in something other than yourself."

"I change as the times change. I'm a reflection of what's around me without trying at all."

""It's not about money right now. My ambition is to further create a signature sound, a signature spirit, that makes some kind of contribution to music in general."

"What I do is dangerous for sponsors, dangerous for editors. But I'm really a radio kid. I grew up on radio, not TV. Ultimately, I'll probably do radio."

"For the last 30 years, I've been leading a life of crime and international intrigue that's involved 40 stamps in my passport, love affairs, and broken hearts to go with each one of them. You would have to live three lifetimes to catch up with just the allegations that follow me!"

"Nine times out of 10 when people do a tribute album or tribute songs for somebody, it's what I call 'white boys playing reggae'. They know they can't, we know they can't, so they sing like they can't and play like they can't. They gently make fun of the idiom or sing in a false accent."

"Maybe I'm like acts of Congress or your favorite chinese restaurant -- you don't really want to know what's going on behind the door. I'm a real study in contrast, I expect, looking from without. But it adds up to what you get on stage."

"There is a continent — Africa — being consumed by flames. I truly believe that when the history books are written, our age will be remembered for three things: the war on terror, the digital revolution, and what we did — or did not to — to put the fire out in Africa. History, like God, is watching what we do."

"These goals — clean water for all; school for every child; medicine for the afflicted, an end to extreme and senseless poverty — these are not just any goals; they are the Millennium Development goals, which this country supports. And they are more than that. They are the Beatitudes for a Globalised World."

"A number of years ago, I met a wise man who changed my life. In countless ways, large and small, I was always seeking the Lord's blessing. I was saying, you know, I have a new song, look after it... I have a family, please look after them... I have this crazy idea... And this wise man said: stop. He said, stop asking God to bless what you're doing. Get involved in what God is doing — because it's already blessed."

"I close this morning on … very... thin... ice. This is a dangerous idea I've put on the table: my God vs. your God, their God vs. our God... vs. no God. It is very easy, in these times, to see religion as a force for division rather than unity. And this is a town — Washington — that knows something of division. But the reason I am here, and the reason I keep coming back to Washington, is because this is a town that is proving it can come together on behalf of what the Scriptures call the least of these. This is not a Republican idea. It is not a Democratic idea. It is not even, with all due respect, an American idea. Nor it is unique to any one faith. "Do to others as you would have them do to you." [Luke 6:30] Jesus says that. "Righteousness is this: that one should... give away wealth out of love for Him to the near of kin and the orphans and the needy and the wayfarer and the beggars and for the emancipation of the captives." The Koran says that. [2.177] Thus sayeth the Lord: "Bring the homeless poor into the house, when you see the naked, cover him, then your light will break out like the dawn and your recovery will speedily spring fourth, then your Lord will be your rear guard." The Jewish scripture says that. Isaiah 58 again."

"Look, whatever thoughts you have about God, who He is or if He exists, most will agree that if there is a God, He has a special place for the poor. In fact, the poor are where God lives. Check Judaism. Check Islam. Check pretty much anyone. I mean, God may well be with us in our mansions on the hill... I hope so. He may well be with us as in all manner of controversial stuff... maybe, maybe not... But the one thing we can all agree, all faiths and ideologies, is that God is with the vulnerable and poor. God is in the slums, in the cardboard boxes where the poor play house... God is in the silence of a mother who has infected her child with a virus that will end both their lives... God is in the cries heard under the rubble of war... God is in the debris of wasted opportunity and lives, and God is with us if we are with them."

"It is such an important idea, Jubilee, that Jesus begins his ministry with this. Jesus is a young man, he's met with the rabbis, impressed everyone, people are talking. The elders say, he's a clever guy, this Jesus, but he hasn't done much... yet. He hasn't spoken in public before... When he does, his first words are from Isaiah: "The Spirit of the Lord is upon me," he says, "because He has anointed me to preach good news to the poor." And Jesus proclaims the year of the Lord's favour, the year of Jubilee. [Luke 4:18] What he was really talking about was an era of grace — and we're still in it."

"One of the things that I picked up from my father and my mother was the sense that religion often gets in the way of God. For me, at least, it got in the way. Seeing what religious people, in the name of God, did to my native land... and in this country, seeing God's second-hand car salesmen on the cable TV channels, offering indulgences for cash... in fact, all over the world, seeing the self-righteousness roll down like a mighty stream from certain corners of the religious establishment... I must confess, I changed the channel. I wanted my MTV. Even though I was a believer. Perhaps because I was a believer."

"I presume the reason for this gathering is that all of us here — Muslims, Jews, Christians — all are searching our souls for how to better serve our family, our community, our nation, our God. I know I am. Searching, I mean. And that, I suppose, is what led me here, too. Yes, it's odd, having a rock star here — but maybe it's odder for me than for you. You see, I avoided religious people most of my life. Maybe it had something to do with having a father who was Protestant and a mother who was Catholic in a country where the line between the two was, quite literally, a battle line. Where the line between church and state was... well, a little blurry, and hard to see."

"I will try to keep my homily brief. But be warned — I'm Irish."

"I'm the first to admit that there's something unnatural... something unseemly... about rock stars mounting the pulpit and preaching at presidents, and then disappearing to their villas in the South of France. Talk about a fish out of water. It was weird enough when Jesse Helms showed up at a U2 concert... but this is really weird, isn't it?"

"If you're wondering what I'm doing here, at a prayer breakfast, well, so am I. I'm certainly not here as a man of the cloth, unless that cloth is leather. It's certainly not because I'm a rock star. Which leaves one possible explanation: I'm here because I've got a messianic complex. Yes, it's true. And for anyone who knows me, it's hardly a revelation."

"I'm wary of faith outside of actions. I'm wary of religiosity that ignores the wider world. In 2001, only seven percent of evangelicals polled felt it incumbent upon themselves to respond to the AIDS emergency. This appalled me. I asked for meetings with as many church leaders as would have them with me. I used my background in the Scriptures to speak to them about the so-called leprosy of our age and how I felt Christ would respond to it. And they had better get to it quickly, or they would be very much on the other side of what God was doing in the world. Amazingly, they did respond. I couldn't believe it. It almost ruined it for me — 'cause I love giving out about the church and Christianity. But they actually came through: Jesse Helms, you know, publicly repents for the way he thinks about AIDS. I've started to see this community as a real resource in America. I have described them as "narrow-minded idealists." If you can widen the aperture of that idealism, these people want to change the world. They want their lives to have meaning."

"These are hard subjects to talk about because you can sound like such a dickhead. I'm the sort of character who's got to have an anchor. I want to be around immovable objects. I want to build my house on a rock, because even if the waters are not high around the house, I'm going to bring back a storm. I have that in me. So it's sort of underpinning for me."

"If I could put it simply, I would say that I believe there's a force of love and logic in the world, a force of love and logic behind the universe. And I believe in the poetic genius of a creator who would choose to express such unfathomable power as a child born in "straw poverty"; i.e., the story of Christ makes sense to me. … As an artist, I see the poetry of it. It's so brilliant. That this scale of creation, and the unfathomable universe, should describe itself in such vulnerability, as a child. That is mind-blowing to me. I guess that would make me a Christian. Although I don't use the label, because it is so very hard to live up to. I feel like I'm the worst example of it, so I just kinda keep my mouth shut. … I try to take time out of every day, in prayer and meditation. I feel as at home in a Catholic cathedral as in a revival tent. I also have enormous respect for my friends who are atheists, most of whom are, and the courage it takes not to believe."

"So now — cut to 1980. Irish rock group, who've been through the fire of a certain kind of revival, a Christian-type revival, go to America. Turn on the TV the night you arrive, and there's all these people talking from the Scriptures. But they're quite obviously raving lunatics. Suddenly you go, what's this? And you change the channel. There's another one. You change the channel, and there's another secondhand-car salesman. You think, oh, my God. But their words sound so similar . . . to the words out of our mouths. So what happens? You learn to shut up. You say, whoa, what's this going on? You go oddly still and quiet. If you talk like this around here, people will think you're one of those. And you realize that these are the traders — as in t-r-a-d-e-r-s — in the temple."

"The music that really turns me on is either running toward God or away from God. Both recognize the pivot, that God is at the center of the jaunt."

"When John Lennon sings, "Oh, my love/For the first time in my life/My eyes are wide open" — these songs have an intimacy for me that's not just between people, I realize now, not just sexual intimacy. A spiritual intimacy."

"Bowie was much more responsible for the aesthetic of punk rock than he's been given credit for, like, in fact, most interesting things in the Seventies and Eighties."

"We actually aren't able to play other people's songs. The one Stones song we tried to play was "Jumpin' Jack Flash." It was really bad. So we started writing our own — it was easier."

"What's interesting is, in the months leading up to this, I was probably at the lowest ebb in my life. I was feeling just teenage angst. I didn't know if I wanted to continue living — that kind of despair. I was praying to a God I didn't know was listening."

"I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at. I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind — even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling. Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!"

"I really remember John Lennon's Imagine. I guess I'm twelve; that's one of my first albums. That really set fire to me. It was like he was whispering in your ear — his ideas of what's possible. Different ways of seeing the world."

"You know that Johnny Cash song "A Boy Named Sue" where he gives the kid a girl's name, and the kid is beaten up at every stage in his life by macho guys, but in the end he becomes the toughest man. … By not encouraging me to be a musician, even though that's all he ever wanted to be, he's made me one. By telling me never to have big dreams or else, that to dream is to be disappointed, he made me have big dreams. By telling me that the band would only last five minutes or ten minutes — we're still here."

"We could defend ourselves. But even though some of us became pretty good at violence ourselves, others didn't. They got the shit kicked out of 'em. I thought that was kind of normal. I can remember incredible street battles. I remember one madster with an iron bar, just trying to bring it down on my skull as hard as he possibly could, and holding up a dustbin lid, which saved my life. Teenage kids have no sense of mortality — yours or theirs."