Religion

"The Sex doll industry has been transformed by advances in computer generated images (CGI) and silicone technology. Hollywood special effects technicians began using advances in these technologies to create realistic corpses for films. (Ferguson, 2010). These mannequins were the beginnings of the realistic, functional sex doll."

"Political fascism in Europe, beginning in the 1930’s, affected German and Austrian sex researchers, forcing many to shut down research and development institutes and flee their countries. The Berlin Institute for Sexual Science was destroyed by fascist gangs in 1933 (Meyenburg & Sigusch, 1977). The psychological community has contributed little to literature on the sex-doll phenomenon. The sex research at the turn of the 20th century described the use of sex dolls and statues as a pathology, without supporting empirical evidence (Schewe & Moreno, 2011). Iwan Bloch and Havelock Ellis likened statue love to necrophilia: “Closely allied to these necrophilist tendencies is the remarkable ‘Venus statuaria’...apart from certain aesthetic motives...we have to do, for the most part, with the same motives that give rise to necrophilia—sadistic, masochistic, and fetishistic” (Bloch, 1908. p. 467)"

"A popular urban legend claims the German Navy became the first creator of the modern sex-doll, Model Borghild (Ferguson, 2010; Lenz, n.d.; Pulham, 2008; Wolf, 2010). According to rumor and urban myth, the doll was part of the Nazi’s “field-hygienic project,” initiated to counterbalance the sexual drive of storm troopers (Lenz, n.d.). However, the existence of the author, “Lenz”, and the reports on the so-called Borghild doll are unverifiable, and are possibly hoaxes (Ferguson, 2010; Schewe & Moreno, 2011). The Japanese had a version of a dames de voyage, called a do-ningyo. A description is cited from a Japanese work titled “The Art of Quickly Seducing a Novice” in Tabori’s book, The Humor and Technology of Sex (1969): A man who is forced to sleep alone can obtain pleasure with a do-ningyo. This is the body of a female doll, the image of a girl of thirteen or fourteen with a velvet vulva. But these dolls are only for people of high rank. (p. 337) Dolls and statues created and used for sexual purposes are cross-cultural phenomena in various forms for centuries. The absence of historical information about production, distribution, and sales, or customer satisfaction data on sex dolls leaves the history of sex dolls open to considerable speculation. Until the emergence of the modern sex dolls, records of sales are found only in rumored accounts of sex doll use, and antique advertisements, such as the one translated by Henry Carey from a Paris circular in 1902. It advertises the sale of a complete, custom sex doll made to fit customer specifications: “All moves, arms, legs, buttocks, head, eyes; a perfect likeness of the person whose photograph is sent...the complete apparatus, guaranteed against breakage, man or woman, 3000 francs” (Cary, 1922, p. 50)."

"According to Orient Industry, the company sells approximately 50-80 dolls per month and estimates there are over 20,000 doll-owners in Japan alone (Galbraith, 2008; Maeda, 2007). A spokesman for Orient Industry reports that nearly all of the people who buy these dolls are single men and about 60 percent of them are over the age of 40 (Maeda, 2007). "Nowadays, women are sometimes more dominant than men in the real world, and they don't always pay attention to men," said Hideo Tsuchiya, the company's president. "More and more men are finding themselves miserable so we're making these dolls partly in support of men" (Maeda, 2007). Since the 1950’s the Japanese government began using sex dolls to enhance the lives of its workers in remote outposts such as the South Pole (Galbraith, 2008)."

"In an interview by Scott for Metro Online, forensic psychologist and Leicester University lecturer Vincent Egan commented on doll-owners: “They need to think more about their relationships with the people they say they find sexually exciting,” he says. “Perhaps they can't fantasize easily themselves and the dolls help.” When contacted via email by this author to clarify his statements Dr. Egan said: Any prosthesis is an adaptation to a problem (or perceived problem). Some people may use sex dolls due to disturbed attachments; others may simply not have attachments to start... For men, who may program their sexuality to rely on appearance via pornography, the appearance of the doll will become the key to the eroticism, rather than the (sometimes) emotional, playful, dynamic and interactive physicality of sex (Dr. Vincent Egan, personal communication, July, 2011)."

"How exactly, in the last half decade, has the "action figure", in all of its myriad cross-marketed incarnations, captured the imaginations of children and adults? What "discrepancy" of scale, schema, sex, and spirit thus makes miniaturized men, women, and monsters of resin, plastic, lead, rubber, or wood so functionally prevalent in global commerce and individual fantasy? In Sherry Turkle's view, "evocative objects" such as action figures "bring philosophy down to Earth. When we focus on objects, physicians and philosophers, psychologists and designers, artists and engineers are able to find common ground in everyday experience" (Turkle 8). Applying Levi-Strauss' notion of the bricoleur, or a "practitioner of the science of the concrete" who "manipulates a closed set of materials to develop new thoughts" out of bricolage in tandem with Piaget's assessment of instructive play rooted in "close to the object thinking" meant to heighten awareness of the "number, space, time, causality, and life" of things, Turkle provides a profoundly simple perspective on how "object play-for adults as well as children-engaged the heart as well as the mind" (Turkle 308-309). How can we examine our unique attraction to miniature plastic effigies and their contexts?"

"From my experience, kids are most interested in movie merchandise from about three to eight years old,” says Lisa Wragg, who worked in children’s licensing for many years. “At about eight, it tends to wane as they get more into music, artists and social media."

"To start, the most abject Happy Meal toy lost in the deepest layers of the toy bin still signifies the epitome of polysemic postmodern participatory commodity culture. At the same time, the expertly-graded, mint-in-blisterpack Star Wars rebel of Ideal Posin' Supergirl cocooned for eternity within its EcoStar PC50 Recycled PET acryllic clam shell against all possible risk, play, or abuse can command thousands of dollars on the collector/investor/speculator market. From garage sales and Goodwill fodder to certified collectibles and international Internet auction houses, the action figure circulates through complex aesthetic, psychological, and socio-economic conditions of unusual scope and power. Its defining characteristics seem obvious enough. An action figure is generally a manufactured personality or character built to a diminished scale. It is usually, though not necessarily humanoid, and often designed to encourage manipulation, posing, or play including movable body parts, interchanging costumes, accessories, weapons, prosthetics, and related apparatus. At times, these accoutrements can expand to include elaborate vehicles, carrying cases, and playsets so ingeniously and engineered that they are sometimes more engaging in their miniaturized discrepancy than the figured body or character itself. Certain bases, expanded worlds, and microcosmic mock-ups tend to develop their own specialized mythologies. Iconic examples include Shredder and Krang's Technodrome of mechanized evil from the Teenage Mutant Ninja Turtles franchise and G.I. Joes remarkably Space Shuttle Defiant. From the figures themselves to the gear, couture, and conveyances that enable and transport them, the action figure always signifies a larger spectacle well beyond its tiny idealized body."

"The modern sex doll may has a direct antecedent in the cotton sex doll created and used by sailors on long voyages, referred to as dames de voyage (Bloch, 1908; Ferguson, 2010; Wolf, 2010). These dolls were created by French and Spanish sailors during the height of their naval empires in the seventeenth century (Ferguson, 2010). The navies of Imperial Germany and Japan reportedly sanctioned the widespread use of dames de voyage, as preferable to homosexuality. Both navies reportedly manufactured their own versions of the dames de voyage (Wolf, 2010)."

"In 2000, only two films in the top 10 US box office hits would have been likely to generate a licensed character toy, X-Men and How the Grinch Stole Christmas, perhaps Mission: Impossible II. But in 2017, nine out of the 10 top films had licensed characters associated with them, from Star Wars to Beauty and the Beast to Wonder Woman to Thor. So, consumers are spending about the same amount of money on toys in total, but now they have far more choices to spend it on. The battle is over the share of a parent’s pocketbook."

"حَدَّثَنَا مُحَمَّدٌ، أَخْبَرَنَا أَبُو مُعَاوِيَةَ، حَدَّثَنَا هِشَامٌ، عَنْ أَبِيهِ، عَنْ عَائِشَةَ ـ رضى الله عنها ـ قَالَتْ كُنْتُ أَلْعَبُ بِالْبَنَاتِ عِنْدَ النَّبِيِّ صلى الله عليه وسلم وَكَانَ لِي صَوَاحِبُ يَلْعَبْنَ مَعِي، فَكَانَ رَسُولُ اللَّهِ صلى الله عليه وسلم إِذَا دَخَلَ يَتَقَمَّعْنَ مِنْهُ، فَيُسَرِّبُهُنَّ إِلَىَّ فَيَلْعَبْنَ مَعِي‏.‏"

"Noted photographers such as Laurie Simmons and Kishin Shinoyama have made the company’s dolls the subject of books and exhibitions, with the latter showing his work at Orient Industry’s anniversary event that ran from May 20 to June 11 at Shibuya’s Atsukobarouh gallery. The spokesperson believes that validation from the art world is helping to shift attitudes toward sex dolls. “We get a lot of different customers,” he said. “Some are only interested in buying dolls for sex, some want to buy them so they can take photos of them, and some want to take them out and about with them. Some have blogs where they write about living with them."

"In Shinto, everything has a soul. Even if you don't want the dolls anymore, you can’t abandon them. There is a special ceremony that is performed for them at a shrine. It’s like a ceremony for a dead person. Since dolls have a human form, they must be treated as such."

"It’s no accident that #Metoo started in the entertainment and television-news businesses, where women are required to look as much like Barbie and Bratz dolls as possible, with the help of personal trainers, makeup artists, hair stylists, personal shoppers, and surgeons."

"Japan’s oldest “love doll” manufacturer wants to strip the sex toys of their seedy image and encourage people to see them as works of art instead. “Even now there is still a stigma,” said a spokesperson for Tokyo-based sex doll maker Orient Industry, which recently celebrated its 40th anniversary with a three-week exhibition showing the evolution of its dolls that drew over 10,000 visitors. “But at our exhibition there were lots of men and women visitors — more women than men, in fact,” he said. “There were young and old, men and women, a really wide range of people. I think people came because they had heard the reputation of how beautiful our dolls are. We want to get rid of the stigma.”"

"It is a common belief in Japan that dolls are mirrors. The dolls show their owner’s true self."

"Before Barbie, dolls were babies, to be fed and burped and bathed and wheeled around in prams and put down for naps."

"Wordsworth's child plays with his toys in a world unconcerned with brand power, and he tells his own stories, using public domain situations. Star Wars was not designed to sell toys, but Lucas was smart enough to keep the merchandising rights, and, with help from Kenner, a toy empire was founded. The story came first, but the merchandising threatened to takeover. In the case of Transformers, the action figures were absolutely primary, the show was made to drive toy sales. But as the generation raised on Star Wars and Transformers became filmmakers in their own right, the primary-secondary relationship became blurry. In an interview with filmmaker Kevin Smith, Paul Dini, who created the cartoon Young Justice among other, talked about a problem he had with the executives at the Cartoon Network. They cancelled his show, Tower Prep even though his audience was on the rise. The reason: the audience numbers were on the rise because girls were watching the show and that's a problem because girls don't buy the toys, and the money comes from the toys. Because the relationship between action figures and movies and television are symbiotic it is hard to know if this is a case of the tail wagging the dog. When a 37-year-old director, whose childhood bedroom was littered with Transformers and Star Wars figures, steps up to direct the latest feature from Marvel, to what extend is he simply playing with action figures on a gigantic budget? To what extent is Chris Pratt a very expensive action figure, to be posed and moved around with the other toys?"

"As Kozinski would write in his opinion in Mattel v. MGA, it’s possible to make dolls that don’t look like porn stars but “there’s not a big market for fashion dolls that look like Patty and Selma Bouvier”—a reference to Lisa Simpson’s big-nosed, wide-waisted, thick-ankled aunts."

"Competition from video and mobile games has diminished the interest in action figures, allow a child to fantasise about taking on the role of a heroic character. Video and mobile games greatly enhance that ability. The age appeal of action figures has been declining for decades due to the rise of video games."

"Empowerment feminism is a cynical sham. As Margaret Talbot once noted in these pages, “To change a Bratz doll’s shoes, you have to snap off its feet at the ankles.” That is pretty much what girlhood feels like. In a 2014 study, girls between four and seven were asked about possible careers for boys and girls after playing with either Fashion Barbie, Doctor Barbie, or, as a control, Mrs. Potato Head. The girls who had played with Mrs. Potato Head were significantly more likely to answer yes to the question “Could you do this job when you grow up?” when shown a picture of the workplaces of a construction worker, a firefighter, a pilot, a doctor, and a police officer. The study had a tiny sample size, and, like most slightly nutty research in the field of social psychology, has never been replicated, or scaled up, except that, since nearly all American girls own a Barbie, the population of American girls has been the subject of the scaled-up version of that experiment for nearly six decades."

"I think it’s massively important for children to see diversity in the toy box, for disabled children to see themselves represented positively. It’s very affirming for them to see that they can be a fairy, they can be a wizard in a wheelchair, and all that kind of fun and possibility is open to them as well, and it’s also really important for children without disabilities, to see disability as a normal, fun thing, it’s not just something that exists in hospital or medical settings, it exists everywhere, and its time that thee toy manufacturers started to take note and include disabled children in their products."

"In this connection we may refer to fornicatory acts effected with artificial imitations of the human body, or of individual parts of that body. There exist true Vaucansons in this province of pornographic technology, clever mechanics who, from rubber and other plastic materials, prepare entire male or female bodies, which, as hommes or dames de voyage, subserve fornicatory purposes. More especially are the genital organs represented in a manner true to nature. Even the secretion of Bartholin's glans is imitated, by means of a "pneumatic tube" filled with oil. Similarly, by means of fluid and suitable apparatus, the ejaculation of the semen is imitated. Such artificial human beings are actually offered for sale in the catalogue of certain manufacturers of "Parisian rubber articles.""

"Rosie Eggleston, from the National Deaf Children's Society said: "Deafness is often misunderstood and deaf children usually grow up knowing few people, with first-hand experience of what they're going through. "It's so important for them to see deafness represented in as many areas as possible, because it helps them understand that there are other people just like them.""

"We find in the story of the Sand-Man the other theme on which Jentsch lays stress, of a doll which appears to be alive. Jentsch believes that a particularly favourable condition for awakening uncanny feelings is created when there is intellectual uncertainty whether an object is alive or not, and when an inanimate object becomes too much like an animate one. Now, dolls are of course rather closely connected with childhood life. We remember that in their early games children do not distinguish at all sharply between living and inanimate objects, and that they are especially fond of treating their dolls like live people. In fact, I have occasionally heard a woman patient declare that even at the age of eight she had still been convinced that her dolls would be certain to come to life if she were to look at them in a particular, extremely concentrated, way. So that here, too, it is not difficult to discover a factor from childhood. But, curiously enough, while the Sand-Man story deals with the arousing of an early childhood fear, the idea of a ‘living doll’ excites no fear at all; children have no fear of their dolls coming to life, they may even desire it. The source of uncanny feelings would not, therefore, be an infantile fear in this case, but rather an infantile wish or even merely an infantile belief. There seems to be a contradiction here; but perhaps it is only a complication, which may be helpful to us later on."

"The Toy Story movies are true to the toys they represent, as we learn from the movies the kind of lessons we learn in life, and work though emotionally and intellectually with action figures: learning our place in the scheme of the world through self-knowledge, the choice between protecting our hearts by isolating ourselves emotionally from others or risking heart-break, accepting abandonment, old age and death. My own realization of growing up came when I realized that my huge Lego diorama, much like the one the dad has in The Lego Movies was not something adults had, and that in growing up I would have to give it up. But in the modern world the toys we play with are not faceless dolls. The toys are G.I. Joe and Barbie, Pokemon, Batman and Superman, The X-Men and Spiderman and The Hulk, all owned by a handful of megacorporations. For many Americans childhood imitations are not of weddings and festivals, but of things seen on screens, TV shows and movies, things also owned by that same handful of mega-corporations. The blockbuster film industry, with its endless parade of nostalgic heroes from childhood and an attendant emotional maturity, is the playground for 35-year-old- ticket buyers who are told they never have to leave these things behind."

"… one damn thing after another … one damn thing over and over."

"Debout, les damnés de la terre Debout, les forçats de la faim La raison tonne en son cratère C'est l'éruption de la fin"

"Hades was quite a different place from our region of eternal damnation, and might be termed rather an intermediate state of purification. Neither does the Scandinavian Hel or Hela, imply either a state or a place of punishment; for when Frigga, the grief-stricken mother of Bal-dur, the white god, who died and found himself in the dark abodes of the shadows (Hades) sent Hermod, a son of Thor, in quest of her beloved child, the messenger found him in the inexorable region — alas! but still comfortably seated on a rock, and reading a book. The Norse kingdom of the dead is moreover situated in the higher latitudes of the Polar regions; it is a cold and cheerless abode, and neither the gelid halls of Hela, nor the occupation of Baldur present the least similitude to the blazing hell of eternal fire and the miserable "damned" sinners with which the Church so generously peoples it."

"DAMN, v. A word formerly much used by the Paphlagonians, the meaning of which is lost. By the learned Dr. Dolabelly Gak it is believed to have been a term of satisfaction, implying the highest possible degree of mental tranquillity. Professor Groke, on the contrary, thinks it expressed an emotion of tumultuous delight, because it so frequently occurs in combination with the word jod or god, meaning "joy." It would be with great diffidence that I should advance an opinion conflicting with that of either of these formidable authorities."

"That each man Swore to do his best, To damn and perjure all the rest! And bid the Devil take the hin'most, Which at this race is like to win most."

"Compound for sins they are inclin'd to, By damning those they have no mind to"

"Once the Mass is restored to its rightful place, we will again see choirs being developed. New compositions will be written because the composers, like their forebears, will see the setting of the Mass text to music as a means of possibly expiating their sins and assuring their music's immortality. Musicians will fight for the chance to become organists and choirmasters. The faithful will clamor for it. It will again become part of a living tradition."

"I had always sung in choirs. Even when it was something to be laughed at or made fun of, you know, in school. And I was always the kid who was picked at the Christmas concert to sing the solo, you know, while the other kids snickered in the front few rows."

"I guess I originally got the bug for performing when I was in choirs and school stuff and all that. I don't know when. I guess I decided to do it because a lot of people said I was good, and I liked the attention."

"It’s singing and rugby. And I don’t do the rugby. I always sang in school choirs and went on tours to other countries. I have always loved it. It’s a very communal thing, and you really connect with people."

"And again, the Lord God hath commanded that men should not murder; that they should not lie; that they should not steal; that they should not take the name of the Lord their God in vain; that they should not envy; that they should not have malice; that they should not contend one with another; that they should not commit whoredoms; and that they should do none of these things; for whoso doeth them shall perish."

"Come, behold the works of the LORD, what desolations he hath made in the earth. He maketh wars to cease unto the end of the earth; he breaketh the bow, and cutteth the spear in sunder; he burneth the chariot in the fire. Be still, and know that I am God: I will be exalted among the heathen, I will be exalted in the earth."

"The Lord who gave us Earth and Heaven Takes that as thanks for all He's given. The book he lent is given back All blotted red and smutted black."

"Thou shalt be perfect with the Lord thy God."

"You shall love the Lord your God with all your heart, and with all your soul, and with all your might. Keep these words that I am commanding you today in your heart. Recite them to your children and talk about them when you are at home and when you are away, when you lie down and when you rise. Bind them as a sign on your hand, fix them as an emblem on your forehead, and write them on the doorposts of your house and on your gates."

"O Lord, our Lord, how majestic is your name in all the earth!"

"Thine, O Lord is the greatness, and the power, and the glory, and the victory, and the majesty: for all that is in the heaven and in the earth is thine; thine is the kingdom, O Lord, and thou art exalted as head above all. Both riches and honour come of thee, and thou reignest over all; and in thine hand is power and might; and in thine hand it is to make great, and to give strength unto all. Now therefore, our God, we thank thee, and praise thy glorious name."

"Be strong in the Lord, and in the power of his might."

"Thou shalt not take the name of the LORD thy God in vain; for the LORD will not hold him guiltless that taketh his name in vain."

"I am the LORD, and there is none else, there is no God beside me: I girded thee, though thou hast not known me: That they may know from the rising of the sun, and from the west, that there is none beside me. I am the LORD, and there is none else. I form the light, and create darkness: I make peace, and create calamity: I the LORD do all these things."

"This most beautiful system of the sun, planets, and comets could only proceed from the counsel and dominion of an intelligent and powerful Being. This Being governs all things, not as the soul of the world, but as Lord over all, and on account of His dominion He is wont to be called Lord God, Universal Ruler."

"What he orders is faithfully executed. [...] Endowed with beauty in the E-kur, [...] among the great gods, the great and august lord. [...] Lord whose abode is the mountains, father Nanna, [...] fixes the months and the according to a cord, establishes the year. [...] Who puts all the lands in order, [...] who makes the Tigris and the Euphrates bring flowing water. [...] [O]n earth, on the day of the disappearance of the moon, as you have completed the month, you summon the people, lord; and then in the netherworld you decree great judgments, you decide sublime verdicts. Enki and Ninki, the great lords, the great princes, the lords who determine fates, await your utterances, father."

"August Nibru! No deity excels like your lord and lady! They are powerful princes; they are brilliantly revealed deities. No deity excels like Enlil or Ninlil! They are powerful princes; they are lords who can decide destinies. In your midst they have given divine powers to king Enki."

"I know that the LORD is always on the side of the right. But it is my constant anxiety and prayer that I and this nation should be on the LORD'S side."