People From Ottawa

"The classic trap for any revolutionary is always, ‘What’s your alternative?’ But even if you could provide the interrogator with a blueprint, this does not mean he would use it: in most cases he is not sincere in wanting to know. In fact this is a common offensive, a technique to deflect revolutionary anger and turn it against itself. Moreover, the oppressed have no job to convince all people. All they need know is that the present system is destroying them."

"There are no precedents in history for feminist revolution – there have been women revolutionaries, certainly, but they have been used by male revolutionaries, who seldom gave even lip service to equality for women, let alone to a radical feminist restructuring of society."

"The most important characteristic to be maintained in any revolution is flexibility."

"The economic independence and self-determination of all. Under a cybernetic communism, even during the socialist transition, work would be divorced from wages, the ownership of the means of production in the hands of all the people, and wealth distributed on the basis of need, independent of the social value of the individual’s contribution to society. We would aim to eliminate the dependence of women and children on the labour of men, as well as all other types of labour exploitation. Each person could choose his life style freely, changing it to suit his tastes without seriously inconveniencing anyone else; no one would be bound into any social structure against his will, for each person would be totally self-governing as soon as she was physically able."

"Jewish women in second-wave feminism helped to provide the theoretical underpinnings and models for radical action that were seized on and imitated throughout the United States and abroad. Their articles and books became classics of the movement and led the way into new arenas of cultural and political understanding in academe, politics, and grassroots organizing. Even a partial honor roll of Jewish women's liberation pioneers must include such figures as Shulamith Firestone, Ellen Willis, Robin Morgan, Alix Kates Shulman, Naomi Weisstein, Heather Booth, Susan Brownmiller, Marilyn Webb, Meredith Tax, Andrea Dworkin, Linda Gordon, Ellen DuBois, Ann Snitow, Marge Piercy, Letty Cottin Pogrebin, and Vivian Gornick. Despite historians' acknowledgment of the salience of Jewish women in earlier social movements, their prominence within radical feminism failed to attract much attention."

"In The Dialectic of Sex, a groundbreaking book of radical feminist theory, Shulamith Firestone writes that this conventional way of understanding the historical process as a series of snapshots-here is the American Revolution, here is the Declaration of Independence, here is the Emancipation Proclamation-is limiting and ultimately unhelpful. History, she states (drawing loosely on Marxist theory), is "the world as process, a natural flux of action and reaction, of opposites yet inseparable and interpenetrating... history as movie rather than as snapshot." Much of the popular LGBT history that has been published in our newspapers, magazines, and blogs falls into the category that Firestone criticizes."

"The most exciting social extrapolation around nowadays can be found in The Dialectic of Sex by Shulamith Firestone. You will have a hard time with this book if you believe that Capitalism is God's Way or that Manly Competition is the Law of the Universe - but then you can go back to reading The Skylark of Valeron or whatever and forget about the real future. Firestone is a radical, a feminist, a Marxist (or rather, a thinker who has absorbed both Marx and Freud) and the author of a tough, difficult, analytic, fascinating book."

"The beauty ideal. Every society has promoted a certain ideal of beauty over all others. What that ideal is is unimportant, for any ideal leaves the majority out; ideals, by definition, are modelled on rare qualities."

"Sex objects are beautiful. An attack on them can be confused with an attack on beauty itself. Feminists need not get so pious in their efforts that they feel they must flatly deny the beauty of the face on the cover of Vogue. For this is not the point. The real question is: is the face beautiful in a human way – does it allow for growth and flux and decay, does it express negative as well as positive emotions, does it fall apart without artificial props – or does it falsely imitate the very different beauty of an inanimate object, like wood trying to be metal? To attack eroticism creates similar problems. Eroticism is exciting. No one wants to get rid of it. Life would be a drab and routine affair without at least that spark. That's just the point. Why has all joy and excitement been concentrated, driven into one narrow, difficult-to-find alley of human experience, and all the rest laid waste? When we demand the elimination of eroticism, we mean not the elimination of sexual joy and excitement but its diffusion over - there's plenty to go around , it increases with use - the spectrum of our lives."

"Culture is the attempt by man to realize the conceivable in the possible. Man’s consciousness of himself within his environment distinguishes him from the lower animals, and turns him into the only animal capable of culture. This consciousness, his highest faculty, allows him to project mentally states of being that do not exist at the moment. Able to construct a past and future, he becomes a creature of time – a historian and a prophet. More than this, he can imagine objects and states of being that have never existed and may never exist in the real world – he becomes a maker of art. Thus, for example, though the ancient Greeks did not know how to fly, still they could imagine it. The myth of Icarus was the formulation in fantasy of their conception of the state ‘flying’. But man was not only able to project the conceivable into fantasy. He also learned to impose it on reality: by accumulating knowledge, learning experience, about that reality and how to handle it, he could shape it to his liking. This accumulation of skills for controlling the environment, technology, is another means to reaching the same end, the realization of the conceivable in the possible."

"These two different responses, the idealistic and the scientific, do not merely exist simultaneously: there is a dialogue between the two. The imaginative construction precedes the technological though often it does not develop until the technological know-how is ‘in the air’. For example, the art of science fiction developed, in the main, only a half-century in advance of, and now co-exists with, the scientific revolution that is transforming it into a reality – for example (an innocuous one), the moon flight. The phrases ‘way out’, ‘far out’, ‘spaced’, the observation ‘it’s like something out of science fiction’ are common language."

"An artist can never know in advance just how his vision might be articulated in reality."

"Culture then is the sum of, and the dynamic between, the two modes through which the mind attempts to transcend the limitations and contingencies of reality. These two types of cultural responses entail different methods to achieve the same end, the realization of the conceivable in the possible. In the first, the individual denies the limitations of the given reality by escaping from it altogether, to define, create, his own possible. In the provinces of the imagination, objectified in some way – whether through the development of a visual image within some artificial boundary, say four square feet of canvas, through visual images projected through verbal symbols (poetry), with sound ordered into a sequence (music), or with verbal ideas ordered into a progression (theology, philosophy) – he creates an ideal world governed by his own artificially imposed order and harmony, a structure in which he consciously relates each part to the whole, a static (and therefore ‘timeless’) construction. The degree to which he abstracts his creation from reality is unimportant, for even when he most appears to imitate, he has created an illusion governed by its own – perhaps hidden – set of artificial laws. (Degas said that the artist had to lie in order to tell the truth.) This search for the ideal, realized by means of an artificial medium, we shall call the Aesthetic Mode."

"In the second type of cultural response the contingencies of reality are overcome, not through the creation of an alternate reality, but through the mastery of reality’s own workings: the laws of nature are exposed, then turned against it, to shape it in accordance with man’s conception. If there is a poison, man assumes there is an antidote; if there is a disease, he searches for the cure: every fact of nature that is understood can be used to alter it. But to achieve the ideal through such a procedure takes much longer, and is infinitely more painful, especially in the early stages of knowledge. For the vast and intricate machine of nature must be entirely understood – and there are always fresh and unexpected layers of complexity – before it can be thoroughly controlled. Thus before any solution can be found to the deepest contingencies of the human condition, e.g., death, natural processes of growth and decay must be catalogued, smaller laws related to larger ones. This scientific method (also attempted by Marx and Engels in their materialist approach to history) is the attempt by man to master nature through the complete understanding of its mechanics. The coaxing of reality to conform with man’s conceptual ideal, through the application of information extrapolated from itself, we shall call the Technological Mode."

"To live without love in the end proves intolerable to men just as it does to women."

"Being unable to love is hell."

"I submit that love is essentially a much simpler phenomenon – it becomes complicated, corrupted, or obstructed by an unequal balance of power. We have seen that love demands a mutual vulnerability or it turns destructive: the destructive effects of love occur only in a context of inequality. But because sexual inequality has remained a constant – however its degree may have varied – the corruption 'romantic' love became characteristic of love between the sexes."

"Bliss in love is seldom the case: for every successful contemporary love experience, for every short period of enrichment, there are ten destructive love experiences, post-love ‘downs’ of much longer duration – often resulting in the destruction of the individual, or at least an emotional cynicism that makes it difficult or impossible ever to love again."

"Contrary to popular opinion, love is not altruistic. [...] Love is the height of selfishness: the self attempts to enrich itself through the absorption of another being. Love is being psychically wide-open to another. It is a situation of total emotional vulnerability. Therefore it must be not only the incorporation of the other, but an exchange of selves. Anything short of a mutual exchange will hurt one or the other party. There is nothing inherently destructive about this process. A little healthy selfishness would be a refreshing change. Love between two equals would be an enrichment, each enlarging himself through the other: instead of being one, locked in the cell of himself with only his own experience and view, he could participate in the existence of another – an extra window on the world. This accounts for the bliss that successful lovers experience: lovers are temporarily freed from the burden of isolation that every individual bears."

"Women and love are underpinnings. Examine them and you threaten the very structure of culture."

"Love has never been understood, though it may have been fully experienced, and that experience communicated."

"A book on radical feminism that did not deal with love would be a political failure. For love, perhaps even more than childbearing, is the pivot of women's oppression today."

"Children, then, are not freer than adults. They are burdened by a wish fantasy in direct proportion to the restraints of their narrow lives; with an unpleasant sense of their own physical inadequacy and ridiculousness; with constant shame about their dependence, economic and otherwise (‘Mother, may I?’); and humiliation concerning their natural ignorance of practical affairs. Children are repressed at every waking minute. Childhood is hell."

"Every person in his first trip to a foreign country, where he knows neither the people nor the language, experiences childhood."

"There is some irony in the fact that children imagine that parents can do what they want, and parents imagine that children do. "When I grow up..." parallels "Oh to be a child again...""

"Self-regulation is the basis of freedom, and dependence the origin of inequality."

"The myth of childhood has an even greater parallel in the myth of Femininity. Both women and children were considered asexual and thus"purer" than man. Their inferior status was ill-concealed under an elaborate "respect." One didn't discuss serious matters nor did one curse in from of women and children; one didn't openly degrade them, one did it behind their backs."

"The ideology of school was the ideology of childhood. It operated on the assumption that children needed"discipline," that they were special creatures who had to be handled in a special way (child psych., child ed., etc.) and that to facilitate this they should be corralled in a special place with tie own kind, and with an age group as restricted to their own as possible."

"We can also see the class basis of the emerging concept of child hood in the system of child education that came in along with it. If childhood was only an abstract concept, then the modern school was the institution that built it into reality."

"In the Middle Ages there was no such thing as childhood. The medieval view of children was profoundly different from ours."

"Matriarchy is a stage on the way to patriarchy, to man’s fullest realization of himself; he goes from worshipping Nature through women to conquering it. Though it’s true that woman’s lot worsened considerably under patriarchy, she never had it good; for despite all the nostalgia it is not hard to prove that matriarchy was never an answer to women’s fundamental oppression. Basically it was no more than a different means of counting lineage and inheritance, one which, though it might have held more advantages for women than the later patriarchy, did not allow women into the society as equals. To be worshipped is not freedom. For worship still takes place in someone else’s head, and that head belongs to Man. Thus throughout history, in all stages and types of culture, women have been oppressed due to their biological functions."

"Women and children are always mentioned in the same breath ("Women and children to the forts!"). The special tie women have with children is recognized by everyone. I submit, however, that the nature of this bond is no more than shared oppression. And that moreover this oppression i intertwined and mutually reinforcing in such complex ways that we will be an able to speak of the liberation of women without also discussing the liberation of children, and since versa. The heart of woman's oppressing is her childbearing and childrearing roles. And in turn children are defined in relation to this role and are psychologically formed by it; what they become as adults and the sorts of relationships they are able to form determine the society they will ultimately built."

"Because class oppression of women and children couched in the phraseology of "cute" it is much harder to fight than open oppression"

"Contemporary slang reflects this animal state: children are "mice," "rabbits," "kittens," women are called "chicks," (in England( "birds," "hens," "dumb clucks," "silly geese," "old mares," "bitches." Similar terminology is used about males as a defamation of character, or more broadly only about pressed males males: stud, wold, cat, stag, jack - and then it is used much more rarely, and often with a specifically sexual connotation."

"I submit that the only way that the can make full sense is in terms of power. We must keep in mind that Freud observed this complex as common to every normal individual who grows up in the of a patriarchal society, a form of social organization that intensifies the worst effects of the inequalities inherent in the biological family itself. There is some evidence to prove that the effects of the Oedipus Complex decrease in societies where males hold less power, and that the weakening of patriarchalism produces many cultural changes that perhaps can be traced to this relaxation."

"I believe Freud was talking about something real, though perhaps his ideas, taken literally, lead to absurdity – for his genius was poetic rather than scientific; his ideas are more valuable as metaphors than as literal truths."

"Whether or not we can blame Freud personally, his failure to question society itself was responsible for massive confusion in the disciplines that grew up around this theory. Beset with the insurmountable problems that resulted from trying to put into practice a basic contradiction – the resolution of a problem within the environment that created it – his followers began to attack one component after another of his theory, until they had thrown the baby out with the bath."

"Freudianism and Feminism grew from the same soil. It is no accident that Freud began his work at the height of the early feminist movement. We underestimate today how important feminist ideas were at the time. [...] The culture reflected prevailing attitudes and concerns: feminism was an important literary theme because it was then a vital problem. For writers wrote about what they saw: they described the cultural milieu around them. And in this milieu there was concern for the issues of feminism. The question of the emancipation of women affected every woman, whether she developed through the new ideas or fought them desperately. Old films of the time show the growing solidarity of women, reflecting their unpredictable behaviour, their terrifying and often disastrous testing of sex roles. No one remained untouched by the upheaval. And this was not only in the West: Russia at this time was experimenting at doing away with the family. At the turn of the century, then, in social and political thinking, in literary and artistic culture, there was a tremendous ferment of ideas regarding sexuality, marriage and family, and women’s role. Freudianism was only one of the cultural products of this ferment. Both Freudianism and feminism came as reactions to one of the smuggest periods in Western civilization, the Victorian Era, characterized by its family-centredness, and thus its exaggerated sexual oppression and repression. Both movements signified awakening: but Freud was merely a diagnostician for what feminism purports to cure."

"Freud captured the imagination of a whole continent and civilization for a good reason. Though on the surface inconsistent, illogical or "way out," his followers, with their cautious logic, their experiments and revisions have nothing comparable to say. Freudianism is so charted so impossible to repudiate because Freud grasped the crucial problem of modern life: Sexuality."

"In all earlier civilizations, it should be remembered, commerce was treated as a narrow activity and by no means the senior sector in society."

"Left to its own devices the market is capable of the most miraculous of inventions and the silliest of self-delusions. It is an extreme romantic. It also has a real purpose — the same one it has always had. That is to organize the supply and exchange of goods or to finance the production of goods — thus facilitating and financing the economy. But the market cannot achieve in a regular and lasting manner its own purpose because it is only an unconscious and abstract mechanism. The factor which must be added in order to create the restraint, balance, and consciousness necessary for long-term prosperity is human leadership. That leadership takes the form of effective regulation."

"In the humanist ideal, the mainstream is where interesting debate, the generating of new ideas and creativity take place. In rational society this mainstream is considered uncontrollable and is therefore made marginal. The centre ground is occupied instead by structures and courtiers."

"[W]e have more than two options... a critique of reason does not have to be a call for the return of superstition and arbitrary power.... [O]ur problems do not lie with reason itself but with our obsessive treatment of reason as an absolute value. Certainly it is one of our qualities, but it functions positively only when balanced and limited by the others."

"An important newspaper baron...explains that the cause of poverty throughout the world is indolence. Ten per cent of Americans would not be on food stamps if they simply worked harder.... If only they had followed his father's advice, they'd have "stuck it to the bastards" and become really rich. This image of hundreds and hundreds of millions of millionaires sticking it to each other, there no longer being any other category of citizen to stick it to, is so all-inclusive that there is no need for others to concern themselves with this word."

"[T]he ideal of the rugged individual opening up the American West is still applied as an essential truth to ten million citizens living in the small area of New York City, as if ten million bulls should and could be squeezed into a china shop."

"It is undoubtedly easier to believe in absolutes, follow blindly, mouth received wisdom. But that is self-betrayal."

"Which is ideology? Which not? You shall know them by their assertion of truth, their contempt for considered reflection, and their fear of debate."

"Happy family: The existence and maintenance of [this] is thought to make a politician fit for public office. According to this theory, the public are less concerned by whether or not they are effectively represented than by the need to be assured that the penises and vaginas of public officials are only used in legally sanctioned circumstances."

"Freud, Sigmund: A man so dissatisfied with his own mother and father that he devoted his life to convincing everyone who would listen — or better still, talk — that their parents were just as bad."

"Freedom: An occupied space which must be reoccupied every day."