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April 10, 2026
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"I want to make a movie that has enough impact that it's going to do what it needs to do. But I don't want to make a film that serial killers masturbate to."
"I don't have the Tom Hanks fans. When you make the kind of movies I make, you get weird letters from people."
"I tend to over-intellectualize things, to come at them from a structural point."
"You know, I don't think I've ever listened to someone's commentary. Ever."
"There are some movies I can watch over and over, never get sick of. I'll put one of those on and be puttering around the house. Then a certain scene will come on and I'll just have to go over and watch."
"Oh, yeah, I love DVD's. I don't have what you'd call an extensive collection, maybe a couple of hundred or so. But I have something on almost all the time."
"I always feel ill-prepared for commentaries and it had been so long I was afraid I'd forget everything that happened on the film. But having everybody come together for it was really great. It was like a high school reunion. We all reminisced and just had a great time."
"I do like movies that take a toll on the audience. I want to work the subconscious. I want to involve you in ways in which you might not necessarily want to get involved. I want to play off those things that you're expecting to get when the lights go down and the 20th Century Fox logo comes up. There's an audience expectation and I'm interested in how movies play with--and off--that expectation. That's what I'm interested in."
"I find it amoral if you're making a movie where the problem is solved with a guy standing in the back of pickup truck firing a machine at the bad guys. The morality of it is questionable because the repercussions of violence are incredibly far-reaching."
"Violence shouldn't be presented as drama. I think people looking for an easy way out often write scenes where characters come into violent conflict as opposed to looking for the true drama in the situation. That's a shortcoming of a lot of films and television shows. I think certain presentations of violence are not immoral, but amoral."
"The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society."
"Film-making encompasses everything, from tricking people into investing in it, to putting on the show, to trying to distill down to moments in time, and ape reality but send this other message. It's got everything. When I was a kid I loved to draw, and I loved my electric football sets, and I painted little things and made sculptures and did matte painting and comic books and illustrated stuff, and took pictures, had a darkroom, loved to tape-record stuff. It's all of that. It's not having to grow up. It's four-dimensional chess, it's strategy, and it's being painfully honest, and unbelievably deceitful, and everything in between."
"You want to be able to provide something, and you're pissing down a fucking well. It will suck you dry and take everything you have and, like being a parent, you can pour as much love as you want, and your kid still says, "Just let me right out here, you don't have to take me all the way." You're working to make yourself obsolete. I'm not going to make Persona - my movies are fairly obvious in what the people want and what it is that's happening; it;s not that internalized. What's internalized is how you process the information from the singular, subjective point of view. And that becomes the subtext of it."
"We wanted a title sequence that started in the fear center of the brain. [When you hear] the sound of a gun being cocked that's in your mouth, the part of you brain that gets everything going, that realizes that you are fucked - we see all the thought processes, we see the synapses firing, we see the chemical electrical impulses that are the call to arms. And we wanted to sort of follow that out. Because the movie is about thought, it's about how this guy thinks. And it's from his point of view, solely. So I liked the idea of starting a movie from thought, from the beginning of the first fear impulse that went, Oh shit, I'm fucked, how did I get here?"
"A stylized version of our IKEA present. It is talking about very simple concepts. We're designed to be hunters and we're in a society of shopping. There's nothing to kill anymore, there's nothing to fight, nothing to overcome, nothing to explore. In that societal emasculation this everyman is created."
"He's just scary smart, sort of smarter than everyone else in the room. There's just a handful of these people who know absolutely everything about the process. They could do everyone's job brilliantly. Every aspect is under their control."
"Thank you to the stellar collection of photographers, designers, editors, musicians, costumers, painters, researchers, electricians and craftspeople who without whom I'd just be a bitter man with a lot of opinions"
"I thought it was so strange because I normally make these pitch-black studies of misanthropes or the occasional movie about serial killers, sowhat could the possibly see in this material for me."
"You can either look at your career as the things you're going to leave behind, and they have to be executed flawlessly and you have to know exactly what it is that you're doing. Or you can be realistic about the fact that you're going to learn as you practice what you do."
"The term "cult" is always one of individual judgment. It has been variously applied to groups involved in beliefs and practices just off the beat of traditional religions; to groups making exploratory excursions into non-Western philosophical practices; and to groups involving intense relationships between followers and a powerful idea or leader. The people I have studied, however, come from groups in the last, narrow band of the spectrum: groups such as the Children of God, the Unification Church of the Reverend Sun Myung Moon, the Krishna Consciousness movement, the Divine Light Mission, and the Church of Scientology. I have not had occasion to meet with members of the People's Temple founded by the late Reverend Jim Jones, who practiced what he preached about being prepared to commit murder and suicide, if necessary, in defense of the faith."
"I started hearing from families who had missing members, many of them young kids on our campus, and they all would describe the same sorts of things. A sudden change of personality, a new way of talking...and then they would disappear. And bingo, it was the same sort of thing as with the Korean War prisoners, the same sort of thought-reform and social controls. You find it again and again, any time people feel vulnerable. There are always sharpies around who want to hornswoggle people."
"Just look up to the sky and talk to God yourself. You don't need an organization to do that. …They're all the same, really, these groups — they prey on the most lonely, vulnerable people they can find, cage you with your own mind through guilt and fear, cut you off from everyone you knew before, and when they're done doing that, they don't need armed guards to keep you. You're afraid that if you leave, your parents will die, you will die, your life will be ruined. Flim-flam men, pimps, sharpsters — that's what they are. Liars. Tricksters. It's been the same ever since Eve got the apple, and I doubt it will ever change. A real religion is truthful, you can come or go from it if you wish. And most importantly, there is no one leader claiming he is a god. Big, big difference."
"I do not endorse them [Landmark Education] - never have. The SOBs have already sued me once. I'm afraid to tell you what I really think about them because I'm not covered by any lawyers like I was when I wrote my book."
"Hundreds of other cult leaders have gathered far more followers than Jones by promising new psychological and spiritual utopias. They have succeeded by combining various ages-old psychological and social persuasion techniques in an atmosphere os Madison Avenue soft-sell approaches. Because most of the followers have been youthful or poor, little attention and credence has been given to reports from ex-members, families and friends who report the effects of the techniques of manipulation used by the groups."
"An estimated 5,000 economic, political, and religious groups operate in the United States alone at any given time, with 2.5 million members. Over the last ten years, cults have used tactics of coercive mind control to negatively impact an estimated 20 million victims in the last ten years. Worldwide figures are even greater."
"Thought reform is accomplished through the use of psychological and environmental control processes that do not depend on physical coercion. Today's thought reform programs are sophisticated, subtle, and insidious, creating a psychological bond that in many ways is far more powerful than gun-at-the-head methods of influence. The effects generally lose their potency when the control processes are lifted or neutralized in some way. That is why most Korean War POWs gave up the content of their prison camp indoctrination programs when they came home, and why many cultists leave their groups if they spend a substantial amount of time away from the group or have an opportunity to discuss their doubts with an intimate."
"But not everyone agreed with her views on the subject, and Singer paid a price for her work. Cult "operatives" dug through her trash, went through her mail, picketed her lectures and sent her death threats. They also hacked into her computer countless times, once released dozens of live rats in her house, and frequently left dead rats on her doorstep with threatening notes."
"Her testimony would help people understand the clinical impact of a cult's manipulation and exploitation. There was a constant stream of people who would go into these organizations and end up in psychiatric emergency rooms."
"In addition to her high-profile work on cults, Singer was also an authority on schizophrenia, and was nominated twice for a Nobel Prize for her research."
"One of those groups went through my mom's mail and knew everything about us - my girlfriend's name, where we went, what we bought, all kinds of stuff. We all put up with a lot, but nobody more than her."
"While everyone is influenced and persuaded daily in various ways, vulnerability to influence fluctuates. The ability to fend off persuaders is reduced when one is exhausted, rushed, stressed, uncertain, lonely, indifferent, uninformed, aged, very young, unsophisticated, ill, brain- damaged, drugged, drunk, distracted, fatigued, frightened, or very dependent."
"In this era of clichés, the word “giant” is bandied about all too frequently. But Margaret was a genuine giant. She made enormous contributions to the psychological understanding of cults, including the Unification Church, Heaven's Gate, and the Branch Davidians; and cult therapies, including Synanon and Scientology."
"Margaret Thaler Singer stands alone in her extraordinary knowledge of the psychology of cults"
"She was a remarkable person -the only genius I ever met in our business. There are simply very few people anywhere who had the clinical skills that she had - period. In addition, she was a world-class researcher. She was twice nominated for a Nobel Prize for her work in schizophrenia. That work revealed that the best indicator of the disordered mind was the schizophrenic's odd and peculiar use of language."
"She's one of a kind, the foremost authority on brainwashing in the entire world. She is a national treasure."
"She is the most recognized expert in her field in the whole world, and that's why I sought her out. She's also a real doll, and a very decent human being, above and beyond everything else."
"Over the decades, cult operatives have fished through Singer's trash, sent her death threats and picketed her lectures. They've released dozens of live rats at her house, put dead ones on her doorstep (hearts skewered with lollipop sticks) and hacked into her computer so many times she doesn't use one any more. Once a cultist talked her way into working in Singer's campus office, then stole a sheaf of term papers and sent bizarre notes to the students."
"Psychologist Margaret Singer, 69, an outspoken Scientology critic and professor at the University of California, Berkeley, now travels regularly under an assumed name to avoid harassment."
"The public takes care of their fear by thinking only crazies and stupid people wind up in cults. I've interviewed over 4000 ex-cult members. There's no one type of person who is vulnerable."