"I see every director as a different brand. That way, it’s easy for me to compartmentalise my work. So I can easily switch from one film to the other and refresh myself when I hit a mental block. I don’t want my music to sound like a pastiche of other works. So I stop listening to my songs once the audio for a film is released. When I unwind, it’s usually with jazz."

"Dad used to say it’s [live recording] the backbone for any musical endeavour. And I’ve realised that with time. So most often, my re-recordings are live. Technology does enhance music, but the warmth of a live orchestra is incomparable. Fans wrote to me after ‘Oru Devadai…’ (“Vaamanan”) saying the score had a divine quality. That’s because it was done live. Besides, I’m also conscious of the employment problem that technology-driven music creates."

"My mind’s buzzing with scripts. I want to do something really different. A long-term goal is to open an orphanage for kids. I’ve envisioned something of huge proportions. But first let me make the money for it."

"Karthik Raja is immensely talented. It’s unfortunate he hasn’t got the right break. Be it technology, manuscript or knowledge of genres, he is thorough. I’m sure he will make it ASAP."

"Dad is a man of few words. He rarely discusses my compositions. But I hear him humming my numbers to my nephew. The recent one is a hit from the Telugu flick “Oy”. A musical genius in the family is both a huge advantage and a disadvantage. I’ve absorbed so much from my father. But, at the same time, fans keep writing to me saying they expect more from me — because of my lineage!"

"By the way, Mr. Premier: Have you ever noticed that all four of the greatest poets in the world are Muslim? And yet all the Muslims you meet are illiterate or covered head to toe in black burkas or looking for buildings to blow up? It’s a puzzle, isn’t it? If you ever figure these people out, send me an e-mail."

"Here’s a strange fact: murder a man, and you feel responsible for his life—’’possessive’’, even. You know more about him than his father and mother; they knew his fetus, but you know his corpse. Only you can complete the story of his life, only you know why his body has to be pushed into the fire before its time, and why his toes curl up and fight for another hour on earth."

"With their tinted windows up, the cars of the rich go like dark eggs down the roads of Delhi. Every now and then an egg will crack open—a woman’s hand, dazzling with gold bangles, stretches out an open window, flings an empty mineral water bottle onto the road—and then the window goes up, and the egg is resealed."

"The great man folded his palms and bowed all around him. He had one of those either/or faces that all great Indian politicians have. This face says that it is now at peace—and you can be at peace too if you follow the owner of that face. But the same face can also say, with a little twitch of its features, that it has known the opposite of peace and it can make this other face yours too, if it wishes."

"Go to Old Delhi, behind the Jama Masjid, and look at the way they keep chickens there in the market. Hundreds of pale hens and brightly colored roosters, stuffed tightly into wire mesh cages, packed as tightly as worms in a belly, pecking each other and shitting on each other, jostling just for breathing space; the whole cage giving off a horrible stench—the stench of terrified, feathered flesh. On the wooden desk above this coop sits a grinning young butcher, showing off the flesh and organs of recently chopped-up chicken, still oleaginous with a coating of dark blood. The roosters in the coop smell the blood from above. They see the organs of their brothers lying around them. They know they’re next. Yet they do not rebel. They do not try to get out of the coop.The very same thing is done with human beings in this country."

"The dreams of the rich, and the dreams of the poor—they never overlap, do they?See, the poor dream all their lives of getting enough to eat and looking like the rich. And what do the rich dream of?Losing weight and looking like the poor."

"The moment you recognize what is beautiful in this world, you stop being a slave."

"The book of your revolution sits in the pit of your belly, young Indian. Crap it out, and read.Instead of which, they’re all sitting in front of color TVs and watching cricket and shampoo advertisements."

"Apparently, sir you Chinese are far ahead of us in every respect, except that you don’t have entrepreneurs. And our nation, though it has no drinking water, electricity, sewage system, public transportation, sense of hygiene, discipline, courtesy, or punctuality, ‘’does’’ have entrepreneurs. Thousands and thousands of them. Especially in the field of technology. And these entrepreneurs—’’we’’ entrepreneurs—have set up all these outsourcing companies that virtually run America now."

"Now, there are some, and I don’t just mean Communists like you, but thinking men of all political parties, who think that not many of these gods actually exist. Some believe that ‘’none’’ of them exist. There’s just us and an ocean of darkness around us. I’m no philosopher or poet, how would I know the truth? It’s true that all these gods seem to do awfully little work—much like our politicians—and yet keep winning reelection to their golden thrones in heaven, year after year. That’s not to say that I don’t respect them, Mr. Premier! Don’t you ever let that blasphemous idea into your yellow skull. My country is the kind where it pays to play it both ways: the Indian entrepreneur has to be straight and crooked, mocking and believing, sly and sincere, at the same time."

"A rich man’s body is like a premium cotton pillow, white and soft and blank. ‘’Ours’’ is different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen."

"Mr Premier, Sir. Neither you nor I speak English, but there are some things that can be said only in English."