"To enlarge the sphere of social happiness is worthy of the benevolent design of a Masonic institution; and it is most fervently to be wished, that the conduct of every member of the fraternity, as well as those publications, that discover the principles which actuate them, may tend to convince mankind that the grand object of Masonry is to promote the happiness of the human race."

"The revolution in industry has been much more far-reaching than it has in ideas, where piecework is preferred to new structures. That is why the French parliamentarians of the petty bourgeoisie could find no better way of creating moral ties to hold the people together against the disruptiveness of modern relations than to put on white aprons and arm themselves with a pair of compasses or a plumbline. They were really thinking less of erecting a new building than of finding their way back into the old one of parliament or ministry."

"In the eighteenth century, freemasonry became expressive of a militant policy of enlightenment, as in the case of the Illuminati, who were the forerunners of revolution; on its left, it culminated in the Carbonari. Freemasons counted among their members both Louis XVI and the Dr. Guillotin who invented the guillotine. In southern Germany, freemasonry assumed an openly revolutionary character, whereas at the court of Catherine the Great it was a masquerade reflecting the aristocratic and bureaucratic hierarchy. A freemason Novikov was exiled to Siberia by a freemason empress. Although in our day of cheap and ready-made clothing hardly anybody is still wearing his grandfather’s surtout, in the world of ideas the surtout and the crinoline are still in fashion. Ideas are handed down from generation to generation, although, like grandmother’s pillows and covers, they reek of staleness. Even those who are obliged to change the substance of their opinions force them into ancient moulds."

"Why had the merchants, artists, bankers, officials, and lawyers, from the first quarter of the seventeenth century on, begun to call themselves masons and tried to recreate the ritual of the medieval guilds? What was all this strange masquerade about? Gradually the picture grew clearer. The old guild was more than a producing organization; it regulated the ethics and mode of life of its members as well. It completely embraced the life of the urban population, especially the guilds of semi-artisans and semi-artists of the building trades. The break-up of the guild system brought a moral crisis in a society which had barely emerged from medieval. The new morality was taking shape much more slowly than the old was being cut down. Hence, the attempt, so common in history, to preserve a form of moral discipline when its social foundations, which in this instance were those of the industrial guilds, had long since been undermined by the processes of history. Active masonry became theoretical masonry. But the old moral ways of living, which men were trying to keep just for the sake of keeping them, acquired a new meaning. In certain branches of freemasonry, elements of an obvious reactionary feudalism were prominent, as in the Scottish system."

"We played game after game and at times it was almost impossible not to feel ludicrous. But they were all designed to help protesters defeat barriers — and police. Even the staunchest environmental protesters — some of whom come from the most far-flung fringes of society — regard the clowns with suspicion, as slightly untrustworthy anarchists. But then, almost everybody else was so earnest. There was a smattering of middle-aged, grey-haired folk, but many were cliches of "Swampy" — thin, vegan and humourless."

"The clowns may look ridiculous — and they vow they are non-violent — but their mission is serious: to provide diversions to more vigorous protests and highlight what they see as the nonsense of non-thinking actions likely to damage the environment."

"CIRCA aims to make clowning dangerous again, to bring it back to the street, restore its disobedience and give it back the social function it once had: its ability to disrupt, critique and heal society. Since the beginning of time tricksters (the mythological origin or all clowns) have embraced life's paradoxes, creating coherence through confusion — adding disorder to the world in order to expose its lies and speak the truth."

"RUN AWAY FROM THE CIRCUS JOIN THE FORCES OF THE CLANDESTINE INSURGENT REBEL CLOWN ARMY"

"We are circa because we are approximate and ambivalent, neither here nor there, but in the most powerful of all places, the place in-between order and chaos."

"Only an army can declare absurd war on absurd war."

"Since the beginning of time tricksters have embraced life's contradictions, creating coherence through confusion."

"We are clowns because what else can one be in such a stupid world."

"We are rebels because we love life and happiness more than 'revolution'. Because no revolution is ever complete and rebellions continues forever. Because we will dismantle the ghost-machine of abstraction with means that are indistinguishable from ends. Because we don't want to change 'the' world, but 'our' world. Because we will always desert and disobey those who abuse and accumulate power. Because rebels transform everything — the way they live, create, love, eat, laugh, play, learn, trade, listen, think and most of all the way they rebel."

"We are insurgent because we have risen up from nowhere and are everywhere. Because ideas can be ignored but not suppressed and an insurrection of the imagination is irresistible. Because whenever we fall over we rise up again and again and again, knowing that nothing is lost for history, that nothing is final. Because history doesn't move in straight lines but surges like water, sometimes swirling, sometimes dripping, flowing, flooding — always unknowable, unexpected, uncertain. Because the key to insurgency is brilliant improvisation, not perfect blueprints."

"We are clandestine because we refuse the spectacle of celebrity and we are everyone. Because without real names, faces or noses, we show that our words, dreams, and desires are more important than our biographies. Because we reject the society of surveillance that watches, controls, spies upon, records and checks our every move. Because by hiding our identity we recover the power of our acts. Because with greasepaint we give resistance a funny face and become visible once again."

"The Clandestine Insurgent Rebel Clown Army is looking for fools and rebels, radicals and rascals, tricksters and traitors, mutineers and malcontents to join its ranks. You could be part of a fighting force armed with ruthless love and fully trained in the ancient art of clowning and non-violent direct action. You could learn ingeniously stupid tactics that baffle the powerful. You could uncover your inner clown and discover the subversive freedom of fooling. You don't need to like clowns or soldiers, you just need to love life and laughter as much as rebellion."

"I stand ready to deploy, engage, and use clown logic to change my enemies into friends and then into clowns. I am a harbinger of freedom, fun, and friendship, the clown's way of life. I am a rebel clown."

"I am a rebel clown. I am a buffoon in a platoon of fools. I serve the children of the world and live by the values of CIRCA"