Novelists From France

"In 1966, Gary and Seberg visited the memorial of the Warsaw ghetto, in the city where he’d lived as a child for several years before moving to France. This confrontation with the trauma of history — a horror he narrowly avoided — was overwhelming. Gary hallucinated the arm of a hidden Jew emerging from a sewer grill shaking its fist, and fainted from the shock. When he came to, some combination of survivor’s guilt and righteous anger was conceived, taking shape in The Dance of Genghis Cohn (1967) — a breathtakingly original, hilarious, and complex exploration of Gary as a man, an author, and a Jew. Genghis (né Moishe) Cohn, a comedian from Berlin imprisoned in Auschwitz, exposes his bare bottom to Schatz, the SS officer who kills him, and instructs him to “Kush mire in toques.” (Opines Cohn’s ghost: “There have undoubtedly been more worthy and noble last words in history than ‘Kiss my ass,’ but I have never made any claim to greatness and, besides, I’m quite pleased with my effort…”)."

"Gary’s life was shaped by war, revolution, emigration, anti-Semitism, defeat, and murderous low-altitude bombing runs. But he never wallowed in victimhood – quite the contrary. He wrote scathing satires of the victim syndrome, and never claimed that his changes of country and language were anything but opportunities to be someone else. He didn’t need to know whether he was Russian, or Jewish, or Polish, or Catholic, or French. In a questionnaire on ethnic identity he would have answered: all of the above. Gary is a good model for our own century of transnational lives."

"The bombs I dropped on Germany between 1940 and 1944 maybe killed a Rilke or a Goethe or a Hölderin in his cradle. And yes, of course, if it had to be done over, I would do it again. Hitler had condemned us to kill. Not even the most just causes are ever innocent."

"Humour is an affirmation of dignity, a declaration of man's superiority to all that befalls him."

"The gossip that came back to me from fashionable dinners where people pitied poor Romain Gary, who must be a little sad, a little jealous of the meteoric rise in the literary firmament of his cousin Emile Ajar… I’ve had a lot of fun. Good-bye, and thank you."

"During the war he was an airman and slaughtered civilians from on high."

"Gari in Russian means "burn!"… I want to test myself, a trial by fire, so that my I is burned off."

"There is more to Jewish history than Auschwitz."

"A writer’s subconscious is one of the filthiest places there are: as a matter of fact, you can find the whole world there."

"I sat day after day in my little room, waiting for inspiration to visit me, trying to invent a pseudonym that would express, in a combination of noble and striking sounds, our dream of artistic achievement, a pen name grand enough to compensate for my own feeling of insecurity and helplessness at the idea of everything my mother expected from me."

"Disease-carrying thoughts swarm and multiply in the dark and twisted labyrinths of our minds, and all that is needed is a mob and a good political slogan for the epidemic to be spread once again, with a burst of automatic weapons or a mushroom cloud."

"When a war is won, it's the losers, not the winners, who are liberated."

"In 1975, Emile Ajar's second novel, La Vie devant soi, was a French literary sensation. The fictionalised memoir of an Arab boy growing up in a Parisian suburb, packed with extraordinary slang, aggressive jokes and almost unbelievable characters, the book was lathered with praise by critics, eventually winning the Goncourt, the French equivalent of the Booker. It went on to become the bestselling French novel of the 20th century. There was only one problem: Ajar was actually Roman Gary, already a bestselling French author (and previous winner of the Goncourt, which is supposed to be awarded to any particular writer only once), who had reinvented himself to outwit the literary establishment and win a new readership."

"Beyond Gary’s creative mendacity, one aspect of his life was indubitably genuine. After Germany invaded France, Gary escaped to London, where he became a war hero, serving as a fearless bomber pilot for the Free French Forces. Flying missions even when recuperating from battle wounds, Gary fought a feisty personal, even visceral battle against the Nazis (in one interview, Gary described himself as “testicularly anti-racist”) that was a concrete reality in a life devoted to more amorphous artistry, and his wartime loyalties remained a permanent obsession."

"By the time Romain Gary shot himself in the head, the French-Russian writer had published over fifty novels under four different names, directed two movies, fought in the air force, and represented France as a consul. His marriages — first to the British writer Lesley Branch, then to the American actress Jean Seberg — had brought him celebrity. He had enmeshed some of France’s literary giants in an elaborate hoax that broke fundamental precepts of the country’s cultural institutions. But Gary always saw his own life as a series of incomplete drafts. Even as he planned his own death, he remained on the path to self-improvement. “To renew myself, to relive, to be someone else, was always the great temptation of my existence,” read the essay he left with his suicide note. It’s perhaps no surprise that biographies of the author often seem overwhelmed by the slippery nature of their subject. “Romain Gary: The Chameleon,” “Romain Gary: The Man who Sold his Shadow.” Gary was one of France’s most successful writers, but he lived the life of a spy."

"The work of art, by definition, is a stuffed crocodile. [L'objet d'art, par définition, est le crocodile empaillé.] (Source: Alfred Jarry, Selected Works, edited by Roger Shattuck and Simon Watson Taylor. Cape, London, 1965)."

"Clichés are the armature of the Absolute. (Source: Alfred Jarry, Selected Works, edited by Roger Shattuck and Simon Watson Taylor. Cape, London, 1965)."

"The following general definition of an animal: a system of different organic molecules that have combined with one another, under the impulsion of a sensation similar to an obtuse and muffled sense of touch given to them by the creator of matter as a whole, until each one of them has found the most suitable position for it shape and comfort."

"In order to shake a hypothesis, it is sometimes not necessary to do anything more than push it as far as it will go."

"There are three principal means of acquiring knowledge available to us: observation of nature, reflection, and experimentation. Observation collects facts; reflection combines them; experimentation verifies the result of that combination. Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common."

"Are we not madder than those first inhabitants of the plain of Sennar? We know that the distance separating the earth from the sky is infinite, and yet we do not stop building our tower."

"If exclusive privileges were not granted, and if the financial system would not tend to concentrate wealth, there would be few great fortunes and no quick wealth. When the means of growing rich is divided between a greater number of citizens, wealth will also be more evenly distributed; extreme poverty and extreme wealth would be also rare."

"The purpose of an encyclopedia is to collect knowledge disseminated around the globe; to set forth its general system to the men with whom we live, and transmit it to those who will come after us, so that the work of preceding centuries will not become useless to the centuries to come; and so that our offspring, becoming better instructed, will at the same time become more virtuous and happy, and that we should not die without having rendered a service to the human race in the future years to come"

"Go further, and require each of them to make a contribution: you will see how many things are still missing, and you will be obliged to get the assistance of a large number of men who belong to different classes, priceless men, but to whom the gates of the academies are nonetheless closed because of their social station. All the members of these learned societies are more than is needed for a single object of human science; all the societies together are not sufficient for a science of man in general."

"Reason is to the philosopher what grace is to the Christian. Grace causes the Christian to act, reason the philosopher. Other men are carried away by their passions, their actions not being preceded by reflection: these are the men who walk in darkness. On the other hand, the philosopher, even in his passions, acts only after reflection; he walks in the dark, but by a torch. The philosopher forms his principles from an infinity of particular observations. Most people adopt principles without thinking of the observations that have produced them, they believe the maxims exist, so to speak, by themselves. But the philosopher takes maxims from their source; he examines their origin; he knows their proper value, and he makes use of them only in so far as they suit him. Truth is not for the philosopher a mistress who corrupts his imagination and whom he believes to be found everywhere; he contents himself with being able to unravel it where he can perceive it. He does not confound it with probability; he takes for true what is true, for false what is false, for doubtful what is doubtful, and probable what is only probable. He does more, and here you have a great perfection of the philosopher: when he has no reason by which to judge, he knows how to live in suspension of judgment... The philosophical spirit is, then, a spirit of observation and exactness, which relates everything to true principles..."

"The good of the people must be the great purpose of government. By the laws of nature and of reason, the governors are invested with power to that end. And the greatest good of the people is liberty. It is to the state what health is to the individual."

"La puissance qui s'acquiert par la violence n'est qu'une usurpation, et ne dure qu'autant que la force de celui qui commande l'emporte sur celle de ceux qui obéissent."

"Aucun homme n'a recu de la nature le droit de commander aux autres. La liberté est un présent du ciel, et chaque individu de la meme espèce a le droit d'en jouir aussitòt qu'il jouit de la raison."

"This is a work that cannot be completed except by a society of men of letters and skilled workmen, each working separately on his own part, but all bound together solely by their zeal for the best interests of the human race and a feeling of mutual good will."

"We do not know nature; causes hidden in her breast might have produced everything. In your turn, observe the polyp of Trembley: does it not contain in itself the causes which bring about regeneration? Why then would it be absurd to think that there are physical causes by reason of which everything has been made, and to which the whole chain of this vast universe is so necessarily bound and held that, nothing which happens, could have failed to happen,—causes, of which we are so invincibly ignorant that we have had recourse to a God, who, as some aver, is not so much as a logical entity? Thus to destroy chance is not to prove the existence of a supreme being, since there may be some other thing which is neither chance nor God—I mean, nature. It follows that the study of nature can make only unbelievers; and the way of thinking of all its more successful investigators proves this."

"To say that man is a compound of strength and weakness, light and darkness, smallness and greatness, is not to indict him, it is to define him."

"To prove the Gospels by a miracle is to prove an absurdity by something contrary to nature."

"Scepticism is the first step towards truth."

"Superstition is more injurious to God than atheism."

"We are constantly railing against the passions; we ascribe to them all of man’s afflictions, and we forget that they are also the source of all his pleasures … But what provokes me is that only their adverse side is considered … and yet only passions, and great passions, can raise the soul to great things. Without them there is no sublimity, either in morals or in creativity. Art returns to infancy, and virtue becomes small-minded."

"There is no good father who would want to resemble our Heavenly Father"

"On doit exiger de moi que je cherche la vérité, mais non que je la trouve."

"The God of the Christians is a father who makes much of his apples, and very little of his children."

"To attempt the destruction of our passions is the height of folly. What a noble aim is that of the zealot who tortures himself like a madman in order to desire nothing, love nothing, feel nothing, and who, if he succeeded, would end up a complete monster!"

"When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music."

"[Jews are] angry and brutish people, vile and vulgar men, slaves worthy of the yoke [Talmudism] which you bear... Go, take back your books and remove yourselves from me. [ The Talmud ] taught the Jews to steal the goods of Christians, to regard them as savage beasts, to push them over the precipice... to kill them with impunity and to utter every morning the most horrible imprecations against them."

"Happiest are the people who give most happiness to others."

"There are things I can't force. I must adjust. There are times when the greatest change needed is a change of my viewpoint."

"I believe in God, although I live very happily with atheists... It is very important not to mistake hemlock for parsley; but not at all so to believe or not in God."

"I am beginning to feel that I am growing old; soon, I shall have to eat mush like children. I shall no longer be able to speak, which will be a rather great advantage for others and but a small inconvenience for myself.... The time in which I count in years is gone; that in which I count in days is here.... I had thought that the fibers of the heart would grow callous with age, it's not at all the case. I am not sure that my sensitivity hasn't increased; everything moves me, affects me.... To fade out between a man feeling your pulse and another bothering your head; not to know where one comes from, why one came, where one is going ..."

"There is no moral precept that does not have something inconvenient about it."

"Evil always turns up in this world through some genius or other."

"We are far more liable to catch the vices than the virtues of our associates."

"Distance is a great promoter of admiration!"

"[Africans are] always vicious... mostly inclined to lasciviousness, vengeance, theft and lies."