Metafictional Works

"Because the prehistoric cultures endured for so many chiliads, they have shaped our heritage in such a way as to cause us to behave as if their conditions obtained today."

"There is no category of human activity in which the dead do not outnumber the living many times over. Most beautiful children are dead. Most soldiers, most cowards. The fairest women and the most learned men—all are dead. Their bodies repose in caskets, in sarcophagi, beneath arches of rude stone, everywhere under the earth. Their spirits haunt our minds, ears pressed to the bones of our foreheads. Who can say how intently they listen as we speak, or for what word?"

"There was a cook who so despised the armigers and exultants for whom he prepared food that, in order that he should never have to bear the indignity of their reproaches, he did everything with a feverish perfection. He was eventually made chief of the cooks of that wing."

"When a client is driven to the utmost extremity, it is warmth and food and ease from pain he wants. Peace and justice come afterward. Rain symbolizes mercy and sunlight charity, but rain and sunlight are better than mercy and charity. Otherwise they would degrade the things they symbolize."

"The sand in my boots was sacred sand because it came from a beach of sacred sand. The cenobites treasured up the relics of the sannyasins because the sannyasins had approached the Pancreator. But everything had approached and even touched the Pancreator, because everything had dropped from his hand. Everything was a relic. All the world was a relic. I drew off my boots, that had traveled with me so far, and threw them into the waves that I might not walk shod on holy ground."

"“You have bettered yourself,” he said, making such a low bow that the tassel of his cap swept the carpet. “You may recall that I invariably affirmed you would. Honesty, integrity, and intelligence cannot be kept down.” “We both know that nothing is easier to keep down,” I said. “By my old guild, they were kept down every day.”"

"We’ll both be glad of the company, like the undertaker remarked to the ghost."

"Love is a long labor for torturers; and even if I were to dissolve the guild, Eata would become a torturer, as all men are, bound by the contempt for wealth without which a man is less than a man, inflicting pain by his nature, whether he willed it or not."

"A few of the rooms into which I looked held walls in which there had once ticked a thousand or more clocks of various kinds, and though all were dead now, their chimes silenced and their hands corroded at hours that would never come again, I thought them good omens for one who sought the Atrium of Time."

"Certain mystes aver that the real world has been constructed by the human mind, since our ways are governed by the artificial categories into which we place essentially undifferentiated things, things weaker than our words for them."

"Dorcas drew back. “Magic, you mean?” “There is no magic. There is only knowledge, more or less hidden.”"

"Women believe—or at least often pretend to believe—that all our tenderness for them springs from desire; that we love them when we have not for a time enjoyed them, and dismiss them when we are sated, or to express it more precisely, exhausted. There is no truth in this idea, though it may be made to appear true. When we are rigid with desire, we are apt to pretend a great tenderness in the hope of satisfying that desire; but at no other time are we in fact so liable to treat women brutally, and so unlikely to feel any deep emotion but one."

"Whatever we may say, all of us suffer from disturbed sleep at times. [...] Some are disquieted by incessant dreams, and a fortunate few are visited often by dreams of a delightful character. Some will say they were at one time troubled in sleeping but have "recovered" from it, as though awareness were a disease, as perhaps it is."

"Men to whom wine had brought death long before lay by springs of wine and drank still, too stupefied to know their lives were past."

"In silence two praetorians (four fluttering sparrows, as it seemed) caught our destriers and led them away. How like us those animals were, walking patiently they knew not where, their massive heads following thin strips of leather. Nine-tenths of life, so it seems to me, consists of these surrenders."

"I am much older than you are. Older than you think. If there is one thing I have learned in so many voyages, it is that the dead do not rise, nor the years turn back. What has been and is gone does not come again."

"We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters."

"He had a slightly cynical detachment from mankind that suggested he had seen a great deal of the world."

"Those who wish no change may sit hugging their scruples forever."

"I have often heard it said that gratitude is not to be found. That is not true—those who say so have always looked in the mistaken place. One who truly benefits another is for that moment at a level with the Pancreator, and in gratitude for that elevation will serve the other all his days."

"All the boasted human panoply of pillars and arches is no more than an imitation in sterile stone of the boles and vaulting branches of the forest."

"I saw how little it weighed on the scale of things whether I lived or died, though my life was precious to me. And of those two thoughts I forged a mood by which I stood ready to grasp each smallest chance to live, yet in which I cared not too much whether I saved myself for not. By that mood, as I think, I did live; it has been so good a friend to me that I have endeavored to wear it ever since, succeeding not always, but often."

"There is no other difference between those who are called courageous and those who are branded craven than that the second are fearful before the danger and the first after."

"Myself, I don’t believe—or rather, I think that if the Pancreator don’t care nothing for me, I won’t care nothing for him, and why should I?"

"We try to keep the traders honest that come to our fairs. It’s only good business. If he doesn’t make them right for you, whoever he is, we’ll duck him in the river, you may be sure. One or two ducked a year keep the rest from feeling too comfortable."

"That we are capable only of being what we are remains our unforgivable sin."

"To those who have preceded me in the study of the posthistoric world, and particularly to those collectors—too numerous to name here—who have permitted me to examine artifacts surviving so many centuries of futurity, and most especially to those who have allowed me to visit and photograph the era's few extant buildings, I am truly grateful."

"The soldiers forced him to his knees and I lifted my sword, forever blotting out the sun."

"A crowd is not the sum of the individuals who compose it. Rather it is a species of animal, without language or real consciousness, born when they gather, dying when they depart."

"There was something underneath, something else, a face like the face poison would have, if poison had a face."

"I think it is in this that we find the real difference between those women to whom if we are to remain men we must offer our lives, and those who (again–if we are to remain men) we must overpower and outwit if we can, and use as we never would a beast: that the second will never permit us to give them what we give the first."

"By the use of the language of sorrow I had for the time being obliterated my sorrow—so powerful is the charm of words, which for us reduces to manageable entities all the passions that would otherwise madden and destroy us."

"“The world is filled half with evil and half with good. We can tilt it forward so that more good runs into our minds, or back, so that more runs into this.” A movement of her eyes took in all the lake. “But the quantities are the same, we change only their proportion here or there.”"

"The Increate maintains all things in order surely; and the theologicans say light is his shadow. Must it not be then that in darkness order grows ever less? [...] Perhaps when night closes our eyes there is less order than we believe. Perhaps, indeed, it is this lack of order we perceive as darkness, a randomization of the waves of energy (like the sea), the fields of energy (like a farm) that appear to our deluded eyes—set by light in an order of which they themselves are incapable—to be the real world."

"Who it is I wouldn’t know, and since I don’t want to know my future—and I know my past, I should think, better than her—I don’t go near the cave. People come sometimes hopin’ to know when they’ll be married, or about success in trade. But I've observed they don’t often come back."

"“There’s a great deal said against Death. I mean by the people that has to die, drawin’ her picture like a crone with a sack, and all that. But she’s a good friend to birds, Death is. Wherever there’s dead men and quiet, you'll find a good many birds, that’s been my experience.” Recalling how the thrushes sang in our necropolis, I nodded."

"Like all these religious arguments, this one gets less significant as we continue. Supposing the Conciliator to have walked among us eons ago, and to be dead now, of what importance is he save to historians and fanatics? I value his legend as a part of the sacred past, but it seems to me that it is the legend that matters today, and not the Conciliator’s dust."

"Have I said that time turns our lies into truths?"

"Art had been lavished upon her; but it is the function of art to render attractive and significant those things that without it would not be so, and so art had nothing to give her."

"It is said that it is the peculiar quality of time to conserve fact, and that it does so by rendering our past falsehoods true. So it was with me. I had lied in saying that I loved the guild—that I desired nothing but to remain in its embrace. Now I found those lies become truths."

"“I know little of the court, Chatelaine.” “The less you know, the happier you will be.”"

"Weak people believe what is forced on them. Strong people what they wish to believe, forcing that to be real. What is the Autarch but a man who believes himself Autarch and makes others believe by the strength of it?"

"One can't found a novel theology on Nothing, and nothing is so secure a foundation as a contradiction. Look at the great successes of the past—they say their deities are the masters of all the universes, and yet that they require grandmothers to defend them, as if they were children frightened by poultry. Or that the authority that punishes no one while there exists a chance for reformation will punish everyone when there is no possibility anyone will become the better for it."

"The child, as I said, in time discovers The Book of Gold. Then the librarians come — like vampires, some say, but others say like the fairy godparents at a christening. They speak to the child, and the child joins them. Henceforth he is in the library wherever he may be, and soon his parents know him no more."

"I felt that pressure of time that is perhaps the surest indication we have left childhood behind."

"I have found always that the pattern of our guild is repeated [...] in the societies of every trade, so that they are all of them torturers, just as we. His quarry stands to the hunter as our clients to us; those who buy to the tradesman; the enemies of the Commonwealth to the soldier; the governed to the governors; men to women. All love what they destroy."

"We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges. When soldiers take their oath they are given a coin, an asimi stamped with the profile of the Autarch. Their acceptance of that coin is their acceptance of the special duties and burdens of military life—they are soldiers from that moment, though they may know nothing of the management of arms. I did not know that then, but it is a profound mistake to believe that we must know of such things to be influenced by them, and in fact to believe so is to believe in the most debased and superstitious kind of magic. The would-be sorcerer alone has faith in the efficacy of pure knowledge; rational people know that things act of themselves or not at all."

"After Olympia Press, in Paris, published the book, an American critic suggested that Lolita was the record of my love affair with the romantic novel. The substitution "English language" for "romantic novel" would make this elegant formula more correct."

"Twenty-five years after Lolita's publication, as Edward Albee's dramatic adaptation prepares to open on Broadway, Nabokov's vision of American childhood seems nothing if not prescient. The public of 1956 was outraged not only by the thought of early sex but also by the image of a child so knowing, jaded and unchildlike. How much more familiar Lolita is today. There is no doubt that 9-, 10-, 11- and 12-year-olds of the 1980's have more in common with Lolita, at least in what they know, than with those guileless and innocent creatures in their shiny Mary Janes and pigtails, their scraped knees and trusting ways that were called children not so long ago."

"Some say the Great American Novel is Huckleberry Finn, some say it's The Jungle, some say it's The Great Gatsby. But my vote goes to the tale with the maximum lust, hypocrisy and obsession — the view of America that could only have come from an outsider — Nabokov's Lolita. ... Those who bought "Lolita" looking for mere prurient kicks must surely have been disappointed. Lolita is dark and twisted all right, but it's also a corruptly beautiful love story of two tragically alike, id-driven souls... What makes Lolita a work of greatness isn't that its title has become ingrained in the vernacular, isn't that it was a generation ahead of America in fetishizing young girls. No, it is the writing, the way Nabokov bounces around in words like the English language is a toy trunk, the sly wit, the way it's devastating and cynical and heartbreaking all at once. Poor old Dolly Haze might not have grown up very well, but Lolita forever remains a thing of timeless beauty."