Media Critics

"History has many enemies, including some who profess to serve its cause. The struggle to define the past is part of the struggle to control society itself."

"They who struggled against formidable odds with the fear and courage of ordinary humans, whose names we shall never know, whose blood and tears we shall never see, whose cries of pain and hope we shall never hear, to them we are linked by a past that is never dead nor ever really past. And so, when the best pages of history are finally written, it will be not by princes, presidents, prime ministers, or pundits, nor even by professors, but by the people themselves. For all their faults and shortcomings, the people are all we have. Indeed, we ourselves are the people."

"It is never explained why God could not have freely granted us redemption and salvation, assuming we were deemed worthy of it, without contriving to have some of us brutalize and murder his son."

"Margaret Thatcher, who we all know is Ronald Reagan in drag."

"Our fear that Communism might someday take over most of the world blinds us to the fact that anti-communism already has."

"In every class society that's ever existed, the ruling element does not rule nakedly. They always adorn their rule with myths, themes and symbols to justify their position at the apex of the social pyramid."

"Someone once said that Margaret Thatcher satisfied the average Englishman's longing for the perfect dominatrix. No doubt about it, she could deliver pain. The Iron Lady should best be remembered as the Leather Lady. Indeed, today Thatcherism leaves its dreary imprint not only on the Conservative Party but---thanks also to Tony Blair---on a Labor Party that accepts most of her regressive policies."

"The Third World is not poor. You don't go to poor countries to make money. There are very few poor countries in this world. Most countries are rich! The Philippines are rich! Brazil is rich! Mexico is rich! Chile is rich! Only the people are poor. But there's billions to be made there, to be carved out, and to be taken. There's been billions for 400 years! The capitalist European and North American powers have carved out and taken the timber, the flax, the hemp, the cocoa, the rum, the tin, the copper, the iron, the rubber, the bauxite, the slaves, and the cheap labour. They have taken out of these countries. These countries are not underdeveloped, they're overexploited!"

"The Mafia is not an outsider in this world; it is perfectly at home. Indeed, in the integrated spectacle it stands as the model of all advanced commercial enterprises."

"It is hardly surprising that children should enthusiastically start their education at an early age with the Absolute Knowledge of computer science; while they are unable to read, for reading demands making judgments at every line.... Conversation is almost dead, and soon so too will be those who knew how to speak."

"The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity."

"There is nothing more natural than to consider everything as starting from oneself, chosen as the center of the world; one finds oneself thus capable of condemning the world without even wanting to hear its deceitful chatter."

"Quotations are useful in periods of ignorance or obscurantist beliefs."

"In the zone of perdition where my youth went as if to complete its education, one would have said that the portents of an imminent collapse of the whole edifice of civilization had made an appointment."

"Jorn’s role in the Situationist movement (as in COBRA) was that of a catalyst and team leader. Guy Debord on his own lacked the personal warmth and persuasiveness to draw people of different nationalities and talents into an active working partnership. As a prototype Marxist intellectual Debord needed an ally who could patch up the petty egoisms and squabbles of the members. Their quarrels came into the open the moment Jorn’s leadership was withdrawn in 1961. . . . Finally, 1966-8 saw the vindication of Debord’s policy, sustained against every kind of opposition, of adhering rigidly to the uncompromising pursuit of a singleminded plan. When the time came — in Strasbourg in November 1966 and in Paris in May 1968 — Debord was ready, with his two or three remaining supporters, to take over the revolutionary role for which he had been preparing during the last ten years. Incredible as it may seem, the active ideologists (“enragés” and Situationists) behind the revolutionary events in Strasbourg, Nanterre and Paris, numbered only about ten persons."

"Art need no longer be an account of past sensations. It can become the direct organization of more highly evolved sensations. It is a question of producing ourselves, not things that enslave us."

"We are going through a crucial historical crisis in which each year poses more acutely the global problem of rationally mastering the new productive forces and creating a new civilization. Yet the international working-class movement, on which depends the prerequisite overthrow of the economic infrastructure of exploitation, has registered only a few partial local successes. Capitalism has invented new forms of struggle (state intervention in the economy, expansion of the consumer sector, fascist governments) while camouflaging class oppositions through various reformist tactics and exploiting the degenerations of working-class leaderships. In this way it has succeeded in maintaining the old social relations in the great majority of the highly industrialized countries, thereby depriving a of its indispensable material base. In contrast, the underdeveloped or colonized countries, which over the last decade have engaged in the most direct and massive battles against imperialism, have begun to win some very significant victories. These victories are aggravating the contradictions of the capitalist economy and (particularly in the case of the Chinese revolution) could be a contributing factor toward a renewal of the whole revolutionary movement. Such a renewal cannot limit itself to reforms within the capitalist or countries, but must develop conflicts posing the question of power everywhere."

"The shattering of modern culture is the result, on the plane of ideological struggle, of the chaotic crisis of these antagonisms. The new desires that are taking shape are presented in distorted form: present-day resources could enable them to be fulfilled, but the anachronistic economic structure is incapable of developing these resources to such ends. Ruling-class ideology has meanwhile lost all coherence because of the depreciation of its successive conceptions of the world (a depreciation which leads the ruling class to historical indecision and uncertainty); because of the coexistence of a range of mutually contradictory ideologies (such as Christianity and social-democracy); and because of the mixing into contemporary Western culture of a number of only recently appreciated features of several foreign civilizations. The main goal of ruling-class ideology is therefore to maintain this confusion."

"We must call attention, among the workers parties or the extremist tendencies within those parties, to the need to undertake an effective ideological action in order to combat the emotional influence of . On every occasion, by every hyper-political means, we must publicize desirable alternatives to the spectacle of the capitalist way of life, so as to destroy the bourgeois idea of happiness. At the same time, taking into account the existence, within the various ruling classes, of elements that have always tended (out of boredom and thirst for novelty) toward things that lead to the disappearance of their societies, we should incite the persons who control some of the vast resources that we lack to provide us with the means to carry out our experiments, out of the same motives of potential profit as they do with ."

"In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation."

"The spectacle appears at once as society itself, as a part of society and as a means of unification. As part of society, it is that sector where all attention, all consciousness, converges. Being isolated - and precisely for that reason - this sector is the locus of illusion and false consciousness; the unity is imposes is merely the official language of generalized separation."

"The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images."

"The spectacle manifests itself as an enormous positivity, out of reach and beyond dispute. All it says is: "Everything that appears is good; whatever is good will appear." The attitude that is demands in principle is the same passive acceptance that it has already secured by means of its seeming incontrovertibly, and indeed by its monopolization of the realm of appearances."

"Philosophy is at once the power of alienated thought and the thought of alienated power, and as such it has never been able to emancipate itself from theology."

"Tourism, human circulation considered as consumption ... is fundamentally nothing more than the leisure of going to see what has become banal."

"Boredom is always counter-revolutionary. Always."

"Ideas improve. The meaning of words participates in the improvement. Plagiarism is necessary. Progress implies it. It embraces an author’s phrase, makes use of his expressions, erases a false idea, and replaces it with the right idea."

"No longer is science asked to understand the world, or to improve any part of it. It is asked instead to immediately justify everything that happens....spectacular domination has cut down the vast tree of scientific knowledge in order to make itself a truncheon."

"With the destruction of history, contemporary events themselves retreat into a remote and fabulous realm of unverifiable stories, uncheckable statistics, unlikely explanations and untenable reasoning."

"Everyone accepts that there are inevitably little areas of secrecy reserved for specialists; as regards things in general, many believe they are in on the secret."

"What is false creates taste, and reinforces itself by knowingly eliminating any possible reference to the authentic. And what is genuine is reconstructed as quickly as possible, to resemble the false."

"This realistic image, however, does not catch at all what really is, but what should not be - death and misery - what should not exist, from our moral and humanistic point of view. And at the same time making an aesthetic and commercial, perfectly immoral use and abuse of this misery. Images that actually testify, behind their pretended "objectivity", of a deep denial of the real, and of an equal denial of the image - assigned to present what does not even want to be represented, assigned to the rape of the real by burglary."

"The Violence of the Image European Graduate School."

"The world is not dialectical -- it is sworn to extremes, not to equilibrium, sworn to radical antagonism, not to reconciliation or synthesis. This is also the principle of evil."

"To challenge and to cope with this paradoxical state of things, we need a paradoxical way of thinking; since the world drifts into delirium, we must adopt a delirious point of view. We must no longer assume any principle of truth, of causality, or any discursive norm. Instead, we must grant both the poetic singularity of events and the radical uncertainty of events. It is not easy. We usually think that holding to the protocols of experimentation and verification is the most difficult thing. But in fact the most difficult thing is to renounce the truth and the possibility of verification, to remain as long as possible on the enigmatic, ambivalent, and reversible side of thought."

"There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea."

"So-called "realist" photography does not capture the "what is." Instead, it is preoccupied with what should not be, like the reality of suffering for example."

"It is perhaps not a surprise that photography developed as a technological medium in the industrial age, when reality started to disappear. It is even perhaps the disappearance of reality that triggered this technical form. Reality found a way to mutate into an image."

":Two bodies side by side, which are not asleep and know it: a strange kind of communication sets in between them, formed of respect for simulated sleep, and yet it needs to betray itself by some furtive sign — a breathing pattern which is not that of real sleep or movements which are not those of a dreaming body, Neither, however, wants to break the spell. It is a conspiracy in the dark, an emotional conspiracy filled with delicious tension."

"Dying is nothing. You have to know how to disappear. Dying comes down to a biological chance and that is of no consequence. Disappearing is of a far higher order of necessity. You must not leave it to biology to decide when you will disappear. To disappear is to pass into an enigmatic state which is neither life nor death. Some animals know how to do this, as do savages, who withdraw while still alive, from the sight of their own people."

"One day, we shall stand up and our backsides will remain attached to our seats."

"There is no aphrodisiac like innocence."

"A series of accidents creates a positively lighthearted state."

"Boredom is like a pitiless zooming in on the epidermis of time. Every instant is dilated and magnified like the pores of the face."

"There are cultures that can only picture their origins and not their ends. Some are obsessed by both. Two other positions are possible: only picturing one's end - our own culture; picturing neither beginning nor end - the coming culture."

"What you have to do is enter the fiction of America, enter America as fiction. It is, indeed, on this fictive basis that it dominates the world."

"Yet there is a certain solitude like no other - that of the man preparing his meal in public on a wall, or on the hood of his car, or along a fence, alone. You see that all the time here. It is the saddest sight in the world. Sadder than destitution, sadder than the beggar is the man who eats alone in public. Nothing more contradicts the laws of man or beast, for animals always do each other the honour of sharing or disputing each other’s food. He who eats alone is dead (but not he who drinks alone. Why is this?)."

"Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated. Admittedly, there is the primal shock of the deserts and the dazzle of California, but when this is gone, the secondary brilliance of the journey begins, that of the excessive, pitiless distance, the infinity of anonymous faces and distances, or of certain miraculous geological formations, which ultimately testify to no human will, while keeping intact an image of upheaval. This form of travel admits of no exceptions: when it runs up against a known face, a familiar landscape, or some decipherable message, the spell is broken: the amnesic, ascetic, asymptotic charm of disappearance succumbs to affect and worldly semiology."

"The Marxist critique is only a critique of capital, a critique coming from the heart of the middle and classes, for which Marxism has served for a century as a latent ideology…. The Marxist seeks a good use of economy. Marxism is therefore only a limited petit bourgeois critique, one more step in the banalization of life toward the "good use" of the social!"

"The real is not only what can be reproduced, but that which is already reproduced, the hyper-real."