Linguists From Germany

"Ei, Großmutter, was hast du für große Ohren!" "Daß ich dich besser hören kann." "Ei, Großmutter, was hast du für große Augen!" "Daß ich dich besser sehen kann." "Ei, Großmutter, was hast du für große Hände" "Daß ich dich besser packen kann." "Aber, Großmutter, was hast du für ein entsetzlich großes Maul!" "Daß ich dich besser fressen kann."

"Und als sie ganz nahe herankamen, so sahen sie, daß das Häuslein aus Brot gebaut war und mit Kuchen gedeckt; aber die Fenster waren von hellem Zucker."

"Wenn die Zauberin hinein wollte, so stellte sie sich unten hin und rief: "Rapunzel, Rapunzel, Laß mir dein Haar herunter!" Rapunzel hatte lange, prächtige Haare, fein wie gesponnen Gold. Wenn sie nun die Stimme der Zauberin vernahm, so band sie ihre Zöpfe los, wickelte sie oben um einen Fensterhaken, und dann fielen die Haare zwanzig Ellen tief herunter, und die Zauberin stieg daran hinauf."

"Entertainment written for children was no less grisly. In 1815 Jacob and Wilhelm Grimm published a compendium of old folktales that had gradually been adapted for children. Commonly known as Grimm’s Fairy Tales, the collection ranks with the Bible and Shakespeare as one of the bestselling and most respected works in the Western canon. Though it isn’t obvious from the bowdlerized versions in Walt Disney films, the tales are filled with murder, infanticide, cannibalism, mutilation, and sexual abuse—grim fairy tales indeed. Take just the three famous stepmother stories: During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.” Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.” As we shall see, purveyors of entertainment for young children today have become so intolerant of violence that even episodes of the early Muppets have been deemed too dangerous for them."

""Was hast du gelernt? Wieviel Künste verstehst du?" "Ich verstehe nur eine einzige," antwortete bescheidentlich die Katze. "Was ist das für eine Kunst?" fragte der Fuchs. "Wenn die Hunde hinter mir her sind, so kann ich auf einen Baum springen und mich retten." "Ist das alles?" sagte der Fuchs, "Ich bin Herr über Hundert Künste und habe überdies noch einen Sack voll Liste"."

"Zur Zeit, wo das Wünschen noch geholfen hat, ward ein Königssohn von einer alten Hexe verwünscht, dass er im Walde in einem großen Eisenofen sitzen sollte."

""Nun, Frau Königin, wie heiß' ich?" Fragte sie erst: "Heißest du Kunz?" "Nein." "Heißest du Heinz?" "Nein." "Heißt du etwa Rumpelstilzchen?" "Das hat dir der Teufel gesagt, das hat dir der Teufel gesagt," schrie das Männlein."

"Und wie sie hineintrat, erkannte sie Schneewittchen, und vor Angst und Schrecken stand sie da und konnte sich nicht regen. Aber es waren schon eiserne Pantoffel über Kohlenfeuer gestellt und wurden mit Zangen hereingetragen und vor sie hingestellt. Da mußte sie in die rotglühenden Schuhe treten und so lange tanzen, bis sie tot zur Erde fiel."

"Die Königin...trat vor ihren Spiegel und sprach: "Spieglein, Spieglein, an der Wand, Wer ist die Schönste im ganzen Land?" Da antwortete der Spiegel: "Frau Königin, Ihr seid die Schönste hier, Aber Schneewittchen über den Bergen Bei den sieben Zwergen Ist noch tausendmal schöner als Ihr.""

"Der erste sprach: "Wer hat auf meinem Stühlchen gesessen?" Der zweite: "Wer hat von meinem Tellerchen gegessen?" Der dritte: "Wer hat von meinem Brötchen genommen?" Der vierte: "Wer hat von meinem Gemüschen gegessen?" Der fünfte: "Wer hat mit meinem Gäbelchen gestochen?" Der sechste: "Wer hat mit meinem Messerchen geschnitten?" Der siebente: "Wer hat aus meinem Becherlein getrunken?" Dann sah sich der erste um und sah, dass auf seinem Bett eine kleine Delle war, da sprach er: "Wer hat in meinem Bettchen gelegen?" Die anderen kamen gelaufen und riefen: "In meinem hat auch jemand gelegen!" Der siebente aber, als er in sein Bett sah, erblickte Schneewittchen, das lag darin und schlief. Nun rief er die anderen, die kamen herbeigelaufen und schrien vor Verwunderung, holten ihre sieben Lichtlein und beleuchteten Schneewittchen."

"My house and the things in it have always something pleasant to me. There is always a something about home which addresses us with a friendly air, and touches the heart, even after having just come from direct intercourse with objects that are great and beautiful."

"Earnestness in life, even when carried to an extreme, is something very noble and great, but it must not be allowed to disturb the common business of life, else it will produce bitterness, producing injurious effects."

"Everything that regards statesmanship and the interest of the world is in all outward respects of the greatest importance; it creates and destroys in a moment the happiness, even the very existence, of thousands, but when the wave of the moment has rushed past, and the storm has abated, its influence is lost, and even frequently disappears without leaving a trace behind. Many other things that are noiselessly influencing the thoughts and feelings often make far deeper and more lasting impressions on us. Man can for the most part keep himself very independent of all that does not trench on his private life — a very wise arrangement of Providence, since it gives a much greater security to human happiness."

"Work, according to my feeling, is as much of a necessity to man as eating and sleeping. Even those who do nothing which to a sensible man can be called work, still imagine that they are doing something. The world possesses not a man who is an idler in his own eyes."

"Trees have about them something beautiful and attractive even to the fancy, since they cannot change their places, are witnesses of all the changes that take place around them; and as some reach a great age, they become, as it were, historical monuments, and like ourselves they have a life, growing and passing away — not being inanimate and unvarying like the fields and rivers. One sees them passing through various stages, and at last step by step approaching death, which makes them look still more like ourselves."

"There is nothing so selfish and heartless as the displeasure, or at least the kind of contemptuous aversion, with which men of distinction and wealth sometimes regard Sundays and holidays. Even the choice of the seventh day is certainly the wisest which could have been made. However it may seem to lie, and in one respect really may lie, within the power of the will to shorten or lengthen the usual period of labour, I am thoroughly convinced that the six days are the really true, fit, and adequate measure of time for work, whether as regards the physical strength of man or his perseverance in a uniform occupation. There is also something humane in the arrangement, by which those animals which assist man in his work rest along with him."

"It is a beautiful thought, that however far one shore may be from another, the wave that ripples over my foot will in a short time be on the opposite strand."

"Providence certainly does not attend merely to the interests of individuals, but the profound wisdom of its counsels extends to the right ordering and betterment of all."

"The men most to be pitied are those who have no command over themselves, who cannot do what they would, and who, even whilst they are performing virtuous deeds, do so from mean motives, from regard to happiness and mental satisfaction, fear of the reproaches of conscience, or else of future punishment. This is all very well and useful, supposing that man cannot be kept in the straight path by any other motives, but he who looks inwardly to the heart and soul can derive no satisfaction from such conduct. True nobility only exists when the good is sought for its own sake, either as a recognised law of pure duty, or from the feeling of the lofty dignity and constraining beauty of virtue. It is only these motives that show the disposition to be great and noble, and these alone react upon the character."

"Man is, above all, the central point of human action, and each man remains at last alone, so that what was in him and went forth from him is alone important. Man, during his life on earth, sympathising and active, is ever associated in his feelings with others; yet he treads alone the more important path, which leads over the confines of the earthly state: no one can accompany him there, though in every man there is the presentiment, that beyond the grave he will find again those who have gone before him, and will there gather around him again those whom he leaves behind. No man of affectionate feeling can be without this anticipation, yea, this firm belief, without giving up a large portion of his happiness, and that the purest and noblest."

"It is incredible how important it is that the corporeal frame should be kept under the influence of constant, continuous, and unbroken order, and free from the impressions of vicissitude, which always more or less derange the corporeal functions. After all, it is continued temperance which sustains the body for the longest period of time, and which most surely preserves it free from sickness."

"What lies in the nature of things and is dependent on fate, it would be silly and unmanly to lose one’s rest and inward equilibrium in thinking of it."

"The idea we form of a misfortune is ever somewhat different from the misfortune itself, when it appears in all its frightful certainty. We must trust in nothing so little, and must labour for nothing so unceasingly, as for the strengthening of our soul and for self-government, both of which are the only sure foundations of earthly happiness."

"I do not dread old age, and death I have, from a peculiarity of my constitution and from my youth, been accustomed to regard not simply as an event in human life but as something joyous. Such an occurrence cannot possibly excite feelings of regret in one who has meditated deeply on the destiny of man. My reckoning with the world has long been closed — I have nothing more to look for from length of life — I have no deep-laid plans extending to a distant futurity. I take any enjoyments gratefully from the hand of Providence, but would think it foolish to be so dependent upon them as to expect them to be of long continuance. My feelings are the precise central point in which I stand, and where my enjoyments are placed ; from anything external to myself I can derive no pleasure, and those thoughts and feelings are so peculiarly my own that I cannot imagine that they should not go with me. No one, however, can raise the veil which Providence has with profound wisdom drawn over the world beyond the grave."

"Even sleep is characteristic. How charming are children in their lovely innocence! how angel-like their blooming hue! how painful and anxious is the sleep and expression in the countenance of the guilty!"

"A taste for sculpture belongs to the best, purest, and noblest of our enjoyments; and we feel most reluctant to be separated from those forms, from which, however often we contemplate them, we derive renewed and indeed heightened pleasure."

"But the simple thought that the stars are far beyond and above everything earthly — the feeling that everything earthly in comparison fades from the view, and that man himself is utterly insignificant when contrasted with those worlds scattered over the firmament, while his fate, his enjoyments, and wants are as nothing — then again that the stars bind together all men and all periods of the world’s history, as they have seen all from the beginning of time, and will see all that shall come hereafter; — when I meditate on all these things, I lose myself in serene delight while contemplating the starry heavens. Certainly it is a truly sublime spectacle, when in the stillness of the night, in an unclouded sky, the stars, like the world’s choir, rise and set, and as it were divide existence into two portions: — the one, belonging to the earthly, is silent in the perfect stillness of night, whilst the other alone comes forth in sublimity, pomp, and majesty. Viewed in this light the starry heavens truly exercise a moral influence over us; and who can readily stray into the paths of immorality, if he has been accustomed to live amidst such thoughts and feelings, and frequently to dwell upon them? How are we entranced by the simple splendours of this wonderful drama of nature?"

"It is a proverbial expression that every man is the maker of his own fortune, and we usually regard it as implying that every man, by his folly or wisdom, prepares good or evil for himself. But we may view it in another light — namely, that we may so accommodate ourselves to the dispensations of Providence as to be happy in our lot, whatever may be its privations."

"It is a beautiful attribute of our nature, a privilege granted to man exclusively, and before all the other creatures of this world, that he ever feels that he can by forethought and determination control and govern every physical influence, however mighty it may be. An inward voice proclaims to him that he is free and independent; it imputes to him good and evil, and in the judgments which he passes on himself, which must always be more severe and strict than those of others, he must entirely throw out of sight all physical influences. Man is subject to two distinct laws, that of dependence and that of freedom, and the conflict is not to be settled by the mere understanding. In the visible world all things seem to be so connected together, that, if we were acquainted with all possible circumstances — the most minute and most remote — it looks as if we could show that man at any moment could not avoid acting exactly as he did. And yet there is always the feeling within us, that if we did but will it, we could grasp the revolving wheel, and free ourselves from the chain that binds us to it. In this consciousness of his freedom lies the true dignity of man."

"We are both the creatures of time; our fate rests upon it as upon an ever-agitated sea, as we never know whether we can safely trust the present, or whether a deceitful future may not yet be awaiting us."

"The thought of a persecuting power has always appeared quite strange to me. I have never been able to endure the idea, which admits the existence of a being inimical to all good and taking pleasure in everything evil. In the New Testament I consider such passages merely figurative, expressions connected with the representations of Judaism for the evil, which man, even if he is good and believes himself quite innocent, has yet ever to fight against."

"The mere reality of life would be inconceivably poor without the charm of fancy, which brings in its bosom, no doubt, as many vain fears as idle hopes, but lends much oftener to the allusions it calls up a gay flattering hue than one which inspires terror."

"That all life is only an advancing towards apparent annihilation, can be nowhere so clearly seen as in the regular succession of the seasons. To behold the whole vegetable world starting forth into life with innocent unsuspecting joy, as if it did not once anticipate its wintry death, contains something as deeply affecting as the life of a child, who as yet has not dreamt of danger."

"Time is the most important thing in human life — for what is pleasure after the departure of time? and the most consolatory, since pain, when pain has passed, is nothing. Time is the wheeltrack, in which we roll on towards eternity, conducting us to the Incomprehensible. In its progress there is a ripening power, and it ripens us the more and the more powerfully, when we duly estimate it, listen to its voice, do not waste it, but regard it as the highest finite good, in which all finite things are resolved."

"It is often found that those feelings which are best, noblest, and most self-denying, are exactly those which lead to a disastrous issue. It is as if, by the command of a higher and wiser Power, man’s fate were intentionally brought into variance with his inner feelings, in order that the latter might acquire a higher value, shine with greater purity, and thus become more precious by the very privations and sufferings to him who cherishes such feelings. However benevolent may be the intentions of Providence, they do not always advance the happiness of the individual. Providence has always higher ends in view, and works in a pre-eminent degree on the inner feelings and disposition."

"To set ourselves against men and fate is not a disposition of mind which is the noblest, and which does honour to us, nor is it that which is likely to procure us the greatest amount of tranquillity and cheerfulness. We ought rather to try to accommodate ourselves, so far as it is possible, to circumstances, to look on all that fate bestows upon us as a gift, being careful not to desire more, and least of all to be dissatisfied because all our desires are not gratified."

"A letter is a conversation between the present and the absent. Its fate is that it cannot last, but must pass away like the sound of the voice."

"If the mind loves solitude, it has thereby acquired a loftier character, and it becomes still more noble when the taste is indulged in."

"I have, besides, a great love for the past. Only what refers to it is eternal and unchangeable like death, and at the same time warm and gladsome like life."

"I read the Indian poem for the first time when I was in my country estate in Silesia and, while doing so, I felt a sense of overwhelming gratitude to God for having let me live to be acquainted with this work. It must be the most profound and sublime thing to be found in the world."

"What do we mean when we speak of a normative system? As von Humboldt put it, "Man lives in a world presented to him by his language," meaning that the characteristics of a language lay down the categories of thought."

"Erst erfreuen, dann belehren."

"Diejenige Regierung ist die beste, die sich überflüssing macht."

"Death is but a word to us. Our own experience alone can teach us the real meaning of the word."

"A man must seek his happiness and inward peace from objects which cannot be taken away from him."

"One cannot enough wonder or be thankful to Providence that from time to time he awakens in the spirits of a whole people, or of individuals, those truly godlike thoughts on which our inner being reposes."

"It is a characteristic of old age to find that time passes on with accelerated pace. The less one accomplishes in a given time, the shorter does the retrospect appear."

"Prayer is intended to increase the devotion of the individual, but if the individual himself prays he requires no formula — he pours himself forth much more naturally in self-chosen and connected thoughts before God, and scarcely requires words at all. Real inward devotion knows no prayer but that arising from the depths of its own feelings."

"Cheerfulness cannot be forced, and man has not much more power over the clouds that overshadow his mind than over those that darken the sky. Meanwhile man ought not to be altogether inactive, but must labour at his daily duties, and be watchful over himself."

"As time advances more things appear, which enable the world to judge of the characters of remarkable men. In our judgments of them at first we are influenced by the opinions which their contemporaries held respecting them, but gradually another opinion arises, on which at last what is called posthumous fame is built up. Men in this way become in a certain degree like phantoms. Much which belongs to them vanishes, and what remains assumes quite a different aspect. Therefore what we know of them will be received according to the spirit of the existing time. So uncertain is the image which even the greatest men leave behind them in history."