Journalists From Russia

"My dear friends, I think you are in very big trouble. Whether you believe it or not, YOU ARE AT WAR. And you may lose this war very soon together with all your affluence and freedoms unless you start defending yourselves."

"People all over the Earth whether they praise America or bitterly criticize her, look upon you as the only hope for mankind's survival and the last stronghold of freedom. Some may not think in these idealistic terms, but they certainly enjoy the fruits of your civilization often forgetting to be grateful for them."

"It is only when our consciences become tangled that the truth begins to hurt."

"There are many busy-bodies in the world, always worrying, always rushing back and forth; every one wonders at them. They seem ready to jump out of their own skins; but in spite of it all, they make no more progress than does the Squirrel in his wheel."

"We are the Roots of the tree on which you flourish. Go on rejoicing in your beauty! But remember there is this difference between us that with every autumn the old Leaves die, and with every spring new Leaves are born; but if the Roots once perish neither you nor the tree can live at all.""

"some stories, I must admit, you simply can't read more than once every couple of years, because in reading them, sorrow grips you so. An example would be the first story of Red Cavalry, "Crossing Over to Poland.""

"When I read Antonina Nikolaevna Pirozhkova's memoir of daily life with Isaac Babel I realized that I'd known very little about him. Only his death was famous. And of course until fairly recently most of us had that wrong, too. But I did know his work, though not until the early sixties, when the Meridian edition first appeared. One must begin by telling those who still don't know those stories that they are unusual in a particular way. That is, any one of them, those in Red Cavalry and Tales of Odessa, as well as those extracted only in the last few years from bureaus and closets of old Russian friends, can be read again and again. I don't mean every five or ten years. I mean in one evening a story you read just six months ago can be read a couple of times-and not because the story is a difficult one. There's so much plain nutrition in it, the absolute accuracy and astonishment in the language, the breadth of the body and the height of the soul. You do feel yourself healthier, spiritually speaking, if also sadder-or happier, depending on the story...The fact is, there's a larger, more varied population in Babel's four, five hundred pages of stories than in any three novels of most writers."

"I read somewhere that Isaac Babel said that his main problem was that he had no imagination. And I thought about that a lot, because if you read him, you know that what he's trying to say-except for a few pieces, such as "The Sin of Jesus"-is very close to his life, the terrifying life that he led in the Cossack Red Army during, I guess, 1920, '21, ‘22. And so I tried to figure out exactly what he meant. I guess what he really didn't understand was the amount of imagination it had taken for him to understand what had happened, what was real. There were people in his unit who, if they had tried to tell him what was going on in this particular hut or pogrom-suffering village, couldn't have. Yet he was able to use what he did know about life and poverty and war to stretch toward what he didn't know about the Cossack Red Army. So I think about that as the fact of the imagination."

"my favorite writer, the writer that I loved the most for a long time, was Isaak Babel. First of all, I was doing short stories then I began to read him—I hadn’t read him—and I felt, Oh my, it’s just what I want to do. He’s really writing about things he doesn’t exactly know and yet he’s trying to understand, he’s using writing to try to understand the world and that’s what I want to do. And that’s what I do. I write about things I don’t know all that well just to try and understand them. The act of writing is an investigative, learning act."

"Sometimes you come to literature that seems related to your own in some ways, but after you've been writing for a while. And then you feel terribly corroborated….Isaac Babel. When I read him, also after many years, I said, "Wow! He had the same Mommy and Daddy I had!""

"It sometimes appears that all I value as a writer are being deliberately denigrated or disregarded by the scholars. What is important to me is Isaac Babel saying, "A comma placed just right will stab the heart," whereas for a lot of these scholars, judging from the papers that I've read, to worry about artistic or meter-effective placement of punctuation is to be sort of right wing."

"The two that I feel I have most responded to, and probably because they have lived through, and been inspired by, times of crisis, are Chekhov and Babel...when I had accepted my immigrant status in the New World, the energy and the brashness and the art of compression of The Odessa Tales by Isaac Babel even more forcefully. Chekhov and Babel were formative authors for me, but not models. Because in the seventies, eighties, and even early nineties, I was writing about North American residents who hadn't yet been written of too much in American fiction, I had to improvise a form. Babel's art of compression appealed to me. The art of compression is not minimalism. It's the exact opposite of minimalism. What I learned from Babel's stories is that you can pack in thirty kinds of emotional and linguistic nuances into one clause and thirty different historical, political conflicts and concessions into one paragraph."

"His writing was sharp and to the point, and he wrote what you might call sketches, rather like Chekhov's...He wasn't a red, though he was a writer who Gorky admired. They killed Babel later on, the swine!"

"The fullest and most sophisticated portrait of Russian Jewry during the last decade of czarist Russia, at the time of the Revolution and the civil war, and in its first years under Soviet rule is found in the works of Isaac Babel."

"if you want to read spectacularly graceful distillations of spectacularly intense, complex, ephemeral experience, you could hardly do better than stories in Isaac Babel’s Red Cavalry."

"When the mass terror erupted in 1936, however, Birobidzhan would be the stage of frightful liquidations, a real pogrom against Jewish communists, the pioneers of this 'centre of Jewish culture. From one day to the next, Professor Liberberg, president of the republic's executive committee, disappeared; a few months later, a newspaper revealed that he had been 'unmasked' as a 'cowardly counterrevolutionary and Trotskyist, a bourgeois nationalist'; in 1937 and 1938, his successors experienced the same fate. In all the regions where a Jewish population was concentrated, thousands of activists of the Jewish sections, party militants, journalists of the Yiddish press and other writers were arrested; among many others, such major figures as Isaac Babel and Osip Mandelstam vanished in the maelstrom."

"The vagrant moon trailed through the town and I tagged along, nurturing within me unfulfillable dreams and dissonant songs."

"At moments when such thoughts came to him, Shloyme became unnaturally animated, walked up to his son, wanted to talk to him with passion and at great length, to give him advice on a couple of things, but... it had been such a long time since he had spoken to anyone, or given anyone advice. And the words froze in his toothless mouth, his raised arm dropped weakly."

"When a phrase is born, it is both good and bad at the same time. The secret of its success rests in a crux that is barely discernible. One’s fingertips must grasp the key, gently warming it. And then the key must be turned once, not twice."

"Reading Pirozhkova's memoir, I feel I have come to know something of the man, to see Babel and his work in some common brilliant light of the hopeful Revolution, unending love of the people as well as people, darkened at the edges by fate, the busy encroachment of evil. But Antonina Pirozhkova will tell you the whole story. Though she lived only seven years inside it, hardly an hour escaped her loving attention, and then her memory. He is, as she was determined, restored to us a great writer, a good man."

"For the most part, I have tried to say something in these few pages about what I feel for Babel's work. It was the work of a man who, like the Gedali character from Red Cavalry, longed for the joy-giving Revolution, thought he would wait as long as he could. He thought he could put his own joyful spirit out like an oar in history's river and deflect the Revolution's iron boat by acting in a straightforward way for others. He thought laughter and jokes might work. In fact, Pirozhkova learned that one of his arresters had been asked by the interrogator in charge, "Did he try to make a joke?""

"Babel's grandmother had admonished: "You Must Know Everything." He did try. And eventually he knew a great deal. He knew war. He knew work. He knew love. He gave long classical reading lists to Pirozhkova. He didn't like literary talk. He didn't want to discuss his work. Sad for her and sad for us. Maybe, among his other thoughts, he hoped to protect her, a powerful and responsible working woman important in the construction of the new Soviet infrastructure. Was he also trying to save her from the destructive forces of disillusion? When Lion Feuchtwanger visited, she asked Babel what they'd talked about. "He spoke of his impressions of the U.S.S.R. and of Stalin," he said. "He told me many bitter truths." Then Babel said no more."

"We know that great boxes of his manuscripts were carted off by the NKVD. Among them, Pirozhkova is sure (and I am, too), was his book to be called "New Stories." Did "they" fear these stories! He held them up for the usual scrutiny-one day or one year too long. We really don't know about his production. We do know that we wish we had a lot more of his stories."

"Among other intentions, I think Babel hoped to tell two kinds of stories-the first about lives absolutely unlike his own, in order to understand, or at least know and maybe even become like the "others." But a second need was to say, Look, that life is like mine. I am after all like him and he like me. What a relief!"

"There is hardly a practice of the Soviet repression of dissent that has not been revived by Vladimir Putin’s regime in Russia. A host of draconian new laws has criminalized public criticism of the government and of its actions — especially regarding the war on Ukraine. Political opposition is now officially equated with treason. Opponents of the Kremlin have been murdered, poisoned and imprisoned."

"Outspoken Kremlin critic Vladimir Kara-Murza will be a pallbearer for John McCain when the coffin of the late Republican senator is carried at Washington's National Cathedral... Kara-Murza's name was announced this week by the office of McCain, along with other details of his memorial services in Arizona, Washington, D.C., and Annapolis, Maryland. Kara-Murza joins a list of prominent U.S. dignitaries in the honor of carrying McCain's coffin..."

"One by one, Kara-Murza’s colleagues have been exiled, like Khodorkovsky. Or imprisoned. Or killed. Kara-Murza is determined to press on, however, believing that he has important work to do. And if people shrink from doing it, how will it get done?"

"The Magnitsky legislation is a pale substitute for justice. The penalty for torture, murder, wrongful imprisonment or grand corruption should not be canceled vacations in Miami Beach or on the Côte d’Azur but a real trial in a real court of law. One day, this will be possible in Russia. For now, it is not, and targeted sanctions from Western democracies serve as the only mechanism of accountability for corrupt Kremlin officials and human rights abusers. I will continue this work, as I know will many of my colleagues, regardless of any legislative novelties from the Russian government."

"There can be nothing more pro-Russian than to bring much-needed accountability to those who violate the rights of Russian citizens and steal the money of Russian taxpayers — and continue to spend that money, buy real estate and park their families in the West. That is precisely what the Magnitsky legislation, now adopted in six Western countries, does, by prohibiting individuals responsible for human rights abuses and corruption from receiving visas or holding assets in their territories."

"Perhaps the most important requirement in an election is that voters have a choice. It sounds trivial, but that is something that has been lacking in most Russian elections held under Vladimir Putin’s rule."

"In the tightly controlled and airproof "vertical of power" that is Vladimir Putin's Russia, even a handful of dissenting voices in legislative institutions—especially when they are loud and persistent—can present a serious threat to the system. Such was the voice of the late Boris Nemtsov."

"No matter how powerful the forces against them, when people are prepared to stand up for what they believe, they succeed... [T]hat's the basis of my hope for the future of Russia."

"Lying is not a side effect of what RT does; it is the channel's heart."

"It’s a no-brainer that we should have the right to marry, but I also think equally that it’s a no-brainer that the institution of marriage should not exist. Fighting for gay marriage generally involves lying about what we are going to do with marriage when we get there — because we lie that the institution of marriage is not going to change, and that is a lie."

"[On the actions of Israel in the Gaza Strip during the 2023 Israel-Hamas war] I'm not convinced that genocide is the right term. I think ethnic cleansing is the right term. But in any case, I think it's likely that crimes against humanity are being committed there. This is something I want to mention: This whole idea of crimes against humanity — like the idea of genocide — these are concepts that came out of World War II and the Holocaust. When we're thinking about whether a crime against humanity has been committed, or if a genocide has been committed, we're performing the act of comparing the Holocaust to current events. That's a foundational stone of our contemporary international legal system. So to ban that kind of comparison is to try to [throw] a wrench in the entire works of international humanitarian law, and I think Israel does that quite advisedly."

"Yet, although no one pursues the politics of hating or othering children and arguing that they should be dead, school shootings proliferate, because one can imagine no terror greater than the terror inflicted on children and on their families. The essential precondition for mass violence, it seems, is not guns or hate but a culture of terror, a common imaginary that includes the possibility of a mass shooting."

"In the United States, when we talk about mass violence and we are not talking about ideology, we usually talk about the easy availability of guns. Of course, access to guns matters. The easier it is, technically, to kill people, the more people will be killed."

"[The Russian media] Coverage is repetitive not just from day to day, television channel to television channel; nearly identical stories appear in print and online media, too. According to a number of current and former employees at Russian news outlets, there is a simple explanation for this: at weekly meetings with Kremlin officials, editors of state-controlled media, including broadcasters and publishers, coördinate topics and talking points. Five days a week, a state-controlled consultancy issues a more detailed list of topics."

"[Referring to Trump's speech at the Conservative Political Action Conference, in Orlando at the end of February 2021] Trump recited a litany of lies about his own record and Biden's policies on immigration, and he ranted about the covid-19 pandemic: it sounded like he was against masking and against not masking, against social distancing and against not social distancing—or, simply, against everything Biden."

"[In answer to the question: "You were born in Russia, spent your teenage years in America then moved back to Moscow as an adult. Do you feel more Russian or American?"] It doesn't really work that way. But when you have emigrated as often as I have, you learn the benefits of being an outsider. I am very comfortable not belonging. I find it extremely beneficial to my work as a journalist to be highly attuned to this culture yet at the same time hovering outside of it."

"No powerful political actor had set out to destroy the American political system itself — until, that is, Trump won the Republican nomination. He was probably the first major party nominee who ran not for president but for autocrat. And he won."

"[On Trump] He talks and you don’t even know where the punctuation marks fall. And the more you try to engage with those words, the less they mean."

"[On Putin] He just keeps talking. And throwing numbers out there. Most of them wrong. It's meant to create the impression that he knows what he's talking about. But it's also just meant to drown you in meaningless stuff."

"Trump has struck more countries with more fire power in a week than Putin often does in a year. Where Putin's unpredictable persona is a carefully cultivated one, Trump has given no evidence that his madman act is an act."

"So Trump dropped the "mother of all bombs"—the largest non-nuclear bomb in the US arsenal—on Afghanistan, because, surely, the reason ISIS has not yet been defeated is that America has not used a big enough bomb."

"Putin's madman-on-the-world-stage shtick forced saner world leaders to devise strategies for minimizing the damage Russia can do. But now that Donald Trump has demonstrated that he will not only speak without thinking but also fire missiles without interrupting dessert, he has one-upped Putin."

"[Following conciliatory messages from, among others, Hillary Clinton and President Barack Obama after the result of the 2016 presidential election became known] However well-intentioned, this talk assumes that Trump is prepared to find common ground with his many opponents, respect the institutions of government, and repudiate almost everything he has stood for during the campaign. In short, it is treating him as a "normal" politician. There has until now been little evidence that he can be one."

"Like the Soviet regime before it, the Putin government spreads fear by destroying the illusion that one can protect oneself... People who work at two Moscow restaurants have warned me, separately, about the precise locations of listening devices at the eateries. The warnings came unbidden. The food at both places was, incidentally, not only very good but also apparently safe. That, along with the springtime sun, helps maintain the bizarre sense of normalcy that has a way of going hand in hand with the mortal danger that has become a fact of everyday life."

"Attacks by poisoning are possibly even more common in Russia than assassinations by gunfire. Most famously, Alexander Litvinenko, a secret-police whistle-blower, was killed by polonium in London, in 2006. Last week, British newspapers reported that a Russian businessman who dropped dead while jogging in a London suburb in 2012 had been killed by a rare plant poison. He had been a key witness in a money-laundering case that had originally been exposed by the Moscow accountant Sergei Magnitsky, who was tortured to death, in 2009, in a Russian jail."

"Russian activists and journalists who get enough death threats and take them sufficiently seriously to hire bodyguards are also usually careful about what they ingest. Soon after the chess champion Garry Kasparov quit the sport to go into politics full time, in 2004, he hired a team of eight bodyguards, who not only accompanied him everywhere but also carried drinking water and food for Kasparov to eat at meals shared in public. Three years ago, Kasparov told me that what he liked most about foreign travel was being able to shed his bodyguards for a while. A year after that, threats drove him to leave Russia permanently."