Jews From Russia

"It proved to be essential to clear the site for the new building. This idea was a forerunner of futurism which exposed the relentless nature of its motivating power. Revolutions had started undercover, everything grew more complicated. Painting economical in its creative output was still very complicated and uneconomical in its expression. cubism and futurism seized upon the purity of form treatment and colour and built a complicated and extensive system with them combining them without any regard for harmony. The rebuilding of life cast aside the old concept of nations classes patriotism and imperialism which had been completely discredited."

"The pace of life has increased in the last few decades just as the speed of the motor bicycle has been exceeded many times over by the aeroplane. After art passed through a whole series of intermediate stages it reached cubism where for the first time the creative urge to construct instinctively overcame conscious resolve.. ..from this point the picture started to gain stature as a new world of reality and in this way the foundation stone for a new representation of the shapes and forms of the material world was laid."

"At present we are living through an unusual period in time a new cosmic creation has become reality in the world, a creativity within ourselves which pervades our consciousness.. ..in this way the artist became the foundation on which progress in the reconstruction of life could advance beyond the frontiers of the all-seeing eye and the all-hearing ear. Thus a picture was no longer an anecdote nor a lyric poem nor a lecture on morality nor a feast for the eye but a sign and symbol of this new conception of the world which comes from within us."

"PROUN alters the conventional forms of the arts and leaves behind the image of the petty individualist, who locked himself in his office and hid seated before a drawing easel, starting one picture and finishing another."

"We analyzed the first stage of our construction, confined to two-dimensional space, and found it to be as durable and resistant as the earth itself. We build in this space just as we would on the ground, and therefore must take as our point of departure the concepts of gravity and force of attraction, as the foundation of everything built on the land. In PROUN the reciprocity of the effects of gravity [Newton, 'for every action an equal and opposite reaction'] manifests itself in a new capacity. We see that on the surface (plane) of the picture, the PROUN ceases to exist as such and becomes a building surveyed from every direction — considered from above or examined from below. The result of this turns out to be the destruction of the single axis that leads to the horizon."

"The path of the PROUN does not lie within the narrowly limited, fragmented, and isolated scientific disciplines — the builder consolidates them all together in his own experimental investigation. The path of the PROUN is not the incoherent approach of separate scientific disciplines, theories, and systems, but is rather the straightforward path of learned influence over reality."

"PROUN is understood as the creative construction of form (based on the mastery of space) assisted by economic construction of the applied material. The goal of PROUN is progressive movement on the way to concrete creation, and not the substantiation, explanation, or promotion of life."

"For us [the young artists in Vitebsk, before 1920] Suprematism did not signify the recognition of an absolute form which was part of an already completed universal system, on the contrary; here stood revealed for the first time in all its purity the clear sign and plan for a definite new world never before experienced - a world which issues forth from our inner being and which is only now in the first stages of its formation, for this reason the square [ Malevich's Black and Red Square ] of suprematism became a beacon."

"Don't fiddle while Byrne roams!"

"The greatest compliment one can pay a master is to compare him with Capablanca."

"Integrity has a high psychological and philosophical value, for many people it is a highest value, it associate with health of soul. Dualism, contradiction, torments of hesitation - is something of illness, integrity is health, people strive for it instinctively."

"What is the internally free man free from? First of all - he or she is free from fear of people and life; from conventional opinion. He or she is independent from the crowd, from stereotypical thinking. He or she is able to have their own personal point of view; free from prejudices. He or she is free from envy, selfishness and from aggressive personal drives."

"A free man - is a man who is free internally. As all other people, externally he or she depends on society. Internally he or she is independent. A society can become liberated externally - from oppression, but it can become free only when the majority of people are free internally."

"To see a man as beautiful – means to make him really beautiful. There is no cunning, no deceit; this happens every time, everyone knows that."

"A vicious teacher is just a vicious teacher, as a vicious neighbor may happen to be. But a vicious mother - means that the whole world is vicious."

"A child gets sick with a chronic disease of unhappiness not from unhappy circumstances but from unhappy people around him. Unhappy people cannot raise happy children; it’s impossible."

"A son is not a judge of his father, but the conscience of the father is in his son."

"Fears to look bad in front of other people, to say something wrong, to be laughed at - all those fears deprive us of half of our abilities. This is one of the main school problems. That teacher understands it, who can teach students to study without fear of the teacher, without fear of classmates, and, the most important, without fear of a subject."

"It cost Andrei Dmitrievich 10 months of complete isolation and two hunger strikes over two months, which had a terrible effect on his health. The effects are still felt to this day."

"The glass in the official picture was also being shattered by literary writers. Two Soviet accounts in particular captivated Western opinion. The poet Boris Pasternak wrote a novel, Doctor Zhivago, which was banned in Moscow but appeared abroad in translations from 1957. Its panoramic viewpoint on the civil war cast a shadow over the motives and practices of the early communists. This plunged Pasternak into political hot water and he had to refuse the Nobel Prize in 1958. His role as a leading critic of the Soviet regime was picked up by Alexander Solzhenitsyn, whose later works were published in the West from the end of the 1960s. His documentary account of the labour-camp system, The Gulag Archipelago, was a bestseller in 1974. It pulled no punches. Solzhenitsyn had talked to survivors of the camps and assembled such documentation as was available despite the censorship. The gruesome techniques of arrest, interrogation, ‘confession’ and forced labour were traced from the October Revolution. When he was deported from the USSR in 1974, Solzhenitsyn continued his campaign against the iniquities of communist repression. Every year, too, novels and poems by other writers were smuggled out of eastern Europe and China with searing messages about the behaviour of communist regimes."

"Pasternak has universal meaning, for he embodies the fight the artist and the seeker after truth must wage everywhere against official dogma and conformist pressures."

"All of us who are more or less heretical in our society are forced to live on its margin, grateful that we are able to speak (at the cost of abnormal exertions) to a small audience."

"How wonderful to be alive," he thought. "But why does it always hurt?"

"I love you madly, irrationally, infinitely."

"Мое собственное сердце скрыло бы это от меня, потому что нелюбовь почти как убийство, и я никому не в силах была бы нанести этого удара."

"The main misfortune, the root of all evil to come, was loss of the confidence in the value of one's own opinion. People imagined that it was out of date of follow their own moral sense, that they must all sing in chorus, and live by other people's notions, notions that were crammed down everybody's throat."

"The great majority of us are required to live a life of constant duplicity. Your health is bound to be affected if, day after day, you say the opposite of what you feel, if you grovel before what you dislike, and rejoice at what brings you nothing but misfortune. Our nervous system isn't just a fiction, it's part of our physical body, and our souls exists in space and is inside us, like the teeth in the mouth. It can't forever be violated with impunity."

"И вот оказалось, что только жизнь, похожая на жизнь окружающих и среди нее бесследно тонущая, есть жизнь настоящая, что счастье обособленное не есть счастье..."

"Snow, snow over the whole land across all boundaries. The candle burned on the table, the candle burned."

"A candle burned on the table, a candle burned ... he whispered to himself — the beginning of something confused, formless; he hoped that it would take shape of itself. But nothing more came to him."

"I think that if the beast who sleeps in man could be held down by threats — any kind of threat, whether of jail or of retribution after death — then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But don’t you see, this is just the point — what has for centuries raised man above the beast is not the cudgel but an inward music: the irresistible power of unarmed truth, the powerful attraction of its example. It has always been assumed that the most important things in the Gospels are the ethical maxims and commandments. But for me the most important thing is that Christ speaks in parables taken from life, that He explains the truth in terms of everyday reality. The idea that underlies this is that communion between mortals is immortal, and that the whole of life is symbolic because it is meaningful."

"That's metaphysics, my dear fellow. It's forbidden me by my doctor, my stomach won't take it."

"Gregariousness is always the refuge of mediocrities, whether they swear by Solovyov or Kant or Marx. Only individuals seek the truth."

"What is laid down, ordered, factual is never enough to embrace the whole truth: life always spills over the rim of every cup."

"Work is the order of the day, just as it was at one time, with our first starts and our best efforts. Do you remember? Therein lies its delight. It brings back the forgotten; one’s stores of energy, seemingly exhausted, come back to life."

"It is no longer possible for lyric poetry to express the immensity of our experience. Life has grown too cumbersome, too complicated. We have acquired values which are best expressed in prose."

"Poetry is a rich, full-bodied whistle, cracked ice crunching in pails, the night that numbs the leaf, the duel of two nightingales, the sweet pea that has run wild, Creation’s tears in shoulder blades."

"They don’t ask much of you. They only want you to hate the things you love and to love the things you despise."

"Не спи, не спи, художник, Не предавайся сну. Ты – вечности заложник У времени в плену."

"But I hope you know I go on about these things not simply to extol the virtues of my own country but to speak to the true greatness of the heart and soul of your land. Who, after all, needs to tell the land of Dostoyevsky about the quest for truth, the home of Kandinsky and Scriabin about imagination, the rich and noble culture of the Uzbek man of letters Alisher Navoi about beauty and heart? The great culture of your diverse land speaks with a glowing passion to all humanity. Let me cite one of the most eloquent contemporary passages on human freedom. It comes, not from the literature of America, but from this country, from one of the greatest writers of the 20th century, Boris Pasternak, in the novel "Dr. Zhivago." He writes: "I think that if the beast who sleeps in man could be held down by threats -- any kind of threat, whether of jail or of retribution after death -- then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But this is just the point -- what has for centuries raised man above the beast is not the cudgel, but an inward music -- the irresistible power of unarmed truth." The irresistible power of unarmed truth. Today the world looks expectantly to signs of change, steps toward greater freedom in the Soviet Union. We watch and we hope as we see positive changes taking place."

"I won the Nobel Prize for Literature. What was your crime?"

"To me encountering Cordwainer Smith's works was like a door opening. There is one story of his called "Alpha Ralpha Boulevard" that was as important to me as reading Pasternak for the first time and realizing that one could write a novel the way he wrote Dr. Zhivago. There are these moments in most writers' careers when you discover that someone else has actually written down some of these things that have been going on in your own head; you realize that this isn't just a private experience."

"I think the first discovery I made for myself which I didn't necessarily share with my family or my friends, but came upon myself, was Russian literature. I've always felt very much enthralled to writers like Dostoevsky, especially, and Chekhov. In later years, modern Russian poets like Pasternak and Mandelstam and Akhmatova have meant a great deal to me. Poetry more than prose."

"Even so, one step from my grave, I believe that cruelty, spite, The powers of darkness will in time Be crushed by the spirit of light."

"Am I a gangster or a murderer? Of what crime do I stand Condemned? I made the whole world weep At the beauty of my land."

"Like a beast in a pen, I’m cut off From my friends, freedom, the Sun. But the hunters are gaining ground; I’ve nowhere else to run."

"If it is so painful to love and to be charged with this electric current, how much more painful must it be to a woman and to be the current, and to inspire love."

"There are ... two ways of doing service in the cause of an idea; and the difference between them is that which in ancient days distinguished the Priest from the Prophet."

"These Prophets of Righteousness ... believed in the victory of absolute Righteousness, yet the fact that they turn their gaze time after time to "the end of days "proves that they knew—as by a whisper from the "spirit of holiness" within them—how great and how arduous was the work that mankind must do before that consummation could be reached. They knew, also, that such work as this could not be done by scattered individuals, approaching it sporadically, each man for himself, at different times and in different places; but that it needed a whole community, which should be continuously, throughout all generations, the standard-bearer of the force of Righteousness against all the other forces that rule the world: which should assume of its own freewill the yoke of eternal obedience to the absolute dominion of a single Idea, and for the sake of that Idea should wage incessant war against the way of the world."

"The Prophet ... feels it as a moral necessity to set Righteousness on the throne."