Historians From England

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April 10, 2026

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"It was one of the self-delusions of the age that the Sixties were an era of heightened political consciousness. ‘Everyone’ (or at least everyone under twenty-five attending an educational establishment and drawn to radical ideas) was in the streets and mobilized for a cause. The deflation of the causes—and the demobilization of the coming decades—thus confers in retrospect an air of failure upon a decade of frenetic political activity. But in certain important respects the Sixties were actually a vital decade for the opposite reason: they were the moment when Europeans in both halves of the continent began their definitive turn away from ideological politics. Thus the slogans and projects of the Sixties’ generation, far from re-awakening a revolutionary tradition whose language and symbols they so energetically sought to reinvigorate, can be seen in hindsight to have served as its swansong. In Eastern Europe, the ‘revisionist’ interlude and its tragic dénouement saw off the last illusions of Marxism as a practice. In the West, Marxist and para-Marxist theories soared clear of any relationship to local reality, disqualifying themselves from any future role in serious public debate. In 1945 the radical Right had discredited itself as a legitimate vehicle for political expression. By 1970, the radical Left was set fair to emulate it. A 180-year cycle of ideological politics in Europe was drawing to a close."

- Tony Judt

• 0 likes• historians-from-england• essayists-from-england• jews-from-the-united-kingdom• university-of-cambridge-faculty• educators-from-england•
"In a novel called Left of Centre which is now, to the relief of its publisher and author alike, safely out of print, Paul Johnson wrote what is generally agreed to be the most embarrassing spanking scene ever penned. The eclipse of this otherwise unreadable novel did nothing to dim the memory of the cringemaking episode, which was continually called to mind by Johnson's public and social behaviour. This often involved drunken and boorish conduct towards women, including his wife. On a famous occasion in a Greek restaurant in Charlotte Street in 1973, he struck her across the face for disagreeing with him in public and, when rebuked for this by a colleague of mine, threatened to put him through a plate-glass window. At a lunch given for the Israeli ambassador to Britain in the boardroom of the old New Statesman, I watched Johnson bully and barrack Corinna Adam, then the foreign editor, as she attempted to engage Gideon Raphael in conversation. "Don't listen to her, she's a Communist", he kept bellowing, his face twisted and puce with drink. "Fascist bitch!", he finally managed, before retiring to a sofa on the other side of the room and farting his way through a fitful doze for the rest of the meal. ... Long before he made his much-advertised stagger from left to right, Johnson had come to display all the lineaments of the snob, the racist and the bigot."

- Paul Johnson

• 0 likes• historians-from-england• journalists-from-england• biographers-from-england• editors-from-england• people-from-manchester•
"Many of my contemporaries have vivid memories of visits to our home in Iver. There my father presided over idyllic Sunday lunches, improvising quizzes for us children and entertaining the Worsthornes, Frasers, Howards, Stoppards, Amises, Gales and countless others with conversation and jokes that flowed and gurgled like a bubbling stream. When the talk turned to politics, he could be combative. We children didn’t like that. Aged about six, I tackled him: "Daddy, why do you go on and on about Mr Wilson?" "Why do you go on about the Daleks?" he replied. "The Daleks are important," I said. After lunch there were walks in Langley Park, culminating in the hunt for sixpences, hidden in a giant hollow tree where (he claimed) the Great Train Robbers had stashed their loot. My recollection of him taking me to London on my seventh birthday is a joy: riding in a taxi, visiting the New Statesman office as the editor's son, and then to Bertorelli’s for lunch, where he introduced me to Vicky, the great cartoonist, who was not much taller than I was. He seemed to know everyone. When I was puzzled by my part in a school play by J.B. Priestley, he suddenly said: "Let’s ring old Jack up and ask him." Next minute, I heard an aged voice with a Yorkshire accent saying: "Oh yes, Time and the Conways. Damn good play, that. What’s the problem?""

- Paul Johnson

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