"I'd still like to grab coffee or something, sometime. Because I think you're the most attractive person I've ever seen. But that doesn't outweigh that you might be a mental patient and I gotta make sure that you're the kind of crazy I can deal with."

"One digestive system? Is this a perverted film you've been talking about?"

"He's gonna stitch us up. He's gonna stitch us up arse-to-mouth."

"If I had to make a fourth one, which I might do in 20 years from now, who knows, it will be about connecting all starving Africans on the African continent done by a charity organization, to solve the hunger problem. Or about aliens connecting the whole human race!"

"Oh shit! I have to shit!"

"Let's see. The centipede can be considered a phallic symbol. Centipedes are very aggressive creatures. Their bite can be very painful. Maybe he's connecting the pain that a centipede inflicts with the pain inflicted on him through use of psychological and sexual abuse by his father."

"I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to [First Sequence]. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine."

"Do you already regret your little escape? In fact, I'm thankful for it, because now... I know definitely you are the middle piece!"

"Thank you BBFC for putting spoilers of my movie on your website and thank you for banning my film in this exceptional way. Apparently I made an [sic] horrific horror-film, but shouldn't a good horror film be horrific? My dear people it is a fucking MOVIE. It is all fictional. Not real. It is all make-belief [sic]. It is art. Give people their own choice to watch it or not. If people can't handle or like my movies they just don't watch them. If people like my movies they have to be able to see it any time, anywhere also in the UK."

"Swallow it, bitch!"

"God. Are you God? I'm just a puny insect. I cast out my parents, left my child, dismissed their love and led a selfish life. Just like an insect. No, my existence is even lower than insects, but... but dear God... that's how I've lived, and this is my punishment. I want to believe that I'm still a human being... Hey girls! Hey mister! What an insane world we live in."

"100 percent medically INaccurate"

"This trash occupies a world where the stars don't shine."

"100 percent medically accurate"

"This is exactly what America needs."

"Feed her! Feed her!"

"Well, it is 100% medically accurate. I consulted a real surgeon in Amsterdam and he made a very detailed operation report for me and he said he could actually make a human centipede in his hospital. I brought the... operation reports and the drawings... so maybe you can have a look at that?"

"Their flesh is his fantasy"

"underneath an extremely repulsive concept, [First Sequence] is a relatively conventional horror movie."

"I don’t like human beings."

"100 percent politically incorrect"

"I don't speak with a stupid filmmaker about his poop fetish!"

"It should be mandatory to watch THC2 in school classes...It deals with a character that is bullied and what to do!"

"I'm Dr. Josef Heiter, retired, but still very well known as the leading surgeon in separating Siamese twins. Six months ago, I designed a never-seen operation, not separating any more but creating. I transformed my three Rottweilers into a beautiful three-hound construction. Good news, your tissues match. So, I'll explain this spectacular operation only once. We start with cutting the ligamentum patella, the ligaments of the kneecaps, so knee extension is no longer possible. Pulling from "B" and "C" the central incisors, lateral incisors and canines from the upper and lower jaws, the lips from "B" and "C," and the anus of "A" and "B," are cut circular along the border between skin and mucosa, the mucus cutaneous zone. Two pedicelated grafts are prepared and lifted from the underlying tissue. The shaped incisions below the chins of "B" and "C" up to their cheeks connecting the circular mucosa and skin parts of anus and mouth, from "A" to "B," and "B" to "C," connecting the pedicelated grafts to the chin-cheek incisions from "A" to "B," and "B" to "C," creating a Siamese triplet, connected via the gastric system. Ingestion by A, passing through B, to the excretion of C. The human centipede, first sequence."

"Hey, cockroaches, did you like these films? I handpicked them for you as an instructional and mental training. The world's first human-prison centipede will finally teach you how to become humans."

"Grotesque, visceral and hard to (ahem) swallow, this surgical horror doesn't quite earn its stripes because the gross-outs overwhelm and devalue everything else"

"Stephen Root - Jim Hudson"

"Erika Alexander - Detective Latoya"

"Casey Kress - Ben a (kid)"

"Get Out is an attenuated comedy sketch in which serious concerns are debased. Pushing buttons that alarm blacks yet charm white liberals, Peele manipulates the Trayvon Martin myth the same way Obama himself did when he pandered by saying, “Trayvon Martin could have been my son.” That disingenuous tease is extended in Peele’s casting of Daniel Kaluuya. Son of Ugandan parents, the handsome, round-faced, British-born actor triggers sympathy (he has the young, clean-cut buppie co-ed look that brothers Branford and Wynton Marsalis rocked in the ’80s)."

"In Get Out, just as Obama did, Peele exploits racial discomfort, irresponsibly playing racial grief and racist relief off against each other, subjecting imagination and identification to political sway. Get Out’s routines — Chris identifying with a wounded deer, Chris being introduced to clueless, suspicious, patronizing, dishonest, and rapacious whites — paint a limited, doomed picture of race relations. Like a double-dealing demagogue’s speech, there’s just enough pity to satisfy black grievance and just enough platitudes (Rose back-talking a white cop) to make whites feel superior. When an Asian party guest asks Chris “Is African-American experience an advantage or disadvantage?” it reveals Peele’s own biracial anxiety."

"Daniel Kaluuya - Chris Washington"

"What was it, exactly, that the all-media screening audience at the new movie Get Out was cheering for when the black protagonist killed an entire family of white folks one by one? Get Out isn’t simply a revenge thriller; it’s a state-of-the-divided-nation movie. In this horror-comedy, 26-year-old middle-class black photographer Chris Washington (Daniel Kaluuya) travels with his white girlfriend Rose (Allison Williams) to her family’s idyllic exurban home and discovers a racist cult intent on siphoning black men’s mental and physical energy. Guess Who’s Coming to Dinner meets Rosemary’s Baby meets Meet the Fockers. Hollywood high-concept goes low — and unfulfilled."

"A brilliantly crafted thriller!"

"Gripping, scary, witty and timely!"

"Allison Williams - Rose Armitage"

"The villains here aren't southern rednecks or neo-Nazi skinheads, or the so-called "alt-right". They're middle-class white liberals. The kind of people who read this website. The kind of people who shop at Trader Joe's, donate to the ACLU and would have voted for Obama a third time if they could. Good people. Nice people. Your parents, probably. The thing Get Out does so well – and the thing that will rankle with some viewers – is to show how, however unintentionally, these same people can make life so hard and uncomfortable for black people. It exposes a liberal ignorance and hubris that has been allowed to fester. It's an attitude, an arrogance which in the film leads to a horrific final solution, but in reality leads to a complacency that is just as dangerous."

"Just because you're invited, doesn't mean you're welcome."

"Bradley Whitford - Dean Armitage"

"Do you belong in this neighborhood?"

"LaKeith Stanfield - Andre Hayworth / Logan King"

"Please don't lump me in with that [the fetishization of blackness]. You know, I could give a shit what color you are. No, what I want is deeper. I want your eye, man. I want those things you see through."

"Andre Logan King: Get out."

"Marcus Henderson - Walter"

"[To Chris] You were one of my favorites."

"All I know is sometimes, when there's too many white people, I get nervous, you know?"

"[about Rose and Chris hitting a deer on the way] You know what I say? I say one down, a couple hundred thousand to go. I don't mean to get on my high horse, but I'm telling you I do not like the fucking deer, I'm sick of it, they're taking over, they're like rats, they're destroying the ecosystem. I see a dead deer on the side of the road and I think to myself 'That's a fucking start.'"

"Look, look Chris, tell me this okay? How can I get in trouble for patting down an old lady? It's standard procedure. Gary just thinks that if an elderly bitch is fucking elderly, she can't hijack no motherfucking plane. [Chris laughs] See, wait, wait, now, I know you're fucking laughing. I'm serious, come on man. The next 9/11 is going to be on some geriatric shit."

"[about the housekeeper] This bitch is crazy. Bitch is crazy."

"Commercial announcer: A mind is a terrible thing to waste."