Autobiographers From England

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April 10, 2026

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April 10, 2026

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"I can say with truth that I have never, even in times of greatest preoccupation with carnal, worldly and egotistic pursuits, seriously doubted that our existence here is related in some mysterious way to a more comprehensive and lasting existence elsewhere; that somehow or other we belong to a larger scene than our earthly life provides, and to a wider reach of time than our earthly allotment of three score years and ten…It has never been possible for me to persuade myself that the universe could have been created, and we, homo sapiens, so-called, have, generation after generation, somehow made our appearance to sojourn briefly on our tiny earth, solely in order to mount the interminable soap opera, with the same characters and situations endlessly recurring, that we call history. It would be like building a great stadium for a display of tiddly-winks, or a vast opera house for a mouth-organ recital. There must, in other words, be another reason for our existence and that of the universe than just getting through the days of our life as best we may; some other destiny than merely using up such physical, intellectual and spiritual creativity as has been vouchsafed us. This, anyway, has been the strongly held conviction of the greatest artists, saints, philosophers and, until quite recent times, scientists, through the Christian centuries, who have all assumed that the New Testament promise of eternal life is valid, and that the great drama of the Incarnation which embodies it, is indeed the master drama of our existence. To suppose that these distinguished believers were all credulous fools whose folly and credulity in holding such beliefs has now been finally exposed, would seem to me to be untenable; and anyway I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake and Dostoevsky, than right with Voltaire, Rousseau, Darwin, the Huxleys, Herbert Spencer, H. G. Wells and Bernard Shaw."

- Malcolm Muggeridge

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"The art of John Dryden would be required to encompass the complex personality of the ambitious and many-sided politician who, in 1974, became Chancellor of the Exchequer. The most cultured of Chancellors, he could also be the greatest bully. Perhaps the most brilliant of Chancellors intellectually, he was possessed also of a common touch which attracted a wider public even when it most disliked his actions. His various disguises could confuse. A friendly commentator might attribute to him a deep seriousness worn lightly, sometimes perhaps flippantly. The flippancy could have been diagnosed as a defence mechanism for a man whose outward ebullience concealed inner doubts. Or it could have been interpreted as an expression of total self-confidence. The friendly commentator would have detected great courage, normally kept in reserve, as though courage was only for the decisive moment and it would be tedious to fight too hard when the issues appeared not of the first importance. A less friendly commentator might have criticised the flippancy, encountered not just in words but in deeds, as indicative of irresponsibility. Certainly it was not always to the taste of those who worked for him. By civil servants in the Treasury, he came to be admired for the excitement he generated and feared for his penetration of official work less than first class. But by those, Ministers and officials, who could not take his dismissive rudeness, he might even be hated. He came to dominate the international community of Finance Ministers by his intellectual brilliance and his committee skills."

- Denis Healey

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