American Country Singers

"I‘m a music man and like to DJ on the decks in my kitchen, where I often listen to tunes while rustling up food, a bit like . I love Ray Charles, Sting, Dire Straits and sometimes I‘ll even drop some Elvis and all that has got me into a bit of bother with neighbours"

"Elvis Presley, at age 13"

"In 1969 I was playing piano for the Stamps and we got invited to go to the Elvis suite at the International, after his first show there on July 31, 1969. J.D. Sumner, who was Elvis' idol from way back and the leader of the Stamps, said that we would have to flip a coin to see who would go with him to the suite and meet Elvis. And I won, and then when I entered the room, and saw him, I thought "Man if I could look like this dude, I could get every chick in the world. He was the coolest person I have ever seen in my life. Playing piano for him, even if it was only fir the last two years of his life, defines my own life, in spite of all the success I've had as a producer since."

"As a vocalist, Elvis Presley possessed the rare ability to give the melodramatic a genuine authenticity; it's easy to take Elvis Presley for granted and yes, we all know that Elvis had a huge role in defining rock in the beginning, but few of us really know what that means; but then there's that voice, which Elvis uses to cut through to the most complex meaning of the song — the meaning that the song's writers might not even know exists — and lay it bare. On "From Elvis In Memphis", he takes the longing sentiment in "Any Day Now" (1969), his voice lending it a certain buoyancy that most artists would never even think belongs, and in doing so he embeds a deceptively simple pop song with depth and mystery, all through inflection; a craftsman at heart, his experimentation didn't manifest itself in innovation, but in refinement of his already incomparable technique; as a result, "From Elvis In Memphis" documents what happens when an artist who instinctively personalizes the songs he sings decides to get even more personal; the outcome is raw, stripped of all pretense, and dedicated to the idea of the song, his voice bringing with it a grave amount of weight; if you want an indication of why Elvis deserves a place in current pop culture, pick up "From Elvis In Memphis"; the music speaks for itself; authenticity never goes out of style."

"Elvis was just his own thing, man. My grandmother was a huge fan of Elvis; I remember she used to have this amazing Elvis bag that she would take everywhere, it was just her face unwrapped in a handbag. As I got older, I started listening to his music, and if you really listened to him, he wouldn’t be afraid to do anything. I find myself trying to look like him all the time, in “Blue Christmas” or “Hound Dog.” No matter how long this world lasts, he will still be talked about."

"He was one of a kind, nobody like him. And they all respected him. The unique thing about talking football to another celebrity is that it never comes as real, but with Elvis you could because he understood it at that level and that made it good for me to exchange because I could talk to him as I couldn't talk to an actual novice. He was the biggest personality, was truly big and I'm happy he was a friend of mine"

"He said I was good and I said he was good, we never argued about that. I wasn't just a fan, I was his brother; Elvis was a hard worker, dedicated, and God loved him. Last time I saw him was at Graceland, We sang 'Old Blind Barnabus' together, a gospel song. I love him and hope to see him in heaven. There'll never be another like that soul brother."

"Imagine Elvis with a master's degree performing a whole set about mandatory staff meetings."

"He always felt like somebody I should do and I think the Luhrmann film bounced the idea back into my head. So when I came to paint, he just sort of made sense. Elvis is one of these big characters that end up populating your life even if they’re in the background, even if you don’t listen to them or watch them a lot. Years ago I had this quite clear thought that at some point, shortly before death, we’ll each have this sense of ‘Oh those were all the people, not just celebrities but anybody who populated my life"

"Well, they were , , , , and ...."

"I named it Planet Elvis (17059) because I had discovered a similar one, just two days before and which I called Rock and Roll (17058). It just seemed befitting..."

"I like what he's doing. He’s rocking the blues, that's all he's doing. Rock and roll is here to stay because it comes from natural people. Rock and roll is a natural steal from the blues, and the blues will never die and the blues can't die because it's a natural steal from the spirituals."

"I'm sitting in the drive-through and I've got my three girls in the back and this station comes on and it's playing "Jailhouse Rock," the original version, and my girls are jumping up and down, going nuts. I'm looking around at them and they've heard Dad's music all the time and I don't see that out of them.""

"In the live music business, it doesn’t get any bigger than stadium concerts. Thanks to the large seating capacity of most stadiums, artists playing at the top echelon of touring can earn $4 million to $5 million per show — double and triple what they can earn at arenas.But the model for stadium touring business wasn’t drafted by a major concert promotion company or a professional sports executive, but by a 16-year-old girl named Kay Wheeler who found herself swept off her feet by a Mississippi singer named Elvis Presley. According to the new book "Rock Concert" by Wall Street Journal music and arts contributor Marc Meyers, Wheeler convinced the Cotton Bowl to host a concert headlined by the “Blue Suede Shoes” crooner, convinced a local radio station to be her partner, and drew in a capacity crowd thanks a letter writing campaign promoting the concer"

"We at Fox were the only people who could put John Wayne, Elvis Presley, and Marilyn Monroe in movies and not have them do any business,"

"That's when the price of art really started going up...."

"i) The late writer Norman Mailer, used to tell me that, in history, only a few names get known. So, you know, Andy Warhol would paint Mao Tse Tung or Elvis Presley. I think Trump always wanted to be in that class of a known name.ii) I see Elvis as someone who was a pioneer in smashing up some of the conformity of the Eisenhower fifties. There was something about him, an aura, that he created which made him one of the revolutionarfigures of Cold War America."

"I'd have Sir David Attenborough though I think everyone would have him. Then Emma Thompson was one that I think would be really nice to have dinner with as she's always seemed like a really interesting lady, so she would be on my alive list of guests. In terms of deceased people, I would have a young Elvis I think, or before he was at his peak anyway. Then JFK. They would be four interesting people, with different backgrounds. You could go right back and say Julius Caesar but I am NOT sure he would totally get what David Attenborough's been doing..."

"In early 1969, at American Studios in Memphis, I had a secret entrance made from an underground garage, a trap door coming from underneath the basement, so Elvis could drive in and the people wouldn't chase him. Girls would pull his hair, as well as his clothes off and all that stuff, which was fun, but eventually it got to be a pain. So I told him how he wouldn't have that problem, he could just go in, come up the steps, and we would record.."

"I didn’t really know what it was, but they were interested in me reading the script. I wasn’t an actor and wasn’t pursuing being an actor. It was just an avenue, to be honest, of making some money because I’d just left school. They flew me to New York, and I had an audition, and I got the thing."

"When you walk into a New Zealander's home there's occasionally a portrait of the Queen or the Pope, but more often than not, hanging on a lounge wall, is a piece of Elvis Presley memorabilia. You'd see a hell of a lot of Elvis. As far as we kiwis are concerned, Elvis never left the building."

"Like most black people in the South, and to whom God has pressed down the harp of a thousand strings, that harp only needed tuning. Elvis' voice was that type of voice that agreed with the thought of Calvary. He had that type of bent and that type of inclination, AND ATTITUDE, that suggested that God could use him. I gave the music a different approach, a new beat, one beat, two beats, high or low, it didn't matter. So, I said come on in here and put your things together. And it was a glorious experience and Elvis was in that group. And when Elvis passed away it was a saddening thing. It was as if the clouds themselves started crying."

"A supplicant asks priest and television star Father Gavlin "Who is more pupular, the Pope or Elvis Presley?" The question is rhetorical..."

"Heartbreak, jealousy, loneliness-, Elvis Presley gave luxuriant voice to these less than cheerful emotions, but did you ever think of him as a balladeer of the unbearable bleakness of being, of the horror of existing without purpose in a godless universe? In the improbably vivacious London-born production of "Woyzeck", vintage Elvis recordings provide much of the background music for Daniel Kramer's adaptation of Georg Büchner's great, prophetic drama of existential emptiness from the 1830's. Dolly Parton and, more predictably, Beethoven, make aural guest appearances but it's the voice of the Pelvis that sets the rhythm of life. And if the "wedding" of Presley and Büchner is more shotgun marriage than natural love match, at least you leave the theater feeling less suicidal than you normally do, after two hours with one of the grimmest heroes in Western literature."

"Winston Churchill would add wisdom, war stories and outrageous comments. As a dyslexic, and I love to learn from people with very different minds to my own, English mathematician and early computer developer, Ada Lovelace would be my second of six guests. Elvis Presley, one of the greatest entertainers of all time and an example of people with great talent, along with Nelson Mandela, would bring magic to the evening. Finally, the only person on my list whom I have already met is Princess Diana, the most delightful company, her presence at my dinner party spreading joy, laughter, and kindness around the room."

"Elvis Presley bloated, over the hill, adolescent entertainer, suddenly drawing people into Las Vegas, had nothing to do with excellence, just myth. It’s convenient for people to believe that something is wonderful, therefore they’re wonderful."

"Elvis defined the concept of celebrity before it became ubiquitous. His evolution from prodigy to recording artist to actor to movie star and ultimately to myth are all depicted in the collage. AI was used to create his final transformation into a resurrected larger-than-life idol"

"I was in Las Vegas giving a corporate presentation, because that's how I made money in the off season. Elvis called and I was skeptical at first. But then there is that specific way he spoke, and it was definitely him. He told me he liked the way I played and invited me to see him. It showed how much of a fan he was, that he wanted an NFL player to come and play with him and his buddies. But I had to catch a flight in an hour and man, it would have been the story of a lifetime, playing backyard football with Elvis. And I still think about it now."

"Some of the girls were telling me about him, this new kid on the block and I was thinking, who is this upstart? Anyways, I was playing a concert with Johnny Horton in Odessa, TX,and when the curtain opened there was only six people in the audience. Elvis was playing nearby and that's where everybody was. So we gave the people their money back and all headed over to the high school field house to see Elvis. We went backstage but he was swarmed by girls. He couldn't even get out. We tried to get his attention but there were too many people. And then I met him. I'd never seen anybody like him. He had a cute half-grin and these sleepy eyes, and he laughed a lot. I was so struck by his looks, that I probably didn't hear the first fifteen things he said to me. Mom didn't care for him in the beginning, but when he snarfed up two of her biscuits in a matter of seconds and whispered to me, 'Does she have any more?' she began to warm to him. She saw him then, I think, as more like one of her own sons. After that, she'd even smile a little when I'd mention him. When we'd travel to shows in Texas or Arkansas, Elvis and I would sit in the backseat and sing gospel songs at the top of our lungs. The guys in the front would plug their ears and we'd just die laughing. We never officially broke up or said goodbyee. That's the last time I ever saw him, until he appeared on the Ed Sullivan Show..."

"He was such a nice guy to work with, a quick study. He'd go over and play the demo acetate and listen to a bunch of them. When he finally found one he liked, by the time he walked from there back over to the mic, he knew the song."

"When I was in high school, playing for Crystal City High at an away game in Memphis, I climbed up the wall that surrounded Graceland, reached over to a limb that was from a tree inside the wall, snapped the leaf off the tree and kept that leaf in my wallet for about six years."

"To have Elvis come home, so to speak during this bicentennial year for the state he was born into is very exciting,"

"My celebrity crush was Elvis Presley. I got to first meet him with George at Madison Square Garden in 1972."

"He loved Elvis. He once said to me, ‘Elvis is real pretty. People love him because all the women love him – he’s so pretty. I’m not as pretty as Elvis and he draws all the women out of nowhere’. Now, whenever Muhammad and I were in Elvis’s company he was always down to earth, similar to Muhammad, loving to give and help others. Sometimes when people are that great or popular they have arrogance and an ego, but Elvis and Muhammad did not. He used to play his records all the time..."

"Apparently Elvis heard my demos, because we were both on RCA, and Colonel Parker thought I should be introduced to him and maybe the two of us start working in a production-writer capacity. But it never came to pass. I would have loved to have worked with him. God, I would have adored it. He did send me a note once, which read "All the best, and have a great tour." I still have that note. He was a major hero of mine and I was probably stupid to think that having the same birthday as him meant something."

"We've drafted people who are far, far more important than he is."

"i) We must not condemn music which is not on a level as high as we’d like. A person who is listening to Elvis Presley in a five and ten is listening to a folk singer and is getting something from it. ii) The only thing he does like me is that he doesn´t come back for an encore. When he walks away the show is over."

"Like a bloated Elvis"

"I may consider filing a resolution for Indiana to honor Elvis, after all we should do something to recognize the fact that his last concert was here in Indiana."

"He was not quite a hillbilly, not yet a drugstore cowboy. He was a Southern — in that word's connotation of rebellion and slow, sweet charm."

"We became very good friends, leased homes in Bel Air and visited each other. And back then, in the early 60's of course, I had a wife, and four little children, he was not married, and would come over some afternoons unannounced and visit with me, my wife and my children. They would maybe jump out of the swimming pool, and come running up and get in his lap, and he would become soaking wet, you know, and I would say, 'Girls, don't do that'. And Elvis said, 'Oh, no, let them, let them'. And I knew that he wanted a family."

"When Bob King and I hosted our radio shows on WBMK and WKGN in the 1980s, we played R&B music of the 1940s through 1969, talked about the music, the artists and stories related to the music industry and revealed the real names of the performers while taking requests from the listeners. We would chuckle as we introduced “The Twist” by Ernest Evans. How could our audience know that the real name of the man who recorded “It’s Just a Matter of Time” was Benjamin Franklin Peay? I believe I would have changed my name to Brook Benton, too. Yet one could go from bad to worse. I don't know why Otha Elias Bates McDaniels changed his name to Bo Diddley. Dinah Washington had 34 top 10 records. She didn't like her birth name, Ruth Jones, and changed it. Some of the others were James Brown, the Godfather of Soul, with 107 hits during the time we were on the air. Billie Holiday, the great jazz singer changed her name from Eleanor Gough. Many referred to her as Lady Day. Ella Fitzgerald, the most honored jazz singer of all time, won the DownBeat magazine poll as top female vocalist more than 20 times. Aretha Franklin was the Queen of Soul with 60 numbers on that chart during our broadcast. Although we did not play any Bessie Smith, we knew she had been dubbed Empress of the Blues. Finally, on our shows we recognized Elvis Presley, who had 33 numbers on the R&B chart, as the King of Rock ‘n’ Roll."

"Elvis Presley was serving in the military in 1959 when he came under the weather. Doctors diagnosed tonsillitis and suggested that the vocalist, then the biggest performer in the universe, have his tonsils removed. Presley, already more trustworthy than most modern performers in his pleasant acceptance of military duty, agreed. The problem was that no doctor nearby wanted to risk operating on the star, fearing that malpractice would leave him without his golden voice, and either a lawsuit or an an angry fan could ruin any medical career and/or life. They gave him penicillin instead and fortunately everything worked out"

"I identify a lot with Elvis. He was a loyal guy and love his style of singing."

"i) I recently met with Coretta Scott King, John Lewis and some of the other leaders of the American civil rights movement, and they reminded me of the cultural apartheid rock & roll was up against. I think the hill they climbed would have been much steeper were it not for the racial inroads black music was making on white pop culture. The Beatles, the Rolling Stones, Creedence Clearwater Revival were all introduced to the blues through Elvis. He was already doing what the civil rights movement was demanding: breaking down barriers. You don't think of Elvis as political, but that is politics: changing the way people see the world. ii) In Elvis, you had the whole lot; it's all there in that elastic voice and body. As he changed shape, so did the world. His last performances showcase a voice even bigger than his gut, where you cry real tears as the music messiah sings his tired heart out, turning casino into temple. I think the Vegas period is underrated. I find it the most emotional. By that point Elvis was clearly not in control of his own life, and there is this incredible pathos. The big opera voice of the later years -- that's the one that really hurts me."

"We Germans will never understand U.S. foreign policy. You save Europe with The Marshall Plan, Berlin with the Airlift, and then you turn around and give us.... Elvis Presley.""

"Three friends of mine and I were singing ‘Teddy Bear" and I remember thinking it not at all remarkable that we would sing this Elvis Presley song. So here's these four black young men singing, ‘Just wanna be your Teddy Bear,’ We just said, “This is OK, this guy is alright.‘ I think my peers thought Elvis Presley was OK."

"At age 5, he decided that he wanted to be a musician when his father took him to the Elvis Presley concert in his home town of Sioux City on May 26, 1956."

"She came back, and that was that. We never spoke about it again. Kind of flattering, now that I look back, to know that she chose me over Elvis. Very few men can say that..."

"We're now trying to get the National Park Service to recognize his home in Louisville as a national historic landmark. Hopefully we can partner with them to continue to run it as a museum, like they've done it with Martin Luther Kings home in Atlanta and with Elvis Presley's home in Memphis. Ali walks among those giants.”"