American Country Singers

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April 10, 2026

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April 10, 2026

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"( That night) after eleven o'clock, Tony Prince took over on ( Radio) Luxembourg. Dazed, frequently in tears, just quietly playing Elvis records and reminiscing into the small hours, as long as it took him to negotiate his grief. The world stopped for a little while. Not long afterwards, it was time for me to return to school, for the start of my third year, when we were supposed to start taking this education thing seriously. There was some gentle mocking on the part of my classroom peers over Elvis' passing, and it struck me that, for nearly everyone my age (or so it seemed), Elvis didn't speak for them, or to them. It's fair to say that the girls in my class tended to like Abba, Boney M, ELO and David Soul, whereas the boys went for Genesis, Queen, AC/DC and Rush. Elvis was somebody your parents liked, regarded as something of a square. I am not sure whether any of these artists came close to sniffing Elvis shoes, never mind filling them, and in any case nor could they have done; as only Elvis could have unbolted the door, made the impact on life – not just on music – that he did. If the postwar generation wanted to burn, not just forget, “the war,” and not grow up as robotic replicas of their parents, Elvis was the active agent who forced newness through to that society." ii) When in 1972, I was made president of the Elvis Presley fan club, we took 200 fans to Vegas to see him. Parker invited 11 of us down to the dressing room and suddenly there he was, leaning against the wall. He had a black suit on, and the first thing that hit you was how handsome the guy was. He came over and was very polite, and I started to interview him for my show, The following year I went back, taking my programme director Ken Evans with me. Elvis was one of the few stars Ken had never met. To return the favour, when we arrived in LA, he took my wife Christine and I to spend an afternoon with Mae West. She gave us some carrot cake and tea. Elvis yesterday, Mae West today. We were buzzing! Tony Prince for the Guardian, published on 4 December 2016. Unquote"

- Elvis Presley

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"I had done some soundtrack things earlier in the sixties with him. I never felt Elvis was a man out of time. What you have to understand is that his music never died. You know, at the time, a lot of people were saying he didn’t have a hit record for a couple of years; his career is over. I never thought that at all. It never would enter my mind. Because I know, from the first time I saw him on Ed Sullivan to the days I got to work with him, that this guy could go on forever. The only guy who will stop this guy from going on is himself. That night in 1968 I got the Elvis call. I remember one thing, it was on a Saturday and we all were making a fortune. Double scale. Golden time. Big time. I know this was a little different for Elvis working with us. Sometimes he sang live with us and sometimes he overdubbed. As a matter of fact he sat down at the piano with me a few times for me to straighten out the part he had to sing on ‘Jailhouse Rock.’ We were on the incidental and interstitial music that was all over the soundtrack. What’s more important than hearing Elvis in headphones is that I got to hear him as a human being, having chats, going back and forth. He had a musicality to him. Look, Elvis has innate musical skills. I guess we were all taking Elvis into a different world. It was a completely different thing for him from the A band, or the Memphis band. Just having the Blossoms on the sessions. Elvis loved the Blossoms. He knew Darlene Love and he was now playing with the Wrecking Crew. Hal Blaine, Tommy Tedesco, Mike Deasy, Tommy Morgan, Chuck Berghoffer, Frank De Vito, vocal contractor BJ Baker and yoursutruly."

- Elvis Presley

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