American Country Singers

"- My earliest connection with Elvis was that my substitute English teacher at Paxton High was , who seven months later would go on to write "Heartbreak Hotel". Mae was also a show promoter and in the late spring of 1955 she brought the Show to the Gator Bowl Baseball Stadium and that was how I met Elvis. Before the start of the show, I got backstage, talked to him for a long time and then I finally introduced myself to him. He then said "Well I'm Elvis Presley" and I thought 'Wow, that's a strange name' as I had never even heard his name before that. I was there actually to see Snow who headlined and so forth, but as soon as he hit the stage I knew who he was! I'd been thinking that he was just a guitar player but when he went out on stage they came out of the bleachers, pushed so hard you just couldn't hold them back. There just wasn't enough protection as this was a Country show. Elvis was bottom of the bill that day and he hadn't even had a major hit yet, so you wonder what Snow must have thought of the reaction. That day, on May 13, 1955, was the first time I had ever seen a show with so much screaming and fan input. I'd never seen anything like that. It was unbelievable."

"Pope Francis sends me his personal CDs, classical but also tango, Elvis and Piaf..."

"Elvis sang black music because he loved it and he helped popularize it. His first single was one side Blues, one side Hillbilly and the combination defined Rock and Roll forever."

"Oh I Go, I was going to die, join the 27 club, I had more pressure than anybody to record a song, even Elvis.."

"When I was a very little girl, my aunt told me never to listen to Elvis Presley’s music. She asserted (forcefully, I might add) how Elvis (supposedly) said, “The only thing Negroes can do for me is buy my records and shine my shoes.” My aunt also declared he stole black music, so, I now ask myself, why would an African American woman defend a white man she was raised to hate? I decided on a full study and complete unmasking of falsely reported news surrounding the life and career of Elvis Presley. The truth about the invented slur lies in white liberals owning media outlets like , magazine where they could make money exploiting statements and falsifying others because so many whites during the era openly made stupid remarks against black people. So when a black radio station decided to play Elvis' music and black people started acknowledging that they listened to and bought Elvis' records, white liberals went into panic mode and the slur was invented."

"The only time I met him was in Las Vegas, at night, but what a time that was!!!"

"Especially in the South, they speak about Elvis and Jesus in the same breath."

"That's what rock'n'roll, born of blues and country music, channeled through charming, southern Christian men like Little Richard and Elvis Presley, has always done for us."

"Elvis Presley? He is the greatest rock & roller."

"I was really happy about his success, because acceptance wasn't really too great in those days unless you were a schooled singer, so it opened up a whole new thing for young performers who had not studied voice but just had feel. It made me a little sad to think that here was a man who came along and probably made one of the greatest contributions to rock n roll music ever, and people would come in and criticise his shows, (In fact), for someone to have given that much joy to that many people, he shouldn't of had to do anything but walk out on that stage and just stand there. And I sometimes wonder if people in that sense are sadistic and wait to see you fall or hope to see you fall."

"UK singer, songwriter and guitarist Justin Young, frontman for , choosing his favorite musician of all time in an article published in the Guardian and entitled "Elvis Presley's power, Tina Turner's legs: musicians pick their biggest influences", as published on March 1, 2018."

"Elvis Presley, for example, became a key supporter of Father Don Mowery's work, having grown up in Lauderdale Courts, one of the many Memphis housing projects well served by Youth Service during this period. Interestingly, Elvis' donations always came with a catch, namely that they never be put into the general-operating fund, but instead set aside for “special projects.” By 1985, Memphis-style programs were operating in dozens of cities all across America, father Mowery's concept generally considered the most innovative social-service effort developed between the military and civilian sectors in the late-twentieth century. And although no one knew at that time how much of an impact Elvis' contributions would have on the future of the organization, much of the funding for this national expansion came precisely from that “special projects” fund that Elvis Presley had supported in the 1960s."

"I was an officer in the Japanese Imperial Armny during WW II anfd I want to apologize to Mr. Presley for us fighting you guys. Because I am really sorry about that and given he studied karate under who was indeed a chanpion in my country, I want to gift this samurai sword to him, as a token of appreciatio. ** 's recounting of the time he brought Elvis a samurai sword all the way from Japan, as handed to, and then told by Dick Grob, head of Security at Graceland. Elvis was getting ready to bed, then came down to meet hi, but the veteran had had already left."

"Society is always on the lookout for a cultural target for finger pointing when the establishment has issues, especially generationally with its youth. In the '50s, comic books became the easiest target to blame for the post-World War II rise of juvenile delinquency in America because certainly, society never believes anything is the fault of the establishment, itself, nor its parents, teachers, clergyman, politicians, etc. So in the early '50s, comic books were mounted on the cultural crucifix. To this day, I believe that the comic books as we know them would not have survived that attack had it not been for the emergence of Elvis Presley. Quickly, the finger turned and pointed at him, instead. Of course, this was followed by 45 RPM record burnings in cities across our nation. Over the decades, that witch-hunt of blame has moved from comic books to Elvis Presley to Saturday morning cartoons to rap to hip-hop to video games, because, again, nothing is ever the fault of society, itself...."

"It is an honor for me to be with you, here where the most celebrated people have made history. In this iconic arena, think of this, here, where I stand, is where the King, Elvis Presley played for 80,000 screaming fans"

"I know he didn't write songs but, to me, Elvis Presley was the complete artist. His voice, his song choice, his energy and attitude, his perfect hair and clothes: it felt like he'd been sent from another planet. It was incomprehensible to me that this was a man who made mistakes, or who felt sadness or loneliness. I recently visited his childhood home in Tupelo, Mississippi and it was in stark contrast to the life I'd imagined. To a child, he seemed invincible – and he made me feel it too. To watch Elvis and to listen to his songs was pure escapism and aspiration. "Blue Suede Shoes" was my first love. From as early as I can remember, I knew that if I could channel some of that raw power I saw in him, life would be better for it. I guess, like all of us, he was flawed as a man, but he was the perfect entertainer.""

"The one thing that I envy is Bill Belew having the job of dressing Elvis Presley. That job I would've liked'."

"I was 11 when he died, but I remember that. He gave Ali that robe. Everybody loved him. He was a beautiful person in real life."

"It has something for everyone, except perhaps Irving Berlin, who attempted to get Elvis's recording of "White Christmas" banned from radio play, deeming it "vulgar and disrespectful". And it was, which is part of the reason why the drastically rearranged tune is so memorable, as the then-young singer masticated the contemporary classic, adding his idiosyncratic dynamics and trills (the so-called educated yodels of one's vocal chords); equally irreverent and just as riveting is the King's gritty take on Leiber and Stoller's "Santa Claus Is Back in Town", one of the most sexually suggestive holiday tunes ever, and his rollicking "Here Comes Santa Claus". And who can forget the song that changed the hue of Yuletide, "Blue Christmas", or his wistful, definitive version of "I'll Be Home for Christmas", which cemented his reputation as pop's top dreamboat. Along with Phil Spector's "Christmas Gift for You", this is arguably the finest Rock & Roll Christmas album of all-time, a seasonal yet essential recording belonging under any Christmas tree."

"Elvis was one of the prime architects of rock and roll music. As such, he influenced several generations both musically and socially. The urgency in Presley's voice is just one part of the equation, and the ease with which he swings tells the rest of the story. Equal parts balladeer and rockabilly king, Elvis played both sides of the fence. He was both tender-love-man and hard-hitting rebel. As this collection proves, his genius was in the way he made it work."

"Blue laws began in Texas in 1863 and were still being passed in 1961. Many states prohibited the selling of alcoholic beverages on and off premises in one form or another on Sundays, or at restricted times. Also, blue laws of Texas did not prohibit most businesses being open on Sundays, but all of the restrictions made it impractical to open. Can anyone imagine when some Sunday shopping was a crime? If this blue law was still in effect today, we would all go to jail and cause a Jailhouse Rock with an 8.6 magnitude on the musical Richter scale like Elvis did back in his heyday."

"But even the power of organized religion paled beside the personal changes I felt come over me in the mid-1950s when I heard Elvis Presley's "Mystery Train" on the radio for the first time. Determined to get a berth of my own on the fast-moving train of rock 'n' roll, I quickly made my way up to Memphis and the legendary Sun Studios. There, I talked producer Sam Phillips into giving me a shot at making some records of his own."

"This is the best way to hear Elvis the Superstar, with "Hound Dog," (1956),"All Shook Up,(1957), "Are You Lonesome Tonight" (1960), and the ever zany "Suspicious Minds" (1969), still sounding fresh and immediate —impressive given how many times most the world has heard them —, and showing off the diversity of Elvis' singing, from the purity of his gospel falsetto to his rock and roll purr."

"I'd really love to bump Elvis"

"You want me to describe Elvis? Wow!!"

"It is not enough to reject the capitalist decadence with words, to speak out against the ecstatic singing of someone like Elvis Presley. We have to offer something better..."

"Even as we focus on perhaps the final election of the 2018 season in North Carolina's 9th District, pundits and scholars are already debating whether or not there was a “blue wave” during the 2018 election, or if it was an Elvis Presley-like “Blue Christmas” for the Democrats, a missed opportunity for the party."

"Well, this was during the time that Elvis Presley was driving a gravel truck and we were playing on 11th Street and they didn't allow whites there. It was a whole black street. And at that time I didn't know who Elvis was, whether he was a musician, he was just a guy that I liked. He liked music, so I liked him because he liked music. I'm assuming that was it and we had some form of rapport together. So I would slip him into the back of the club, the piano sitting like this and the back door was sitting there and I would sit him and have him behind the piano, because in those days I would stand up to play the piano, and I'd play the piano backwards and just clowning with the piano. But I never knew that this guy was even an entertainer. But meantime, I'm just assuming a year or so, I hear this "Blue Suede Shoes" but I never put this with this guy at all. I don't even connect the two. And many years later, in Las Vegas, I was playing the lounge room at the International Hotel, and Elvis was in the main room, but you know I never was interested in other acts, you know, I always was interested, like if I get to know you, OK, but for me to go over there, Red Foxx was in the lounge also at that time. And one night, I won some thousand dollars, and I was coming down through the back, had all this big old rack of chips and stuff and this white guy says, "Hey you don't remember me?" And I said no. So that's when he [Elvis] told me that he was the one that used to come to West Memphis and hide behind the piano, in this black club. You know, it was amazing, you know?"

"The pace could be brutal between touring and schedules, but Vegas was best. The Turners' annual stays at the International, later the Hilton, allowed them to bring the kids along, sometimes taking all four of them to the big room to catch Elvis' extravaganza and he would have the whole family stand for a round of applause."

"It really puts perspective on things, though, doesn't it?"

"Well I am so glad to be in Tupelo, the birthplace of Elvis Presley. I shouldn't say this, because they are going to say I am conceited, but other than the blond hair when I was growing up they all said I looked like Elvis. I always felt that it was a great compliment. And we just gave him the Medal of Freedom in the White House. We love Elvis don̪'t we̞?"

"I mean Elvis made us move, instead of standing mute he raised our voice. And when we heard ourselves something was changing, you know, like for the first time we made a collective decision about choices, America hurriedly made Pat Boone a general, in the army they wanted us to join, But most of us held fast to Elvis and the commandants around him Chuck Berry, Buddy Holly, Little Richard, Bo Diddley, Gene Vincent, you know, like a different Civil War all over again. Man, like he woke us up, and now they're trying to put us back to sleep. So we'll see how it goes, Anyway, look at the record, man, Rock ’n’ roll is based on revolutions, going way past 33⅓, you gotta understand, man, he was America's baby Boom Ché. I oughta know man, I was in his army"

"It was the very first day on set and I was so nervous. Everyone was having lunch and I really didn't feel like eating because I was that nervous. So I decided to go take a nap and if I was needed on set, they would call me. I went to my trailer and the air conditioner wasn't working. I was just hysterical -- really hysterical. I thought, ‘Oh no, this isn’t happening.’ You could only imagine how hot it was. And there was no one around because everyone was having lunch. There must be an air conditioner there. I thought. All of a sudden, there was a hand stopping me. I immediately apologized without even looking up. And I was told, ‘That’s Elvis’ dressing room. You can't just go in. I'm going to have to ask if you're allowed." At that moment, I didn’t see Presley, but I was given the green light to hang out in his room. Upon entering, I immediately felt the relief of a running air conditioner and collapsed on a nearby couch. When I opened my eyes after a restful sleep, I saw Presley’s face closely staring right back at me. He was putting a cold compress on my face. He thought I must have passed out or something, He was absolutely beautiful. I mean, people with great voices are attractive to me, but this was something else. I didn’t even know what to say because I was so shocked. And then he went, ‘Don’t worry about it. I just want you to feel good. Are you hungry? Do you want something to eat? Are you thirsty?’ I couldn't even talk!” I was overwhelmed by everything I was experiencing. He smelled like baby powder and milk. But he just kept insisting if I needed or wanted anything. Elvis also had told me I could stay for as long as I liked and not to worry about it. After he left, I eventually got up and stepped outside where I saw Presley surrounded by his entourage. At the time, he was fascinated by martial arts and when I told him I knew Bruce Lee, then that was another reason we bonded easily. He was a Southern Baptist and my family was very Christian, so we had already connected from that alone. He was very spiritual. I remember the last time we spoke, we were hanging out in his trailer. He just looked at me and said, ‘Keep that light burning baby.’ And that was it. I guess he lost his light. Couldn't find his way home, you know? I truly feel he just worked himself to death. It was very tragic.”"

"So I picked up the two Guralnick biographies and started reading them, and as you do if you're reading books about music, you start listening to the tracks as you're going along. Before I'd finished the first book I became a diehard Elvis fan, and by the time I'd finished the second one I had an Elvis tattoo. He might not have written his own songs, but he was the master producer and engineer of his generation. It's also popular opinion to say that the original Hound Dog is better, but no it fucking isn't. That's just bollocks. Elvis' version of that song is lightyears ahead, and if you listen to the two of them back-to-back you can hear what he was doing. This was obviously the ‘50s so it was all cut live, and he’d stand in the middle of the room with all the musicians around him and they’d do 60 takes in a row. He’d be like, ‘Bar three, verse two; drop that F sharp to an E. Now let’s do it again.’ He was in full control of his vision. It's taken me until my mid-30s to realise it, and when I was younger I didn't really get it."

"Even Plato, I think, said that you need to be trained in government, to exercise it, to practice it. But the American public is now satisfying itself with being interested in entertainers. I was at a seminar a few weeks ago down at the Smithsonian. They held a conference on the subject of the hero. And I guess I should have realized that this was what it was about, that the level would not be exactly my idea of a hero. And it certainly was not. It was quite weird, what they considered heroes. The real hero of the discussion was this little girl who’d fallen down a well, and everybody was rescuing her. I mean, after all, she didn’t do anything to make herself a hero. She was just in the news. And another hero they discussed was Elvis Presley"

"The course examines the history of rock music, primarily as it unfolded in the United States, from the days before rock (pre-1955), to the end of the 1960s. It covers the music of Elvis Presley, Chuck Berry, Phil Spector, Bob Dylan, the Beatles, the Rolling Stones and many more artists, with an emphasis both on cultural context and on the music itself. The course will also explore how developments in the music business and in technology helped shape the ways in which styles developed."

"Well, 'Viva Las Vegas,' Is was fun for Sergio and I to don special race suits for the Las Vegas Grand Prix, as we drew inspiration from Elvis, iconic gold belts and all."

"I was shocked to hear that a man of integrity like Hal Wallis had referred to Presley as a great dramatic actor. It just shows how far a man will go for the almighty dollar. —"

"I think Elvis Presley will never be solved."

"Listening to these songs today, their most remarkable feature is Presley's voice itself. He takes the Platters' Tony Williams's techniques, and any other predecessor's, to new, uncharted pinnacles. For a singer who was only just encountering widespread popularity, his singing resonates with amazing fortitude and confidence, especially on "Heartbreak Hotel," (1956), where Presley alternately shouts words with full lungs, then gulps the following back, as if under water but without missing a beat. In "Loving you" (1957), Presley's baritone on this, the ultimate slow dance number, is almost too powerful, virtually rumbling the floor..."

"While Elvis was primarily perceived as a baritone and most of the tessitura of his songs was on that key, he was, in my opinion, a tenor. Technically, he never properly worked to smooth his passagio and bring more weight up to the top of his voice. However, one has only to look and listen to much of what Elvis sang, and recorded – especially from about 1974 onward – to realize that, had he gone in an entirely different direction musically, he could very well have sung opera. Although in bad physical condition toward the end of his life, the in concert recordings from his last tour reveal, rather hauntingly, what might have been. Listen especially to the way he sang the Timi Yuro classic "Hurt." Vocally, he was incredibly exciting."

"I've got a cutout of Elvis Presley outside my door so people at the US Capitol can find my office. Right now, he's wearing a big pennant that says ‘Go Golden Knights,"

"What's the difference between Elvis and a smart politician? Elvis has been sighted."

"Elvis Presley. I'm not sure if he's "of the "moment" but now and then there is a new release of his music."

"Elvis Presley was also known for his work on the big screen. The “Heartbreak Hotel” singer made his debut in 1956's Civil War film “Love Me Tender“. It was a stunning one, and it helped propel him to the top ten of the box office for a decade in movies like "Jailhouse Rock“ and “King Creole" Eventually, he would return to music entirely after Hollywood stopped giving him challenging film roles but by then, he'd proven that he could tackle everything.""

"i) Making their second appearance at Worthy Farm, Pete Townshend and Roger Daltrey delighted the crowds as the sun set on the final day of Glastonbury 2015 by performing a number of hits from across their career. They also referenced Kanye West's claim during his own headline slot the night before that he was "the greatest living rockstar on the planet", with Townsend and then Roger Daltrey saying, "We're gonna send you home now with a rebellious 'who's the biggest fucking rockstar in the world? 'It must be Elvis Presley. ii) We have to focus on his early work, and just one or two of his movies, and elements of his TV shows, to keep his memory pure. People now know that Elvis could play a mean rhythm guitar himself, and needed no other musicians to perform a great song. But Elvis was not just a rock star, he was an all-round entertainer."

"I had taken my song "Dreamy Eyes" to George Klein, Memphis DJ and Elvis friend and said to George: "I can really hear Elvis singing this song," because I felt Priscilla had the prettiest eyes I'd ever seen. About eight months later I got a call that Elvis had recorded one of my songs, and I assumed that it was "Dreamy Eyes," but it turned out to be "It Keeps Right On a Hurtin." When Elvis was in Germany getting ready to work, he was listening to Country Music and heard my song, and he wanted to record it. That's the way Elvis picked his music, when he heard something that he liked, he recorded it. Elvis put his song in one of his albums "From Elvis In Memphis", and I couldn't have been more thrilled and proud, because Elvis was my idol."

"Are you kiddin̠g? I am not gonna do an Elvis song, not at the White House̜. No one can outsing the King."

"i) A double voice that alternates between a high quaver, reminiscent of Johnnie Ray at his fiercest, and a rich basso that might be smooth if it were not for its spasmodic delivery. 'Heartbreak Hotel', yelps the high voice, is where he's going to get away from it all. Answers the basso: 'he'll be sorry ii) Without preamble, the three-piece band cuts loose. In the spotlight, the lanky singer flails furious rhythms on his guitar, every now and then breaking a string; in a pivoting stance, his hips swing sensuously from side to side and his entire body takes on a frantic quiver, as if he had swallowed a jackhammer; his loud baritone goes raw and whining in the high notes, but down low it is rich and round. As he throws himself into one of his specialties— "Blue Suede Shoes" or "Long Tall Sally", his throat seems full of desperate aspirates or hiccuping glottis strokes, but his movements suggest, in a word, sex."

"Elvis spiritual crisis started in 1964, led him to meditate with Larry Geller, his then recent hairstylist. Elvis was always a dedicated Christian, with the book "The Prophet" being an inspiration as far as incarnation and following the death of his mother. His family and most of his friends rejected this spiritual quest. He was insulated form the world, so it must have been very frustrated that very few in his circle agreed with this part of his life. He was always very generous, from his infancy, but in time became more and more so, to the point of being extremely magnanimous. In 1965, he started becoming more involved with his spirituality, with yoga, and healing."