Academics From Hungary

"Discovery consists of looking at the same thing as everyone else and thinking something different."

"I am not religious, but I am a pious man... A religious man has a definite religion. He says "God is there" or "God is there," "God is there." "Your god is not my god, and that's all." But the pious man, he just looks out with awe, and says, "where is God?" And "well, I don't understand it and I would like to know what this creation really means." That is a pious man, who is really touched by the greatness of nature and of the creation."

"Between the two world wars, at the heydey of Colonialism, force reigned supreme. ...[I]t was natural for the weaker to lie down before the stronger. ...Gandhi, chasing out of his country... the greatest military power on earth... taught the world that there are higher things than force, higher even than life... [H]e proved that force had lost its suggestive power... information which did not reach the Pentagon or the government: we cannot win in win in Viet Nam because the people are willing to die faster than we can kill them."

"When I received the Nobel Prize, the only big lump sum of money I have ever seen, I had to do something with it. The easiest way to drop this hot potato was to invest it, to buy shares. I knew that World War II was coming and I was afraid that if I had shares which rise in case of war, I would wish for war. So I asked my agent to buy shares which go down in the event of war. This he did. I lost my money and saved my soul."

"[When I joined the Institute for Advanced Study in Princeton] I did this in the hope that by rubbing elbows with those great atomic physicists and mathematicians I would learn something about living matters. But as soon as I revealed that in any living system there are more than two electrons, the physicists would not speak to me. With all their computers they could not say what the third electron might do. The remarkable thing is that it knows exactly what to do. So that little electron knows something that all the wise men of Princeton don't, and this can only he something very simple."

"If any student comes to me and says he wants to be useful to mankind and go into research to alleviate human suffering, I advise him to go into charity instead. Research wants real egotists who seek their own pleasure and satisfaction, but find it in solving the puzzles of nature."

"Research is to see what everybody has seen and think what nobody has thought."

"Mi è impossibile cingere i fianchi di una ragazza con il mio braccio destro e serrare il suo sorriso nella mia mano sinistra, per poi tentare di studiare i due oggetti separatamente. Allo stesso modo, non ci è possibile separare la vita dalla materia vivente, allo scopo di studiare la sola materia vivente e le sue reazioni. Inevitabilmente, studiando la materia vivente e le sue reazioni, studiamo la vita stessa."

"DNA... is the most wonderful thing in the world... Mankind went through epidemics, famine, and...trials, yet nature kept this... intact, because all life depends on it. ...[M]an has found a means to damage it. High energy radiation does so. ...There may ...be survivors after after an atomic war, but those... will be unable to produce a healthy progeny. Their progeny will be beset by abnormalities, monstrosities and diseases... and there will be no way back."

"The primary aim of science is to find... new truth. The search is the more successful the more it is directed towards... truth for its own sake, regardless of... possible use or application. ...If everything given to us by research were to be taken away, civilization would collapse and we would stand naked, searching for caves again."

"Even pure truth, which has no application... elevates life."

"It is not the things that we have, but how we use them that is important."

"If we want to make a discovery, we have to take a risk, since everything new was discovered by accident or by the fact that somebody took a chance and went ahead when there wasn't 100 percent safety for the solution."

"Too much equipment can be, however, something that hampers scientific development. I had the feeling that if there is no equipment present, everybody is forced to simplify his ideas in such a way that the experiments become simple. If there is too much equipment available, he can attack any experiment immediately since all the difficulties will be overcome by putting more money in the equipment. In the long run, some of the equipment becomes so complicated that it is difficult to see how all the parts interact."

"If a person resolves to fight, he ought to know what he is fighting for. Otherwise it makes no sense. A person usually fights against a power in order to gain power himself. Or else because the power in question is threatening his life."

"Of course, living is another way of killing oneself: its drawback is that it takes so horribly long."

"There was truth in Diaz’s logic, yes: our line of work is like that. Once you have started, the only way back is to go forward."

"Nonexistence. The society of the nonexistent. In the street yesterday a nonexistent person trod on my foot with his nonexistent foot."

"I took a stroll in the city. It was infernally hot. The usual evening hubbub around me. Lovers on the pavements, hurrying to cinemas and other places of amusement as if nothing had happened, nothing. Living their nonexistent lives. Or do they exit, and it’s me who doesn’t."

"I am sick of atrocities, though these are now the natural order of our world. And I would still like to act!"

"Kertész has his eyes on the 20th century's varied efforts toward the liquidation of anything recognizable as human personality. "We are living in an age of disaster; each of us is a carrier of the disease," B. decrees in one of many flashbacks. "Disaster man has no fate, no qualities, no character." … Fatelessness is an eerie and painful novel, shocking not for its by-now familiar subject matter, but for the tone of earnest goodwill with which the young narrator attempts to understand his situation. (In one passage he discovers fleas feasting on his open wounds and, despite his horror, considers the insects' hunger and concludes that, "taking everything into account, I could see it their way.") In 1990's excellent Kaddish for an Unborn Child — which, sadly, completes the slim triad of Kertész's works available in English — he explains (via B.) that "one's religious duty, totally independent of the crippling religions of crippling churches, is . . . understanding the world." And with brutal intellectual rigor, Kertész does his best, refusing to let the Holocaust be sacralized as some mythical exception that stands outside of history, or as an untouchable sinkhole of meaning. The Nazi genocide is not an inexplicable catastrophe for Kertész, it's a given, the channel through which the world must be understood. … Liquidation is a profoundly melancholy book, wrestling not just with the legacy of the Holocaust, but with the decades of authoritarianism and disappointment that followed. … Liquidation is at its core a book about writing, about trying to tell stories that resist being told."

"Anyone who wants something else is Jewish."

"That evening he talked about Leonardo and Michelangelo. It is impossible to place them in the human world, he said. It is impossible to comprehend how anything that attests to greatness has survived; it is obviously a result of innumerable chance events and of human incomprehension, he said. If people had understood the greatness of those works, they would have destroyed them long ago. Fortunately, people have lost their flair for greatness and only their flair for murder has persisted, though undoubtedly they have refined the latter, their flair for murder, to an art, almost to point of greatness, he said."

"There’s just one revolution that I can take seriously, and that’s a police revolution."

"I exist. Is this a life still? No, just vegetating. It seems that only one philosophy can succeed the philosophy of existentialism: nonexistentialism, the philosophy of nonexistent existence."

"A person’s true means of expression is his life. Living the shame of life and maintaining silence, that was the greatest accomplishment of all."

"Talking is not enough; words don’t clarify anything. I’ll have to hit upon something, but what?"

"But there are times when being happy — just happy, nothing else — is simply vile." "Why?" Jill inquired. "Because," Enrique reasoned, "one cant be happy in a place where everybody is unhappy."

"Good can be done in a life in which Evil is the life principle, but only at the cost of the doer’s sacrificing his life."

"Writers complete their works, whether those be thousands of pages long or just a few laconic lines."

"If you’re a revolutionary, you shouldn’t have started a family."

"Survivors represent a separate species, just like an animal species. We are all survivors, that is what determines our perverse and degenerate mental world. Auschwitz."

"Man, when reduced to nothing, or in other words a survivor, is not tragic but comic, because he has no fate."

"Only from our stories can we discover that our stories have come to an end, otherwise we would go on living as if there were still something for us to continue (our stories, for example); that is, we would go on living in error."

"I had gotten into the habit of sleeping late because I had started to see that this was the only sensible way I could kill time."

"Everyone here makes a botch of his life. That's the local specialty, the genius loci. Anyone who doesn't botch up his life here simply has no talent."

"Thereafter, the scenes had succeeded one another, turn and turn about, in the drama as in reality, to the point that, in the end, Kingbitter did not know what to admire more: the author's-his dead friend's-crystal-clear foresight or his own, so to say, remorseful determination to identify with his prescribed role and stick to the story. Nowadays, though, with the lapse of nine years, Kingbitter was interested in something else. His story had reached an end, but he himself was still here, posing a problem for which he more and more put off finding a solution. He would either have to carry on his story, which had proved impossible, or else start a new story, which had proved equally impossible. Kingbitter undoubtedly could see solutions to hand, both better ones and worse; indeed, if he reflected more deeply, solutions were all he could see, rather than lives."

"He liked the style, that wry gallows humor armed with the semblance of omniscience; a most serviceable style it was, the dialect of the initiated, protecting them from their disillusionments, their fears, their well-concealed childish hopes."

"Boredom. He takes it with him everywhere, like an angry shaggy terrier that he sets on others from time to time."

"How can we do justice even when it concerns truth itself, since for me only one truth exists, my truth, even if it is a delusion, yes, my delusion; my delusion."

""No" — I could never be another person’s father, fate, god, "No" — it should never happen to another child, what happened to me; my childhood. (Auschwitz)."

"Auschwitz, I told her, appears to me in the image of a father; yes, the two terms, Auschwitz, and father, resonate the same echoes in me, and if the observation is that God is an exalted father, then God, too is revealed to me in the image of Auschwitz."

"You just sit here and tolerate it, the same way everything in this country is tolerated. Every deception, every lie, every bullet in the brains. Just as you are already tolerating bullets in the brains that will be implemented only after the bullet is put in your brains."

"True, he had been living a lively interior life today: he had dreamed something, he had awoken with an erection, and while shaving he had been dogged by a feeling that today he needed to decide, though he could not see clearly what it was he needed to decide, besides which he was all too aware of his own inability to make any decisions. Despite that, the thought did cross Kingbitter's mind that he ought to do something about finding a theater to do the play, the comedy (or tragedy?) "Liquidation." He was now in the ninth year of considering that. Indeed, Kingbitter was now in the ninth year of considering whether he was handling the literary estate with due diligence."

"Let us call our man, the hero of this story, Kingbitter. We imagine a man, and a name to go with him. Or conversely, let us imagine the name, and the man to go with it."

"For Kingbitter the Hamlet question did not run “To be or not to be?” but “Am I or am I not?”."

"The state is always the same. The only reason it financed literature up till now was in order to liquidate it. Giving state support to literature is the state's sneaky way for the state liquidation of literature."

"He himself had said near enough exactly what was in the play. The only snag was that by the time that scene was played out in reality, almost word for word, the person who had written the play, and that scene in it, was no longer alive. He had committed suicide."

"The régime was overthrown, and I'm not going to pretend it was me who overthrew it. A general liquidation is in full swing, and I'm not going to join in. I've become a spectator. And I'm not even spectating from the front rows in the stalls but from somewhere up in the gods. Maybe I'm worn out, but it could be that I never truly believed in what I believed. That would be the unseemlier alternative, because then they would have smashed my ear in for no reason at all. That is the assumption I'm inclining to these days. (He breaks off and ponders, book in hand.) I did time for no reason, dragged the millstone of a police record around for no reason, was on probation for years for no reason, and I'm no hero, I merely botched up my life."

"But I believe in writing — nothing else; just writing. Man may live like a worm, but he writes like a god. There was a time when that secret was known, but now it has been forgotten; the world is composed of disintegrating fragments, an incoherent dark chaos, sustained by writing alone. If you have a concept of the world, if you have not yet forgotten all that has happened, that you have a world at all, it is writing that has created that for you, and ceaselessly goes on creating it; Logos, the invisible spider’s thread that holds our lives together."