"I think there is an expectation when writing about Israel for it to be political, to be about the conflict, the situation (“hamatzav”) and this can be frustrating for someone not inclined to focus specifically on war stories. I’m interested in many conflicts: cultural clashes and dynamics within families and romantic relationships. I also wanted to capture how the political situation is always in the background: the way we live our lives with the sense of contention that is always present but not always on the forefront. The question is also what is political, because to me the book is political. My decision to write strictly Mizrahi characters was a political decision for me. To shed light on characters who are marginalized in Israeli society was also a political choice. Whenever I watch news from other places these are the things I want to know too: I want to see the family dynamics and love stories, and how people live amidst tragedy and war. This is one of the things I think fiction does best. (2016)"