"I don't believe that my peasant [his painting 'Portrait of a peasant'] will do any harm, for example, to the Lautrec that you [Theo] have ['Young woman at a table / Poudre de riz', 1887] and I dare even believe that the Lautrec will, by simultaneous contrast, become even more distinguished, and mine will gain from the strange juxtaposition, because the sunlit and burnt, weather-beaten quality of the strong sun and strong air will show up more clearly beside the face powder and stylish outfit. What a mistake that Parisians haven't acquired sufficient taste for rough things.."