"I worked really closely with [series composer and Devo founder] Mark Mothersbaugh on the music for every episode, but the theme was a little different. It's essentially in two parts: there's the actual theme and the music that leads up to the theme. You know, that Martin Denny-esque lounge music as you watch the beaver gnaw on the wood, and everything sort of winds around as you eventually end up at the playhouse's door. Mark, the director of our first season Stephen R. Johnson and I talked a lot about the feeling that bit of music was supposed to evoke — the words "dream-like" and "hypnotic" were used a lot. I wanted kids to feel like they were being drawn into this world."