"I think, ultimately, my character comes to think that the desire for a shared dream, a shared fantasy, a shared world, was really an attempt at a recreation of a certain kind of childhood pain. Our relationships are built on our first experiences with our parents, so the idea that longing and fantasy and boundarylessness had been established then and didn’t quite function in an adult landscape was — I mean, it’s still quite slippery for me to talk about in this way, and in fiction I felt like I had a shot. You don’t have to be articulate, which I think is important — you can let characters be dumb and stumbling. That is what art can do that talking about art can’t."