"“I was, and am, surprised that the franchise kept going,” admits Hill. “When we did Alien all we wanted to do was to bring a more sophisticated style of filmmaking to what had always been regarded as a B-picture. I always thought that if you did that you would have a commercially rewarding endeavour. But who knew that approach would lead to the Hollywood you have now, where more serious dramatic films have been squeezed out by that B-movie approach. The fact that our monster movie contributed to the loss of a wider approach to filmmaking is, in a way, quite sad.” Such a pessimistic statement seems entirely fitting for a feature on sci-fi’s most famous feelbad follow-up. Even so, we would wager that few would argue that, in the grand scale of studio sequels, it’s unlikely that anyone will ever again dare to destroy a potent celluloid property like David Fincher did with Alien 3. For that reason alone, we can but admire the decisions – however mad – that led to this most unlikely of threequels."