"When it came time for Ripley to jump, Fincher wanted to stick by the religious angle that had been so thoroughly reduced throughout the picture: “I said ‘whatever happens she has to be in peace at the end.’ It has to be a sigh rather than gritting teeth and sweat. So we talked about it and went over and shot this blue-screen element. We were shooting that shot four days before the film opened, a completely ridiculous mess. I don’t know if it works.” And it ends with gritted teeth and sweat. I have mixed feelings about the ending. Had Fincher been able to get his vision through, then perhaps that ending would work, but as it stands in the theatrical cut, the moment fits in with the ugliness that permeates the rest of this movie. A peaceful sigh doesn’t fit with a grey-brown palette, attempted rape, and a dead little girl getting her ribcage cracked open. Ripley and the alien had become one, and it cursed her until her final moment."
Alien 3

January 1, 1970

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