"The first season ended in mid-story, with the fate of the characters unresolved. The belated second season brought back all the main characters and the stylish designs. Roger’s nightmares/flashbacks, collages of robot attacks, burning cities, etc. led to a resolution of sorts, but once again, visual flash takes the place of clear storytelling. In some sequences, the cool, grayed-down palate, saxophone riffs and tough guy dialogue suggest the filmmakers are trying capture the film noir tone that made Cowboy Bebop a hit. But the stories lack the strong plot and gritty characters needed to support the stylish graphics. Spike Spiegel projected the intensity of a wounded lion; Smith feels superficial. Director Kazuyoshi Katayama simply lacks the visual pancahe of Shinichiro Watanabe, one of the most interesting directors working in anime."
The Big O

January 1, 1970

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